Precioso, brillante. Mucho trabajo para sacarle esos sonidos al trombón. Mi enhorabuena a tod@s. Un saludo Ximo
@fabiocarmoplacido93395 ай бұрын
Bravo !!!!
@ximovicedo5 ай бұрын
Obrigado Fabio!!
@JavierYera6 ай бұрын
Fantástico, enhorabuena a los dos. Sois unos auténticos Cracks
@ximovicedo5 ай бұрын
Muchísimas gracias por tu comentario Javier. Un fuerte abrazo
@joaquinsanjuan8054 Жыл бұрын
Molt bona explicació Ximo. M'ha encantat. Sóc un enamorat de la música de Mahler.
@luisitoguzman3281 Жыл бұрын
Gracias Ximo por inspirarnos
@robertlund5905 Жыл бұрын
Perfect!
@josez2518 Жыл бұрын
Excelente maestro!! Felicitaciones!
@angelaandres4298 Жыл бұрын
Preciosa música y maravillosa interpretación. Chapó Ximo.
@ximovicedo Жыл бұрын
Muchísimas gracias Ángela !
@StomviTV Жыл бұрын
Bravo, Ximo!
@vinnikodiak4779 Жыл бұрын
Stop glissing
@ximovicedo Жыл бұрын
I didn't want to play it like that, but were indications from the Maestro.
@juancarlossanchez27922 жыл бұрын
Bravissimo
@vanesaferrerrodriguez96382 жыл бұрын
En aquestos moments tan difícils,fá plorar escoltar algo tan emotiu que possa els pels de punta. Enhorabona!!
@philippemichelot92322 жыл бұрын
si on joue comme ça dans un concours d'orchestre on est recalé c'est sur
@brassedoff24373 жыл бұрын
Amazing. You have to watch the conductor and it is clear that he wants the trombonist to play those slides. His left arm movements are very specific and clear. Loved it and the history behind it.
@bobboscarato13133 жыл бұрын
Los trombones son instrumentos majestuosos!
@bobboscarato13133 жыл бұрын
The trombones are truly majestic instruments!
@johannesschewitz44983 жыл бұрын
Leider verstehe ich nicht genug spanisch. Aber ER hat kaiert, was hinter der Musik steht.
@sumorenita19213 жыл бұрын
entonces quedamos hoy?
@soniamontejano66133 жыл бұрын
No, hoy no puedo
@AlexeyFomin593 жыл бұрын
Вольная трактовка)))
@walkerpercy87023 жыл бұрын
Fun and yet, hopelessly stupid. Unless Bolero is about a drunken sailor. In that case, bravo.
@ivanjovanovic74193 жыл бұрын
Bravo!!!
@miiqus_unchained3 жыл бұрын
32 2th Trombone players didn´t like the solo
@Godooable3 жыл бұрын
Ravel wrote glisses in specific spots on the music, why add more? And so many lolol
@user-fy3rt8we4z3 жыл бұрын
A very interesting piece. Thank you colleague for the video and performance! Do you still have the notes of this Toccata? You could share.
@adhanda20173 жыл бұрын
Totally out of context - fail!
@joffrezarzosagonzales53833 жыл бұрын
Originally this solo has been wrote with these glissandos, if you search about how was premiered in Paris by lafosse, it may surprise you!!!🤗
@adhanda20173 жыл бұрын
@@joffrezarzosagonzales5383 I am looking at the original 1928 manuscript score. I don't see any glissando markings..
@ximovicedo2 жыл бұрын
@@adhanda2017 Listen the recording of premiere. It is not written like that in the score but he does play it like that (Lafosse). Musical anecdotes.
@cristodelgado31043 жыл бұрын
Me da la sensación de que es más difícil así que tocarlo standard
@alered10983 жыл бұрын
Excelente explicación de Mozart y la obra, me encantó. Y eso que ni tengo Trombón, jajajaja, pero me encanta ese réquiem. Saludos de Ciudad de México 🇲🇽 amigoo
@archiestanton27673 жыл бұрын
Ximo Glissando
@genaromusictrombonista24163 жыл бұрын
Buenísimo gracias por su explicación maestro genial
@SerCat284 жыл бұрын
genial, espero mas videos asi, genial
@SerCat284 жыл бұрын
cual es el solo mas importante para el trombón en esta obra?
@cell87403 жыл бұрын
Tuba mirum
@anthonyvargas97904 жыл бұрын
Excelente!!!
@gilleschampoud66774 жыл бұрын
Le dernier mouvement est trop rapide et ne respecte pas le tempo voulu par Nino Rota.
