Graou

Your telephone or computer can catch those frequency nuances? Where do I get one of those?

That's not his goal or intentions? This piece is romantic and sliding is called for.

@@pianist779 but I think his intonation isn't so well too!

@@pia7057 i agree, especially in the 3rd movement

the modern one sounds very off from the one played on the viols.

+corgilove I couldn't agree less. Firstly, I must state I've been into period play for nearly 30 years, playing and teaching both the modern and the baroque cello (not the viol, admittedly). Your judgment is all too obviously based on mere prejudice, rather than on what you actually hear. In what way is this interpretation 'romantic'? Quite in contrast, these two players seem to be 'historically informed' (which doesn't mean I agree with every bit they do it; but all the same) - and do not mention the vibrato as counter evidence: The least vibrating century in the history of music was the 19th, not the 18th. Granted, whether this piece is played on modern cello and piano, or baroque cello and harpsichord, or viol and harpsichord, amounts to three utterly different approaches, each of them in its own right. If Bach lived today, and if someone claimed, There is only one correct approach, he might just reply 'Lol'. - 'Another piece of background movie music'?? Well, that tells me one thing; you can't have been to the cinema very often.