2 жыл бұрын
2 жыл бұрын
2 жыл бұрын
Пікірлер
@douwemusic Күн бұрын
Bernstein, and anyone repeating this idea, clearly has no idea of either psychedelics or opiates if he thinks the effects of the two are even remotely related...
@sacramentozz6303 3 күн бұрын
I'm not the only one here because of Howl's Moving Castle?
@MegaJeff7 11 күн бұрын
Beautiful piece and recording! I really wish Barber had written more in this romantic style. Thank you for posting with the score.
@grrrregory 16 күн бұрын
Howl's moving castle?
@michaelmoeyaertmusic-ld3ox 20 күн бұрын
cool
@michaelmoeyaertmusic-ld3ox 20 күн бұрын
I mean aesome
@my_tammm 28 күн бұрын
Audition spots(ignore this) 1: 7:00-7:50; 9:10-9:25; 10:35-11:16; 12:14-12:25 2: 17:15-17:33; 19:55-20:15 4 (MARCHE AU SUPPLICE): 37:30-38:00; 38:35-39:10 5(HEXENSABBATH): 42:00-42:25; 44:38-45:30; 45:37-45:50; 46:39-47:08; 47:49- 48:00
@ethansmusic Ай бұрын
I love how all four flutes switch to piccolo for the last two bars 😂
@furyofthefallen7010 Ай бұрын
I have decided to make this my 2025 solo for competition
@riley5745 Ай бұрын
17:02
@jorawesummme609 Ай бұрын
25:45
@guillermocarrizo2644 2 ай бұрын
ESTA OBERTURA ME SATISFACE EL ALMA Y CORAZÓN
@user-ll5co1pi5k 2 ай бұрын
46:07
@michaelchesstonvolk9765 2 ай бұрын
How is this not a part of standard classical repertoire?!
@giorgigiorgi6230 2 ай бұрын
უუხ რა ძაან მაგარია ❤❤❤❤❤
@user-gr8qs6hf5b 2 ай бұрын
분노의날 44:05
@user-gr8qs6hf5b 2 ай бұрын
2악장 무도회 6:11 3악장 전원27:13 4악장 고정악상없음 5악장 41:12
@user-gr8qs6hf5b 2 ай бұрын
분노읜 말 44:05
@user-gr8qs6hf5b 2 ай бұрын
5:33 11:15
@user-gr8qs6hf5b 2 ай бұрын
5:33
@LilyLawn 3 ай бұрын
27:50 my favourite moment "Get away from my head, you fixed idea!!!"
@user-gb7wq2tz8q 3 ай бұрын
音がちょつと冴えない。三流オーケストラの音でいいの？
@fazliddinerkaboyev6568 3 ай бұрын
❤❤❤
@user-gu9wr4qx6i 3 ай бұрын
46:12
@user-dg8uo6uu1m 3 ай бұрын
46:10
@jjhhhggfify 4 ай бұрын
Chi suona il corno?
@changhyukkim2670 4 ай бұрын
Love it ❤
@jeandeblaize4175 4 ай бұрын
Il y a trois notions de fantastique en musique : - manière ancienne mode, soft dans la nervosité, ici pas d'emportement mais du "bon chic-bon genre" très bostonien, élégance Wasp. 😊 - manière contemporaine, frénétique et fanatique, paroxystique frisant l'extatique, en un mot asiatique ! 😂 - manière berliozienne, éternellement parisienne et... fantastique 😉
@jeandeblaize4175 4 ай бұрын
Moi j'ai un tic musical nocturne : À peine la Nuit de Sabat de Berlioz finie, j'embraye sur la Nuit sur le Mont Chauve de Moussorgski/Rimski-Korsakov et je finis par la Danse Macabre de Saint-Saëns. Le matin au boulot au bureau, je suis crevé. C'est grave docteur...?
