I’d be really interested to learn more about that; could you provide some examples with actual measurements in controlled environments?

Yeah lots of people will do those too

These are all old videos from my TikTok and Instagram, so if I’m referencing a specific video in these it’s probably on there

@@primroseproductionsmusic Ohhh I see thank you.

That’s kinda hard to answer because I don’t necessarily have generalized descriptors of what a shit sound is, and it’s gonna be different for every instrument. For guitars? I don’t want it too thin or harsh sounding, nice full midrange without being too muddy. For bass? I want to hear that upper mid bite as well as a nice full low end. For drums? I want the drums to be tuned well and hit right, lots of top end attack with a huge bottom end

I put out a video on phase vs polarity a week or two ago

Definitely wasn’t the best tone 😂

I honestly loved it but it could use tweaks and more brightness. I think higher octaves would compliment very nice

Changing the tone creates a different effect. Same tone creates a stereo effect but different tones are obviously two different takes hard panned left and right. Imo, same tone sounds much better. It creates a fuller tone that sounds like one guitar with stereo effects. Different tones compete for attention and it’s distracting to me.

If you don’t have different amps, you can use different speakers or cabs instead.

@@redhorsereincarnated5040 Distracting?? You WANT that attention seeking element in music. Especially when you have the guitars playing almost the same line anyway. When you make records you don’t want to make it homogenous and boring but exciting! …At least it used to be that way.

Not quite the same thing. It can work in a pinch, but there's a huge difference between a set short delay and two entirely separate tracks with their own subtle timing, dynamics, etc. Unless it's entirely not an option, it's typically best to have two separately recorded guitar tracks.

Don't do that, it sounds horrid lol

Haha yup, don’t plan on it

I've used that technique with great success on solos.

if u do that and listen to it in mono (or to a lesser extent with speakers) you will have accidentally put a comb filter on ur track with the fundamental determined by delay time

I don’t, I won’t review anything that’s been released already, a Spotify link is an instant disqualification

@@primroseproductionsmusic I could have sworn I heard you say that in this video. Maybe Im wrong. I was thinking mainly for use as reference tracks but inside the DAW. I have paid subscriptions to HD music streaming platforms but can’t actually analyze the music or level match easily bc I cant get the music in the DAW.

Actualy he quadrupled his track

@@patomibii7431 In one take

It’s a 3 year old video man, we all learn as time goes on 😂😂

@@primroseproductionsmusic it took you 3 years to understand that?! You seems pretty dumb...

I never had any problems with it. I know the original line had a tendency to catch fire, but the infinium versions haven't had any issues

I've had my Bugera 333xl infinium for about 6-7 years, play it loud (a lot!) and is going just like it did on day one. I haven't even had to replace a tube on it either. If you want, you can throw any tubes you like in the infinium range without biasing. Best amp I've ever owned and I've owned expensive ones!

The limiter I use has the same type of low end sidechain for the detector circuit that my bus compressors do

@@primroseproductionsmusic please do a video

Show me a multiband 1176 and I’ll be all over it, but until then, I’ll keep doing it this way for the saturation as well as the compression

Pro-MB by Fab filter, great plugins

@@primroseproductionsmusicMelda has MTurboCompMB.

“Make it click into place perfectly with the guitar tone” THAT is exactly the problem. You should not be dialing in the bass to blend with the guitars, you should be dialing in the guitars to blend with the bass. Everyone needs to stop recording guitar first, that’s the real problem; guitarists are doing most of the writing (and, let’s be real, usually have massive egos) so they spend forever dialing in their guitar tone to make it the focal point, but that’s what gives people bad results. Get the drum sound first, then dial in the bass to blend with the drums, then dial in the guitar to blend with the bass and drums

@@primroseproductionsmusic good advice, thanks!

it gets the HH and Cymbals? or just kick/ snare / tom?

I'd have gone 2 Hesu...I was thinging of building a cab with 2 demons and 2 Thompsons, Is there some kind of switch that would allow you to run different combos (running the cab as either type in 2x12, or one each 2x12, or all 4 at once) that would be like having 4 different cabs in 1 unit.... probably a stupid question but ive never had a proper cab.

@@johanjotun1647 There is no such thing as a stupid question. It's possible, but you will have to keep impedance in mind and switch your amp's impedance output accordingly. Some amps have switches for that, some amps have different jack outputs for 4/8/16 Ohms. I hope that helps. The reason I went with a V30 and a Hesu Demon is because I think they blend very well. I wanted that over 2 Hesu Demons.