5 ай бұрын
Жыл бұрын
Жыл бұрын
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@jeandeblaize4175 6 күн бұрын
Dieu merci, on ne joue plus aucune œuvre comme ça, pas plus et c'est lié, qu'on ne les dirigent plus comme ça, les battues comprises. Les tempos sont fous et les emphases insupportables. Quel manque de sincérité et de fidélité aux auteurs.
@user-kt5bg6zr3p 17 күн бұрын
ワイセンベルクさんの26歳頃の演奏。 有り余る才能を感じさせます！ ワイセンベルク アーカイブでワイセンベルクさんが13歳の頃、ウラデイゲロフ先生の自宅で録音した演奏聴いたことがありますが、本当にすごいです✨ やっぱり、ワイセンベルクさんは天才なんだ!と思いました🎉
@MrTann2010 Ай бұрын
Thank you for posting. I now see why he didn’t give any more interviews. This was his first ever interview, and about three quarters of the interview are about his dad. He was very polite and nice to talk about him here but he must have hated it. Fearing that the other interviews would be similar, he probably decided to stop doing them.
@thebigstink7472 Ай бұрын
What is the song at 2:45?
@pgk7285 Ай бұрын
Mozart, German Dance No. 3 from K. 605, nicknamed "Sleigh Ride." Kleiber makes it a rather fast sleigh ride, too!
@jokemmerling4875 2 ай бұрын
Winifred Wagner Williams the NAZI Queen of Bayreuth.
@rickdarby3420 2 ай бұрын
7:10 Attractive young woman. Killed in a bombing raid a few years later? The Allies should not have indiscriminately targeted civilians.
@RModillo 2 ай бұрын
How did Stokowski become part of an Austrian/German golden age?
@devindraweerasooriya7839 2 ай бұрын
1:25 So very different to Carlos Kleiber. Hard to know what made him Erich so different; but he seems more regimented. For me it is Carlos; hands-down. Conducts every nuance but makes the Orchestra produce the “C Kleiber” sound.
@johnschlesinger2009 2 ай бұрын
I have never heard the Blue Danube waltz played with such subtle rubato and dynamics. Extraordinary.
@albiepalbie5040 2 ай бұрын
English was his first language?
@graziapignato3729 2 ай бұрын
Grande grandissimo luminoso un grande amore
@gloriadigiuseppeantonio3693 3 ай бұрын
Rimarchevole rarita' Kleiber e' perfetto come sempre.
@dragoradioair 4 ай бұрын
!!!!! Показва цялата красота на оркестрацията на Панчо Владигеров. Истинско усещане за единство и никакво отклонение към сюитност и разсейване на слушателя от основното развитие.
@user-kt5bg6zr3p 4 ай бұрын
20世紀最高の偉大なピアニストの１人、ワイセンベルクと2024年2月6日に亡くなった偉大なマエストロ小澤征爾の素晴らしい音楽。 2人のプロコフィエフとラヴェルのピアノ協奏曲も本当に素晴らしいです✨ ワイセンベルクさんはオザワは仲の良い友人と言っていましたが、誰も真似できない解釈や感性は似ているような気がします。 ワイセンベルクさんのアーカイブを見ると、小澤征爾さんの写真や小澤さんが書いたイラスト、Ｍｒ．アレクシス ワイセンベルク エアフォースワンを見ました。飛行機の中でピアノコンサートを開催出来る凄いアイデアでした! 天国でワイセンベルクさんと小澤さんが再会して、音楽談義したり、ピアノ協奏曲を演奏して欲しいな～❤🎉🎉🎉🎉
@user-md9fr3iy4i 5 ай бұрын
第一声から 美声
@jacquesgillet3449 5 ай бұрын
The maestro Elmendorff. An immense wagnerian in the years 30-40
@robindavies188 5 ай бұрын
Clearly by the inclusion of uniformed Nazis this would date between 1934 to 1939.
@user-be8iv1zd8g 5 ай бұрын
おっ❗ちょうど今CD聴いてました。
@bobbylovejoy 6 ай бұрын
Very grateful for this. Thank you.
@antwerpsmerle1404 6 ай бұрын
I would have said circa 1952 were it not for the inclusion of a 30-second clip of Carlos Kleiber rehearsing Tristan at Bayreuth, which can only have been in 1974, 75 or 76. Puzzling!
@saltcots8985 7 ай бұрын
I've read that Carlos Kleiber's first language was actually English (his mother was from Waterloo, Iowa). I am not a German speaker though I know a bit about the language; it sounds to me that his fluent German has the faintest of non-Germanic accents. I'd be grateful if any native German speaker could let me know.
