This the best overview about color science ever. Thank you so much. My creative & technical process is so much more enlightened.

Thank you so much. This made my new life as a screenwriter so much easier.

Waiting for 10 hr advanced video

this tutorial needs one tutorial

How can this apply to a pilot script?

can someone summarise this pls

I downloaded the Courier Screenplay font, but it just goes to my downloads file. How do I get it into Fade In?

good morning Yaa how are u pls tell Eric, we love NDC but the isult from them is too much and it will affect them

Thanks a lot

lastima que no lo tienes en español

I love these transitions! At 2:56 and 5:44. Really cool, it works so well! Thank u for the info

hiding the mic under stuff, what you will do with the high freq missing?

Great🎉🥰

Can this be used to create a "walkable dollhouse" kind of indoor visualisation environment?

360p - but still very much appreciated and valued : ) Thank you!

How can I enlarge toolbars? I would be happy if you help me with this... Respecr...

Thank you so much for a clear look at the Motion interface and how to start using it's inbuilt capabilities . Nothing else has inclined me to actually go in and start trying to use the app - always been too much information in too short a time. Having owned Motion more than ten years, may actually be able to start using it.🙂

amazing explanation

I first saw this video about 2 years ago when i started to fiddle with fusion. couldnt really grasp it then but now i know this the best way to do cleanup in resolve. Thank you.

I feel like I'm taking crazy pills. @3:24, both of those shots are VERY OBVIOUSLY shot in the day. Yes, the shadows are in a different place, so they were shot maybe an hour apart but to claim that the one on the left is moonlit is absolute nonsense. In fact, there is not a shot in this film that is even slightly passable as an actual night shot.

uuh, there is no load model button

amazing video. Pls sir, add more videos because your technique of teaching is very ergonomic , something that's rare to find

Best keying tutorial! Thanks! I got weary of watching “Tutorials” from confused beginners. (Like me!) I have been around long enough that I edited my first documentary on a real moviola! I also worked at Film Effects of Hollywood for a while in 1974. They already knew that their days were numbered due to computers…

Great conversation! They get right into it.

se me cuelga y se me cierra After Effects cuando pongo el modo cinema 4d ? y si intento abrir un proyecto en modo cinema 4d igualmente me sale el panel de enviar informe y se cierra.

Did he play The Auditor in Hellraiser Judgement??

Hi, The tools menu is very small, how can we make it larger? thanks...

what software do you use for cieLAB visualization?

I had no idea Fade has all this thank you.

Thank you! Production>Unlock Page Numbers. Keeps from adding a 1A or 2A etc when editing the overall script. It will remove it if you've left it locked and add the 5A by accident.

When editing a saved script, such as adding Dialogue or Action, it will add a secondary page if it goes past the number of lines on the existing page. It won't move all the content to a next existing pages. For example, adding something to page 5 that doesn't fit will create a page 5A. A huge blank space will appear before Page 6 that cannot be removed by anything I can find. So, when you don't want to create a REVISION, but just add something to the existing version, how do you prevent secondary pages from being created? How do you remove all of this empty space? (Delete and backspace and Cut does nothing) Doing it to a revision does the same thing. Help and FAQ and Knowledge Base offers no help.

I can't believe I just watched this for free.

easily a masterpiece!

can we get this in Natron?

Thank you!

Cus you are amazing.

Cus you are amazing.

Cuzco you are so amazing!

hello, it is posible slowmo in a script of python outside anaconda (I dont know what is Anaconda) reggards

the first one ever to explain it that way BRAVO !

You didn't include a link to the butterfly.mov. Dislike for that! 👎

I cad my own colour interpolation algorithm years ago, and I thought two sided cones were how it would only logically be organized. Turns out rgb is organized into a cube, but if you stretch a point here and there it maps to hls. Knowing this seemingly trival thing would have helped, as I just implemented the HSL algorithm from wikipedia and would have loved to see the colour cube first. It makes sense now.

This is great but I hear you smacking your lips a lot. Had to bail.

⥊ 727

perfectly stated!

this video its just great. really thank you

The whole plot of an arthouse movie be like 4:50

Excellent tutorial and examples. Thank you!

Actually a prizm camera would work like the human eye. At least for color. It would require 4 image sensors and a prizm that splits the light. Walt Disney made a film camera that did this so it should be easier to do so with digital cameras. The 4 sensors would be for the 3 colors RGB. Thay are the colors of light we blend in camera already. The 4th sensor is for light sensitivity and transparency. You would get more accurate color rendering and better quality light sensitivity. You would also have more control in post production.

I would like to ask, what are the reason why you would change to Fusion?