No, you can save it as custom settings - using your custom dial so you don't need to repeat the steps all the time.

Thank you! I appreciate your comment

Thanks for the comment, the good news is that the lights do not leak out due to the Mini Hyper Reflector 8:43 . If you noticed in the video, I attached it to prevent from leaking.

Hi , thanks for commenting. Honestly I think they played it way too safe with this one. The bokeh and character of the lens isnt as pronounced as some of the others in the market. I have been thinking of buying their anamorphic adapter to test on some of my vintage lenses to see what results I get, overall it is a safe bet, quite sharp, not as as soft either. Wide field of view and black bars but besides that it is missing alot of the uniqueness I normally aim for. I still use it because it is very convenient and light weight but besides that i'd experiment with adapters with vintage lens to see what I can pull off.

You're most welcome 🙏🏾

I desqueezed in post. I have a quick video on how I desqueezed the footage too. Yeah GFX100 II seems to have. I think it is an underated camera as it produces amazing images. Fuji should try and bring out a full frame version and I think it will do really well.

Glad I can help!

Thanks for responding this is tutorial is for FX3 but similar concept applies with different interface. Here is a quick link to the FX3 guide, so I hope it helps helpguide.sony.net/ilc/2210/v1/en/contents/TP1001106329.html#:~:text=MENU%20%E2%86%92%20(Setup)%20%E2%86%92%20%5B,lens%20that%20you%20are%20using.

@@FilmOnBudget wow thank you man i hope this link will helps me of my problem😂

Man the problem is my the manual mode is not Functioning to my anamorphic 😏

@@jayfordtv3601 hmm 🤔 that's a tough one do you to update your firmware? I unfortunately don't have FX3. I hope someone in the comments can help.

I haven't tried it yet. Here's an idea... Copy clip on the timeline that has already been converted and select the multiple clips you want to convert, right click on it then choose paste attribute. Let me know how it goes.

@@FilmOnBudget You can actually now just select all of the clips you want to adjust in the media pool and do the same steps! I just tested it out in the DR 19 Beta

​@@SPNCEmusic thank you that was helpful. I will try it with my anamorphic lens next week

I guess if price was a deciding factor we'll all have more affordable things and never look at higher price tickets that is practical. I purchased mine for the fact that I love the product, and I wanted a solution for it. Thanks for sharing, I will check that out and maybe do a product review on both. Also depending on where you are the Westcott Quick Mount can be cheaper . I also advise people to shop around.

The mount itselft in india is too expensive... Or else this particular hack is incredible ​@@FilmOnBudget

@@LeafOfAutumn05 I just browsed the product, it actually looks promising. My question though is whether it is a Bowens mount compatible? 🤔

@@FilmOnBudget it's not compatible with the bowens mount just like this small rig light... I was looking for an alternative way to mount the light to a softbox but no luck so far... But I saw another guy posted a shorts with the Zhiyun 60w cob light .. he fitted the light directly on to the s2 bracket... Hopefully that will work for me...

@@FilmOnBudget the Wescott mount in India is around 5-8k which is around 80-100$ (and the andoer 60w which is rebranded as digitek dcl 60w WBC is just 4.9k Indian rupees

Arri didn't give me the detail I needed for the flog 2 especially with the lens I was using but the one that is an exact match is Apples log. It has the same chromaticity coordinates which makes sense. My other video explains why it works with F-log 2

If you have a field monitor plugged into your camera with an anamorphic settings then you can... Even better if you have custom luts installed in the field monitor, you'll see how it looks in post production.

@@FilmOnBudget Thank you kindly for the reply. I knew that half, I was fishing for an in-camera solution. Imagine I used to use film (no alternative) and we got this stuff now.

I appreciate that! Thank you 😊

@@FilmOnBudgetI bought it and after a month of waiting I can’t get the bracket to screw on because it’s to short. What kind of magic did you work?

@@cowgirldelux Thanks for commenting, did you adjust the screws alittle and insert the mini reflector? Once you insert the reflector adds as an additional support so the light doesn't leak out. Please let me know , I am here to help :) part 08:42 to and 4:33

Thank you!

Thank you!

Gear and gaffer showed that the accessories from nanlight 60 ii are incompatible in his smallrig 60b review so I doubt the adapter would work

Yeah, it normally I do, but it depends on the condition and the level of exposure, if it is too sunny, I can drop it down. I even use variable filters but I normally keep it at zero.

You're welcome, most people give up looking but I am glad you saw this video :)

You're welcome!

I only exposed the footage. I haven't corrected it yet. Later I can then Correct it e.g. White Balance, Brightness/Luminance, Noise etc... afterwards

Hey, Glad I can help! If Redlogfilm doesn't compliment your footage, you can choose panasonic V-log, thats the next closest thing. I chose the Redlogfilm because of how much color pops out of the image when I expose it, in particular with the Zeis lens. Fujifilm log is ok, but i often find that it doesnt pull out alot of the colors and most of informaton you need. I may record a video to demonstrate the list of input Gamma.

SIRUI Saturn 35mm

🔥🔥🔥

Thank you!

Thank you __There is no anamorphic desqueeze preview, but you can use a field monitor with custom anamorphic capailities . The one I have seen so far that is under budget with a great screen quality is the VILTROX DC-550 Pro. If you are aiming for a high end then you need to look for Atomos field monitors.

Thank you, glad I can help.

Thank you for commenting-- I haven't yet purchased the sirui 50mm. I will add it to my collection in future as I continue to get used to shooting in the 35mm anamorphic. I think for my workflow, F-log2 works well but I will experiment with RAW to see how it looks. Atomos V is pretty good it is not on my radar yet though. I agree that if you really want to squeeze every limit out of the camera you should grab a kit that also compliments it so I'll definitely check that out.

I tried to find a Monitor/Recorder on a budget but i don't find anything cheaper than the atomos that makes any sense. @@FilmOnBudget

@@MarinKarastoianov I might do a review on the viltrox monitor -- they are pretty decent if you want a basic monitor with a good screen quality. It has a few limitations but that depends on your workflow.

@@FilmOnBudget yeah i got one old model from them but it is just a monitor. Still great quality for the money.