How in the everlasting fuck did i find this? It's beautiful, but how did i find it?
@benthurtle46704 жыл бұрын
Crap u did this on ur own?
@DueTrombe4 жыл бұрын
Yes, with the help of my daughter's video editing skills!
@michaelarnold4174 жыл бұрын
I fuckin' loooove the trumpet!
@cmcardle5 жыл бұрын
Glad I found the original piece. Like most band kids, I played this piece in school. It was awesome back then, and still is!
@thatonedude33125 жыл бұрын
nothing to see here, just a recent comment, keep scrolling.
@aaronleblanc92767 жыл бұрын
schön
@jamesbarries62248 жыл бұрын
primesautier et enjoué, la badine de la rigueur .fond d'âme...que du bonheur ...merci ,masters G.F.Handel ...
@richardnineteenfortyone75428 жыл бұрын
A friend of mine is making cornettos and none of them sound like this. I think a level of skill beyond that of an ordinary brass player is required. I wonder if an instrument could be built out of a dead oboe, as the conical bore is similar. The oboe holes could be filled in with epoxy and wood plugs, then the new holes drilled. An ordinary oboe staple could be soldered to a trimmed down trumpet mouthpiece. Something to try...
@JERJES587 жыл бұрын
The angle of the conical bore is excesively open to make a cornet. The bore near tho the mouthpiece needs to be wider and the end a little narrower. If not, high A will be difficult to find. An average measurement for a treble cornetto is 590 cm long, 2.4 cm diameter at the end and about 0.75 cm diameter near mouthpiece. Bore is almost a perfect cone, but historical models show little variations probably intended to adjust position of the harmonics along the tube
@williamsterrett14967 жыл бұрын
JERJES58 Do you have any information about how to make a Cornetto? I know it is made from two halves glued together and reinforced with leather, but what spacing should the finger holes be at? Isn't there a tight tolerance for the positioning of the finger holes? I'd imagine it would be easy to screw up boring them out and not be able to produce the proper notes.
@JERJES587 жыл бұрын
yeah, of course. I can bring you a measurement chart from a cornetto from Wien museum, the famous SAM 230. It's about a470-a467 tuning. You can later try to scale it up to lower the tuning to 440 os something.
@williamsterrett14967 жыл бұрын
JERJES58 That would be extremely helpful, thank you.
@JERJES587 жыл бұрын
can you give me an email?
@feoac9 жыл бұрын
Hi there, very nice job! Amazing arrangement and performance as well!! Please how can I get this arrangement? Thanks a lot!
@michelekennelley604910 жыл бұрын
My great uncle was Teddy Tetzlaff.
@JesseReith10 жыл бұрын
Wonderful!
@gtnsteve111 жыл бұрын
Loopylass, W. S. Gilbert & Sir Arthur Sullivan, "Tit-Willow" from The Mikado.
@Bigbearbeau11 жыл бұрын
now THATS class!!!!
@zeppy1313112 жыл бұрын
This is a pavane called "The Earle of Salisbury", by William Byrde (1538? - 1623). One of my early-music favorites, and played beautifully here. BTW, if you don't like the instrumentation the performers selected, suppose you stop whinging and go listen to something else? Thanks!
@jugglingmuse12 жыл бұрын
Simply lovely. *Like*
@skotmf12 жыл бұрын
Barney Oldfield is my cousin. My Great Grandfathers side of the family.
@pacman8050012 жыл бұрын
You are mistaken, that thing that you see is a return mechanism for the slide. very interesting horn
@mtrezise112 жыл бұрын
Fred Newman and Garrison Keillor are so funny.
@onezealous12 жыл бұрын
Where is the ice cream???
@mtrezise112 жыл бұрын
He wrote a book called Mouth Sounds. It came with a CD.
@mtrezise112 жыл бұрын
I remember Fred from Between The Lions.
@MrMarcvus12 жыл бұрын
He plays the instrument well but one question why use a piano to accompany him? The organ would have been better!
@pchantreau12 жыл бұрын
I disagree. What the author intended at the time of composition was not likely to be transporting future listeners to the past but to communicate feelings and emotions to the listeners of his time. If that was done well, these feelings and emotions are in the music regardless of instrumentation. Some instruments are better suited for certain uses. However, music can be is structurally so strong as to be totally instrument independent (i.e. Bach's keyboard music).
