Perrine Devillers

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@InfernoXV 2 ай бұрын

so beautiful!❤

@christophewiart7079 3 ай бұрын

Sublime

@christophewiart7079 3 ай бұрын

Tres beau...gracieux

@R.ALFONSOVIII 4 ай бұрын

No hay palabras… una interpretación dulcísima una voz maravillosa y el acompañamiento no puede ser más acertado. Todo un deleite para los sentidos 😊ENHORABUENA

@rodneyferris4089 6 ай бұрын

O Maria! ❤

@LouiCH 6 ай бұрын

Bravo merveilleux et splendide, grandeur et splendeurs des Cieux éternelle... Nos compagnes sont nos campagnes et nos devoirs en commun selon nos besoins et nos jours quotidiens nos leçons nous les connaissons nous les défendons et combattons en armes et l'étendard de la liberté nous avons triomphé et notre fierté et notre volonté pour nos dames et nos femmes qui forment notre âme et nos cœurs soient en paix avec la relève et les successions que nous avons en commun ne soient jamais oublié pour les personnes à venir en devenir ☆ Y chf Bien issu de mon humble cœur pour les libertés et les espoirs. Oui et non aucun sens pour le mot de propos oraux, le cœur et l'âme en témoigne la vérité et le bien fondé sur le vrai ❤

@giorgiosalmaso5903 9 ай бұрын

Brava. Equilibrata.

@stefanoensabella9621 9 ай бұрын

Eccezionale!! Grazie!

@moogfooger 9 ай бұрын

It is the ultimate in beauty to hear your voice. Such purity and trueness. Ornamentation is sublime. Thank you for all of your hard work and devotion.

@antoninopirrone2541 9 ай бұрын

👏👏👏👏🌺💐♥️💕

@ianpgv 10 ай бұрын

What an amazingly beautiful rendering of this piece of music. Many thanks.

@victorpianoandviolin 10 ай бұрын

It is amazing How many times I’ve heard this recording

@Philaster3000 Жыл бұрын

this is simply gorgeous!

@drogers447 Жыл бұрын

Very touching and beautiful performance

@AndromedaCripps Жыл бұрын

Absolutely beautiful. I’ve listened to this recording many times over the past couple years since watching Early Music Sources’ video on the piece. I run a DnD module for which all the background music I use is HIPP early music or folk music, mostly ranging from around 1550-1750, along with a good number of folk music from a while later (into the 1800’s) and a healthy dose of decidedly medieval or renaissance pieces (a lot of shawm, rackett, viol, etc.). This evening the module mentioned that the players would hear the sound of a “strong female voice accompanied by pipe organ” and my mind immediately went to this recording!!! It fits quite nicely into the sound world I’ve built for the game, and was a great excuse for my players to get to listen to one of my favorite recordings 😁 The only issue is- I’ve unfortunately cast Elam and Perrine as evil giant sisters, since the book went on to explain that those were the characters that were performing said music!!! 😂😂😂

@paulwusteman9963 Жыл бұрын

Just incredible. Perfection. What extraordinary talents!

@mariobarbato4745 Жыл бұрын

superb

@opusrosae8560 Жыл бұрын

Magnifique ❤

@emastrovito Жыл бұрын

Magnifico!

@emastrovito Жыл бұрын

Magnificent singing!!

@janbrekelmans5475 Жыл бұрын

Heavenly voice .

@andrewmildinhall8210 2 жыл бұрын

Oh wow. What a gorgeous voice. Those low notes! Fabulous and a beautiful song

@MrAlex84006 2 жыл бұрын

MUSIC PARADISE!!!

@margritkunz7955 2 жыл бұрын

It's so great. Falls myselve with Sun and hope.

@matthiasgriewisch1021 2 жыл бұрын

... Bin gerade erst mehr oder weniger zufällig darüber gestolpert: Boa, wunderbar, von Euch beiden! Echt bezaubernd. Danke.

@jj-nu2ke 2 жыл бұрын

You're a goddess?

@VictorLombardi 2 жыл бұрын

Latin text O Maria, quam pulchra es, Quam dulcis es. Tu es formosa mea, Tu es speciosa mea. Candida et nigra sum, Sed formosa simul. Nolite me considerare quod fusca sim, Quia decoloravit me sol. Ille qui coronavit me, decoloravit me. English translation O Mary, how beautiful you are, How sweet you are. You are my most beautiful one My most gracious one. I am fair yet also black, Black but beautiful. Pay no heed to my dark hue For the sun has altered my color. The same sun that has crowned me, also altered my colour.

