Michael D'Angelo

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@jsonny333 5 күн бұрын

Is warming up with your feet just as important? Of course our hands but we use both our hands and feet. Any tips for the feet?

@miguelpessanha Ай бұрын

For Jazz you can't go wrong with XY. It gives the most narrow stereo image, but it gives the most accurate representation, the best phase relation, and the best sounding shells and overall whole picture of the kit.

@carmushroom Ай бұрын

this is the kind of thing that youtube exists for

@tomppla2325 Ай бұрын

best drum cover on youtube by far

@gerdmilano8137 Ай бұрын

Great video.Could you please elaborate how you tune the bass drum? It sounds beautiful and dry, considering you are probably not burying the beater? My kit would get so boomy at that pitch it is really a struggle.

@rexweible3747 Ай бұрын

glyn johns

@cowboytonydee 2 ай бұрын

It’s unfair to put the AT2035 in there! I feel like SE8 is the best bang for the buck and the TLM102 is the most romantic of the bunch therefore probably best suited for this purpose. Funny how it really worked here but never really liked it elsewhere.

@usinganear 2 ай бұрын

May I ask what your method is for tuning your snare? It sounds absolutely lovely! I'm usually pretty forgiving/don't necessarily get too fiddly about snare tone, but your sound here really stands out as being gorgeous! It probably also has a bit to do with what heads you use as well! Thanks for this great video and any info you could provide if you see this!

@alterhijo164 2 ай бұрын

Great video! I mostly play indie rock type stuff but this was very helpful. I’ve tried coincident pairs and resorted back to spaced pair. I’ve been using the phase meter in my daw to check if my overheads are in phase. The shells usually line up in the middle but the cymbals are always close to zero. It sounds good to my ears but I was wondering if that was a problem.

@pibroch 3 ай бұрын

Liked CENTRE 1" (with the overheads).

@kyuseok98 3 ай бұрын

I really like every sound you captured 👍 One question, How high did you put overhead microphones?

@samstevens2108 3 ай бұрын

What do your sticks weigh? I have a pair of rick’s 72g barrel tip black wenge sticks, and was surprised when i saw them in the thumbnail!

@michaeldangelomusic 3 ай бұрын

@@samstevens2108 Mine are 82g

@RocknJazzer 3 ай бұрын

Great, tho the audio seems to be a fraction ahead of the video, which is slightly throwing me off what you are doing

@tedwardsdrums 3 ай бұрын

Awesome!

@timgawertdrums 3 ай бұрын

Awesome!!

@HakanKlcoglu 3 ай бұрын

Thank you for the great tips. Engelhart approach sounds lovely I think. So naturel.

@wyattk.4304 4 ай бұрын

YESSSSSS

@dennyburkes 5 ай бұрын

Thank you for this video. Finally someone posting a drum microphone tutorial who actually knows how to tune a drum kit! 😃 Your video is helpful as I have been in the middle of recording an organ trio of late. Using a Gretsch bebop kit tuned high and resonant like yours. I have tried a few different configurations and microphones but keep coming back to a single ribbon overhead. Just a cheap golden age ribbon microphone. But I find that the ElectroVoice RE20 makes a fantastic bass drum microphone. Particularly for those wanting to capture jazz bass drums that are tuned high with no baffling and a solid resonator head on front. I position the RE20 near the edge of the drumhead, but about 9 inches away from the head and pointed toward the center. This mic works well because it doesn’t scoop out any frequencies like most dedicated “bass drum microphones” do. Anyway… Your video is timely and helpful and I appreciate you!

@piggycity 5 ай бұрын

Thank you so much for making this Jazz Drum recording video! So true what you said about all the other videos out there.

@JellyBags80 5 ай бұрын

Hey there, Mike! Great cid- glad I stumbled across your channel -Thomas Eby

@scifisyko 5 ай бұрын

The drums in this song are so crisp and understated - elegant in the scientific sense, they do PRECISELY what they need to do with no pointless overplaying. That ride cymbal in the last chorus is just *chef kiss* and you totally nailed it!

@jason.martin 5 ай бұрын

take 4 behind was the most balanced and natural of them all. great test!

@godofspacetime333 6 ай бұрын

Steve Albini has used two over-the-shoulder ribbons as overheads for a while now, it’s not uncommon in the world of rock and roll to record drums that way.

@marcgalo9476 6 ай бұрын

waw ..... Engelhart did it for me to ..... great thanks

@lewest7317 6 ай бұрын

Nicely done technically and inspiring, as Max would have liked it. Also. Where did you get that T-shirt??

@n1cK666 6 ай бұрын

Nice video! One question, where do u point the overheads on Engelhart setup?

@michaeldangelomusic 6 ай бұрын

Place them above your shoulders pointing toward the middle of the drum kit on each side, for example in between the ride cymbal and floor tom

@n1cK666 6 ай бұрын

Thx!

@smashinproduction 6 ай бұрын

thanks! my favorite is Engelhart. Usually I use AB spaced. Also recently I saw pictures of Coltrane quartet Lost Album and Rudy used just two mikes. One between cymbals and second next to Hi Hat.Interesting

@Nipsy06 7 ай бұрын

Michael, This is Sick! I have been a huge fan of yours since hearing you with the One O'Clock back in 2009. Your style and touch on the drumset has always stuck with me since then. This video is insane! You are a huge inspiration to me and one of my favorite percussionist of all time. I hope you are well and still sharing you incredible talent with the world! -Addison

@robhussen 7 ай бұрын

Great drum sound all the way! For the best comparison it would be nice to play the same thing and also add the Tom’s in every example! Thanks man

@soyandresortega 7 ай бұрын

Engelhart!!!

