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Пікірлер
@AlexandraRoedder 14 сағат бұрын
Loved the editing!
@bfjfjfk1869 16 күн бұрын
39:45 Tatyana aria
@roberthalsall5337 17 күн бұрын
Thanks to the Dallas Symphony, chorus, soloists and organist, and in particular Fabio Luisi for making this magnificent performance of one of the greatest choral works available. Robert, Aberdeen, UK.
@stevethorne 18 күн бұрын
Needs more piccolo.
@carlosbengolea7012 19 күн бұрын
Realmente emocionante, un lujo, gran versión. Tatiana hace llorar! Lástima no poder ver el elenco.
@Shahdmansour44 24 күн бұрын
10:15
@PM_ME_MESSIAEN_PICS 24 күн бұрын
He dresses exactly like what I thought judging by his Slipped Disc comments
@giankion1212 Ай бұрын
IL Maestro Luisi grande Direttore d'orchestra,grande direttore del coro Ferdinando Sulla,bravi tutti un REQUIEM grandioso!
@turquisestones Ай бұрын
Ольга - негритянка! Ха-ха! Интересно, как бы Чайковский отреагировал бы на это. На самом деле, это не только искажение исторических фактов, но и издевательство над произведенем, причём не одного а двух гениев - Чайковского и Пушкина.
@turquisestones Ай бұрын
Olga is black! This is just ridiculous! There were no black people in monarchical Russia in and around Saint Petersburg-neither among the nobles nor among the serfs. It's just a fact! Can't you guys keep your political correctness away from opera, at least?
@turquisestones Ай бұрын
2:29:12: "О жаркий жребий мой!" :) :) :)
@turquisestones Ай бұрын
What's the point singing it in Russian? Why not translate lyrics into the singers' first language? Their accents sound really silly to a Russian ear! In the very end the key phrase of the whole opera "My horrible lot!" he pronounced as "My hot lot!"
@turquisestones Ай бұрын
Не понимаю, зачем петь по-русски? С их акцентом это звучит так глупо!
@koaster6349 Ай бұрын
Wow very beautiful!
@djalals.moharrer5510 Ай бұрын
One of my favourite Conductor❗️💗🌹 Since I heard his name in Kopenhagen, Denmark in 1984,by buying his one of his record,I loved his master works even today❗️💗🌹 I always missed him although I am an Iranian half-old guy who live in Berlin, Germany❗️💗🌹💪✊👏👏👏
@elidotrompete8598 Ай бұрын
PARABÉNS , DEUS TE ABENÇOE ;
@vakla1 2 ай бұрын
Очень плохая постановка!
@ignaciobustillomateos5384 3 ай бұрын
Una partitura monumental. El rey de todos los conciertos para piano y orquesta. Muy buena versión.
@ignaciobustillomateos5384 3 ай бұрын
No me ha gustado nada esta Séptima. Nada que ver con la interpretación de Fabio Luisi, espléndida y que también he podido ver aquí. Lo curioso es que se ha programado esta obra dos veces en tres temporadas. Volviendo a la dirección, me temo que esta partitura supera las dotes de la directora. Y me temo que vamos camino del establecimiento de cuotas por sexo también en este terreno. Si Dios no lo remedia. Peor para los amantes de la música.
@marcosleiva3572 24 күн бұрын
¿Qué es lo que no te ha gustado?
@ignaciobustillomateos5384 24 күн бұрын
@@marcosleiva3572 Pues muy simple. Conozco más de cincuenta versiones diferentes de esta obra y la interpretación de esta señora me aburre soberanamente. En cambio la de Fabio Luisi con esta musma orquesta me encanta. En cualquier caso mis versiones favoritas son las de Carlos Kleiber y Wilhelm Furtwangler. ¿Se le ofrece algo más?
