@@mozmateus Me too! The GD band are so good. Thank you!

No problem!

Bless ya. 🙏

Danke 🥳

Ah thanks for that! I try and get at least 2 covers up a year ☺️

Great..!! I'll be on the look out...@@MissJoNaomi

Thanks Charlie!❤

Thank you, Greg

❤️

Thanks! I used Garageband on my phone, and Movavi for the vid.. so I will take that prasie 😅

Hey Matt, thanks for your feedback. Check out the original track & let me know what you think too!

@@MissJoNaomi ​ @Jo Naomi Sure! I know the original well - it's one of my favourite new songs. Such a vibe and a really great choice by you to cover it! That's why I picked up on this. It's in Eb mixolydian which is the Eb major scale with a flattened 7th which gives it a slightly more minor vibe - in your case, you're covering this is D mixo. The overall vibe is major. but you push it into a minor sound too often in the pre chorus by singing the minor third of D (F) too often instead of the major third (F#). Here's what I mean and I'll do it in the key you used. When they sing this part they use the following notes (this will only fit on a laptop screen 😂): Mmmmmm they come to- ge- ther, look we're to - ge - ther F# slide to F E E F E D E E F# E D You can see that the F# is used a lot here which is the major third of the tonic. Which reinforces the major vibe of the song. the minor third (F) is added here and there to add a bluesy vibe - it's a common trick to splash a major blues with minor pentatonic to give it more spice and attitude. Here's what you sang: Mmmmmm they come to- ge- ther, look we're to - ge - ther E > F < E < D E E F E D E E F E D Had to use < and > to show slide up and down haha You didn't use any F#'s and yet the key of the song and the rest of what you sang was major. that's why it sounded jarring. Even your harmonies are harmonies for D major. But the synth and guitar sound like their only playing D5s which only increases the ambiguity. That's what makes this section jarring and hence the sonic whiplash haha. Do you see where I'm coming from? Add a minor third every now and again when singing in a major key to spice it up a bit. But don't outright replace it because you'll muddle the sound. A switch to D minor for the pre-chorus doesn't really fit either in this song.

@@MissJoNaomi did that help?

@@Hello_there_obi I always appreciate a good analysis of harmony, but to be honest I’m pretty happy with the cover!

@@MissJoNaomi fair fair! It’s subjective in the end. Interesting that you prefer a minor edge!

You flatter me!

Ha - thanks! I’m still working on my video editing skills 😉

@@MissJoNaomi that’s my job! I’m a video editor it looked and sounded great!

Ha, fanks a bunch!

Well, the important thing is that people know I can read!

@@MissJoNaomi I read a book once. Actually more than one. :)

Thanks Pete!

Have mentioned in a response to another comment, although forget to say I’m using G shapes on capo 3 :)

Thanks Ty

@@MissJoNaomi Of course! Any time my friend!

Wow thanks! Me too, I’ve had Kinnship on repeat for months! Thanks Joe

@@MissJoNaomi :) You should do a cover of Patrick Watson - Broken. The way it builds with the vocal melodies, oof you'd crush it!

I just listened to it! It’s an incredible song. Maybe to emotional for me haha!

Thanks Eoin. ! & thanks for introducing me to the song🍺

Missed you guys this week! Catch up soon

Thanks man!

😁