In that specific case the easiest workaround would be to double patch your vocals, one with tuning, one without. Then your monitor engineer can route the tuned/un-tuned vocal to whatever Aux for IEMs the performer would like.

@ yeah my question is the latency if it’s noticeable

Hi! Thanks for your question. Latency will not be noticeable when using the RUFX Tune vocals and no other outboard gear, digital or analog is being used in the signal path. If you have additional questions, please give us a call at 800.203.5611 and we'll be happy to help! We are open Monday - Friday from 9am - 5pm CST. Have a great weekend!

Ah yes, great point here on the power distribution!

Hard to go wrong with MixWave Aaron Gillespie : )

Hi Robert! Thanks for your question. The UBL12H has 5 operational modes: Auto Run, Program Mode, Sound Trigger, RGBAL+UV Manual, and DMX-512 Mode. Manual control can be accomplished by using either the included IR remote controller, or by using the control panel on the back of the light. Call SoundPro at 800-203-5611 for any additional questions and to get your best price on your favorite gear!

@@soundpro1973 Thanks. This was totally new to me (Lime). I actually ordered a color temperature gauge, to learn more and maybe figure out how to match my 5P HEX to my UBL12H or vice versa.

🙌 That's what we LOVE to hear!!

Hi! Thanks for your questions. The LV1 Classic is actually the lowest cost option for the format and feature set once you configure full system I/O, networking cards and accessories. It also comes with the following 17 subscription free plug-ins: Waves Tune Real-Time, F6 Dynamic EQ, eMo Q4 EQ, eMo D5 Dynamics, eMo F4 Filter, GEQ, X-FDBK, Primary Source Expander, R-Comp, R-Bass, H-Delay, Doubler, R-Verb, TrueVerb, GTR3, Magma Tube Channel Strip, eMo Generator. 🙌 Please give us a call at 800.203.5611 to learn more about Waves LV1 Classic and to get your best price!

😆 of course not and as a matter of fact, it comes with 17 subscription free plug-ins, majority of which are the most popular plug ins used for live sound users! If you have any questions, please give us a call at 800.203.5611 and we will be happy to help you with your gear needs. We are open Monday - Friday from 9am - 5pm CST. Have a great day!

I would say it's both! And, when the tools break is the manufacture going to be there to support the carpenter?

When you buy the toolkit for so little of an investment, just buy a new one (that’s probably improved in features/capabilities) when it breaks.

LOL…….the wing…………..

@@AricLN LOL ... the LV1.

@@kitmateyawa7829 nice one 👍🏻

You can't buy an entire native ecosystem, you have to set one aside, and to have the same thing you have to invest in more than just a Waves card, the native form will be superior in quality, If I would buy it

@@jandavaliergollo8605 exactly. I have 3 LV1 systems and they are superior in every way to anything Behringer offers.

Hi! Thanks for your question. The short answer is yes. The long answer is that Dante is a 3rd party protocol used by many brands, and so as long as a device is Dante enabled, it can pass audio to and from any other Dante device on the same network. For additional questions, please give us a call at 800.203.5611. We are open Monday - Friday from 9am - 5pm CST. Have a great day!

What do you meant? Is 8k LV1 priced too high? What is good about the Behringer wing compact/rack? I am looking for a compact mixer. Only Allen Heath Avantis Solo and Yamaha DM7 Compact were the only ones on my radar. Now Waves and Behringer have compact mixers. Just dont know the benefits. of these new ones.

I don't see anything the Wing Compact won't do. So either the build quality or the sound should be exceptional for it to be worth 8k. Or some hidden features I missed.

@@spookie3000 yeah I just seen the price of the wing compact, $2,500! I see what you are talking about now

this is not 4 times better then the wing. Im team wing ,

@@spookie3000 except have Waves natively with a server built in, as well as have support for the product....and have a screen that won't break.

Hi! You can password protect the unit or have levels of login access via user profiles. Please give us a call at 800.203.5611 with additional questions. We are open Monday - Friday from 9am - 5pm CST and happy to help you with your gear needs!