@lawrenlink3 4 ай бұрын
O Fortuna velut luna, statu variabilis, semper crescis aut decrescis; vita detestabilis nunc obdurat et tunc curat ludo mentis aciem, egestatem, potestatem dissolvit ut glaciem. Sors immanis et inanis, rota tu volubilis, status malus, vana salus semper dissolubilis, obumbrata et velata michi quoque niteris; nunc per ludum dorsum nudum fero tui sceleris. Sors salutis et virtutis michi nunc contraria, est affectus et defectus semper in angaria. Hac in hora sine mora corde pulsum tangite; quod per sortem sternit fortem, mecum omnes plangite!
@ningyizhang1055 4 ай бұрын
No 26
@impromptube7111 4 ай бұрын
amazing piece and interpretation😮😮❤
@BASSOONVLOGS 5 ай бұрын
45:06
@agasthyaprabhakar 5 ай бұрын
26:49
@agasthyaprabhakar 5 ай бұрын
26:49
@andreagriseri7656 5 ай бұрын
As a young composer he was stunning but not a Genius like Mozart. He grew slowly and.....at the end, completely deaf composed op 111, op 135 the ninth Symphony!!!! This is amazing!!!!
@qazsedcft2162 14 күн бұрын
Slowly? He was 13 when he composed this! Yeah, it's not as great as his masterpiece but the same is true of Mozart's early works.
@XBlaze_CHAMP 5 ай бұрын
The piano parts of "Beginning Bartok" is the following: Mvt 1 is 4:09 Mvt 2 is 8:28 Mvt 3 is 12:38 Mvt 4 is 3:03 (mvt=movement)
@STAR_CHAMPION 4 ай бұрын
Thx r u also in Mr Arrigo’s class 😂
@wolfgangresch1650 6 ай бұрын
🏆🏆🏆🏆🏆🏆🏆🏆🎵🎼♥️
@gadasd0011 6 ай бұрын
제1악장 꿈과 열정 05:32 제2악장 무도회 14:40 16:11 제3악장 시골에서(들판의 정경) 20:24 27:14 제4악장 단두대로의 행진 38:24 36:53 제5악장 마녀의 축제날 밤의 꿈 41:33
@enjoyerofcontent 6 ай бұрын
This makes me want to smoke a lot of opium.
@janeyu9115 7 ай бұрын
Awesome😂
@JulianHotaling 7 ай бұрын
No. 31: Was a song to end the day; ready self for bed. A Fate-Attuner Type, par-excellence... is a Dreamtime, "through a glass, pensively..."...
@alyssathefellow3067 7 ай бұрын
mm. 88 to 106 2:28-2:56 mm.379 to end 8:57
@10.000 7 ай бұрын
08:28
@bruceinoregon8163 7 ай бұрын
Bernstein is right in describing at least part of the piece as the first musical expedition into psychedelia. The first Reveries section is at times pretty meandering and at times lacking in musical sense. The rest of the piece has its moments of brilliance but Belioz was more of a master orchestrator and his pallette was orchestral color and musical movement through orchestration and figuration. The piece is rightfully popular because of these things.
@PhilippeBrun-qy3st 8 ай бұрын
Chef d'oeuvre incroyable d'inspiration et d'audace...Merci à vous.
@bradipoalvideo3 8 ай бұрын
it's achingly beautiful
@CatkhosruShapurrjiFurabji 9 ай бұрын
20:00
@isaacbeacham9596 9 ай бұрын
Rosalee Norton brought me here
@user-vb9uq9ku1t 9 ай бұрын
internet historian brought me hear
@SadSadLodon 9 ай бұрын
Legends say this music is so good it got Berlioz laid
@rafexrafexowski4754 2 ай бұрын
For those who don't know, this piece has a story. It is about Berlioz's love for an actress and his suicidal thoughts. After hearing this piece and Lelio, its sequel, said actress realized that it was about her and eventually married Berlioz.
@user-np1gy4pc9s 10 ай бұрын
28:54