Insuperabile!!!!

Wonderful

Beste Interpretation aller Zeiten! Danke! Danke! Danke. ❤️

Pollini has one touch ! Maybe it's good or bad!

At 52:30 or so - I wonder if the original recording with the wrong notes is still in some archive. 🤔

Pogorelich is one of my favourite pianists - ahh that usual crystal clear sound, minimal use of pedals and of course the cyclone-like tempo!!! Well, I came here literally searching "pogorelich prokofiev 3", knowing how angry Martha Argerich (who also happens to have perhaps the most famous rendition of prokofiev 3) was when the jury threw him out of the Chopin competition(even I was equally disappointed ngl) and oh boy, Argerich is yet again proved right - he IS a musical genius❤‍🔥👑💪🎶🎹

Ce n'est pas un rôle pour elle .Elle est tellement divine dans d'autres rôles .Mais pas ici .

Fa venire i brividi... un genio !❤

Un Gran Maestro. Uno de los mejores pianistas del Siglo XX. Dotado de una técnica muy depurada: perfectisima y exquisita. Recuerdo muy bien su Scarlatti, su Mozart, Schumann... y aquellos memorables Scriabin y Rachmaninoff, reminiscentes en sus manos de aquel San Petesburgo de la Rusia Imperial, como el idioma Ruso que hablaba, el propio de los aristócratas de aquella época. Y por supuesto, era un gran especialista en Chopin, cuya Obra integral tocó en muchas ocasiones. Recuerdo especialmente un memorable recital Chopin en Santander, en presencia de su querida Nela Rubinstein. Era para mi, junto a Alfred Cortot, Arturo Rubinstein y Alexander Brailowsky uno de los más grandes intérpretes del compositor polaco. Una figura de otra época, que conocí en el ámbito familiar y me trae bellos recuerdos... todavía no perdidos.

14:40

There is such a wisdom and yet tenderness in his playing - this is a piano sound to dream of.

amazing singing tone

Pirotecnico. Una passione indescrivibile. Richter immenso

Certo che le ottave nel passaggio difficile le pizzica male pure lui 😮😮😮 … sono proprio difficili 😂😂😂😂

Even with poor recording quality, you can still sense the brilliance of Pollini's passion and technique... I love this performance.

Thats a start!

What a wonderful world he creates in the middle section! Superb.

This is a powerful interpretation. I am confused why people say Pollini plays without feeling and very technical but less emotion. This sounded like he was not only angry, but had plenty of coffee on this day.

The long-playing record with this piece was a cherished possession gifted to me by a friend who purchased it in the UK. All during my late teens and early twenties I would play it constantly. I left it in family home when I got married, but unfortunately on trying to retrieve it subsequently it was nowhere to be found. Therefore, I am intrigued to find its contents here.

In my opinion she was too young for Schumann here. There is a version with Arrau in the same year on this platform for comparison. Radu Lupu 1994 is a rather original version, Alexis Weissenberg 1986 a brilliant and powerful one. But most importantly, *Perahia New York, 1986 !* Also very instructive is Bernhard Ruchti's a tempo version.

Interesting to hear his thoughts about musical pieces and concerts.

30歳で楽壇に再登場した無機質なポリーニの演奏より、14歳のポリーニはより荒削りでエモーショナルです。

Bravissima.

Le Chopin est lamentable ! la- men-ta-ble ! Ou est- la régistration ¿?¿

Da "Quell' orchestra in autogestione guidata dai grandi maestri", Angelo Foletto, Repubblica, 2005. Il primo programma fu diretto da Abbado il 25 gennaio 1982. Sui leggii c'erano le parti della Sinfonia n.3 di Mahler (solista fu Lucia Valentini Terrani), tra i leggii sedevano come strumentisti ospiti, tra gli altri, Salvatore Accardo, Giuliano Carmignola, Felice Cusano, Bruno Giuranna, Rocco Filippini, Heinrich Schiff e Franco Petracchi (molti di loro tornarono per anni). L' attesissima esecuzione fu vista su maxischermo in Galleria Vittorio Emanuele a cura di Canale 5, che la trasmise in diretta lombarda e differita nazionale. Un lancio senza precedenti per un'orchestra classica (i biglietti furono esauriti in due ore); come senza precedenti in Italia fu il progetto artistico che suscitò all'inizio polemiche e gelosie. Sull' opuscolo di sala leggiamo ancora i nomi di sei sostenitori (Bracco, Candy, Eurogest, Leasindustria, Locaft, Selezione e Vogue); a fronte l' organigramma dell' ente autonomo (Carlo Maria Badini e Francesco Siciliani), nelle ultime pagine il numerosissimo cda presieduto dall' allora sindaco Carlo Tognoli (Carlo Fontana era il rappresentante del Comune).

Perfetta, eccellente pianisra. Suono chiaro, sgranato, limpido, ineguagliato. Grazie per la condivisione.

RIP Maestro

Thank you Luca for uploading this. In had a tape of the original CBC radio broadcast, but it has since disappeared. I knew the late Don Newlands quite well when we worked at a classical station 35 years ago. Newlands and a CBC producer camped on Horowitz's brownstone apartment building doorstep for hours to get this interesting and very amusing interview. Horowitz was obviously in a very good mood. He loved playing in Canada. I spoke to him briefly after a New York concert in 1978 and asked him if he would play again in Canada. (His entire fee had been ripped off at a recital in Montreal.) He replied "Oh sure ...in Toronto, in Toronto!" He play a third recital there about four months later.

CHARISMA,TALENT ,GENIUS ,XHE KNOWS ALL THE CONCERT BY HEART.

Nostalgia.....

May I ask the complete name of the Orchestra or other detailed informations of this rare and precious performance? Thank you so much!

This is very painful to listen to...an old man who from how he plays seems to have never heard Norma performed. No understanding of Bellini's tempos or what Lizst showcased with his transcriptions. Anyone with ears who has heard the Opera and listened to great pianists will know. Just listen to Kevin Chen at 18 playing this at the Duszniki Festival 2023. P.S. he obviously knows the Opera well 🤪and shaves off SIX MINUTES from the Bolet torture.

Thomas Angela White Helen Johnson Margaret

Maravilloso, un maestro como siempre , a sus 80 años , emocionando y enseñando , como se expresa a Beethoven.

Who is the conductor? The pianist sound does not like Fleisher, and he never perform this concerto

Stupenda! ❤

This is a treasure, thank you!

Grazie Maestro Pletnev.... Grazie Luca, bellissimo, Eva

✖︎

Tvtttttb Riccardo

Tvtttttb

Riccardino Pucci pucciii❤❤❤❤❤❤

Prova indisputabile della padronanza tecnica e musicale d'uno dei più grandi del secolo.

It is lovely to see him in the raw with an uninspiring orchestra and conductor. One forgets this was a nightly routine on tour with travel and limited practice time, arduous - which concerto am I performing tonight?

Incredibly moving. Thank you!

❤❤❤❤ a god he was and always is

Dear Luca. Do you have the rest of the program recorded?

Astounding performance! I don't think I've ever watched a jittery, hand held, distorted, recording with such spellbinding captivation as this one. Kudos to the person who held their phone (or whatever handheld device it was) for this entire performance. Aldo Ciccolini, one of the greatest.❤❤❤

Leggendario

I love how he doesn't play the glissando in the end, but instead pairs the RH with the LH ending with a fuller chord. Marvelous play.