As a 50+ years fan, it almost pains me to say this, but this might be my favorite lineup ever for YES. Igor was great (until that thing), White was doing the only thing he could have done - he couldn't (and shouldn't) duplicate Bruford anyway, for so many reasons, and he gave them a power drummer for a sound more popular then. Sherwood added another layer of great vocals and guitar, making them able to better replicate their records. The whole band were bulletproof that tour. For 50+ years, Bravo YES!
@alessandromussi788927 күн бұрын
Ma bella lì (as a Cremonese slang to say well done)
@chinggop129 күн бұрын
Nice! Im curios if the used a backing tracks or a post production re-dub. To me its perfect, just like as perfect as mariah carey's unplugged then decades later revealed that the released version was re-dubbed thats why it sounded so perfect😆
@LeDAR-wf6ixАй бұрын
🧱… ✨🪈✨ ✌️
@LeDAR-wf6ixАй бұрын
🧱…✨🪈✨ ☝️
@MichaelBoyce-tm2vwАй бұрын
Also on Genesis Live abum too.
@pecanpie100Ай бұрын
Absolute legend. Real music by real musicians.
@olga-oliadoika9710Ай бұрын
Epic 🤘
@barrysmith8183Ай бұрын
My favorite song..my favorite performance. I saw this Moving Pictures tour in 1981, in Tucson, Arizona ... True masters of an art. They will never be equalled. Rest In Peace Professor.
@darkangelsbrasilАй бұрын
The best of the version
@darkangelsbrasilАй бұрын
Melhor versão do mundo
@werideatduskАй бұрын
This was the last really good era of Yes IMO
@jamescpotterАй бұрын
Can Utility is the dark horse of Foxtrot. Recently saw Steve Hackett and his band perform this live and it brought the house down. It's a brilliant evocative piece that emotes the spirit of Genesis.
@robertwood451Ай бұрын
I remember Rockin’ this out in the dorm…..
@falsepaths2 ай бұрын
I was here, it was out of this world!
@falsepaths2 ай бұрын
Thanks a lot I was here 🖤
@karlhelm8752 ай бұрын
this sounds a bit madrigal.
@LorraineCyn56752 ай бұрын
❤
@Pablennon12 ай бұрын
Great song!!
@celsinhoofc89502 ай бұрын
Solo falhou, Hammet arremessou a guitarra no chão, fez trechos do solo ao final da música e ficou putasso 😅😢😂😂
@kevinkeough7772 ай бұрын
From Wikipedia: "The Gates of Delirium" is the first track on Yes's 1974 album, Relayer. The album title comes from the lyrics of "The Remembering (High The Memory)" from Tales from Topographic Oceans. Based on Leo Tolstoy's War and Peace, the song begins with a prelude, which leads into a lengthy instrumental section (beginning at about the 8 minute mark) representing the battle. The final section (entitled "Soon"), released as a single in 1975, is a very gentle, soothing prayer for peace and hope which represents the aftermath of the battle. Before the re-issue of Tales from Topographic Oceans or In a Word: Yes (1969 - ), this was the longest officially released studio recording by the band with almost 22 minutes, taking up the entire first side of the LP. It is the only Yes studio album to feature Patrick Moraz, who replaced keyboardist Rick Wakeman earlier in the year. Relayer reached #4 in the UK (remaining 8 weeks in the Top 40) and #5 in the US (remaining 16 weeks in the Top 200). A loud crashing sound heard in the middle of the song is caused by a set of old automobile parts mounted on a rack being pushed over. The band decided to keep it in instead of doing another take. Alan White explains in the liner notes of the 2003 remaster of the album. "The percussion on that song is pretty unusual," he says. "Jon and I used to travel together to Chris' home studio, where we recorded the album. We would stop at a junkyard along the way and pick up parts of cars. We'd just go there and bang on things. There were springs and pieces of metal, brake, and clutch plates. We'd buy them and bring them back to the studio. We built a rack and hung all these things off it, and we'd bang on them. During the recording I pushed the whole thing over. That crash is what you hear on the album." Lyrics: Stand and fight we do consider Reminded of an inner pact between us That's seen as we go And ride there In motion To fields in debts of honor Defending Stand the marchers soaring talons, Peaceful lives will not deliver freedom, Fighting we know, Destroy