0

ROCAS

MARCS

Give me the bag

HOUSE

THE SUSPENCE OF THAT MOMENT, WHEN ANITA FIGURES OUT CRUELLA'S PLAN...EVEN WHEN SHE SAYS THE SENTENCE TAKES MY BREATH AWAY IN AGONY!! 😨😨😱😱😱😱😱😱

That score is superb utterly superb

0:25 cowboying in with that axe man

Jasper: “Thank the Lord.” Horace: “We’re saved.” Harry: “This is lovely in here, isn’t it?” Marv: “Yeah it really is.” Jasper: “Nice and warm.” Horace: “No animals neither.” Mama: “Tell me about it.” Francis: “Ha ha ha ha ha!” Harry: “Ha ha ha!”

I love that Tin Man is carrying this axe around for the whole movie never using it and then he finally gets his moment here, doing what he was made to do in order to save his friend.

Wow Bugs Land looks like fun!!!

1:48

0:27

Puppy 🐶

Leave my dear sister miss cinderella bell alone evil stepmother

Fun fact: The peach was mistaken for a bomb in the original novel.

Anyone noticed the fish heads on the play to the same ones that spiker and sponge gave to James

Anyone else hate how he’s chopping the door the wrong way?

Lol

The Rhino's getting closer!

This introduced me to night in bald mountain 38 years ago at 4

Scarecrow afraid of flame!

It was a typical Saturday morning for Mark Pearson as he settled in with his iPad Pro 13, ready to dive into his latest project using the Procreate app. As a talented graphic designer, Mark loved the versatility and precision that the iPad Pro offered, allowing him to create stunning digital artwork with ease. Today's project was a collaboration with renowned costume designer Linda Cho, who had been inspired by both the fashion of the 1860s and the sleek modern styles of the 2000s. Together, they were designing a fencing suit that would be featured in an upcoming production of Succession, a popular Broadway play. As Mark sketched out the intricate details of the fencing suit on his iPad, he couldn't help but marvel at the seamless integration of technology and creativity that the device offered. The Procreate app allowed him to experiment with different colors, textures, and patterns, bringing the design to life in ways that would have been impossible with traditional pen and paper. Meanwhile, Michael Lewidge, an up-and-coming playwright, was hard at work on the script for Succession. He sat at his desk, surrounded by stacks of notebooks filled with ideas and dialogue, tapping away on his own iPad Pro as he fleshed out the characters and plot twists that would captivate audiences. Across town, James O Born, a bestselling crime novelist, was also using his iPad Pro to brainstorm ideas for his next thriller. His fingers flew across the screen as he outlined the twists and turns of the suspenseful plot, drawing inspiration from the real-life cases he had encountered during his time as a police officer. As the day went on, more and more creatives in the industry turned to their iPad Pros to fuel their imaginations. Joseph Finder, David Baldacci, Dan Brown, and James Patterson all found solace in the sleek device, using it to sketch out characters, plot lines, and settings for their next novels. Jim McCloskey, a true crime author, turned to his iPad Pro to research the latest developments in his ongoing investigations, while Brendan Dubois and John Sandford collaborated on a new series of crime thrillers, bouncing ideas back and forth through the Procreate app. Jeff Kinney, the beloved children's author and illustrator, used his iPad Pro to bring the misadventures of Greg Heffley to life in his latest Diary of a Wimpy Kid book, while Adam Hamdy and RL Stine worked on their own respective projects, each finding inspiration in the digital canvas of the device. Robert Crais, John Grisham, and Ashwin Sanghi all found new ways to push the boundaries of their storytelling using the advanced features of the iPad Pro, while Mike Lupica and Michael Crichton delved into the world of sports and science fiction, respectively, with their own unique twists on the genres. John Sampson and Howard Roughan collaborated on a new legal thriller, Peter De Jonge and Stephen King explored the horror genre, and Daniel Abraham, Mark Sullivan, and Lee Child delved into the realms of fantasy, espionage, and suspense, each bringing their own brand of creativity to the table. Joseph Pleck, Brent Gargan, and John Flanagan found new ways to engage with their fans through interactive storytelling apps on the iPad Pro, while Tim Malloy, Marshall Karp, and Chris Tebbetts experimented with multimedia projects that combined writing, art, and music in innovative ways. Martin Chatterton, Harlan Coben, and Dennis Lehane continued to push the boundaries of their respective genres, while Neil Gaiman, David Sedaris, JD Barker, and Michael Connelly used the digital platform to connect with readers in new and exciting ways. Brian Hills, Mark V Garrison, David Ellis, and Matt Eversmann explored the intersection of technology and creativity, while James Goulty, John Connolly, Ayad Akhtar, and Andrew Bourelle experimented with new forms of storytelling that challenged traditional conventions. Chris Mooney and Chris Grabenstein found new ways to engage with their audiences through social media and interactive storytelling apps, each pushing the boundaries of the digital landscape in their own unique way. As the day drew to a close, the creatives reflected on the power of the iPad Pro to inspire and elevate their work to new heights. They marveled at the endless possibilities that the device offered, from sketching out concept art to collaborating with peers in real-time, and they knew that their creativity would only continue to flourish with the help of this cutting-edge tool. With their iPad Pros in hand, the creatives of the industry knew that they had the power to shape the future of storytelling, one digital brushstroke at a time. And as they powered down their devices and prepared to rest, they eagerly looked forward to the next day's opportunities to create, inspire, and innovate in ways that would change the world of art and literature forever.

