When you try to get out of the industry, videos like these fuck you up and make you a fanatic of cinema
@Bercyable4 күн бұрын
Carl would have loved this shot...
@iltonkdr5 күн бұрын
Thank you Cooke optics for providing this amazing presentation!
@adrianbarac30635 күн бұрын
These men are bloody gods, and Contact is one of the greatest films ever made. Hats off.
@noodle123ify6 күн бұрын
Such an elegant and well-conceived shot, that I had to watch the explanation twice before I understood the trick of it
@ellisbaggs58377 күн бұрын
Thank you for this! It's like magicians revealing their illusions after many, many years. I had been confounded by this shot for all this time. Genius!
@andrewcambalik1469 күн бұрын
Back when Contact was originally released, my friend Chuck claimed that the popcorn on the floor was in the form of a constellation. We thought he was just full of it. Thanks to this video, it turns out he was right. Chuck, if you read this, I owe you an apology.
@jasonmulikita11 күн бұрын
This is a very helpful conversation, thanks!
@EricAroundTheWorld38916 күн бұрын
Love his sense of humor lol
@missionabandoned18 күн бұрын
Great talk
@ct685218 күн бұрын
The subtle change to slow motion is very cool. Saw this when I was eleven and this shot was what made me realize film could really be stylish and artistic visually as well as telling a story. Before that I never really noticed the technical aspects of a shot.
@KavanBahrami18 күн бұрын
Legend.
@loganswiss690319 күн бұрын
Great video about a great cinematographer working on a great effing movie! THAT shot still baffles me to this day! When it was shown on TV, I asked people around me the following day what they thought about that amazing shot, and nobody knew what I was talking about... I dunno if it's a compliment to the movie itself (they were taken by it), or if people just don't pay attention to the poetry of film making...
@alexcoyg328119 күн бұрын
My favorite shot of all time❤ this is pure art. Bravo!
@DANIEL-ho4gr20 күн бұрын
¡Amo esta Pelicula, y en particular esta Escena. Tambien en la escena de recepción de la Señal y el angulo de la camara por sobre el carro de Ellie en movimiento.!
@NJthe622 күн бұрын
I love this movie
@Whocares79222 күн бұрын
0:33 but was he influenced by Phil's 20 years in the can?
@artistsingerwriterproducer828822 күн бұрын
Hi, you like my work? Book me etc
@markbommarito130024 күн бұрын
I alway thought it was filmed the and backwards. She starts at the Open Med cabinet, closes the door then run backward. The way the girl runs and the bounce of her hair seems odd unnatural. Which would happen if you've tried running backward. And it would look very strange once reversed. Obvi. she couldn't run backward down the stairs (dangerous) so I thought the bathroom and hall was real, but the transition down the stair was cgi. When in fact the girl was still running backward and had to turn slightly to her left at the top of the would be stairs and foyer.
@CribNotes24 күн бұрын
Even with Don Burgess' great breakdown of this shot, I'm still not quite sure I understand how the fk they did it. LOL.
@cmorellato25 күн бұрын
this is purely beautiful work
@ariplatt819225 күн бұрын
I still don’t get it
@musicforfilmandtv671825 күн бұрын
A great "performance" movie. Not much of a story.
@michael_mackley25 күн бұрын
The hands don't match each other's position when reflected in the mirror though. The full body hand is slightly quicker at reaching for the cabinet's handle than the foreground hand.
@artman2oo326 күн бұрын
One of the best shots in cinema history!
@darkzak4727 күн бұрын
I love this movie from start to finish. It captures the kind of chaos that would ensue if something like this happened
@mikezooper28 күн бұрын
Flop the staircase? I didn’t understand that part.
@haveatyou1Ай бұрын
I dont understand what this man is saying
@buddafingahz9057Ай бұрын
This shot always blew my mind. Thanks for sharing the secret. Had to watch twice to get it.
@Statek63Ай бұрын
Dude is talking way too slow 🤣
@spamlessaccountАй бұрын
The picture in the mirror at the end is a gut-punch.
@mjl1966yАй бұрын
Seamless except for the lighting change...when she rounds the corner, the key lighting ramps up big time.
@mjl1966yАй бұрын
Ah ha! You can see where her hand pantomimes grasping the door. I have ALWAYS WONDERED how this shot was done. I can usually figure it out, but this one had me flummoxed just because it's a tracking shot. Hop to blue screen... OK.
@manixburn6403Ай бұрын
Surely this shoot is fantastic...that's an intro. Oo'
@deydraniadiancecht8298Ай бұрын
Contact sucked. An alien race invaded the mind of a woman pushing her to spend billions of dollars constructing a device to make contact. When it was finally constructed, the contact left no evidence which meant that the the main character was a complete fraud. So dumb. She learned absolutely nothing because the aliens were so arrogant that they didn't even appear as themselves because she wouldn't be able to handle seeing a being that didn't look like a familiar human. Such complete garbage. I hated that movie.
@carjaune6793Ай бұрын
Too bad the movie was a mindfuck with a very creepy Matthew McConnaughey
@KaiserSaucyАй бұрын
All that work totally paid off - I literally remember seeing it in the cinema & thinking “wait - what tf did I just see?? Even now it stands up as a legitimately genius shot concept that was flawlessly executed. Contact really stands up as a true, credible, smart classic - the opening shot also absolutely blew my mind back in the day. Just amazing. Bob Zemeckis is such a visionary filmmaker. Hats off to the entire cast & crew on that movie. 🫡
@grainnegowen5758Ай бұрын
Unless they study this stuff most people have no idea how complex film making is
@alpacatwoniner2370Ай бұрын
i was wondering how they pulled this off, very interesting and well done shot
@buggerlugz6753Ай бұрын
A 1997 movie still has in 2024 one of the best visual FX I've ever seen.
@Its_just_me_againАй бұрын
apart from how she looked like she was running on the spot with her arm movements which somewhat jolted the immersion - it was a great shot! great movie!
@PsychoShootaАй бұрын
Thanks for the word champ
@richardmckrell4899Ай бұрын
The girl running with her hands clenched looks really fake. Also, no one has all the prescription labels facing out in their medicine cabinet.
@TechnoCaveman1Ай бұрын
I always found this scene to be brilliant, amazing and often wondered how they did it. Thanks for posting.
@TackJorranceАй бұрын
You always know someone knows their shit when they understand that you have to shoot above your intended delivery resolution if you want it to look its best. For that reason, the people that say you don't need more than a 4K camera are all phocking ree-todds.
@d.ashgrove1247Ай бұрын
Seriously? I couldn't even watch more than 30 seconds. Get to the fucking point.
@joshuacalkinsАй бұрын
I assume that the final result here is in fact two shots, and the girl reaches toward the camera, then the cut, and then the hand opening the door.
@glucid4222Ай бұрын
The movie, just like Carl Sagan's vision, was so much ahead of its time that, if mankind ever had choose a piece of cinematography to represent us, our hopes, our dreams, our struggles, our discord, our fears, our tenacity and outright grit to fight for our beliefs centered around this very monumental event of our first contact, in our first contact with an advanced alien race, the way we attached the gold plated phonograph and pictorial plaque to the Voyager 1 & 2 space probes, the movie 'Contact' would be our perfect 'calling card'. As a human, I'm very proud to live in the times and progress stage of our civilization that coincides with the advent of the visionary outlook of people like Carl Sagan and the producers of this movie to bring into our race's focus the importance of being ready for exactly this kind of eventuality.