@markusinderwies1902 2 жыл бұрын

Traum

@danielungermann7055 2 жыл бұрын

Why does the harpsichordist play the upper voice of the continuo all the time colla parte ? That's not the sense of a continuo settig. The singer sounds beautyful !

@elinathanferlay1013 2 жыл бұрын

The harpsichord part is not an improvised continuo part but it is completely written out. It is a four-voices keyboard arrangement of what is sung, that's why the acompaniment always double the singer part.

@danielungermann7055 2 жыл бұрын

@@elinathanferlay1013 So it's better to make his own continuo - or make some corrections. Colla parte is possible for some notes, but all the time, it's not the stand of the art.

@elinathanferlay1013 2 жыл бұрын

@@danielungermann7055 I don't agree : one of the great originallity of this piece is that the accompaniment is completely written out, the harpsichord part is consequently a precious testimony of the late renaissance accompaniment practice before the rise of basso continuo. Replacing the composer's harpsichord accompaniment as it is written by a continuo part would make no sense, pervert the composer's intention and make this piece loose part of what makes it so unique and original.

@elinathanferlay1013 2 жыл бұрын

@@danielungermann7055 And Luzzaschi was one of the great composers of his time : when he wrote this accompaniment like this, he definitely knew what he was doing. Correcting his work just because some aspects do not please to our personal tastes would be quite arrogant. And even more since the colla parte here is not an error but an integral part of the compositional process.

@danielungermann7055 2 жыл бұрын

@@elinathanferlay1013 This is not the question. Luzzaschi didn't surely not written out the continuo part. The continuo part is made by the editor, not by the composer. But I think - don't forget that Luzzaschi died in 1607 ! - this is not a continuo part, that's a full score, and in this case, the harpsichordist must leave out the part of the singer. Luzzaschi was the first generation of composers using the continuo technique. For to be shure, one must see the original notation. How I've already said: I think, its a madrigal notation - without an "acompaniment". So the best is, to let the singer perform his part and to play the other parts. But to play colla parte, this is not in style.

@marinapegrisch1305 2 жыл бұрын

Wonderfully talented woman. Beautiful Soul 😃

@joenonomous3782 2 жыл бұрын

I came hear after watching Elam's Gesualdo video. Amazing 🤩 it's so odd to hear how the vocal embellishments work. A totally distinct style.

@albarainbow 3 жыл бұрын

AMAZING, THANK YOU!! Thank you for sharing your talent, exquisit taste and passion for art <3

@annaugoliniarte 3 жыл бұрын

Magnifica!

@איילאלפיה 3 жыл бұрын

עילם, מתי תופיעו ארץ. מחכים לכם בכליון עיניים.

@MarkFarago 3 жыл бұрын

Absolutely beautiful...

@SarahRoseStiles 3 жыл бұрын

J'aime la mouche à 1:57 !!!

@emmerich2080 3 жыл бұрын

not only expert level singing and playing but also expert sound engineer!

@isabellecaroliner770 3 жыл бұрын

Merci pour ce moment d’émotion ; j’espère pouvoir venir vous écouter à l’Opéra de Caen.

@grocheo1 3 жыл бұрын

Che meraviglia. Che meraviglia

@DUNCZI 3 жыл бұрын

Once I visit this site I had got a relief by the beauty itself!!!

@jeremywest4629 3 жыл бұрын

I shared this with a cornetto student in her last lesson at the end of 4 years with me. I said that if, as cornetto players, we can deliver this level of performance then nobody will ever argue with us: beautiful sound across the range (never omitting to look after the low notes which so many cornetto players overlook to do!) phrasing, diction and articulation - everything the cornetto player needs is displayed here in a nutshell. Thankyou Perrine. Simply fabulous. And by the way, who on earth are the 9 jokers who gave the thumbs down?!

@stellario82 3 жыл бұрын

WOOOOOW: remarkable voice and impeccable control.

@carolworthey2067 3 жыл бұрын

Gorgeous! My husband Ray Korns and I are learning so much from the Early Music Sources that now we can truly FEEL and FOLLOW the subtleties and musical (or textual) meanings of Affect. Fabulous soprano and she knows the music and does this with such emotional subtlety and yet power and her pitch is perfect, her range extraordinary, and I love Elam playing the beautiful harpsichord. Love this !! (I am a contemporary "classical" composer who uses inspirations from all historical eras and many styles to evoke music that touches the heart and involves active listening.)