I have ios 12 didn't work gives error #78132832 pls help?

Can you do it in the uk 🇬🇧? As always I appreciate u showing this to ur subs!

BEST YTBER😍

含着泪水听完。秦川，我是于清，附中时王老师的学生，为了生计如今早已弃琴从商。出自同一师们，你经过不懈努力登上了艺术的巅峰，我为你的成就感到由衷的骄傲。

Horowitz played the repeat of the exposition... -facepalm- But great playing Chuan Qin, it's so clear and wonderful!!

Lol 2:12 hahah

Very very cool!

1:21 omg wat

Muy bueno, original é interesante y...obrigado también al PEON que tiene el aguante de ficar estudando esto.

This Masterpiece closed the last century.

Horowitz played this for 4:37 seconds and he did it 1:12 faster xD

impressive :D

This guy needs an energy drink

Much too fast. He has missed the point. There is no feeling of rhythm, therefore it does not sound at all like Haydn. What is more there is more than a dash of Chinese style stuck on top. No thank you.

@maestroanth How can one say Anderson's KZbin version is much better than this with the electronic reverberation added to his version which muddles the sound?

классно играет

@pkoen79 I agree

@jhwwonna i thought he was moaning lolz

im playing it right now...-_-^_^_-_lol

i agree. i sounds very beautiful. but this is not the way haydn should be played. it is too romantic. although i like this version very much.

This is not Jazz

why the thumbs down??? its from the classical period i agree

Voicing & articulation slightly superior to Horowitz,s version. But Horowitz,s has more colour and nuance.

Not a good performance. Lack of colors.

A very clear performance. Excellent.

very nice! everything's clear ^^

Of course. But not on KZbin. =)

Do you know of any recording, where this ending works better?

I have been playing the piece too, and I know of the ending. Yet there is a difference between a proper ending despite its humour and an ending that fails to impress.

it's a typical Haydn joke ending :-)

way toooo much emotion

its so inspiring, the best version ive ever heard! your technic is BRILLIANT!

gross

I think sometimes he rushes towards or a little bit aggresive partly . tempo is no problem though .

nice tone

I guess no one noticed but at minute 1.59, he skips at least two lines to get past the polyrythmic ascent. Probably just a live mistake and there's no way he could have gotten away, but by skipping. You should play this etude slower in concert or record a faster studio version (like anderson does).

he's humming just like Glenn Gould, lol.

beautiful play! i like the very succinct L.H.

That was lovely! I am learning to play this movement for a competition.

You play with great emotion and technique. A fine performance.

The orchestra was to small--not enough power for such a powerful piece/ Good otherwise.

i thing you play it too fast you are out of the real tempo

-_-~ why an australian like you interested in european music?

Oh yes, and the ending doesn't seem finished somehow. Or maybe it's just me.

Good performance! I seem to like your faster movements and technical flashes better! You may want to try to prepare us a bit for the accents so that we wont get blown away by the suddenness. But otherwise, your technical patterns have no fault!

The voicing is sometimes hard to understand... at the beginning, especially, we can hardly hear to beautiful melody waiting to be sung and too much of the bass. Please don't hold back in your playing and you will make magic! Good endeavor.

This is really great!!!!!!! I am learning this piece at the moment!! It is so hard!xx

C'est tout simplement BEAU !!

Or perhaps it's simply a case that these pieces can be read as being direct descendents of Bartok? Unlike other Ligeti works?

this pianist lost lot of messages.... is a sound make peoples easy to forget... I guess this pianist don't have enough experiences about G.Ligeti.. this etude isn't perform like that... too much pedals!!!!! the middle part... he just rush....and where is colours!!!!! he isn't really for this etude... anyone can play the notes.. but the feelings,passions,backgrounds,ideas.. he totally miss it...