The nearest thing I know to a meditation on infinity - Wonderful, Andreas.

Wonderfull😊

Beautiful Andreas!!

RELAXING PERFECTLY.

It could go on forever... endless melancholy bliss

Thanks so much for this amazing piece, Andreas. Those chromaticisms really push boundaries and get me every time!!!.... if he'd lived for just 5 more years......

Incredibly relaxing

You always find perfect pieces and bring them to out into the open. Thanx so much !

Amaizing music thanks

Bello

Such a lyrical fugue.

The initial voice exposition has such unusual chromatic elements seemingly out of key that lead us over some rough mountain pass,...! what a strange beauty ! ! !

So beautiful.

So beautiful, as always. You encapsulate that stillness so effortlessly. Difficult to hear it any other way.

Beyond beautiful. I keep coming back to your acoustic recordings - they are so great! The expression together with the tempo are just magnificent.

Great performe thanks

Andreas as I slowly work my way through all of Your KZbin concerts, I am always surprised at the Gems of pieces You find on the road less traveled. I was not very familiar with this piece, and yet the notes arrive as though familiar faces welcomed home from a long journey, I am guessing he wrote this in the last 10 -15 years of his life as it has all the hallmarks of his later style, with all those mediant transitions and semi-cadences that move onward through not quite resolved suspensions. As to the temperament question. Werckmeister slightly favors the near keys (C,F, &G) while the far keys, F#(Gb). C# (Db), and B suffer a little, as some of the thirds in those keys are over sharp, compared to equal temperament, (the 5ths are a little squashed). The advantage of the sustained "misty" "strings" or choruses of "oboes and chaums", voices on this synth, or an organ with several not perfectly "zero beated" pipes is that, the ragged beat notes of quarreling mistuned notes are spread out into the "mist of voices", and are not quite as jarring, when there is a multiplicity of near mistuned unisons rather than perfectly tuned unisons, As one of the piano tuners, that I queried about piano tuning, stated,: that by slightly spreading the mistuning of a tempered scale across, the three strings per "note" one can make the beat notes in chords less noticeable. So if this piece is in "G" for instance, (one of the "near" keys Bach favored for Werckmeister temperament), the "wolf tones" would be less evident even though Bach is so exploratory in his beautiful chord transitions, and modulations in this piece. We don't know exactly what was Bach's method of tempering, but it seems to have been somewhere between Werckmeister , and modern 12th root of two per semitone "equal temperment". As there are only a few cents difference between the two, and a synthesizer using some number base can only approximate the irrational relationship of note values in an equal tempered scale to a degree (albeit- nearly perfect). If Bach planned for a concert at a church in which the tuning of the organ was Werckmeister, he would deliberately choose a key that showed off the organ in it's best light.

Thanks so pecefull

Alessandro is in my opinion a better composer than his son Domenico ! Speed this up and it almost sounds like J S Bach. He really was a generation ahead of his times. Well played!

SUBLIME !

Yes Andreas, this music gives one the feeling one is wandering around in an iridescent nebula made of incandescent dust, and a million stars. It is the LONGING to know the essence of what is this strange beauty ...?????

Semplicemente stupendo! 💞 Musica sublime! 👍💯

Beautiful!

There is so much incredible music out there, and a lot of it is unknown to me :/ Thank you Andreas!!

Very nice!

Thanks great and pacefull music

Somehow everything You upload belongs to a UNIQUE UNIVERSE ! Even the pieces I have heard many times before are transformed to exist in a PEACEFUL PLACE of long ago & far away. I LOVE. that universe. I think I can hear the water in the background, but at a level of perhaps minus 48 db..... is that my imagination ??? ... the music and the water open a certain space.... tranquility....sublime with a dash of turbulent flow....

All of these Prima Toni fugues of Pachelbel are gorgeous ! Several phrases in this are very reminiscent of the Mozart Requiem. It is probably more than coincidental. Mozart studied Bach and with Bach's son, and Bach studied with Pachelbel,... and beyond that.... they all tapped into the sap from the wellspring of All knowing unknown.

Andreas, There is something so special about Your Art ! You have found all these beautiful pieces to reveal from an almost forgotten past, and the way You play and accompany them with images,... always brings out something eternal... there is longing, sweetness, poignancy, hope and a sense of eternal connectedness. I feel like I just went for a long walk, on a beautiful crisp, sunny but cool day. All alone, but a part of a friendly UNIVERSE.

Wonderful !😀

Very "far out"!

Yet again ,it is really relaxing.

Wonderful interpretation.

So beautifully played. Maybe a Steinway would be better but I've heard many performances on them that don't get even close to what you've done with this. Superb.

In other words: "Memento mori" :) beautiful and calming rendition of a piece I am not sure I knew before.

Sehr schoen

Just sublime. The music and visuals are transcendent.

Curiously, what my mother told me about the wonder of the madrigals and others about Palestrina, I feel fulfillled by these pieces by Pachelbel.

Curiously, what my mother told me about the wonder of the madrigals and others about Palestrina, I feel fulfillled by these pieces by Pachelbel.

This would be for the chill-out of your disco, the after party :)

Some beautiful veiws and serene music .

I love your posts, and beautiful landscape. many thanks.

I L O V E. this piece and what You have done with it. !

A sound journey linked to images. Your videos hypnotize me, Andreas. Many greetings!

The most calming playing I know. Love it!

love the temperament. perhaps just my prejudices, but would love to hear this on harpsichord.

Andreas, such a LOVELY and deeply moving fugue. You have made it a priority, for me, to find complete works by Pachelbel. I was just reading a bit about him today. Apparently he lost a young son and his 1st wife to a plague that hit the German states in 1682-3 just before Bach was born on March 21, 1685.

I love this Fugue SO MUCH ! Filled with so much sad longing, who would ever have guessed Scarlatti had this in him ?

Who played this? Mr. Andreas? Wonderful. I am into this fugue f minor rarely played by other pianists.

Fantastic, as usual - I wonder how many takes it takes to play a whole fugue in real time without mistakes?