Was that Bebe performing with Anne? Love them both. I think Anne and Bebe are two legends who represent Fosse’s style superbly. Thank you for this treasure.
@razzamatazzy9 сағат бұрын
i am so obsessed with this song
@clo99914 сағат бұрын
No way. Great show.
@robertversluis574417 сағат бұрын
God I LOVE the Great Harvey Fierstein. Trailblazer and maverick! He is a gift.
@ExploringReal17 сағат бұрын
I am SWOONING. His performance was so perfect, and the way he also represented the lower classes struggling and suffering even as Eva was parading around with little meaningless spectacles of generosity. How does this man not have a tony yet??!!
@ExploringReal18 сағат бұрын
He would make an awesome Judas
@Teladian221 сағат бұрын
I really wish they would release these to the public. Not everyone can make it ti broadway and as a performer it woukd be great to have the entire thing for referwnce
@tacopeters9028Күн бұрын
nederlnds
@tacopeters9028Күн бұрын
Nederland
@tacopeters9028Күн бұрын
Nederland
@chrisfrenchnyc2 күн бұрын
👏 TRAINING. I’ve never seen a Tony approach this like the Shakespearean monologue that is actually is. Brilliant. Although “Maria” is nowhere near Sondheim’s most intricate lyric, it IS one of Bernstein’s most challenging melodies, and I love the approach, because it leta the actor lean not only into Sondheim’s lines, but Bernstein’s too. VERY cleverly done. Note how Mr. Powell seems to discover something *new* the first time he sings the famous tri-tone interval? A brilliant ACTING choice that gorgeously highlights how Sondheim knew how to ‘get out of the way’ when the music needed to do its work. Easily the most original performance of the song I’ve ever seen. Appropriately youthful, spunky, and exactly representing the kind of coming-of-age moment that Shakespeare so indelibly wrote for Romeo (“what light thru yonder window breaks?”). As another commenter pointed out, his ‘E’ vowels are extra delicious, but those final notes are absolutely gorgeous.
@sorchamccarrey2 күн бұрын
fantastic, thank you for sharing
@NikkiMKarLen2 күн бұрын
I'm here for Humbert Allen Astredo.
@BroadwayBabyyy7442 күн бұрын
At first I'm like, how many women played this??? But I love it, iconic like Dolly but with a deeper story and vocally challenging but brilliant
@parpea2 күн бұрын
Roger Rees .... may his memory continue to be for a blessing.
@mrjamiecrawford2 күн бұрын
Bob Fosse would be spinning in his grave 😂😂
@Sandoz-tq7qj3 күн бұрын
👍
@erikaerhardt81363 күн бұрын
She looks like Cheryl Hines
@ChrisStockslager3 күн бұрын
Interesting that from this run in 1991 until the currently-running Sunset Blvd. in Australia, 2024, she did no musical theatre. Most of her Blvd. reviews say that at best her acting is ethereal, lousy and uninvolved at worst. Her singing is wobbly and all head voice. Here, she uses quite a lot of chest voice (though smartly, not as much as her studio recording), and great mixing of chest & head. Her vibrato is quick & healthy. I think her acting here is subtle and very effective. Obviously, time takes its toll and all voices age, regardless of bad or technique. But I often wish she would've stuck with this lightly belting early style she did in her early years, vs the hooty, over-covered, popera sound she adopted in the late '90s / early 2000s.
@hanschristianbrando55884 күн бұрын
It seems wrong somehow for this number--a showstopper if there ever was one--to be performed to silence; we need to hear a live audience going nuts (which you have to know it did; how could it not?) to make it as thrilling as it should be. Also, Tommy, you're adorable--at least you were then--but get a haircut!
@AlisonHall-mz2qd4 күн бұрын
Where can I get a copy of superstar with Steve balsamo in
@Catra_L4 күн бұрын
Frances is my absolute favorite Eponine. She is the most like book Eponine to me and even though everyone favors Lea Salonga because her voice is so clear and perfect (not sarcasm) it’s just a little too perfect for Eponine imo.
@elijahdawson19814 күн бұрын
Do you have the whole show?
