bwahahahahahahahahgshskdbfbdi

piss

language!

@@Fexxis_ sorry >:

i thought people were here for the cover,,,

Also when you exit out of the level out of bounds it’s really hard to get it just right so you go to the next level

i have since figured it out but thaaabks

literally what

My favorite band, weed

literally in like an hour

definitely that would be super cool i am a large fan of yours

Okie dookie

No wayyy neotoe is here!!! 🎉🎉

did this get sent in the server or something lol

@@Fexxis_ we were on a call lul, i put the cool club role on u since u have more than 100 subs. Silly me didn't really check what you're cooking

Also awesome voice :33

7th chords my beloved

ok i saw the notification for this comment earlier but was too busy to read it and i thought it was random hate but this is silly

yeah sorry if i implied i would be doing anything else

bold of you to assume i wrote it with a key in mind

@@Fexxis_ not very fond of that. Nonetheless, try to do that next time, select a key to write your music in, and go for it. Will make it sound a thousand times better.

alright, that’s fair. i was trying to write from an idea i had in my head but once that was done it was really just a bit atonal

I don't agree with this criticism at all. I think the chords in the first part are awesome. My least favorite part of section A is the final descent down starting at bar 33, felt a bit long and repetitive and I was ready for the next section to just start already. But before that I was really enjoying the wonky, but IN KEY chords and melodies. It is really cool of you @Fexxis to listen openly to criticism, however some people will offer incorrect or misguided advice, and they probably mean well but are either injecting a little too much bias into their statements, or having assumptions that aren't quite right, or just lacking knowledge. A key can be anything you want. Being out of key means you are playing a different note than the one that is written on the staff. Now if your *intention* was to write a simple chord progression and melody, and instead you got this and were asking why it doesn't sound a certain way, it would be fair to suggest more consonant harmonies, more resolving phrases, and so on (this is what NYX means when saying "fix the harmonies" and "simplify"). However I didn't get the vibe that you intended something consonant and perfectly resolved. If that's the case, this part of the criticism just boils down to "I don't like it." Which is fine as an opinion... but not as an objective criticism of your work. I mean, if you intended for this to be jazzy, and then someone says "it has too much jazz", that isn't really criticism. Just an opinion. Anyone who doesn't already listen to music that includes these intervals will likely share the same opinion, or at least find it harder to appreciate. On the other hand, people who frequently listen to jazz or any music that features dissonance and tension will be quicker to like it. To me the main thing missing from the first part is a little bass. The harpsichord sound is so thin and there's no other instruments other than drums, making the whole thing somewhat "airy." If you wanted to make this part more full sounding, I think a few bass notes plonking here and there would be quite nice. As for the second part, yeah, ok, the melody here is really bizarre! It sounds like an evil circus. Again, here I would ask, what is your intention for this part? The chords are less dissonant than the melody, so it feels like smashing two different flavors together. Certainly an option but definitely gives off an intense feeling of "I'm headed to the looney bin." This is made even more intense by the rhythm of the notes, and having almost no rests. I would consider more variation with this melody, from a composition standpoint this is where I would expect the energy to drop and so I would tend to have fewer notes and just leave some space for the chords to ring out. Anyway that's my response to "just fix the harmonies and simplify the chords, it will sound a thousand times better" guy. Just because certain harmonies are popular doesn't mean you have to use them all the time

​@@magicsofa Thank you for your feedback, well, this is why criticism is an opinion of the person and not a factually based statement. Everybody views the product differently and that's why opinions exist! Nonetheless, that's exactly where I view it the complete opposite way, through my perspective the chords didn't resolve well at all. And in this case, went pretty much all over the place. As the creator themselves later confirmed, didn't write it with a key in mind, and is clearly noticable throughout the composition. So yeah, I do not agree with you saying that this composition is in key or resolving properly. It really isn't. To your last paragraph, I'm sorry that I'm trying to make it short because mostly people will not like to read long walls of texts, therefore I tried to make my advice short and clear, which apparently the creator very much understood by their response, so there's absolutely no need to be mad about an opinion and a harmless advice that actually would come to help. To the creator, Fexxis, if you have the newest version of FL Studio, you should be able to find a feature called "Snap to scale" where you can select from various scales/keys. After you select, you can experiment with whatever harmonies you'd like as long as they are in key. Should sound good no matter what you do, as long as you resolve nicely - talking about chords, melodies on the other hand are a bit tough to master, but you'll get the hang of it.

at the verrry start, the organ chords have a slow glissandro, so it might be that

Fl studio

FL Studio 21

smh you should’ve watched a video that was popular now you have to deal with me personally berating you

smh this song is peak

@@Fexxis_ oh no shitty producer is "personally berating" me what am i going to do

erm what is that

@@Fexxis_ I think he wants to export the beginning of the song and put it into fruity granulizer

i mean it is like ambient drone but it should be audible