@brujo_millonario12 жыл бұрын
If you intend to transmit what the author intended and transport the listeners to the author's time, you should use the same instruments the piece was composed to. Otherwise it's just an interesting experiment which may go well... or not.
@mradaChris13 жыл бұрын
what is interesting is that historically it was written that castrati sounded like a cornetto. It is an eerie but interesting sound.
@CTUMFanfare13 жыл бұрын
The tempo is too fast. Good playing,
@brujo_millonario13 жыл бұрын
Harpsichord or even harp... NEVER a piano as accompaniment please. But they play very well.
@mtsumusic13 жыл бұрын
@mtsumusic Plus, if you want to be technical about the umlaut over Handel's name in German, everyone spells Mozart's name as "Wolfgang Amadeus Mozart," but Mozart actually wrote his name Wolfgang Amadé Mozart for most of life, since everything "French" was fashionable in his time.
@Nikifuj90813 жыл бұрын
Correct me if I'm wrong, but is this music in Cinderella Penguin?
@stick4hire13 жыл бұрын
Thanks for all the wonderful comments! My name is Todd Fiegel and I am the composer and conductor of this piece. I originally wrote it for tuba ensemble, in which version it's been performed at 5 international conferences and hundreds of other venues. The quintet version's also been performed by many professional and faculty groups and was read and received very well by the Canadian Brass. I performed it with the Boston Brass at ITG in 2008. Thanks again! todd (at) celluloidbrass (dot) com
@stick4hire13 жыл бұрын
Thanks for all the wonderful comments! My name is Todd Fiegel and I am the composer and conductor of this piece. I originally wrote it for tuba ensemble, in which version it's been performed at 5 international conferences and hundreds of other venues. The quintet version's also been performed by many professional and faculty groups and was read and received very well by the Canadian Brass. I performed it with the Boston Brass at ITG in 2008. Thanks again! todd (at) celluloidbrass (dot) com
@bertiesp13 жыл бұрын
@falcons1988 The 1680 trumpet certainly did NOT have fingerholes they were perfected c1970 !! There is another trumpet in the Museum of London from 1787 which has vent holes [a totally different system from modern ones] but they are not used for trilling. Best CS-P
@falcons198813 жыл бұрын
@DueTrombe Not quite, usually Organ, untilising the Trumpet Stop for the solo line.
@falcons198813 жыл бұрын
@crispiansp I have that recording, are those trills on the 3rd and 4th beats of the 1st Bar and elsewhere in the music, lip trills or done using finger holes.
@JosDetermeijer13 жыл бұрын
the video seems to be out of tune with the sound. the trumpet sounds allready before he sets it to his mouth. but for the rest I like it!
@ZDevelopers13 жыл бұрын
Nice
@kabivose13 жыл бұрын
@bigmandrel And of course we would have to listen with 480 year old ears.
@NickRobo199413 жыл бұрын
so are those just all open partials?
@battleclown200013 жыл бұрын
I think this is interesting. I had a reversed performance situation in the past. I am a euphonium player and played a Baroque piece for a undergrad recital, accompanied by harpsichord instead of piano, which would be the norm. Just because two instruments don't historically belong together does not mean they cannot create something that is of value or even something beautiful.
@DanielFitzgeraldPiano13 жыл бұрын
A wonderful instrument & sound with beautiful playing. Thank you Mr. Steele-Perkins.
@iiiiiiabhishekiiiiii13 жыл бұрын
Purcell Is Great,,, So Beautiful Music
@HoboProductionsCo13 жыл бұрын
Great music, one of my favorite films
@FostersBLUE13 жыл бұрын
thank you for this music, inspiration.
@DueTrombe13 жыл бұрын
This is a demonstration and you do what you can when you are on this kind of a tour. Unfortunately, not every place has a period instrument ensemble at your disposal.
@DueTrombe13 жыл бұрын
I didn't create the score. This was presented at an ITG (International Trumpet Guild) conference. If I can find the old program, I will post who put it together.