Glad you agree, these things are always somewhat subjective. Welcome to the channel.

I will replace the Boston files with these for you

Should be there now - checkout the links.

@@ianhartley2158 Thank you!

@@ianhartley2158 Thanks!!!

@@ianhartley2158 Dude, thanks, but all I can find is disc 1. Am I just missing something? These sounds are incredible!

Doh! I should have given some info on the audio so sorry. I believe it is an audience recording and a pretty good one at that. I rarely play my records but will get around to it at some point.

Ah okay, will note for future. Using a slightly new set up.

@@ianhartley2158 Cheers. I really enjoy your channel.

Indeed - well pointed out

Hi there anonymoose - as I say to everyone, you just have to search the web

@@ianhartley2158 Wish me luck :)

Homeworld, homeworld (ending), unreleased song. I guess !

I agree, I had to look twice

At least they didn't call themselves Lead Belly !!

Wow interesting, I was only playing that the other day. I need to go back and compare! Great heads up.

Conspiracy "The Unknown" is fantastic!

Maybe the ass that Igor grabbed?

Sadly this is all I was given. Suggests there's more out there somewhere though.

Thanks

No not heard of those, can you share ?

😂

Thank you so much for these lovely comments.

Thank you

No 'fixing' just remastering. Glad you appreciate it.

Hi most of my genesis lps were bought at uk record fairs many years ago. Not sure if you have such things in Chile but if you search the Web you might find some sources of some titles.

Are you suggesting I am making money from this?

@@ianhartley2158 No, only that you're the kind of scumwad who's universally despised in the global unreleased music sharing community because you pretend to be the source of a recording when you've done nothing other than to put it on KZbin. You don't acknowledge the people who actually put their time, effort, and resources into creating the recording and you don't even point out that it can be downloaded from Forgotten Yesterdays as well as The Trader's Den. Boston Garden 12/11/74 was an FM broadcast and has been made into dozens of bootlegs, all of which are missing Ritual because it was omitted from the broadcast. I was there at Boston Garden. It was my first Yes concert. RMCH and I went to the effort to find the only complete, professional quality recording of the concert, including Ritual, and to make a matrix from it by combining the professional source with Dan Lampinski's audience recording. I wrote the PDF file that explains everything about the project. You claim to have "remastered" it. If that's true, you've offended RMCH by remastering a concert that's already been remastered, which was stated clearly and plainly in the info file. Only dirtballs remaster other people's remasters without permission. You may claim to be clueless about all this, but from my standpoint, you're only a tad less loathsome than the criminals who sell "silver" bootlegs.

I guess I am in breach of your rules by attempting to remaster the sound and putting it out free on KZbin. I am genuinely sorry to see this offends you. We have no wish to do that. The source was actually a Japanese bootleg cd I collected some years ago but I now recognise their source was yours. I would just say that we should never give up on the search for better sound, especially i suppose as concerns the yes archive where we are forced to seek out and seek to improve unofficial recordings due to the lack of official releases

@@ianhartley2158 They're not my rules, unless you're addressing the entire global community of people who share unreleased recordings with absolutely no money involved, not even a penny. Those of us who put a great deal of ourselves into those recordings know that there's a price to pay for sharing the music, one that includes our recordings being made into bootlegs by criminals. For the most part, the recording industry ignores bootlegs because the revenue involved is trivial in comparison to counterfeit recordings of commercial releases, made in countries that either have no copyright laws or don't enforce them. It's been a well known fact for decades that when a new album is released in the US, there will be virtually indistinguishable copies for sale by street vendors in other countries, particularly Asian countries, within a day or two. It's a huge industry. The important point here is NOT that whoever made and sold that Japanese bootleg is a criminal and that you're furthering that criminal activity by posting it on KZbin. The point is that certain people put a serious effort into creating that recording. You should have known that it would be recognized and that someone would be highly offended by it. For the record, these are the parties that deserve credit: * The King Biscuit Flower Hour for making the recording, broadcasting it, and for storing the non-SQ-encoded sources where they wouldn't be destroyed by fire. * Dan Lampinski for making the audience recording that lets us hear what Patrick Moraz played during that concert and, most importantly, for capturing the entire concert. * Kev and Carl for sharing Dan's recordings with the world. * RMCH, who prefers to remain anonymous, for having the skill and the incredible patience needed to make a multi-source matrix recording. * Myself for finding a way to get a high-resolution copy of the non-SQ-encoded professional recording.