@thebarak 7 ай бұрын

I left the same comment in your mono overhead video because I had not yet found this one. But using an XY field recorder (e.g. Tascam or Zoom), I put it over my right shoulder, and it hears what I hear ( Englehart) but I do not add an additional bass drum mic. My bass drum had no damping or porting. This is the poor man's studio on a stick.

@thebarak 7 ай бұрын

I use an XY mic pair (on a field recorder) over my right shoulder and it seems to hear what I hear. I have not needed a second mic for the bass drum.

@heyguysitsmeagain9194 7 ай бұрын

phenomenal. i just listen to this on repeat!

@ornleifs 7 ай бұрын

The only thing I missed was a clearer High Hat - a lot of times I saw it move but heard no sound.

@SoundsToBlowYourMind 8 ай бұрын

Superb video! They all sounded great to me although your kit / tuning and drumming performance have got a lot to do with that, but the differences in the mics were so very subtle. I was thinking of upgrading my overheads from a pair of AKG C1000s, to something a little bit better. I'm thinking either Lewitt LCT 040, Rode NT5s, or SE8s, but, I already have one Rode NT2A, so maybe another one of those, would make a great pair of overheads, then I have options for doing a blumline pair, mid / side recordings etc!

@monoplectronic2010 8 ай бұрын

End the madness, put a FET47 somewhere in front of that kick, 12-18" out, give or take. Or go vintage crazy, put a 4038 on the beater side, to the right of your pedal, far enough back so the click and the boom merge. Call it 'thwap', on a low calfskin vibe it's old school heaven. Don't forget to flip the polarity on that pre!

@ReinerDamisch 4 ай бұрын

I'm also a fan of putting a mike on the beater side and also getting some leakage of the snare bottom this way. How much, I can level with an EQ on around 5kHz. Most jazz drummers I record are looking for a kick drum sound similar to a floor tom but lower in pitch. So I use any mike that would sound also good on a floor tom. This way, I would not flip the phase. Theoretically, when you hit a drum, the drumhead is moving away from the mike. So the mike diaphragm is going out of the mike, therefor causing the membrane of the speaker also to move out. This is also the case for the toms and snare in the overheads. But I always check the phase in the DAW and give the kick drum a little delay to be in sync with the overheads. Two KM 148, Schoeps MK4 or Beyerdynamic M 160 in XY right above the snare are my favorite overheads, depending how bright the cymbals are. I only mike the snare and toms, when the cymbals are mounted very high above the drums. But I have not seen this in straight ahead jazz recently.

@monoplectronic2010 4 ай бұрын

@@ReinerDamisch I get what you're saying, a lot of this is taste/preference. I generally flip polarity on a mic pointed straight at a batter head, unless the kick bleed is significant and the transient goes positive first, in which case I'll either leave it or (more likely) move the mic. You may have mistyped, but a drumhead that moves away from a mic capsule will cause rarefaction and (as you say) pull the capsule forward, but that will not push the speaker cone out, it will pull the cone inward. Rarefaction and forward capsule movement create negative voltage, aka waveform goes down, aka speaker pulls away from you (just as the drum pulled away from the mic).

@monoplectronic2010 8 ай бұрын

ORTF, I'm not sold. With the mics that close to the kit, every sound is hitting the mics off axis (not a huge deal with earthworks but still a deal), but really the transients got no love because the only sound hitting the capsules directly are the reflected sounds. For kicks some time, try rotating your mics 45-ish degrees so one points at the kick and the other at the snare, ish. It creates a vibe, esp. with XY. The thing that always warms my heart with XY, and I hear it here in spades, are the super tight, fat, punchy transients, on everything. If your player is ham handed it can be too much HF detail, but with a deft touch like yours, you get so many options for placement and vibe in the mix. Engelhart... it sounds so washed out to me, I wonder if that's more down to your room, I feel like 12-18" closer to the kit would maybe help the clarity in your space. Thanks for taking the time!

@MrAdrianloera 8 ай бұрын

Depends on the BPM of this song?

@sinenkaari5477 8 ай бұрын

For me Vintage sounds best and familiar. That ride has that nice wash there without modern sharp stick attack and it's most balanced sounding. Close overhead does not add really that much more attack to the snare it only brings up the volume of cymbals slightly. I have to try the Vintage one! It feels like complete sound

@Zonno5 8 ай бұрын

great job! very impressive

@Joedoriamusic 8 ай бұрын

Do try a capable ribbon mic on the jazz kick. I think you'll enjoy it. Great video! Nice to hear the 52 with a good jazz player.

@SinclairLott 8 ай бұрын

I can hear more cymbal definition using the close overhead placement. I also helps that you have a superb touch. Love the mono too. Thanks for a great series!

@rayszymarek2920 8 ай бұрын

Nicest playing with the great dynamic sound I admire you and your drumming is like a waterfall shimmering diamonds the bass drum is a gift from heaven the angels must have delivered it to you any way my type of drumming that I dig you are an inspiration

@taylorunis5418 9 ай бұрын

I would have loved to have seen some SM57’s in this! Its surprising how well they work in a pinch in this type of set up

@michaeldangelomusic 9 ай бұрын

That could certainly be a future video!

@MelodicDreamers 10 ай бұрын

Engelhart

@MelodicDreamers 10 ай бұрын

in order. 4 - 1 - 3 - 2.

@bassface84 10 ай бұрын

That close overhead so reminds me of how Bill Stewarts kit sounds it's kinda scary, LOL

@bassface84 10 ай бұрын

is the bkgrd music Martha's Prize?

@michaeldangelomusic 10 ай бұрын

Nice one! It is

@bassface84 10 ай бұрын

Fantastic!

@bassface84 10 ай бұрын

Very Informative, Thanks.

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