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@Vladimir_Horowitz 5 сағат бұрын
The whole recital (where this recording is from) was recorded, but since the recording of the recital was never transferred in tape or digital, except for the unreleased tape from RCA, we can’t find the private recording of this recital unlike the other Yale Collection recordings. Only recordings we could find of this recital are Polonaise No. 1 by Chopin, and two consolations of Liszt (Nos. 4 and 5) which BMG released under the RCA and Carnegie Hall (BMG Classics RCA Red Seal 9026-62643-2). Also the program of this recital is from the Carnegie Hall website, which is a more believable source than the Horowitz Website (because Carnegie Hall website had accessed the original program book. Horowitz Website founded the program from the newspapers, as I know). But because there is no information about the encores in any kind of sources except the original recording, the encores are still unknown.
@Vladimir_Horowitz 5 сағат бұрын
The whole recital (where this recording is from) was recorded, but since the recording of the recital was never transferred in tape or digital, except for the unreleased tape from RCA, we can’t find the private recording of this recital unlike the other Yale Collection recordings. Only recordings we could find of this recital are Polonaise No. 1 by Chopin, and two consolations of Liszt (Nos. 4 and 5) which BMG released under the RCA and Carnegie Hall (BMG Classics RCA Red Seal 9026-62643-2). Also the program of this recital is from the Carnegie Hall website, which is a more believable source than the Horowitz Website (because Carnegie Hall website had accessed the original program book. Horowitz Website founded the program from the newspapers, as I know). But because there is no information about the encores in any kind of sources except the original recording, the encores are still unknown.
@Vladimir_Horowitz 5 сағат бұрын
The whole recital (where this recording is from) was recorded, but since the recording of the recital was never transferred in tape or digital, except for the unreleased tape from RCA, we can’t find the private recording of this recital unlike the other Yale Collection recordings. Only recordings we could find of this recital are Polonaise No. 1 by Chopin, and two consolations of Liszt (Nos. 4 and 5) which BMG released under the RCA and Carnegie Hall (BMG Classics RCA Red Seal 9026-62643-2). Also the program of this recital is from the Carnegie Hall website, which is a more believable source than the Horowitz Website (because Carnegie Hall website had accessed the original program book. Horowitz Website founded the program from the newspapers, as I know). But because there is no information about the encores in any kind of sources except the original recording, the encores are still unknown.
@Vladimir_Horowitz 6 сағат бұрын
The whole recital (where this recording is from) was recorded, but since the recording of the recital was never transferred in tape or digital, except for the unreleased tape from RCA, we can’t find the private recording of this recital unlike the other Yale Collection recordings. Only recordings we could find of this recital are Polonaise No. 1 by Chopin, and two consolations of Liszt (Nos. 4 and 5) which BMG released under the RCA and Carnegie Hall (BMG Classics RCA Red Seal 9026-62643-2). Also the program of this recital is from the Carnegie Hall website, which is a more believable source than the Horowitz Website (because Carnegie Hall website had accessed the original program book. Horowitz Website founded the program from the newspapers, as I know). But because there is no information about the encores in any kind of sources except the original recording, the encores are still unknown.
@Vladimir_Horowitz 6 сағат бұрын
Finally, I am Back. I was in a shelter, because of some kind of crime victim, where I couldn’t use any device, including my laptop and my phone. Now I can, and will start my project again. Also I have lots of other ideas, which will make my channel even better. Please wait for my new videos! Thanks for waiting! (Korean Translation) 드디어, 돌아왔습니다. 특정 범죄 피해로 오랫동안 보호소에 있었어야 했는데, 그곳에서 휴대폰, 노트북 등의 디바이스 사용이 불가능 했던 지라, 채널을 손댈 수 없었네요. 이제 가능한 곳에 있고, 제 채널 프로젝트를 다시 시작하려 합니다. 또한 여러 새로운 아이디어도 있는 지라, 채널의 다양성이 더 커질 듯 싶어요. 많은 새 비디오를 기다려주시길 부탁 드립니다. 기다려주셔서 감사해요!
@Sukthtpsy 8 сағат бұрын
호로비츠 웹사이트를 보니 1944년 4월 23일 연주는 없는걸로 나오는데, 제가 뭔가 착각한게 있는걸까요...
@Vladimir_Horowitz 7 сағат бұрын
Radio Broadcast: April 23, 1944: Carnegie Hall, New York City, New York (Live) · Rachmaninoff: Piano Concerto No.3 in D minor, Op.30 [first few minutes and piece of second movement missing] 있습니다. 1943년 녹음이 기제가 안되어있지요. 물론 그건 호로비츠 웹사이트가 마지막 업데이트를 마친 2015년에 이 녹음이 세상에 알려지기 전이였기 때문이구요. 물론 컬렉터들 사이에서 존재는 알려졌기 때문에 - My deep thanks to Francis Crociata, who finally identified the source of this recording. Horowitz also performed this concerto at Carnegie with Rodzinski on November 25, 1943, but this recording comes from the later of the two performances. 라고 언급이 되어있습니다. 호로비츠 웹사이트는 2015년 이후 Bernie Horowitz(호로비츠 웹사이트의 두번째이자 마지막 주인)이 자취를 감춘 이후로 업데이트가 전혀 없는 사이트입니다.(알기로는 사이트 담당자들 간의 내분이 있었다고..) 당연히 부족한 정보가 많고 그래서 제가 새로운 호로비츠 음원 정리글을 준비중에 있습니다.
