Italian music all the way. Always the best.

Simply wonderful ❤

❤❤❤❤❤❤

I have just tried to follow this with the score. My God. It is hard work but worth it then do second listening.

My catalogue lists it as TWV 1:634 and not TWV 1:638; the title of BWV 1:638 is: "Gott, du lässest mich erfahren". Mine is only a contribution for clarity. The cantata is beautiful.

As a Jew he fled the Nazis in Poland, the Soviet Union saving him and preserving him. He was too sweet and humble to lose his gratitude, despite the ghastly oppression he witnessed in the Stalin era.

wonderful but apparently he did not compose any violin concertos

Alexander, not Anton.

I so wish he expand the motif in the first movement in a continuous 20-minute-long single movement

Beautifully bleak

An eerie scene in the film - well reflected by the score!

De mortuis nil nisi bene ......wenns auch schwer fällt hier

❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤my instrument❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤

Thank you for uploading! Just wanted to let you know that this is a photo of Elsa Barraine, not of Desportes.

Un gran músico y una gran ópera.

Хубава успокояваща музика.

Qué belleza. Mucas gracias por subirlo.

Je suis d'accord. J'en cherche une mise-en-scene plus moderne mais fidele.

Une jolie oeuvre, à reprendre avec une distribution de premier plan et une mise en scène ingénieuse pour la mettre en valeur, comme récemment pour le Voyage dans la lune ou le Roi carotte :)

21:00

I must find a works list for AllanP. Tge 2nd vn. Concerto.The viola concerto the stringQuartet wviolin concerto. The7thSymphonu. Anypiano music?

10:24

Very nice score! A studio recording would definitely be in order!

I presume this is Mary Thomas singing.

Bellissima opera! Peccato che i teatri italiani la snobbino…farebbe bene un po’ di campanilismo oltre i novecenteschi nomi altisonanti di G.Puccini e P.Mascagni!

AD MAJOREM DEI GLORIAM 🌸🏵🌹🥀🌺🌷🙏

1:09:36

19:34

❤

@2:25 @1:09:00

I believe this recording to be with Philip Fowke as piano and Barry Wordsworth for conductor. However I could be wrong..

28:46 Away, far away to the woods let us stray And dance and play in the parting day In the fragrant air, hand in hand, pair in pair Ah! Love is fair! For the sun will soon be gone far away So come along with laughter and with song Each with his love to the woods let us stray Far, far away. See, the sun is going down And night shadows soon will frown From the trees out there So away, far away, like the glowing parting day Let us also steal away to kiss and play Ah! Love is fair! (Irmelin) Could I but go to the woods And follow that merry band; But I've no mate to roam with In the twilight, hand in hand.

Qué buen trabajo 👏👏👏👏👏

Most beautiful and melodious!!! 😊

Absolutely sublime music!! And Dorothee Mields has such a beautiful pure and gifted voice!! ❤❤❤

1:02:43 flashback from Vivaldi's RV 157)). It's a joke of course. The whole oratorio is a great example of Passionsmusik, in its depth and development of rich musical ideas something near the Bach's BWV 244 and 245.

Großartig !!

Does anyone know who is playing here and the discographical information?

La distribution exacte : Mady MESPLÉ (Ginette), Philip DOGHAN (l'impresario), Gabriel BACQUIER (Maurice), Maurice BAQUET (réalisateur)

14:12 mov3

Petite oeuvre qui échouera lamentablement à sa création en 1805.

It's his first Piano Sonata

Музыка Леонардо Винчи неподвластна времени: она всегда свежа и энергична, блещет пылкостью и красотой. Leonardo Vinci's music is timeless: it is always fresh and energetic, sparkling with ardor and beauty.

Thank you Rare Classic! Score & parts of this work are available from me via Westfield Music.

"Transporting the girls across the state lines for immo-oral purposes!!!"

Gasparina, giovane caricata: Daniela Mazzuccato Lucieta, fia de dona Cate: Giusy Devinu Gnese, fia de dona Pasqua: Marina Bolgan Orsola, fritolera: Cinzia de Mola Dona Cate Panciana, vecia: Ugo Benelli Pasqua Polegana, vecia: Max René Cosotti Zorzeto, fio de Orsola: Maurizio Comencini Il Cavalier Astolfi: Manrico Biscotti Anzoleto, marzer: Ildebrando d'Arcangelo Fabrizio dei Ritorti, zio di Gasparina: Carlo Striuli

Although this is an absolutely incredible work, performed pretty well for the abilities of the time in the 1980's, this recording is far far from what this work has the potential to be…! To start with, this recording is only around half of the opera, cut up into little bits in order to fit onto 2 LPs, so the musical narrative is completely incoherent, plus in addition some movements themselves have even been cut down seemingly due to the limitations of the amateur-sounding choir. I highly recommend purchasing the new 2022 recording of this opera on 2 CDs, played by the orchestra ‘Les Passions’. It is truly on a completely different scale as this oftentimes rushed performance with an amateur choir, lack of emotion, limited percussion, unbalanced sound etc. I cant recommend it any more, if you can afford it, buy it, I think it’s €25. Its one of the best things I’ve ever heard in my life. I have tried to upload it to KZbin but unfortunately it gets copyright claimed and removed, so instead I am letting you all know how exceptional it is.

What an ambitious composition

I've heard another oratorio by Massenet "la Vierge". The music selected for the ballet "Manon" (see wikipedia for the sources) relayed from Covent Garden last night suggests this great composer is unfairly neglected. A presenter made serious mistakes in the the pronunciation of Abbé Prévost (abBAY prayVOH), also by saying the ballet contains excerpts from Massenet's opéra-comique of the same name. It does not.