@julia-hj8rb 7 ай бұрын
What a horrible conducting technique that fFürtwangler had.
@robinmcewan8473 5 ай бұрын
Not really. Listen to those who played in the Philharmonia in the 1950s, especially the premier of the Four Last Songs.
@RModillo 2 ай бұрын
Just remember how hard it is to hold a live trout by the tail.
@antoninopirrone2541 7 ай бұрын
❤❤
@OsvaCola 8 ай бұрын
Poor Frieda Leider. She screams like a crazy person
@RModillo 2 ай бұрын
One of the great heldensopranos, along with Lilli Lehman and Germaine Lubin. Flagstad was great, too, but a different sort of thrill.
@ChristopherHaines-xv6mj 7 күн бұрын
It was a dress rehearsal so she probably wasn’t in the greatest of voice.
@anti64 8 ай бұрын
Always to see those kind of things, thanks for uploading
@mostafamarzokabomarwa 8 ай бұрын
موسيقي نهر الدانلوب الازرق من مؤلفات الموسيقار النمساوي يوهان شتراوس
@alexandervoronov6659 8 ай бұрын
Редчайшие кадры🎉
@bensenten1 8 ай бұрын
Klieber is a Korean, Confusius is also a Korean.
@ilirllukaci5345 8 ай бұрын
English subtitles please! He is one of the artistic heroes of my youth. Aside even from his retiring to a Slovenian village. I hope one day to live on a mountain overlooking that village.
@Ichioku 8 ай бұрын
I would love to hear CK speaking in English, which was his mother tongue.
@Fritz_Maisenbacher 8 ай бұрын
28:28 extatic ............ beauté à l'état pur
@OE1FEU 8 ай бұрын
I know there is a stereo recording of this particular concert with an introductory speech by Richard von Weizsäcker. Please upload this version.
@alondra555 8 ай бұрын
Gracias. Un excelente director de orquesta. Tengo la ópera " El cazador furtivo" (Der Freischutz) de Carl Maria von Weber es una ópera en tres actos con liberto de Friedrichirigida, dirigida por Carlos Kleiber.
@user-yo5ju4pd3l 9 ай бұрын
こんなレベルの演奏で喝采されたのかい？ アメリカ人は「音楽」なんかに感応できない馬鹿だとクライバーから 馬鹿にされていたのだろうなｗ 演奏自体は、馬鹿相手の金儲け主体で，褒められたものではない。まともな人にはわかるはずだ。
@ach2lieber 9 ай бұрын
Kleiber's recordings have a luminosity that no other conductor can achieve.
@srothbardt 9 ай бұрын
Good opera. Should be done more often
@ExxylcrothEagle 9 ай бұрын
He tweakin brah!!
@michaelmcdonagh5104 9 ай бұрын
Possibly. He was certainly an alcoholic.
@ExxylcrothEagle 9 ай бұрын
@michaelmcdonagh5104 I did not know that... but it would explain quartet no. 11 .... my favorite!!! 😆
@michaelmcdonagh5104 9 ай бұрын
@@ExxylcrothEagle And I don't think that he was a particularly nice person, but his supporters -- i.e. propagandists have made him a saint-- because he obviously loved to suffer, and his career, and the public's fascination with it, have accomplished that goal. Prokofiev was more severely attacked than Shostakovich who has cemented the public's devotion to the 19th century idea of the "pure " artist suffering for his art. And as my late composer-critic friend Virgil Thomson wrote in the New York Herald Tribune in 1947 -- " Ernst Krenek pointed out that Shostakovich, who had accepted from his government artistic correction and directives regarding the subject matter of his music, was the prince of collaborators. "
@ExxylcrothEagle 9 ай бұрын
@michaelmcdonagh5104 Am I correct that he felt somewhat persecuted by the top Soviet officials...on and off for years? I always assumed that he might have been gulaged if he was good for the overall prestige of Russian culture. Also that's nice you were friends with Virgil Thomson. I think I remember reading some of his reviews or essays years ago
@user-on6db4rf4s 5 ай бұрын