@Sukthtpsy 7 сағат бұрын
@@Vladimir_Horowitz 정말 감사합니다😍
@Vladimir_Horowitz 7 сағат бұрын
아 덕분에 제가 모르던 사실을 알았네요. 글을 예전에 안읽었던건가;;; 1943년 녹음은 실제 1943년에 녹음된게 아니라 1944년 녹음과 기타 녹음 하나를 더 합친 녹음이라네요..? 지금 들어보니 3악장은 분명 1944녹음과 똑같기는 한데.. 한번 제대로 확인을 해봐야겠슴다..
@Dkdrl246 15 күн бұрын
호로비츠가 연주한 브람스 바이올린 소나타 3번을 올리지않으신 이유가 있나요
@Vladimir_Horowitz 10 сағат бұрын
해당 연주는 1950년 6월 22일과 29일에 녹음 된 연주입니다. 저는 1926년부터 1989년까지 호로비츠의 음원을 차례대로 업로드 중이고, 현재는 1950년 3월 20일까지 업로드 되어있는 상태입니다. 불미스러운 일 때문에 채널 운영을 못하고 있었는데, 곧 업로드가 될 예정이니 조금만 기다려주세요!
@Dkdrl246 10 сағат бұрын
@@Vladimir_Horowitz 그렇군요 감사합니당
@ulfwernernielsen6708 17 күн бұрын
At the begin of the Bach/ Busoni I hear the same dissonance as in the 9.5.65 performances. I ask the question: Did Horowitz really make a mistake in 1965 or did Bach compose a sharp dissonance which only Horowitz had the courage to play with THAT character.
@Vladimir_Horowitz 12 сағат бұрын
It is a mistake. Horowitz wanted to edit that mistake at the 1965 performance, but he wanted to make the live album with low edit. But he still made some other editing, more in the Schumann Fantasy at the same album. Also, in other recordings from the 1965 rehearsal, he does not have any mistake at that opening
@alecyerikian8073 Ай бұрын
This recording is from 1928 ?!?! The quality is too good It's hard to believe
@Vladimir_Horowitz 16 сағат бұрын
It's Piano Roll. Search what it is.
@べっこう飴-x8e Ай бұрын
Amazing. Historical great performance.
@Troybeallad Ай бұрын
beautiful playing
@eugenenizker9597 Ай бұрын
Fantastic recording! So much freedom and so much fire. Thank you for sharing!
@Dkdrl246 2 ай бұрын
이 시절 녹음들 하나같이 다 좋은데 음질이 너무 아쉽네
@duartevader2709 2 ай бұрын
I was wondering, do you have any recording of Horowitz playing the second Liszt ballade that isnt the 1981 one?
@Vladimir_Horowitz 10 сағат бұрын
nope! It was his first public performance
@kasyapa 2 ай бұрын
Thank you, Maestro.
@luckyWaiting 2 ай бұрын
Thanks !!!
@ronl7131 3 ай бұрын
Inimitable VH
@richardfrankel6102 3 ай бұрын
In the photo, from left to right, we see Horowitz, Milstein, Piatigorsky, Toscanini, and...??? Can anyone identify the remaining person?
@Vladimir_Horowitz 10 сағат бұрын
He is Alexander Merovitch, manager of Vladimir Horowitz, Nathan Milstein, Piatigorsky. He started working with Horowitz at 1926, and worked until 1934. Because of him, Horowitz could have his debut in Europe
@ronl7131 3 ай бұрын
Inimitable VH
@jgrab1 3 ай бұрын
Who are the other two people in the photo?
@Vladimir_Horowitz 10 сағат бұрын
Alexander Glazunov, Nathan Milstein. Left to Right
@dondrewecki1909 3 ай бұрын
I own the original 78s of this and that sound is far superior to this phase-shifted, constricted transfer.
@Vladimir_Horowitz 10 сағат бұрын
I really wanna hear the original SPs, which are impossible in my condition :(
@giacomocasabianca5732 3 ай бұрын
This is insane… no words to describe it
@Sukthtpsy 3 ай бұрын
한 옥타브 내려서 치는 부분이 많네요
@Vladimir_Horowitz 10 сағат бұрын
매우 호로비츠스러운 방법이죠. 자주 사용했기도 하고
@monicabrondo4149 3 ай бұрын
Esto es un tesoro!!!!!..…Gracias por compartirlo!!!..❤
@1wc 3 ай бұрын
The piece that pulled the 7 years old me to real vast world of piano
@pablobear4241 3 ай бұрын
I think this is the best recording of Rach 3 ever.
