Ja eller hur! Heder till alla som är beredda att ändra sig och byta åsikt, det är inte så lätt alla gånger.

I trailern så är det två olika låtar av Pernilla Taavola förutom den första minuten ca som jag inte har namnet på just nu. I själva filmen så förekommer även en hel del stämningar av Marcus Montgomery.

@@JohanGranstrand aa Okey 😊 tack så mycket för (snabbt) svar 🙏🏽

@@KP-ww4bh uppdaterat mer korrekt svar: den första musiken är Megan Woffords My Gift. Mittenpartiet är The Sun av Pernilla Taavola och slutet är originalmusik av Marcus Montgomery. I trailern alltså. Filmen är en annan sak.

@@JohanGranstrand Okey tusen tack 😊

Hi! Sure I’d be glad to help. You’re saying you want to fish the river and you want someone to guide you?

Hi. I guess I could provide a Vimeo-link to a 4K version, sure. I’ll arrange that and post the link here.

Hi Paul, Now here's a full 4K, 4096x2160, version on your request. Some frames perhaps looked better with the previous crop-ins but I understand that it can be interesting to look at the 4K version. I exported it at 100Mbs don't really know how much vimeo then compresses it, but probably down to somewhere around 40Mbs or less, so any artefacts or such should be due to the conversion and low bitrate. Do compare with the DJI Inspire footage (the drone shots) that comes from 100Mb/s originals instead of the 410Mb/s from the C300. vimeo.com/433543218/f11eb43635

@@JohanGranstrand Thanks!!!

I shot it all in XFAVC as I wanted to try it out in my normal work flow where there’s typically no room for raw. It’s soft because it’s not graded I think, not because of the codec, I’ve only corrected the log-3 with a standard ARRI LUT. So no noise reduction applied. Straight out of the camera. I could’ve shot the back lit shots with log-2 for sure but with the mark II I would always use the log-3 in low light conditions to reduce the noise in the blacks and use log 2 only in very well lit high contrast scenes. The mark III obviously handles noise a lot better so the log-2 is probably useful even in lower light conditions also for when you need that extra dynamic range.

Johan Granstrand ahh I see! Yea for my projects I’ll probably use XAVC most of the time as well. But since RAW compressed it’s data rates for higher FPS, I think I’ll just record RAW for anything above 50fps and use proxies in edit. Also Canon suggest using Clog2 for the best DGO performance. Can’t wait to test mine even more

I like to think about the different logs as different film stocks. For high contrasty scenes when you really want to capture all the Clog2 is probably the best and for bland weather, rain, overcast days and during night, the Clog3 is probably better in preserving the black in the blacks with less noise. At least that was the case with the mark II. But I'm sure you're right that the DGO comes to its full right in the Clog2.

Glad to hear that, thanks!

Oh lucky you! I saw there’s been some serious dumps there already. This is shot further south, closer to Narvik than Tromso.

YiYun Cheng thanks! You’re welcome anytime, Sweden is waiting for you to come.

tommern agreed. Many rivers were lost and all too few were saved. But eventually they will all be free again. If not in our time so in the time of future habitants of this world.

Hi John! It depends from year to year. But a typical year the best period would be during the second half of June and first week of July when most fresh salmon run the river and the river runs high enough and at a good temperature. Far from every year is typical though as you know. Last year was a strange one, with the spring flood being huge, early, ice-cold and very concentrated to a short time period in late may/early June and with steady high temperatures for weeks in a row the river dropped all too fast and got warm before most salmon had even thought about starting the run. Many of them probably hadn't even arrived at the river mouth at the time. Most of the summer, but for a few days, the river ran too low and at too high temperatures to fish in even.

@@JohanGranstrand Thank you Johan for your reply ,i am coming to sweden in late june an would really like to fish there ,it looks lovely .do you know permit costs etc ?

@@JohanGranstrand Thank you ,is it easy to find the pools and are the fish just in the lower river early in the year ?

Great, you definitely should try it, I couldn't recommend it more. Last year the permit for salmon fishing was around €60 for a full season, it should be somewhere around that. For that you can fish catch and release all season.

@@johnwenlock4848Most of the fishing starts some 30km from the river mouth. The first stretch of the river consists of lakes and wide slow-flowing areas (with a few exceptions) and has very few natural holding places for salmon. Most fish will run this stretch the first one or two days and nights and will then find their place higher up the river, where there are more holding pools and the rapids and pools are much closer to one another, making it easier to fish there. All the obviously good pools are marked with signs by the road and are easy to find and pretty self explanatory when it comes to fishing them. But clearly your chances for a catch will increase significantly if you fish with a local guide who knows the water and where to fish in which condition. Here's a place where you can buy your permit, find accommodation and hire a guide: sorbyn.se/en/

Thanks mate! Glad you liked it!

Hi Michael. Thanks for reaching out. I'm glad the video made you want to go fishing. Here's a good starting point for going fishing in the Råneå River: sorbynfishing.com The Sorbyn Lodge offer both accommodation and skilled guides that knows every corner of the river.

thank you Johan, i will give it go

That’s great! When you decide to go please let me know if I can help out in any way.

hi Johan, thats very kind . i live in stockholm an was thinking late june ,july .any tip would be welcome