@@michaelmcdonagh5104he liked drinking, but he was not an alcoholic and would get worried for friends that he thought were overdoing it. When his health started to decline he would willingly admit himself to sanitoriums, take his drs advice and subject himself to all sorts of treatments- including abstaining from alcohol. He didn't like it and would complain about it to one of his friends- Rostropovich if I'm not wrong- saying that being dry was draining him of inspiration. But he still did it a couple times regardless. One of the myths/half truths of Shostakovich- he was probably never actively suicidal. Suicide idealisation, probably, during one of Zhadanov's smear campaigns, around the writing of the 8th string quartet- but the only person who claimed he attempted suicide was Led Lebynsky, who turned out to be secret police himself and also fell out with Shost in later years. Shostakovich was actively seeking treatment when his health started to decline, and said he planned to live a hundred more years on a trip to the US, full of hope for a cure for his motor issues (diagnosed as poliomyelitis then, but possibly ALS). Sadly drs in US couldn't cure him. He accepted it stoically. I don't think he was a bad person. Just a coward-ish. He didn't want to fight against the regime and thought it was hopeless and pointless to do so, especially as he got older. He thought that his job as a composer was to write. When he was younger he wanted to toe the line as much as possible because he wanted to be part of soviet culture- he loved his country and his people, wanted to be part of them. even when the regime didn't like his composing. That's why he never defected. Sources: Shostakovich, a life by Laura Fey
@isabelleberger4822 9 ай бұрын
dommage que je ne connaisse pas le russe. J'aimerais tellement comprendre
@jesussendra6540 10 ай бұрын
Kleiber ya no ocupó ningún puesto fijo después de la guerra, pero allí donde fue dejó prueba, sin lugar a dudas, de que era un auténtico genio de la dirección orquestal; con Clemens Krauss (vienés como él) y Szell, el mayor talento de la generación de final del S XIX.
@marta_kukularova 10 ай бұрын
Amazing! Bravo!
@tommyvichev 10 ай бұрын
Едно прекрасно интервю с Геми за Classic FM radio Sofia, на перкусионнно дуо Аглея Канева и Александър Вичев.
@user-kt5bg6zr3p 11 ай бұрын
1973年にこのラフマニノフ第2番と3番を50年前にライブで聴いて感動して、今でも忘れられない演奏となりました。数年前、このバーンスタイン指揮、ワイセンベルクのＣＤを見つけた時、感激してすぐ手に入れました! やや遅いテンポで、ゆったりとしたダイナミックな演奏で私のお気に入りです。また、バーンスタインとワイセンベルクの笑顔がとてもステキです。 プレートルの指揮のＣＤも好きです。 とにかく、ワイセンベルクのラフマニノフは最高だということです! 誰も寄せ付けません。 ワイセンベルクは20世紀最高の偉大なピアニストの１人です✨
@r.i.p.volodya 11 ай бұрын
A shocking number of cuts edited together at the final climax...
@user-kt5bg6zr3p 11 ай бұрын
ワイセンベルクさんが26歳位の録音だと思います。 激しく、情熱的で、素晴らしいテクニック! ワイセンベルクさんの演奏はすべて心が惹かれます。 20世紀最高の偉大なピアニストの1人で間違いない！
@user-br5ln8wu5w Жыл бұрын
It is a spectacular performance that radiates intense colors reminiscent of late Byzantine art (especially the Palaologian Renaissance) and El Greco's paintings. It is fully comparable to Friedheim's legendary piano rolls and György Sándor's magnificent and awesome playing. Considering that Weissenberg was a young man in his twenties at the time, one cannot help but marvel at what is truly the work of a genius!
@user-kt5bg6zr3p Жыл бұрын
同意します!まさにワイセンベルクは天才です✨
@tommyvichev Жыл бұрын
Виктор Вичев - Дебюси, "Островът на радостта". Аглея Канева и Александър Вичев - Сежурне "Готан" концерт за 2 маримби и струнен оркестър, 3та част "Сахара", Мария Кукуларова - Пучини "Каста Дива".
@elianalima8404 Жыл бұрын
Fantastic man🙏⚘️
@tommyvichev Жыл бұрын
1. Пиацола - Tangazo 2. Сежурне - Gotan concerto, 3. Рахманинов Втори концерт.
@Millers-Mausoleum Жыл бұрын
Subtitles man, I don’t speak Russian
@user-kt5bg6zr3p Жыл бұрын
ワイセンベルクさん54歳の素晴らしい演奏。 今日もまた聴いたら涙が出てしまいました。 10年後、ワイセンベルクさんがパーキンソン病で演奏家を引退してしまうなんて、なんて悲しい事でしょうか! 長く長く活躍してほしかったです😢 あなたの素晴らしい演奏は生涯忘れる事はないでしょう! 貴重な録音をアップロードしていただき、ありがとうございました。