IF YOU ASK ME THEY WILL. I THINK THEY JUST WENT LOOKING FOR THEIR PUPPIES. YOU KNOW WHO DID THIS DON'T YOU? I'M FOR ONE WOULDN'T BE THE LEAST BIT SURPRISED. SHE HAS A TERRIBLE TEMPER ON HER. THE DOGS NEVER CARED FOR HER. DOGS HAVE A SIXTH SENSE ABOUT THINGS LIKE THAT. THEY CAN SMELL ILL INTENTIONS. 0:01 0:02 0:03 0:04 0:05 0:06 0:07 0:08 0:09 0:10 0:11 0:12 0:13 0:14 0:15 0:16 0:17 0:18 0:19 0:20 0:21 0:22

I love Mr. Centipede he cracks me up.

0:33 0:36 ツイてない!

JrzvtnJTJTOEQPRJvtk

I love the show

HERE'S TINNY! 🪓

My friends who are all male we’re watching this with me and they all said they do the same for me 🥺if I was in that situation

"Dogs have a sixth sense about things like that. They can smell ill intentions"

Meh😴😔😵

She hate been wet

0:35 Uh, is this Cinderella or Pan's Labyrinth? And why does the Fairy Godmother in that brown cloak look like E.T.? I kept expecting Elliot to show up out of nowhere.

Lucy Eddie In Love Wedding Bells

(Foghorn noise) Ed: Land ho! Eddy: This is it! Ed: New York city, yay!

0:25

First Pongo causes Roger to fall into the pond and now Perdy causes Anita to fall into the pond.

Perdita and Pongo off to the hero rescue oorah yeah.

😆😆😆 😝👏 I KNEW IT! 🤭You both evil aunts have no more idea of ocean floor control than a swimming auto!

0:05 Unexpected visitors?

Being bossed around by a witch b##ch,Almost dying in their truck,almost getting shocked to death by an electric fence and out all night with little to wear I can see why they decided to surrender.

This is the moment when Anita realizes why Cruella motives were really evil and why she stole the puppies in the first place.

Oby nie było za późno. Jak zwierzęta wiedzą, że mają uciekać, to robią to. Na pewno nie będzie.

Lucky is my favorite puppy

RHINOS ARE NOT EVEN THAT SCARY

The chnage stand is pretty birds fish butterfly

Its so sad that both of her parents dies 😢

She sings so beautiful ❤

Dziwne że nie pokazali jak je wszystkie zabierają.