@marcosleiva3572 24 күн бұрын
@@ignaciobustillomateos5384 Muchas gracias por su respuesta. Preguntaba porque me gusta escuchar distintas versiones de las minas obras (las obras que me gustan, claro, y esta es una de ellas), y compararlas. Me pasa también qué unas versiones me agradan más, o mucho más, que otras, y no sé a qué se debe, dado que no sé de música, solo soy un oyente lego. Es decir, quería saber si había algo técnico más específico qué explique esas diferencias o si es simplemente el talento diferencial que a veces se percibe pero que no se puede explicar el por qué del mismo. Aparte preguntaba porque me gusta aprender cosas de la música clásica, a nivel más teórico me refiero, pero no de manera formal, sino a nivel de simple curioso o entusiasta, digamos. Gracias.
@ShiddiqiBermakna 3 ай бұрын
❤❤❤ Bravissima. Have dolce moments. Welcome to Bali. Welcome to Java. Welcome to Indonesia. I am a mere man who like to make some simple works. I wish i can send you my simple works too. Mr and Mrs, May i know your email? Merci beacoup.
@panvladislav 3 ай бұрын
Хотелось бы обсудить с профессиональными пушкинистами 2 исследования бессмертных произведений двух гениев: - "О главном герое романа Евгений Онегин", - "Полезный анализ либретто оперы "Евгений Онегин". Автор: Владислав Пантелеев. Как могли литераторы 2 века не замечать очевидного?
@annamariamanfredi6624 3 ай бұрын
Brahms ❤ Good Morning World ❤ Peace and Love ❤ Wonderful ❤
@moelarrycurly708 3 ай бұрын
Been following this pianist since the 89 Cliburn ,, a special talent !
@miguelmollabanon5257 3 ай бұрын
Extraordinario!!
@staffanolofsson8201 3 ай бұрын
This music was published in 1953, after Stalins death. But partly written before Stalins death. Can you imagine how it was to be out of favour by Stalin? I have read a little about it in the book "The Noice of Time" by Julian Barnes. Shostakovich had almost all his life to struggle against the dictator Stalin. Also a dictator about music. And I think this struggle also can be heard in his music.
@maxus_2153 2 ай бұрын
Your comment nailed it! The book was also really good. Poor Shostakovich... The symphony is one his greatest and one of my favorites. And at the end it repeats the D(E)SCH motive which resembles Dmitri Shostakovich. It's like: Stalin is dead. I have survived along with my music, along with my art!
@staffanolofsson8201 3 ай бұрын
Krzysztof Urbanski conducts without sheet music! Thank you all for this beautiful rendition.
@craigkowald3055 3 ай бұрын
Great to see the incomparable LA Phil's Andrew Bain as guest principal horn. Lovely performance.
@dan-sg4ct 3 ай бұрын
heel heel heel mooi🎵🎼🎶🎶🎹🎹
@underthesine 3 ай бұрын
My favorite requiem, and DSO did it with such immense passion and a superb performance! Sound quality is great.
@underthesine 3 ай бұрын
Very nice!
@underthesine 3 ай бұрын
Great!
@LucienMarine 4 ай бұрын
Le Sacre du Printemps is a ballet and orchestral work by Russian composer Igor Stravinsky. A masterpiece of musical energy, the composition shows an absolutely prodigious network of inventiveness. From the synthesis of all the musical elements operated by Stravinsky is born an aesthetic multiplicity which intensely privileges the acoustic effects and the dramatic force. « The sacral dance » (Allegro moderato), Act 2, Scene 6, is the culmination of the piece, the moment that illustrates the original idea of its composition, this dance where the brutal force of a symphony orchestra explodes, treated in a style revolutionary. The composition which has exacerbated the chromaticism to the highest point, the harsh harmonies, the raw sonorities, are born from the creation of powerful instrumental blocks, that clash or complement each other, the richness of timbres of an enlarged orchestra as well as the use of playing modes that push the sounds to the extreme, emancipating the rhythmic and releasing the tonal harmony from its classico-romantic pivots. Stravinsky juxtaposes and accumulates his musical ideas in contrasting flows, which interact with each other and create a perpetual increase in the energy released, which will crystallize an innovative approach essential to the modernity of 20th century music. The celebrity of the work does not hesitate to make it one of the pillars of musical modernism. Beautiful aesthetic! *Lucien*
@Vc_YiHan 4 ай бұрын
6:45
@robertvarner9519 4 ай бұрын
This video caused a riot!