Is it only me who hates when people shout "bravo" one millisecond after the last note has been played? Just give all the other audience members a few seconds to breathe and let the music really ring out.

A musica é o Cosmos infinito Onde dançam as notas Em orbitas Escalas Que mutuamente se atraem Sinfonias sao galáxias Deus é o Maestro Em profunda sintonia!

22:53 One of the saddest and magical moments in the symphonic repertoire

It's a great performance. Too bad the trumpet section splatters that beautiful chorale over the stage like that. Now I have to go find the Chicago/Solti recording of this movement to hear it played to *perfection* .

Thank you so much! ❤

Wow. No one gets more emotion out of Mahler's scores than Bernstein!

First few bars are a direct quotation of the slow movement of beethovens quartet no. 16.

¿Cómo describir con palabras un sentimiento? El amor, la tristeza, el miedo, la esperanza: es imposible, hay cosas que solo deben sentirse en el corazón para comprenderlas. Esta música es puro sentimiento y ante ella solo cabe el silencio, la reverencia y admiración. Gracias.

maravilloso

Sometimes when I'm in the most benign mood I'll return to this music to see if it can bring me to tears. Always does.

greatest thing ever

25:48 A sound of heaven

Solo di questo ho paura della morte: non poter ascoltare più questa musica sublime!

音の一粒一粒にまで　命の輝きと　魂の神秘が　宿っています。 この演奏に　存在の全てが　もっていかれる。 KZbinに　泣くほど感謝しています。 生きていて　よかった・・・🙏

19:56

supreme！

Marvelous Orchestra!

It's perfection.

8:30. 12:50*

The intonation is absolutely atrocious for a professional orchestra. Embarrassing.

BERNSTEINS ARE NO LONGER MANUFACTURED AS THEY USED TO.

So Beautiful for this world! ❤️ WOW

この伝説的な映像をありがとうございます。マーラーの交響曲の中で1、2を争う旋律の宝庫ですね。それを余すところなくバーンスタインは表現しています。本当にありがとう！

20:45 to 20:54 sounds remarkably similar to the track that plays when Spock dies in Wrath of Khan.

Symphony n.3 Is Deep, Rich of chromatism, a masterwork.Bernstein Is best interpreter of Mahler 🤩🌹🤩

Bernstein astonishing in Symphony n. 3

Malher extasy to to Max..

Beautiful Masterwork of Mahler🤩🌹

Reminds me why I love Mahler!

I seek what I cannot find in the scroll of my sorrow like a curse that is so evil right in my heart that I turn to the grave. In the bowels of the wide streets my pride kills me from within and I lose hope in the distant land of the unpromised. Humility is a part of our will that we do not deserve, we swim in the vortex of pain of melancholy and painting dynasty that we not only whine and fight. In the tears of long-lost masters, the glass is ground shards, star dust, the long road takes us to the intersection of logic and the only shadow in the sun covered by dark clouds in the sky. I turn my faith to God and to the only woman for whom my love feels more. I am broken and slightly bent over where I call out the words "What can love say here". To love and confess about a person that writing is the greatest hunger for the desire to meet the woman of my dreams. Here she is covered in hell regardless of others. When I am at her final resting place, I feel the need to jump back in time and fulfill my dream. To look into her face and eyes and tell her "Fame does not desire us, love leads us through the clouds in the rhythm of honey sweetness". I am lying in bed writing these words because in the music of Mahler, after learning, it is reflected in the mirror in empathy. For Maude Adams

Y a-t-il quelqu’un qui écoute cette merveilleuse musique cette nuit?

Muito bonito este movimento.

sin palabras

Too slow

A pilgrimage for the soul; until at last when time stops, it can arise unto the forever eternal!

Forever Bernstein, the Best interpreter of Mahler

Descubrí a Mahler, como muchas otras personas, a partir de escuchar su primera sinfonía, de la cual quedé maravillado debido a su movimiento final. Sin embargo, muchos años después de aquel primer contacto, y después de haber escuchado las nueve sinfonías completas y los fragmentos de la décima, la tercera es, a mi parecer, la más hermosa de todas; en especial este último movimientos, puesto que refleja no sólo el dolor y la angustia existencial humana de la época, sino cómo el espíritu decide afrontarla y termina por salir avante de dicha confrontación.

26:03

22:50

This reminds me of Beethoven's last work, his String Quartet No. 16 - specifically, the third slow movement. Where that one may be solemn, reflective, and at times, dark (especially in the minor variation of that movement), there's no harm at all in wondering whether Mahler was inspired by that and continued that notion, and with his own pen slowly allowing the music to open up into a different colour that is just as beautiful and intimate as Beethoven's.

oh my god - the last chord bernstein gestures for a crescendo and stops - the chord breaks down beautifully into a grandeur and creates a wonderful coda. This is simply a perfect union of a composer and a conductor who knows how to empathize with his music. Greetings to all Mahler fans from the country where he was born (Czech Republic), approx. 150 km from his birthplace.

"Music is what humans do best". Ja, volle Zustimmung. Zum Mond fliegen können wir Menschen inzwischen auch. Dennoch: Solche Musik ist auch für mich die Quintessenz des Menschlichen. Bin zutiefst berührt.

The music of Faso is an inexhaustible source of sweetness. It allows us to plunge deep inside ourselves and at the same time resonate with our fellow man, Yé Lassina Coulibaly❤❤❤❤❤❤

it took me 29 years to fully appreciate gustav!!! le plus grand creme de la creme.....

I can imagine how exhausting it was to conduct such a long symphony, and to express the detailed emotion from human soul. Good job LB and Vienna

Too much Bernstein and too little orchestra. I feel sorry for the orchestra having to get used to and interpreting his esoteric gestures.

Only the mind of a genius could demand playing of this sort. KZbin is abusive. They must've asked a racist bitch I sat with, when I heard this symphony once, how I responded. Anyhow, Strauss was also very gifted in these extremely cantabile phrasing and gestures. It speaks of White supremacy's power that this work is still so relevant.

If you crank the speed up to 2x it still sounds just a dreary, annoying and pointless but at least it’s over with sooner……

I agree with those who recognize that the expansive nature of this movement demands these slower tempos. Having said that, I question (on my viewing, at least) if the audio is properly synced w/ the video. That aside, the brass do not measure up to the CSO, but who does? There is nothing better than the recording w/ James Levine (Bud Herseth on tpt). This is a splendid (& similar) interpretation overall. What love tells me, indeed.

Wonderful for Wonderland * Thank You to Mahler - Symphony