@danielm174 жыл бұрын
id like it a bit faster personally, but nice
@philosophicallyspeaking64634 жыл бұрын
Bravo! Seldom does it happen that a trombonist has the courage, and musical confidence to be a...trombonist first (or second for that matter) on route to fulfilling their musical obligation; by which I mean, an individual who celebrates the unique potential of their instrument in context of musicianship. If ever there was a trombone excerpt that invited this kind of treatment, this is surely it. String players of all types employ and deploy glissandi as a valid form or ornamentation that imparts emotional pathos and authority to the melodic line without requirement by the score. And even when they do it out of need to service an impossibility of fingering or fretting, they do it without guilt or fear of technical reproach. I have written at length on the universal low-musical esteem, especially as it manifests itself in safe, boring, robotic performances, that is bred into trombonists by faculty of poor instrumental husbandry. No other instrument in the orchestra is 'trained' to instrumentally embedded musical conservatism as are trombonists, despite their obligation to professional musical pronouncement. The slide is not a disadvantage unless it is your goal to play at speed with ease. That being the case, I suggest you take up another instrument, because even the best-of-the-best, whether they be classical or commercial trombonists, sound so unmusical at speed that it negates their best effort relative to a performance by even a mean or mediocre performer on keyed or valved instruments. As a result, it has come to pass that many conductors don't insist or even license trombonists with the same interpretive latitude that they afford other principles (though they quietly lament its failing). And its little wonder, given most orchestral trombonist's preoccupation with volume when soloing. Imagine if the other principles in the orchestra put volume ahead of musicianship. Bravo to the conductor for allowing this...'evocative' re-telling of an otherwise pointless assignment of this particular form of the melody to the trombone's potential; I feel that Ravel had purpose in not choosing the partnered theme for this particular statement, so it would be...unmusical not to explore the obligation we all feel compelled to but instead ignore, in contract with 'good' taste. I doubt there is a string player alive that fears criticism by a trombonist! I doubt anyone other than a trombonist would come here to hear to hear a trombonist play what is regarded within the rest of the orchestra as being a banal voice in the greater offering of the piece. And, ironically, I doubt anyone other than a trombonist would find fault with this...otherwise musically obvious correctness! Tim P.S. It has been posted by Ximo that this is apparently the way it was performed at the premier, with Ravel conducting, who insisted on its renderings and colorations. What stronger license, authority and obligation do you need than to obey the edicts not of the score, but of the man who wrote the score, who was expecting...musicianship of a different order.
@ximovicedo2 жыл бұрын
I agree with you. Thank you very much for your comment. I played this video out of curiosity about what Ravel wanted and so the Maestro asked me to play it this way, and also, it was in rehearsal where I had to change many positions and the way to play this diferent solo in 2 minutes. There is a recording of the premiere and they play it like this. I know we could be talking about this solo for a long time, diversity of opinions and but this is what happened. Thanks. Ximo Vicedo
@gilmtzh.51075 жыл бұрын
El mejor sonido que mi oídos han escuchado en el trombón, un honor ser su alumno Maestro, saludos desde Mexico.
@lapse43685 жыл бұрын
Those trumpets sitting there crossing their arms like angry children that didnt get the solo part... hahaha, just a joke
@spitfire56305 жыл бұрын
That isn’t how it’s written.
@ximovicedo5 жыл бұрын
I know, but isn’t my version...is a Maestro’s version. The first performance you Ravel the trombonist plays the same, Ravel was a conductor and demanded this version.
@spitfire56304 жыл бұрын
XIMO VICEDO My comment referred to the interpretation NOT the high quality of the performance. Great sound!
@xkay-six18454 жыл бұрын
Does It Matter? Yes you have but your making it sound like you replied to it a long time before I even commented, where actually your reply was after my comment and you easily could have tagged me in it as well
@spitfire56305 жыл бұрын
Bravo!!
@Sploooks5 жыл бұрын
This is a perfect theme for a bad guy.
@ljiljanastanic90765 жыл бұрын
The start of symphony always thrilled me...Great!!!!!!!!!!!!!!!!!
5 жыл бұрын
Pensé que era un fail xd
@ximovicedo5 жыл бұрын
Goku kakaroto no lo fue... el maestro me lo pidió de esta manera.
@carlosblanes19315 жыл бұрын
Espectacular, Mestre Vicedo!!
@mikanm13335 жыл бұрын
日本人いませんかー?
@snuklens3 жыл бұрын
彼はスペインで生まれました。私はグーグル翻訳を使っているので、誤訳されてしまったらお詫びします。
@nervous_dachshund74895 жыл бұрын
The person who arranged this was on crack. A 3/2 time, has a 9 measure bass drum roll, and a bass drum solo. Whyyyy?
@kevinchen83255 жыл бұрын
Ashley the 3/2 time is completely normal in music. The drum roll is to add a little background rumble, and so is the solo.
@normantrombon6 жыл бұрын
Very, very good! Te’stimu, baby! Perdí la partitura de Mippy hace unos 40 años, me trajiste buenos recuerdos! Debía de haber sido muy simpático el perrito del hermano Burtie, desde luego.
@davidrockefeller20076 жыл бұрын
I like the originality. It’s was fun. Amazing tone on the first note as well.