Glad to help!

Aw thanks, great to hear you’re getting started, exciting times ahead!

You’re very welcome

It’s mostly one instrument to a part !

It’s still a bit in flux tbh, but when I was making this video, I wanted to make use of the focus selected tracks feature in logic which falls apart if you use stacks. But I’m finding that they can be useful for stems exporting, so it depends if I intend on doing a separate mix stage!

All caps! I’m honoured😂 glad you found it useful

@@crackcaster these and sample modeling strings can be completely dry!

Ah thanks, glad you enjoyed it!

@@edwardmacnab354 www.spitfireaudio.com/bbc-symphony-orchestra-discover check out the bbc symphony orchestra free edition from Spitfire!

Thanks!

Yep I have no shame about the Disney influence - specifically Alan Menken era :)

@@vincecomposer yeah Menken's amazing, and you did an awesome job here

@@vincecomposer Oh yea, man who doesn't love Disney especially like you said that Alan Menken era is truly classic!!

I’m an unreserved Jacob Collier fan. By that I mean that I love his imagination wherever it goes. I’m not interested in saying, “Yes, but . . . “ about his music. Does that mean that I’m uncritical, that I suspend judgment when it comes to Jacob Collier? It kind of does and he’s a rare exception in that regard. I do it because I really don’t want to drift to the other bank of the River where he’s viewed with untrusting, deep reservation. I refuse to yes-but Jacob Collier. I’d much rather trust him. I don’t know if you view him the same way but you obviously trust the arc of ‘Stars.’ It shows in the way your lovely, loving arrangement carries the tune and the story along. Nicely done! Cheers.

@ thanks for the thoughtful comment! Yes, his music might not be to everybody’s taste, but I also share your trust, that it’s coming from a sincere place rather than showboating. He’s unusually transparent, which is definitely refreshing.

Thanks for taking a chance on it Martin!

@@vincecomposer :)...

Thanks!

Hey Runar! Haha 🤞saw them in Paris with Snarky Puppy, crazy gig!

Appreciate it!

😂sorry to disappoint

Not sure if that will help with your library but it definitely works with all my orchestra libraries and I have quite a few.

Hmm! Lots of 4 note ‘jazz’ chord voicings and voice leadings eg major sevenths in inversions with unusual bass note choices- so the more complex sounds are often the result of two tonal centres meeting. Definitely a lot of it is listening discovery and responding to what I’ve just played rather than pre thought out. Hope that helps!

@vincecomposer Thanks ! A intended dissonance definitely seems to play a role, so i'm gonna give this concept of 7maj + unusual bass note a try next time. Btw, i said "Clare Fischer" because your chord progressions (and the sound) reminded me a lot of the string arrangements he did for Prince over the years, also very prominent on his "The Family" side project ("Screams of Passion" comes to mind). If you haven't checked that one out (they only had one album, which contains the original version of "Nothing compares 2 U"), you definitely should, if only for those string arrangements. 🙂

Yes, expressiveness can often trump realism too ! In retrospect, I might have been a little negative on this library as it definitely has its uses

You're welcome ✨

Thanks Michael!

Not quite as greasy haired :)

Loved the video...and you passion for teaching even more.

LPX Colorizer www.lpcolorizer.com/

🥕🥕🥕 yes the cremona quartet are a useful tool for these kinds of mockups!

Ahh! I'm glad you're enjoying it ✨

Thanks so much! I've thought about doing courses, it's mostly just fining the time to do it well. Maybe someday :) In the meantime lmk if you have any specific questions.

Glad you enjoyed Runar, I want to hear your Pirate music now!

Tec Control Breath and Bite 2!