Really loved watching this and then having a go, very easy to follow, thank you. I notice your videos are from a few years ago, what are you doing now?

Absolutely wonderful.

This is straight on - no side talks - Good Job ;)

How to get it sooc that is the question!

Thank you very much !

Thank you so much for this wonderful video. I can’t wait to try it!😊

Beautiful,thank you for sharing how you made this ❤

hope you will do more of these. Amazing ideas.

Thank you. Very interesting.

May I suggest one tip, since I'm an active scanograph... Instead of recording in tif file, you should record in bitmap file (.bmp). A bitmap file is a raw file. Or, by ancestry rights, a raw file is a bitmap file with added Metadata. If you record in bitmap file, you will have all the flexibility of a raw file. The bitmap files produced by Epson scanner can take a huge amount of editing before becoming burned or abstract. Tif files are theoretically uncompressed, but only retain details that are visible to the eye. Bitmap file (and it's descendant, the raw file) are uncompressed and retain all and every details, including the details invisible to the human eye. In a lightroom competition between a Bitmap file and a tif file, the Bitmap will win, since it is possible to recover way way more details in the shadows, the black and the lights. The Bitmap file is your Epson scanner's raw file.

Love your teaching style. I'll be recommending your videos at our local photography group. You make it look easy enough for me to attempt.

Wow! A double load of useful info! Thank you.

WOW! I learned so much. Thanks.

What are the “adobe paper texture”s?

I love your video! Can you show us how to make the stick brushes and some of your textures. They are beautiful!

😍

I cannot believe how many new things I just learned in a fairly short video. What an amazing job!

Very interesting. Thank you for sharing.

Se tivesse como traduzir em? Belo trabalhos tudo haver comigo!!

Open Multiple Images as Layers in Photoshop: Go to File>Scripts>Load Files into Stack Thanks for video

Glenys - I really don't know how to say thank you enough. I came across your channel recently and just keep coming back to it. You are incredibly generous with the knowledge you share with all of us, and it is too educational to even try to describe it adequately. So we can all learn so much from you, but the real beauty of your channel is to share with us your incredible artistic talent. Your vision and final images are simply gorgeous. Now all I need to find is a channel that can teach that creativity! Thank you.

This was a wonderful, thorough tutorial! I bought all the supplies last week, I'm going to give it a try today! Thank you!

Fascinating! Thank you!

Thank you Glenys - after your Zoom presentation to our camera club, I've subscribed to your channel. Really like your work - fabulous images!

Yes, thank you so much! Very helpful

wish i could do this

Wonderful tutorial!! Can you please make another one? It’s fascinating how the modifiers shift the pigment.

Thank you so much. I just discovered your work and love your style. Thank you for making this video.

Very informative! Thanks so much Glenys. And - your work is wonderful.

Great video. Thanks for sharing.

Hi Glenys, thanks for sharing your skills and for taking the time to explain your process. Also, I really enjoyed looking through your website

Thanks, very cool

Please do more video’s. I like them so much and learned a lot of it. Will you consider it? Thank you so much you did this for us 💕💕💕

This was a terrific tutorial! Thank you very much for taking the time to do this 💕

Excellent video-thank you!

What is the plastic wrap for ?

What a beautiful, peaceful, mindful and inspiring film! Perhaps I should deviate from my devotion to stills and consider using the movie function on my camera.

how long in the sun? is it a different timing from the UV light? thanks

Have you been working the night shift in my house? You had the same chemicals, same paper, same sponge and same brushes.

Thank you Glenys, this is the best and most informative tutorial I've seen on Wet Cyanotypes.

Your videos are simply wonderful. Thank you so much for your time and clarity.

Thank you Glenys for this very helpful video!

Thanks Glenys, you explain things very clearly 😊

What a stunning wood! You’ve inspired me to go back to my local bluebell wood where there is a lot of garlic near a stream. It will be past it’s best by now but I can suss out some angles for next year. I’ve always focused on the bluebells before so you’ve opened my eyes, thank you 😊

What a stunning wood! You’ve inspired me to go back to my local bluebell wood where there is a lot of garlic near a stream. It will be past it’s best by now but I can suss out some angles for next year. I’ve always focused on the bluebells before so you’ve opened my eyes, thank you 😊

Thanks Glenys, really enjoyed the vid and also your take on ICM. I also like my subject to be a bit identifiable in the end result rather than too abstract. Love your dog by the way 😊

V jakém poměru s vodou se smíchají chemikálie A a B? Děkuji předem za odpověď.

I enjoyed watching your video, and found it inspiring that you made something relatively ordinary into a beautiful image. Thanks 😊

Wonderful! Just discovered you via She Clicks. Can't wait to watch more of your videos and have a try. Thanks for sharing.

Excellent video, very helpful. Thank you. I have tried this but when I have a large stack like this I find that the lower layers have no effect even after changing opacity. Starting at the bottom I tried turning them off and it wasn't until I got to about half way that their effect was noticed. I'm enjoying experimenting but have yet to find a way to have all the layers in a large stack to have an effect. Any tips?