@Vladimir_Horowitz 10 сағат бұрын
I thinks so too
@Sukthtpsy 3 ай бұрын
전용피아노가 아닌가요? 제가 알던 호로비츠 피아노의 쾅쾅거리는 소리가 안 나네요. 마지막 옥타브 피날레는 정말 인상적이네요
@Vladimir_Horowitz 10 сағат бұрын
호로비츠는 전용 피아노를 당시에는 미국에서만 사용했습니다. 근데 전용피아노가 쾅쾅거리는 소리를 낸다는 것은 전형적인 오해에요. 이에 대해서는 정말 할 말이 많습니다만.. 일단 전용피아노를 사용하지 않은 1986년 스크리아빈 피아노에서의 연주에서도 쾅쾅소리가 매우 잘 들립니다. Horowitz plays Scriabin's piano라고 검색하면 나와요. 당시 모스크바 스크랴빈 박물관에서 한 이벤트의 검증된 녹음이니 거짓 정보일 걱정 하실 필요도 없구요. 이에 대해서는 나중에 커뮤니티에 짧게 주절주절해보겠슴다..
@Sukthtpsy 8 сағат бұрын
@@Vladimir_Horowitz 정말 좋네요...공유해주셔서 감사합니다
@БорисШалагінов 3 ай бұрын
На фото: Владимир Горовиц, Александр Глазунов, Натан Мильштейн. Вероятно, 1930-1936 г. (?)
@Dkdrl246 14 күн бұрын
is nathan milstein the one who played brahms's 3rd violin sonata with horowitz in 1950?
@Vladimir_Horowitz 10 сағат бұрын
Never. This photo was before his Europe debut, which was at 1926.
@СергейДавыдов-ш4в 3 ай бұрын
.
@ronl7131 3 ай бұрын
VH ignited a more general, renewed interest in Scarlatti, as well as other composers. VH performed Scarlatti beautifully.
@wooltrouserslover777 3 ай бұрын
this that real music man
@fernandobnoliveira 3 ай бұрын
Wouldn't the collections of these great American universities also have records of Rachmaninoff and Lhévinne? Either audio or video, everything would be welcome.
@Vladimir_Horowitz 10 сағат бұрын
you mean Horowitz and Rachmaninoff? I don't think so. But there was some Rachmaninoff's private recordings at Philadelphia University, which was released by the Marston Records
@neilkilleen3911 3 ай бұрын
I’ve not heard that version of the Carmen variations before. Later versions are better especially when he introduced the dual melody one. Very cool to hear its evolution
@Troybeallad 3 ай бұрын
Quite a programme!
@CarmenReyes-em9np 3 ай бұрын
Que exelente grabación
@CarmenReyes-em9np 3 ай бұрын
Porque no puede tocar en vivo. No se había inventado ,tuve sus discos divinos. México 🇲🇽🎼🎶🎹
@CarmenReyes-em9np 3 ай бұрын
México 🇲🇽🎶🎶🎶desde siempre y para siempre 🩵🎼 🎶🎹
@ronl7131 3 ай бұрын
Love the variety. That Barber!
@伊藤かおる-p5p 3 ай бұрын
はは
@openkeyz937 3 ай бұрын
Absolutely marvellous performance!! Thank you for posting this!!
@spanac100 3 ай бұрын
Beautiful.
@alanbash2921 3 ай бұрын
I asked Volodya if he ever played The Weber A Flat Major Sonata And was astonished that he told me No ! he played a huge repertoire from all eras. But always, When he played, every note mattered 📣📣📣📣
@100bestbooksofalltime 3 ай бұрын
oh, Bach is brutal ...!
@ulfwernernielsen6708 17 күн бұрын
I all in all prefer the 9.5.65 performance to this.
@sergio6357 3 ай бұрын
타건봐 다때려부숨
@steveegallo3384 3 ай бұрын
Great! Thanks....as always....from Acapulco!
@mzp3 3 ай бұрын
At 43:49 - is it intentional?
@Vladimir_Horowitz 3 ай бұрын
Don't think so, but possible
@luckyWaiting 3 ай бұрын
Excellent. Thanks
@luckyWaiting 3 ай бұрын
Interesting approach according to the period, because if we review recordings from those years by Brailowsky, Rubinstein or Rosenthal, they make the same use of rubato and dynamics. Thank you for uploading these precious documents.
@therealtruetwelfth798 3 ай бұрын
Could someone count the number of *coughs* during the Liszt Sonata? It’s got to be over 200…
@h-mh93 3 ай бұрын
Mendelssohn is so often considered a lightweight - but his music is pure joy - and can be fiendishly difficult to play well. When Horowith plays it it´s a respectful nod from genius to genius - pure bliss.