Great! Very cool.

I love these tutorials that build on old schools tricks - even though there is a lot to be said for new tricks as well.. Anyway, this remindend me of another, also perhaps slightly nerdy trick you can do by moving the light source between two exposures: You can create shadows in 3-D that have never existed, and will never exist i real life, by using one exposure as the 'left' image, and the other as the 'right' image in a stereo pair. I know links usually do not work here, but there may be a chance, with a bit of luck that you can find a tutorial on this by searching for 'PhotoQ | Qvistphotography | Photographic Techniques' and the scoll down a bit on the resulting page :-)

Hi Lee, this is so exciting to see your creative approach to using Midjourney with your personal photographs. It is inspiring to see someone creatively looking beyond the prompt. I really respect someone like you, who is a great photographer and digital expert not afraid to venture into the AI world and create some really interesting images. Looking forward to seeing more of what you are doing.

Love it! Thank you Lee!!

Awesome. I’d like to learn more about your post processing especially of the landscapes Would love to join you in Scotland next time Rahat

Amazing! Maybe next year...

Knew immediately you were going to Dust and Scratches, but thanks for the reminder anyways. Had kinda forgotten how to use it.

So cool - thanks

Nice one!

Brilliant! Thank you.

I see many cool and creative possibilities with the method. Thank you for this.

Awesome,thank you!

I have a question. I used to shoot with X T 20 FUJİFİLM. NOW I also have X T 5. I tired double exposure mode. But the second image that I took was not complete. If I shoot a face image over a flower, then the second shot is not complete, I mean, some pieces of the photo are missing. It is not like X T 20 where it makes a nice double exposure over. The second or third photos are not complete and it does not give this double exposure feeling because of it.

Great tutorial!

Thank you for teaching me this technique. I think this technique will be very useful especially in solving the problem called "back scatter" caused by the flash in underwater photography. what do you think?

Very nice tutorial. Thank you. I wonder if you tried Generate AI as an alternative way to clean the jacket?

Thank you!

add grain? this is still great, thanks.

Concerning that last photo with the group of people. Couldn't you just crop the person out and if needed try generative expand to fill back in? Good video.

Nice demo Lee. Thanks for

Sometimes the best surprises come in the smallest packages. Thanks, Lee.

Thanks Lee... that was great and beautiful photographs!

Eleven photographers armed with tens of thousands of dollars worth of equipment explore the remains of Ellis Island with a 99 cent iPhone app!

Your magic is strong! thanks for sharing, Lee.

This is such a valuable technique! Every few years I come to this video to refresh my knowledge. I've never found a better replacement.

Lee, when you created the second set of sharpening actions (Unsharp mask) you first created a new Stamp layer that included the High Pass group folder. Did you mean to do it that way? In other words, once you run the Unsharp filter, it makes no difference if you go back and modify the High pass results because they are already baked into the Unsharp layers. Would you please confirm that this is the way you like to do it? Or am I being confused? Thank you!

this was recorded in his upstairs office when we lived in laguna hills. i'm his stepson. we used to play ping pong and monopoly. my mom taught him how to swim

Actions are fantastic, since a few years ago you can record what you do with a tool or apply variables, you can do almost anything with them and when add actions with Batch or Droplets Woooow even better. Thank you for these technic

Thank you for this Lee. You answered my questions. Very nice job!

Screen mode! Thank you, Lee.

Really nice and creative, Lee. Thanks for sharing.

Something I haven't thought of for Generative fill. Thank you for the demonstration.

Great demo Lee. LR/PS have come a long way with masking cababilities.

Thanks Lee, a brilliant lecture!

Thanks Lee, another amazing tutorial, on a type of image that I have been playing around with quite a bit, now that the amazing new denoise and masking tools are available. My technique gets better with every one of your videos that I watch! I have to go back 20 years to reprocess some of my favorite images!

Amazing work, Lee. Thanks.

thank you so much, i did this a very manual way by applying threshold direct to the layer (so i have to duplicate the layer to 3 or 4)... the proplem is i cant adjust the effect no more...... THANK YOU!

The Mistress of Light is a master of light!

Merci pour le partage de vos connaissances. TOP

A wonderful video, informative and relaxing as usual. Like the hair too! Hope you and Bobbie will have great time in Venice! I wish I had more time to come with you once more.

Thanks Lee.Best of luck in Venice.

So pleased to find this. He would be glad to know this harp has an even richer sound now. I'm sure it wishes for the master's hand.

Prefer all the original images. AI added absolutely nothing of value.

So poignant for me to listen to this on the anniversary of his passing.

You always hear that it's better to use a crop camera. What are your experiences with this?

Interesting to see what Magnific can do (including mountains in Venice???), but to me they recall the worst excesses of overdone HDR when it was a novelty. Some very nice images totally ruined in my opinion, but each to their own and there must (presumably) be someone out there somewhere who likes this sort of look.

These are great, Lee. All the best to you and Bobbi for holidays and new year!

Great fun, Thanks, Lee!

Always enjoyed your lessons ever since I took a class with you at ICP. Great video.

You were and are my favourite Photography KZbinr. Just love your calm way of doing things. Take care.