I never really understod why people built lv1 rigs. too many modules, WAY more expensive than they should be, and in the end of the day, waves is just waves, so it doesn't even sound that good

@@vaibuscala6441 I totally agree with you, but you cannot say waves is just waves without considering an alternative… In fairness waves is leading in the industry! So yea, the alternative would be anything… In my case I have the x18, fabulous sound! I’ll need to play about with the liv to match it

Hi! Digital consoles do offer parametric EQ and dynamic processing in compressors and limiters on each output, which allow you to control or tune your PA system for the room. But, the processing on board isn't necessarily intended to be a full PA system processor and crossover. It is still recommended to have a digital PA processor, or if you're still running analog outboard gear, a crossover, EQ and graphic EQ in line between your mixer and amplifiers or powered speakers. If you have additional questions, please give us a call at 800.203.5611 and we'll be happy to help! We are open Monday - Friday from 9am - 5pm CST. Have a great day!

same here 😁

Go fund me is the go! I’ll do one as well! 😂

Hi! Thanks for your question. You have to hit the Mixrack button while the IP8 is plugged into the Mixrack network port and configure it from that Controller tab instead of the Surface one. If you have additional questions, please give us a call at 800.203.5611. We are open Monday - Friday from 9am - 5pm CST and happy to help you with your gear needs. Have a great day!

We only used them on snare and the two toms for this demo. I wouldn’t recommend it for kick, but hat would work!

Thanks for your question! There’s no way to have a redundant mixrack since it is the mixer. There is redundancy built in to power supplies and surface connections to the mixrack on the S Class systems, and any I/O boxes connected to them, but if you had a mixrack go down there would be no mixer. Everything would just stop, the same with any other console. If you have additional questions, please call us at 800.203.5611 and we will be happy to help! We are open Monday - Friday from 9am - 5pm.

nobody's stopping you from using waves with your dLive too 🤷🏽‍♀

I'd say any workflow that exists in the "real world" is prone to possible failure - it just depends on what variables in the possible signal chains you trust most and what is most critical to the show. The "safest" (least variables) would be going analog out of the wireless unit directly into the console IO, then the console IO feeding speakers. That would bypass a stagebox or any network audio transport protocol altogether. But since wireless units often live near the stage, we're almost always using a stagebox of some kind. And now more and more shows have a built in network structure and needing sources to feed multiple destinations, audio over IP isn't going away anytime soon. By going Dante you are more easily able to pick off those Dante outs from the wireless and send them other places - a monitor console, a comm unit for IFB feeds, broadcast desks, etc. You could go analog first, but then would use tie lines to other destinations to make that happen. Bottom line, we can't zero out risk, but we can help mitigate it by having a backup.

I had a blast putting together and appreciate the support I had from both the SoundPro and A&H teams.

You're exactly right, very similar to how it might work on a ME1/Aviom system, but from the FOH desk.

Hi man. The effects busses are added with the card upgrade. The firmware update will include the workflow improvements. The hardware upgrade will include the effects busses that host the new effects. Hope this helps

⁠@@TrainingJarl2 thanks for the response. How many total busses are added in with the upgrade?

@@eflizotte With the RUFX card the dLive has 64 variable busses (which can be assigned to a main bus, PFL, auxes, groups, matrices, and "normal" fx buses) PLUS eight additional stereo RUFX buses that are dedicated to the eight RUFX slots. You cannot reallocate those to serve as an aux, for example. However, you can change the new RUFX slots to be an insert vs a send/return.

The mics would then go through a sound system. Give one of our account managers a call at 800.203.5611 and we will be happy to answer any questions you may have. We are open Monday - Friday from 9am - 5pm CST. Have a great day!

I think the video you seek is one about mixing drums. This one clearly says the purpose of the video in the title was my first context clue that perhaps I would see something only adjacent to the mixing elements, which vary by not only equipment quality but in many cases it has a lot to do with the individual that makes the decisions about what to do with that equipment. For instance, I might search for a video about how to compress the drum mix properly? I often never see the actual microphones being put onto the drums in those videos? 🤔 Why, now that I think about it, would you be a sweety and go to all of those videos and let them know that they must have magical equipment if they aren't showing any of the microphones? Thank you. I am so glad we had this chance to chat here on someone's video that was so respectful to title their video about precisely what was shown. How dare those others just assume all these drums come with all these microphones attached and never add that fact to their titles. I am just livid about this and will leave them a stern comment backing you up when you get all them commented on Fren.

Which one did you test?