To this day this may be the most I’ve ever laughed at a scene in a movie.
@nosee5 күн бұрын
That’s a good play from William Shakespeare Thank acting called a monologue I mean Pearson speaking with himself
@Toni-y3b5 күн бұрын
Guys
@brendonvaldal2596 күн бұрын
Sounds good
@brendonvaldal2596 күн бұрын
That’s true
@gymrachel7 күн бұрын
To all the arsewipes in 2025 🎶
@JeromeMarinko13 күн бұрын
Marvelous
@carpesoliscosplay16 күн бұрын
Real talk, the music in this film is incredible. Perhaps one day I can rope one of my friends into doing this number onstage with me at some point.
@amandamorrison924718 күн бұрын
I happen to think that it's a bit unfair that All of the boys in Southpark love Terence And Philip and none of any of their parents will let any of them watch the Terence And Philip show
@acpreysler19 күн бұрын
Oh boy. A gold medal performance.
@andrewmellor329522 күн бұрын
Found this version of Hamlet moving even better than Richard Burtons Hamlet sorry R.B lol best version I've seen
@EthanGarber-ed9kk22 күн бұрын
Mel Gibson's version is infinitely better. Kenneth is better in the Road to El Dorado
@GizmoBeach23 күн бұрын
At four hours long there are times when Branagh’s Hamlet labours under some casting choices, but in scenes like this (and in the forest when visited by his father’s spirit) boy did he create magic.
@DiaryofAletheia24 күн бұрын
He loves to Ham it up does Ken.
@KaranamRao-e9x27 күн бұрын
Wonderful. The speech and it's rendition. This's my favourite speech
@JayeeHuncho29 күн бұрын
That suck my balls at the end kills me every time
@tristianmontes29 күн бұрын
Yes it’s about hamlet contemplating life and death but the crazier part is that you see him become angry and disgusted that because he fears even killing himself because he doesn’t know what’s to come next. The fear of the unknown of what happens after death stops many of us, from taking action because of our damn consciousness. Never seen this version of hamlet, but this actor did a great job starting this monologue calm and somber to a disgusted and angry self declaration at the end.
@Korla1229 күн бұрын
am i the only one who doesn’t get a single word he said
@Wing-Zero-si1euАй бұрын
This song is classic
@laciFFO_nirraD_oiraM_repuSАй бұрын
0:53 Mrs. Cartman I think Eric was just born like that.
@shellybastion9974Ай бұрын
Good man: don't off yourself. ..Take up needle-point.
@michaelrock2265Ай бұрын
Insane how in a matter of minutes we go from a somewhat harmless song about a mountain town (South Park) to one of the most explicit songs in the film.
@hajraabdool3272Ай бұрын
Tragedy of Character.
@CaptainRillaboomArmeniaАй бұрын
MAGAs when they stub their toe: BLAME MINORITIES!
@oblomovilyailyicАй бұрын
"Olmak yada olmamak iste bütün mesele bu."
@ChrisThomson-y7lАй бұрын
I half expected him to ask if he was talking to me
@akirasolettanus6560Ай бұрын
è TORNATA MA VALVASSORI ASFISSIANTE
@akirasolettanus6560Ай бұрын
NOVITà LA VEDO AL LAVORO
@moonlitequimby847Ай бұрын
Gilderoy Lockhart Dose Asmr ♡
@ecyranot2 ай бұрын
I love Branagh's take on this famous speech. First, he surrounds it with a fantastic set of mirrors, so apt for this character he seems so self-conscious. We have the antagonist hidden behind the mirror who gets to hear the speech, and his reaction which breaks up the "speechiness." Then we have the halfway point when the bodkin comes out, then used as a prop to accent his dangerousness. And I love the fact he whispers the entire speech. Because he never modulates the volume, we lose sight of this fact. But while framing the scene in public in front of the king, we have the interior quality of the speech, and the whisper also takes advantage of all those S sounds early in the speech. Just brilliant.
@princebush27152 ай бұрын
spell removal?
@Max-xd9yf2 ай бұрын
Grande Dario!!!
@jeanneflaherty44912 ай бұрын
Kevin Flaherty: At 1:55 Watch your mouths. Both of them. Those boys are in so much when their mom's find out.
@jeanneflaherty44912 ай бұрын
Kevin Flaherty: At 0:52 Cartman, Kenny, Stan, and Ike are going to be in so much trouble for seeing this movie.
@jeanneflaherty44912 ай бұрын
Kevin Flaherty: 1:55 And it's No wonder why those boys get grounded.
@moichi98012 ай бұрын
I did not have to learn this soliloquy in school, but I did. Boredom truly is a great motivation
@imoviesartculture24082 ай бұрын
This is by far the best and most accurate, breathtaking representation of Hamlet. Both character and play ❤
@AnthonyKlein-y5d18 күн бұрын
Is this a film? 🤔🤫🤭
@imoviesartculture240818 күн бұрын
Yes, Hamlet 1996
@L1der172 ай бұрын
I think the director Todd Phillips saw this and said Oh I know what i wanna do for Joker 2. even the initials match. P.S. Loved Joker 2.
@tmac66882 ай бұрын
Well what do you expect they're Canadian😂
@Mvu4u2 ай бұрын
Billy Madison brought me here
@francescodonvito19552 ай бұрын
Forse non ho capito io on the road again sighificare come sono sempre sulla breccia 😂🎉❤
@francescodonvito19552 ай бұрын
Grandi enormi ma perché hanno sfottuto i rochets ❤😢
@legolassoslab52332 ай бұрын
Fun fact: this movie was inspired from Disney’s Snow White & The Seven Dwarves and many of the scenes are actually inspired similar to the 1937 movie, in fact Dario Argento hired Jessica Harper to play Susy bcs she researched a lot snow while, the colors also were very influential and apeared a lot throughout Argento’s movies
@Baderito20122 ай бұрын
Mozart está orgulhoso
@proSaniok2 ай бұрын
😂😂😂🇺🇲🇨🇦🇨🇦🇨🇦
@MsStefaniaa2 ай бұрын
sai per caso dove trovare tutto il film in italiano con sottotitoli in inglese?
@АнастасіяБілецька-ь9у2 ай бұрын
To be, or not to be: that is the question: Whether ’tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end them? To die: to sleep; No more; and, by a sleep to say we end The heart-ache and the thousand natural shocks That flesh is heir to, ’tis a consummation Devoutly to be wish’d. To die, to sleep; To sleep: perchance to dream: ay, there’s the rub; For in that sleep of death what dreams may come When we have shuffled off this mortal coil, Must give us pause. There’s the respect That makes calamity of so long life; For who would bear the whips and scorns of time, The oppressor’s wrong, the proud man’s contumely, The pangs of dispriz’d love, the law’s delay, The insolence of office, and the spurns That patient merit of the unworthy takes, When he himself might his quietus make With a bare bodkin? who would fardels bear, To grunt and sweat under a weary life, But that the dread of something after death, The undiscover’d country from whose bourn No traveller returns, puzzles the will, And makes us rather bear those ills we have Than fly to others that we know not of? Thus conscience does make cowards of us all; And thus the native hue of resolution Is sicklied o’er with the pale cast of thought, And enterprises of great pith and moment With this regard their currents turn awry, And lose the name of action. Soft you now! The fair Ophelia! Nymph, in thy orisons Be all my sins remember’d.