Michael Buchanan

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@JohnSullivan2003 5 күн бұрын

Buchanan is such a “CHAD” in every sense of the term. I aspire to have his tone and lyricism!

@治夫-f1u 16 күн бұрын

昔、バロック音楽以前の作曲家にガブリエルという人がいた。たくさんの教会音楽を書いた。その人が言ったかどうかは不明だが、トロンボーンは天使の声だ。教会の天井は高く響きがこもる。人々はその響きに神様の声、天使の声を聞いたのであると思う。確かに、メンデルスゾーンは吹奏楽の為の曲を書いているし、ベートーヴェンは4本のトロンボーンの為の曲を書いている。が、その頃の金管楽器の種類が少なかった。チューバとかユーホニューム、後、サキソホーンなんかは、かなり新しい楽器だと知られている。また、金管楽器を作り出す技術も当時に比べれば考えられ無いほど進歩している。

@Ki-e7s 17 күн бұрын

ferdinand david 트럼본 콘체르토

@geonmzahsan6640 23 күн бұрын

Great performance, poor recording

@SmallHandsBigMusic. Ай бұрын

This is one of the more impressive performances I have listened to. Killer musicianship... I learned a lot just by listening

@peach6405 2 ай бұрын

6:28 When you're playing David Concertino but you wonder if you turned the stove off at home...

@chunkyn00dlesoup 2 ай бұрын

4:46

@TarumiHarano 3 ай бұрын

9:30 動かしてないのに4音もでるの不思議すごー

@nilzaferreira-fx5hk 3 ай бұрын

Excelente 😊

@ditto303 3 ай бұрын

Bre dem soft notes! How???? 👏👏👏👏👏

@levoir228 3 ай бұрын

1:59

@andywaynick5201 4 ай бұрын

Just stumbled onto this performance. I almost did not watch it since this is not one of my favorite trombone pieces. But I am really glad I did. I have heard this piece performed by many trombonists, but this live performance may be the best I have heard. The first movement has so much left to the soloist, and Mr Buchanan handled it with such musical sense! The beautiful second movement was just that - beautiful. And the third movement was perfect. The way I describe this piece is by saying it is the trombone concertino where the beginning of the third movement sort of sounds like the theme from the old animated TV show “The Jetsons”. Wonderful live performance. Beautiful tone, perfect technique, and excellent overall musicality.

@lsusmauaksh3948 4 ай бұрын

What trombone and what mouthpiece is he playing on?

@chelojuarez5188 10 күн бұрын

Sigma bone with skibiddi 5g mouthpiece

@PeterGeorg-ez7ft 4 ай бұрын

Ein großartiger Posaunist und Interpret dieses Stückes . Hervorragende Technik, Dynamik und bester Ton ! Klasse auch das Orchester!😊❤

@alainpillot9268 4 ай бұрын

Ce soliste est d'un très haut niveau. Mais en plus on ressent qu'il joue avec amour de la belle musicalité.

@marcelogarcia1 5 ай бұрын

One of my favourite recordings of this piece. Simply magnificient, congratulations👏👏

@ねいろ-z3l 5 ай бұрын

15:16

@Samakflim 6 ай бұрын

goog

@claudemirbatistadossantosb1438 6 ай бұрын

Rapaz, que coisa espetacular!

@현우-j8v 7 ай бұрын

Fantastic🎉

@jakeguillot6246 7 ай бұрын

All the comments here are talking about how elegant this is, meanwhile I’m just here looking for a good high school solo piece

@AVIANAESMERALDASZISTENNO 8 ай бұрын

I used to be first chair trombone in high school I should’ve continued it in college and beyond. I love it ❤

@Ec0001 2 ай бұрын

It’s never too late to pick it up again ❤

@danielsantana5126 8 ай бұрын

Excelente!

@JonathanTheTrombonist 9 ай бұрын

Anybody knows what trombone he's playing on?

@yuraisii9842 8 ай бұрын

it's look like getzen 4147 ib

@natashakirilyuk6014 9 ай бұрын

Bravo Michael!!! 👏❤

@srswat1351 10 ай бұрын

1:58

@philosophicallyspeaking6463 10 ай бұрын

Talented and successful as a trombonist' yes, but that is a low bar! As is the case with 99% of trombonists, the music fails to manifest for being too much buried (and excused) under conspicuous sonic evidence of the musical accommodation 'thought' to be obligated by the instrument's awkward mechanics. To claim that this piece is harder on trombone than any other instrument is untrue, and its an excuse only another trombone player would accept for failing to make music, which is why the trombone as an instrument has never risen to the standard expected of a solo instrument. The problem is with the instrument's performance paradigm. Trombonists 'accept' as obligated the signature of their technical challenges instead of overcoming them. The only way that will change is if trombonists start studying with 'non' trombonists, who care about the music and don't care about the challenges, to stop excusing the current state of unmusical play. No 'non' trombonist' would commend or choose to listen to 'this' performance. Therefore, currently the trombone is only musically suitable for the orchestral parts that were written for them, in conscious accommodation, by composers disinclined to invest in them, for having low expectation, and seeing little sign of evolution. To prove it 'can' be done, here are two different trombonist whose state of play routinely defeats the instruments challenges, such as a 'non' trombonist might be inclined to entertain a general report of the instrument's ambition, claim and aspiration to musicianship. The goal is that there be more music than trombone in the performance: kzbin.info/www/bejne/fZrQemSupLuSr9Usi=ezqp3VutkvhXpjsZ kzbin.info/www/bejne/ZoXVmKeriMyfgsUsi=nxZ7pdMmH9MGMTNA

@everywherecubes2356 9 ай бұрын

op looks like we found the music police everyone🚨

@neilbassett6718 7 ай бұрын

Which trombone player hurt you? What a load of nonsense. There's plenty of extremely virtuosic and musical trombone players out there.

