Where did you get this recording? Do you have a cd or LP?

Inmenso, descomunal, Chelibidache vuelve a hacer el milagro con su Filarmónica de Munich. En sus manos la música de Tchaikovsky vuelve a cobrar una vida nueva, más que un director parece un mago. Gracias a Chelibidache (un genio con la capacidad de entender realmente la música del gran genio ruso), han quedado cómo cánones inalcanzables pero inspiradores para las nuevas generaciones de directores estas grabaciones insuperables de muchas de las grandes obras sinfónicas de Tchaikovsky (falta Manfred, una verdadera pena, pensar como sonaría el infierno con esos metales y esa orquesta entrenada para producir cualquier grado de intensidad posible, hasta casi lo insoportable).

Cool

Versión insuperable, al igual que la de la sexta. Chelibidache dejó estas grabaciones que, desde entonces, son las varas de medida de la gran música sinfónica de Tchaikovsky. Y muy pocos directores se acercan siquiera a la mitad, superar lo que hizo Chelibidache con estas partituras es simplemente imposible. Lastima que la grabación conservada de la cuarta sea más antigua, con menos calidad de sonido (y menos inspirada, todo hay que decirlo). Lastima también que no exista un registro de la sinfonía Manfred: sólo imaginar esos climax de pesados metales lúgubres en manos de este mago de la interpretación y de su prodigiosa Filarmónica de Munich hace soñar.

I have just had a great opportunity to listen to Bruckner's 9th with the 4th movement of the latest version by Tokyo Met Orchestra. It is the world premiere that is edited by Dr John Phillips. As Inbal mentioned at the interview, today's performance will be a milestone & benchmark of the symphony development which is a reference for a lot of players and listeners. Thank you, maestro.

Daniel Barenboim is superb.

For me, Zimerman in the same category as Rubinstein and Horowitz!

What an amazing cor anglais player, I miss when I used to play, maybe I can afford my own one day ❤

Cuando escuchas esta sinfonía tocada por Chelibidache la estás escuchando por primera vez, no importa cuántos cientos de versiones hayas oído antes. Esta es la versión definitiva, la única, y es muy difícil que alguna vez se iguale (superarla pienso que es imposible). Los dos genios no coincideron en el tiempo: Tchaikovsky se hubiera sentido realmente grande escuchando esto.

Dreamy. Thank you. 🎼🎻🚢

VEry intelligent playing... wow

Even when Japanese people who do not understand art listen to this music, they will not understand the beauty of it.

48:50

This Toscanini performance is the fastest one I have yet to hear. What a contrast to the 1960 Reiner studio recording that does not quite fit onto 2 sides of a 90 minute cassette! I prefer a performance somewhere in between these 2 extremes. Still the singing on both is for the most part excellent although Reiner, IMO, is preferable, although Toscanini does have Di Stefano (disciplined for a change) & a superb Siepi. Reiner does have Price, Björling, & Tozzi so it’s a toss up as to which performance/recording I prefer.

BARENBOIM as a PIANISTE realy is one of the greatest artists (!) on the 20th century. Much more as a conductor later. His Tschaikowsky in this live event is singular - congenial (!) with the GENIUS of CELLIBIDACCHE and the "MUNICH Philharmonic Orchestra" as the best of all times - only under Cellibidacche !

Thank you

What a bizarre way to play the opening.

冒頭の美しくも悲しみを秘めた弦の大合奏から引き込まれます。

I have heard many versions of this Concerto and the slight variations on tempo in every aspect of the music is always so interesting to hear and observe Not one is the same

I was 17 when my first college history professor, the father of a close friend, introduced me to Bruckner by playing this in my class in 1982. I have loved Bruckner ever since.

Chelibidache was and will remain undoubtedly one of the very few great musicians among the conductors of all time.

❤ Wonderful

Sobre todo "ahora" la emoción me embarga ! Maestro de maestros !! Insuperable Barenboim en el clímax de su madurez! OVACIOOON!!!!

All is a masterpiece, soooo beautiful to listen and my heart melts from the 37 min to the end beyond words. Thank you so much for this diamond's art jewel !❤

best interpretation!!

❤❤❤❤❤❤❤❤❤😊😊😊😮

Masterpiece 😢😢😢😢😢😢

"Recorded live by ORF (Austrian Radio) an 6. VIII. 1954 at the Salzburg Festival." Furtwangler died 30. XI. 1954, 68 years old, pneumonia.

1:20 strings too loud? Funny moment

Grateful to the Japanese. They preserved many performances.

THE MAN!

豪華すぎる

SUBLIME 🙏

I noticed that right after the hunting-horn call, when the high strings come in (1:21ff), Asahina applies a slight en pressant, a pushing forward. I find this to be very effective, but do not recall hearing it other in performances of this symphony. Compare, for example, the way Sinopoli, surely a fine conductor who died much too soon*, treats the same music: kzbin.info/www/bejne/rInOi4p4irCFgdk (1:10ff). In general Asahina was master at maintaining pace at slow tempi. *Asahina and Sinopoli both died in 2001, but Asahina was 93, Sinopoli 54.

The bit at 31.30 is just sublime

why is the final movement so slowww??? it sounds like the players are struggling to play it that slow in the fugato sections....

Ce documentaire est un pur chef d'oeuvre. Je suis toujours subjugué par Celibidache lorsqu'il dirige par cœur toutes les répétitions d'orchestre, voire de chœur. Il est sans doute le seul à avoir compris le mot "Requiem" qui signifie repos. Nous avons trop entendu maints Requiem de Mozart chantés et/ou joués trop rapidement. Quant au maître Anton Bruckner . . . . (sauf le final de LA VIIIème qui est beaucoup trop lent) . . . .

I thank our Father in Heaven for our beloved L van B. Standing by our sides for centuries. Somebody who has suffered and struggled so much, takes this much effort and time to put his hand on my back, and yours. Rise in Christ Ludwig van!

Maestro Daniel Barenboim has once again demonstrated the art of high quality piano playing and is one of the world's most famous musicians. Also Congratulations Maestro Celibidache !

This is the best of Bloody best From Australia)

4:57

Si sente il tono drammatico e doloroso della guerra

Großartig!!

This is the most powerful performance and recording of Beethoven's 9th Symphony I've ever hear. And to think it was made in 1957, two years before I was born. The recording technology was exquisite; modern transistors & ICs can't much the performance of vacuum tubes and tape recorders, and most modern recordings of this are murkier. Mic placements and room acoustics are also critical. As is having a great orchestra with a conductor who isn't a speed freak. Most modern performances of this are much faster, but that's a huge mistake; the first movement needs to be performed dead slow, preferably in a big room with pronounced slow reverb, so the sound has room to expand; this symphony is expansive and cannot be cramped. This performance and recording get all of those things right.

26:05

He really knows how to rehearse, that's precious.

Los grandes compositores alemanes y austriacos, Bruckner y Furtwängler los preferidos del Führer.

This was so beautiful! I like this better than the one with Karl Bohm

👏💫👏💫👏💫👏💫💐

wild. the violin dude looks like Dr. Freud. 😂