@ronaldalexanderrolleston43614 күн бұрын
Meredith Wilson’s the music man on broadway(1957-2022), happy 65th anniversary the music man!
@beignet20124 күн бұрын
This is truly phenomenal. I have seen many Norma's and the "Salome" section is my least favorite in the show. But when done well, it's a show in itself. It was captivating.
@tomtom37045 күн бұрын
I love the LaChanze.. god knows I do.. but this role belongs to Audra McDonald
@MissyJNightSwan695 күн бұрын
I played thr Acid Queen in a local production many years ago. It's an amazing show and I was lucky to go backstage on Broadway! I knew Bill Buell and got to meet Anthony Barille, Paul and Michael Cerveris. Such memories!
@ryan31365 күн бұрын
Is there any chance I could trade you for her full performance if you have it? I am exceedingly desperate.
@jonathanbarksdale43965 күн бұрын
Hugo from The hunchback of Notre Dame and Ann Possible from Kim Possible singing together
@petercallahan73215 күн бұрын
She was so overqualified for this. It’s too bad we lost out on a She Loves Me recording with her for Sunset Boulevard.
@MBonEB5 күн бұрын
Glorious!
@Ewan085 күн бұрын
Can we appreciate the camera quality for this video 👏
@user-bc3sf3oy6v6 күн бұрын
I saw her in Medea in 1982. Absolutely unforgettable!
@TylerPoplin6 күн бұрын
0:50 😂
@StringSun7 күн бұрын
Thanks from a Sondheim fan stuck in the middle of England 🥰
@user-gz9uk4rn5p7 күн бұрын
I once saw her perform at a Manhattan leather bar..of course there were roaring cheers
@saxongirl20547 күн бұрын
I don't even like musical theatre, but I'm obsessed with him. He's so perfect... his acting... his voice... His eyes are just like the Prince's eyes. Such an underrated actor.
@theresaewald75967 күн бұрын
The set gives me Lavern & Shirley vibes - and I always thought they were a female version of the Odd Couple!
@davidrackoff37458 күн бұрын
Cole Porter is a happy ghost watching this on KZbin in heaven.
@erlendsvenssson85348 күн бұрын
Chris Sieber? But that was Raoul Esparza wasnt it?
@erlendsvenssson85348 күн бұрын
oh wow! no, it was Sieber. They could be brothers!
@saxongirl20548 күн бұрын
I wonder if Terrence wasn't cast for more movies because he looked too much like Tim Curry and they already had Tim... my late night thoughts. Anyway, he is such a life ruiner 😩 Daddy
@Maradurs_Map9 күн бұрын
look at da baby so cute
@michaeljj439 күн бұрын
a bad wig. a great performer
@poetmistress20099 күн бұрын
WOW😍😍😍😍…. THANK YOU for SHARING 🩷!!!!
@dramaticimpulse9 күн бұрын
I cannot believe someone managed to get a bootleg this good in 1997! Most were potatoes.
@auroraspiderwoman58866 күн бұрын
This is not a bootleg. This is from a two-camera proshot of excerpts, from which a press reel was assembled.
@dramaticimpulse6 күн бұрын
@@auroraspiderwoman5886 That makes sense! I never heard of a full proshoot, but of course they would have had one for press reals. Are there other clips?
@auroraspiderwoman58866 күн бұрын
@@dramaticimpulse Yes, there are a couple of other numbers from the press shoot on this channel.
@mimisullivan2469 күн бұрын
The best ever! incomparable <3 You rock Laurie!
@Porn05Mouth9 күн бұрын
She’s really flat in this role next to Zoe Caldwell and Patti LuPone. Surprising, really.
@johnlargan60459 күн бұрын
I had the pleasure of seeing this very production of Guys and Dolls. It was an amazing cast! I just LOVED Faith Prince as Adelaide! She stole every scene she was in! Her squeeky delivery on "A Bushel and a Peck" and "Adelaide's Lament" were spot on!
@timbolester9 күн бұрын
It’s a shame she never became a big star on her own. She works a lot but she’s usually a supporting role or in touring shows. She’s got a good voice and oozes charisma.