@philosophicallyspeaking6463 7 ай бұрын

@@neilbassett6718 Hi Neil! I agree, but if KZbin has taught us anything, its that technically proficiency and virtuosity are cheap commodities possessed by amateurs and hobbyists too. But 'musicianship',, now that's rare...especially amongst trombonists who use the mechanics of their instrument to explain and excuse a clumsiness and awkwardness that 'no other' instrument harbors; their performance 'bar' should 'become' ours too by evolution of...'expectation'; that's the performance paradigm that needs to change. The method necessary to it will follow just as soon as it is adopted as being 'required' to music! As for injury, there is none except the offence that can be avoided by not listening to 99% of trombonists. 'Some' jazz trombonist (you know their names) developed technique to win that musical facility I'm talking about and evolved, but their ability is dismissed as a 'necessary' method and lauded instead as 'unobtainable virtuosity' (to excuse their fear that what is expected of 'all other' proficient instrumentalists may come to challenge them) rather than a thing required by technical convention. See: kzbin.info/www/bejne/a2ekfJ9qqq1-oKMsi=fCEiNw4kvqRs62IB&t=15

@hunterlocke04 4 ай бұрын

What is bro Yapping about

@neilbassett6718 4 ай бұрын

@@hunterlocke04 I'm just now trying to work out if he's using AI to post his replies or if he actually believes his own word salad. Lol.

@BruceBoschek 10 ай бұрын

Very impressive and musically very satisfying. Thank you for this wonderful performance and for posting this here.

@Origen17 Жыл бұрын

Very very nice. You really took me by surprise at 4:01 when you didn't take the higher path on that melody. It's an important climax to the energy you were building!

@skahler Жыл бұрын

Sometimes ya just gotta slow it down some. One of the best lessons I ever learned from Jeff Coffin (saxophonist from DMB and Bela Fleck) as we played the blues at 50 bpm

@printempsverdure2250 Жыл бұрын

Which model is he using?

@rp1894 Жыл бұрын

why's that trombone player shaking the concertmaster's hand? how come he's on the front of the stage? what's going on here? he's going to throw off the whole balance. oh now he's just playing his own thing. why isn't anybody stopping this madlad? he's just up there playing as loud as the day is long. this is like the trombone equivalent of streaking across a baseball game. just walk in with a trombone and play right on the front of the stage and everyone is just too afraid to do what they should and tackle that poor degenerate. clean though. go play for tips on the corner like usual. i like how all the waiters are all wearing their work clothes. that's real nice of the orchestra to keep going even with all the tromboning. trombone that audience, bro. man if only this was supposed to go like this with the trombone of all instruments up in the front. i almost buy that the song was written like that with that one guy up in front. but then i think, no, it's a trombone. that would be ridiculous and insane. which brings me back to why security just lets whoever up there and play. does the conductor not have any situational awareness? whatever happened to personal space? in other words good job.

@jamessantos7076 8 ай бұрын

Yappa

@cmwidor Жыл бұрын

boris Becker unter den posaunisten ;-)

@greenjambone Жыл бұрын

Phenomenal!

@angowong1407 Жыл бұрын

1:58 for the people who don't want to listen to introduction

@AndresCDLM Жыл бұрын

Bravo!! No me canso de escucharlo!!

@治夫-f1u Жыл бұрын

メンデルスゾーンは、確か吹奏楽の為の曲を書いているはずではないかね？ベートーヴェンもトロンボーンの四つのエクアールと言う曲を書いていると思ったけどなぁ？

@KLSD-uc6yu Жыл бұрын

Good

@DavidF.Gonzalez Жыл бұрын

I can't stop hearing this performance. Absolutly brilliant❤.

@Slyyp Жыл бұрын

Better than every recording on Spotify, so I uploaded it to my local files to listen to in the car with no ads. Currently working on this piece for a potential performance in the beginning of 2024, I love being able to see the many different interpretations of this masterful piece, but this interpretation is by far my favorite. While being a monster-fully technical piece, this recording doesn’t make it sound like positions on a paper, it makes it sound like MUSIC. That is what I hope to achieve in the future. Thank you Michael for all of the inspiration you have given me, as well as everyone else in this comment section and the trombone world. We all hope to catch up to you one day! ❤

@dakotacompaan6292 8 ай бұрын

How did your performance go?

@Slyyp 8 ай бұрын

@@dakotacompaan6292 It went very well! I got accepted into the music program I wanted the most!! I have another memorized performance of this tomorrow for a chance at some cash and a permanent spot in a city orchestra! Im looking forward to it for sure! Im a lot less nervous about my performance tomorrow knowing that audition season is FINALLY coming to an end. Thanks for asking!!

@evanling7570 7 ай бұрын

Better than every recording period.