Very informative.

Very informative. Thank you.

nice job thanks

Awesome tutorial Chris! I love the way you explain the matter, clear and easy to understand! Thank you so much! God bless you and good luck!

Thank you, Chris! Brilliant!

👍👍👍👍👍Wow!

great, thanks

Still what LAB colors are used for?

Thanks sir🙂

Well explained!

Great video. Can you tell me why you suggest reversing the black and white scale in the curves adjustment grid before starting? Thanks

Thank you bro Good educative video. Keep going

Interesting how the a and b channels align very closely to tint and temperature in white balance. Tint, from green to magenta, is the same color range as the a channel. But temperature differs from the b channel only slightly. instead of orange to azure, its turned one color counterclockwise on the color wheel to yellow to blue. I wonder why that is? if Lab uses yellow and blue why doesn't temperature go from yellow to blue instead of orange to azure? Thank you so much by the way! I'm a colorblind artist (deuteranomaly) and all around art nerd this technical stuff is exactly what I'm looking for!

Thank you for taking the time to post this, from what I understand is, this is how a color analyzer works.

Thanks for your imput in this matter. Easy explained. Totally new staff for me!

Thank you so much, this was really reaaaaaally helpful ^^

Brilliant handling of a potentially complex adjustment.

Why did the color turn red when you crank down the b channel? Shouldnt it be a dark yellow, AKA "muddy green"?

Thank you

Tnx... What is main difference in lightness ,whiteness and brightness?? What I can do for increase lightness of kaoline clay,,,?

Thank you! The channel mixer is clearly explained by you and this helped me a lot!

Thanks for the tutorial. How do I merge two adjacent retime segments inside one clip?

Thank you for this video. I Was always confused how to memorize which direction minus/plus values go. Cool/warm! Seems so obvious now!!!

Very good tutorial.

Can anyone tell me, what's different about lab and lch colour space?

This guy is hopeless.

Q. Lab Tech 🇵🇰. Textile Chemical, Color Machine Machanical solution 💫🇵🇰

Thank you for taking the time and it's good info, but it's verbose... we're still talking about blue snow and excess green and finally get to fixing the cast at the halfway point.

Out of interest, why didn't you use Image > Mode > Lab to convert to the Lab color space?

Thank u

Very well explained. Very helpful. Thanks!

very very good explained, I just didn't loke the magenta parta hahaha was just too much for me, but it was perfect to understand what you meant. regards

Thank you!

Excelent! Thank you!

Very useful tutorial, thank you !

Chris, I hope you are still monitoring your channel. I am part of a 200+ member photo club in Sun City AZ. The two charts you use to explain the Lab Color space are the best I have ever seen. We will show your video to the club members with interest. Is there any way we can get a good jpg copy of the charts? Also, I am going through your videos on this subject and am blown away with the easy results. Thank you

very helpful - thanks

brilliant explanation - thank you !!

very helpful and informative - thanks

thanks - great explanation.

Fascinating!

Your video is very good! If you also have some good viedeos on RGB, BGR and HSV color space, let me know.

Thank You

thank you

The best explanation of CM I´ve found, thanks!!!

Nice to hear Dan Margulis!

Thank you very much. I was looking for tutorials which explain color channel mixer. And this is the only tutorial on Earth that goes deep into this. I have learnt a lot from this. Thanks. You are a good teacher.

I know this is like 5 years ago, but I can't find anything on this topic. And I didn't know it's call "slipping", probably why I can't find it. But I think for many FCPX video, especially those beginner tutorials, this function should be included.

Many thanks for this very helpful tutorial. So helpful because few tutorials articulate well the details of HOW STUFF WORKS!!! Drives me nuts sometimes--for example, other tutorials on this subject--to hear verbal descriptions that are little better than jiberish. Seriously, you speak deliberately, clearly and with some precision. Others, not so much. Reminds me also of Simon Ubsdell who is a video colorist with many excellent tutorials, with one on the Fusion Custom Tool, (kzbin.info/www/bejne/ZmK1i2Wja7pql6s) in which he, as you do here, describes it as possibly the most powerful tool in Fusion but one which few people seem to be familiar. This tool, like your description of the Color Mixer tool, deals with the actual numbers that control and comprise the image look. And when one has even a little understanding of the concepts, which your tutorial helps to impart, one's ability to SEE the effect in one's mind's eye increases--even before one makes the adjustment. And so one has at least a guess as to what likely needs to be done. And one can more confidently approach an image because there is some understanding of just HOW STUFF WORKS. Thanks again, so much!!! Mike

Very good, I can’t find no other tutorials about 5.1 audio