oppression The point to reaction As leaders look to you Attacking Choose and renounce throwing chains to the floor. Kill or be killing faster sins correct the flow. Casting giant shadows off vast penetrating force To alter via the war that seen As friction spans the spirits wrath ascending to redeem. Wars that shout in screams of anguish, Power spent passion bespoils our soul receiver, Surely we know. In glory We rise to offer, Create our freedom, A word we utter, A word. Words cause our banner, victorious our day. Will silence be promised as violence display? The curse increased we fight the pow'r And live by it by day. Our gods awake in thunderous roars, And guide the leaders hand in paths of glory to the cause. Listen, should we fight forever Knowing as we do know fear destroys? Listen, should we leave our children? Listen, our lives stare in silence; Help us now. Listen, your friends have been broken, They tell us of your poison; now we know. Kill them, give them as they give us. Slay them, burn their children's laughter On to hell. The fist will run, grasp metal to gun. The spirit sings in crashing tones, We gain the battle drum. Our cries will shrill, the air will moan and crash into the dawn. The pen won't stay the demon's wings, The hour approaches pounding out the Devil's sermon. Soon, oh soon the light, Pass within and soothe this endless night And wait here for you, Our reason to be here. Soon, oh soon the time, All we move to gain will reach and calm; Our heart is open, Our reason to be here. Long ago, set into rhyme. Soon, oh soon the light, Ours to shape for all time, Ours the right; The sun will lead us, Our reason to be here. Soon, oh soon the light, Ours to shape for all time, Ours the right; The sun will lead us, Our reason to be here.
@TheLastOilMan3 ай бұрын
It’s a tragedy yes could never keep a band together and produce a single classical vid !
@billywatson1183 ай бұрын
Awesome!
@ReekRendTest13 ай бұрын
It's a shame, the audio is so much better on the Live After Death 1985 recordings. Ever since Martin Birch was left behind, the sound recording/engineering has gone downhill.
@cryptolola90643 ай бұрын
❤❤❤❤❤❤❤❤❤❤❤❤❤
@HarHah3 ай бұрын
Hopefully, we'll all meet again in the next life 🥳
@victorcastillo-dx9vh4 ай бұрын
What a performance made by Peter.
@franklinboersma32764 ай бұрын
this is why write songs on you tube😂
@GT-jh6vg4 ай бұрын
Thank you for sharing, very good show, greetings!
@stone8man4 ай бұрын
The greatness of YES is all ill say!
@redpig68785 ай бұрын
Wtf are some of these alternate lyrics you have here, some of these don’t even make sense nor sound like it. “Great days it will come to you”, like what? It’s obviously “wait as it will come to you” what are you talking about, there’s no G sound anywhere there just listen to it
@HarHah5 ай бұрын
It's definitely a beautiful trip 💥
@kentparsons77725 ай бұрын
Love rush awesome song
@HarHah5 ай бұрын
Y 🌈 E🌈 S🌈
@HarHah5 ай бұрын
Brave the battle that's before you.. transcend
@lawrencejhutchinson5 ай бұрын
I was at the 2nd-ever live performance of this. It's a great memory!
@esojerierf6 ай бұрын
Iron Maiden, just The BEST!
@esdrasioseph6076 ай бұрын
Musicão. Uma viagem pelo cosmos sem precisar de combustível.
@CollectorsCrib-gs2pe6 ай бұрын
Wonderfull
@findmusic87976 ай бұрын
How I spent my 40th birthday! We drove in from L.A. for the show.
@gafferanon6 ай бұрын
Love having the lyrics on the bottom of the screen like closed captioning, very clean! 👍😎👍
@eder31916 ай бұрын
O vídeo não é dessa musica .🤔🤔
@LOVEizGOLD7 ай бұрын
So BA... ☝🏼♾️💜
@milwersrojas55277 ай бұрын
Demasiado!!!
@musicacoverlive30867 ай бұрын
Antigamente os instrumentistas eram muito criativos e competentes.
@musicacoverlive30867 ай бұрын
É tão abstrato que chega a ser lindo. É tão emotivo que chega a tocar a alma. É tão verdadeiro que traz reflexões. Do you believe in the day?
@JeannetteJam7 ай бұрын
Amazing 🤩 🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥
@wendellwiggins29007 ай бұрын
genius. incredible visceral interpretation with Steve's perfect American Country Psychedelic Rock influences, but why are cameramen so ignorantly adverse to filming Chris the bass player in videos of YES.?