Gracias Noriel como bien lo dice el compañero Luis, es una demostración de los toques de orú seco en el estilo de Matanzas (por ejemplo, el toque de Ogún de 2:53 es muy distinto al toque de Ogún habanero) hecho por los nietos de Chachá

Ibaé Chachá, thanks for checking in maestro. The family's still holding it down and Alejandro el Cole (on Iyá) is a respected musician and instrument maker.

Por ahí en el ‘83 o ‘84

@@mibiqui yo creo que mucho antes porque veo personas muy mayores que ahí se ven muy jovenes

@@mibiqui tal vez si sea en esos años

@@edw945 sí porque la primera temporaada de Yuruparí fue en el '83 y debe ser del seguno o tercer año. Me imagino que usted es del Saija si reconoce gente que sale en la película. Yo no conozco por allá, quienes con los personajes a que se refiere, para dejar esa información en la etiqueta?

El primer retorno a Sta Rosa fué en 1984

O si no entiendes inglés, no es un Oru Seco de Matanzas, es solo Cole y sus amistades tocado algunos toques de estilo Matanzas... Para q sepan.

Saludos Luis thanks for the comment. A sincere question form somebdy that knows very little about Matanzas: what makes this just a string of toques instead of an Orú (aside from not being in the ritual context).

Michael Birenbaum Quintero - Saludos! I’m just now seeing this question here, my bad! I get a ton of emails into this box. Anyway, yea so this is obviously a tutorial for the very basic structures and some movements. In a pinch of course this would maybe resolve for an Oru, in even a religious context. As long as there is positive intent and the heart is there, it’s all good! 🙏

Chance Utter - Saludos abure! Yea, so as I just explained to the other gentleman here in this thread, this is a very very basic tutorial of a few of the rhythms. Would it suffice as an Oru? Sure, why not, as long as ones heart and intent are in the right place, as I mentioned in the other comment... It was a while ago when I posted a comment, and I don’t usually get involved in anyone’s post. God bless for the knowledge shared! However, some of our fellow brothers and critics would/could assume the lightweight-ness of this basic example (tutorial) of Matanzas might actually be the best Oru offered in the city, which it is not by very very far. -Godspeed

Chance Utter - Greetings again, my apologies for hastily responding to this last comment, because I didn’t notice this part. But just so you know who “that guy” is; I was initiated into Anya by Cha Cha back in 1998. As well as, have lived and played in Matanzas (and Havana) for the last 16 years. I’m Olu Anya since 2004, and have played uncountable tambors with Cha Cha, Fantoma (RiquiRiqui’s tambor now), Pello, and Alfredo Calvo’s piquetes since, etc... on top of being crowned Obatala since 2005, a Tata since 2001, and a Babalawo & Ozainista since 2015, etc, etc, etc... I could go on. But to complete my explanation in understanding that this is not an official Oru Igbodu (and only a tutorial) from Matanzas, apart from the many many missing toques, conversations, and movements, etc, the closing of the Oru of which you would know, if you were religious and/or had any real experience, is not present. What is it? Do you know? Be informed and blessed, and then if you want, go ask Cole who I am.

deberías escuchar al Grupo Naidy, y al grupo canalon entre otros o buscar el festival petronio alvarez ahi estan todos

+Grupo Kenyata Channel señor elicer en esta epoca alirio portocarrero interpretaba el bombo en el grupo,aqui se reconoce a maky-irlando lopez,a usted eliecer lopez,el otro cununero trabaja con gualajo pero no recuerdo el nombre,quien tocaba la marimba,si tienen el video de aguacerito llove,favor subirlo,gracias

Yo.

@@carlosandresguerrero1788 ¿Y tienes algún enlace con el que pueda descargarla, o podrías enviármela por correo electrónico?

¡@@carlosandresguerrero1788 hola! yo tambien quisiera tener este temazo y poder escucharlo ¿me lo compartes por favor?

@@andresfelipeatehortuagomez6432 escribeme 3156006582

@@carlosandresguerrero1788 apenas lo veo, ¡ya te escribo!!!