12 сағат бұрын
21 күн бұрын
Пікірлер
@bornamovafaghi6075 5 күн бұрын
2:40 immediately reminded me of Scheherezade, heard the violin solo in my head lmao
@ssaamil 5 күн бұрын
Amazing!
@JohnZazoMusic 5 күн бұрын
@@ssaamil thank you!
@beefheart0 6 күн бұрын
Great stuff
@JohnZazoMusic 6 күн бұрын
@@beefheart0 thank you very much for watching
@cas-sius 9 күн бұрын
at 0:46 you confused diminished and augmented chord symbols
@JohnZazoMusic 9 күн бұрын
Oops! Thanks for pointing that out I’ll add that to my pinned comment. I’ll probably update this lecture down the road to fix the (so far) two proofreading issues as well.
@JohnZazoMusic 12 күн бұрын
If you’ve enjoyed this video please consider checking out my first lecture on “uneasy harmony”: kzbin.info/www/bejne/aGPciZ-kiJ1ofNksi=MUELRRcgEx3ixUYP
@jbrupam8749 18 күн бұрын
NEW LEARNING - UNEASY harmony. Thanks ve much. Love from India
@JohnZazoMusic 18 күн бұрын
@@jbrupam8749 thank you very much!
@AndersonsSmokeShow 20 күн бұрын
Great video!
@JohnZazoMusic 20 күн бұрын
@@AndersonsSmokeShow thanks!
@AndrewB-k9i 20 күн бұрын
Great analogy to painting!
@JohnZazoMusic 20 күн бұрын
@@AndrewB-k9i Thank you!
@RealSekiroGamerz 21 күн бұрын
Ohhh nice bro
@JohnZazoMusic 22 күн бұрын
**Correction: The spread voicing mentioned at 0:08:49 IS FIRST INVERSION, not second. Edit: thanks user @cas-sius for pointing out 0:00:46 the dim and augmented chords are mislabeled below the staff. (The chord symbols are correct on top but the bottom for aug and dim are swapped) Update: Since the cord symbols and the labels below are incorrect at 0:00:46, I removed the labels below the staff! {9/12/24}
@robbes7rh 28 күн бұрын
Brahms definitely considered all these possibilities with interesting and unexpected modulations in his late piano works. Thank you for providing the free pdf of this material for study and reference. Only good things can result from a deeper understanding of this aspect of harmony.
@JohnZazoMusic 28 күн бұрын
I appreciate your insight, thank you for watching! I’ll have to give his late piano work a listen!
@zakfoster1 Ай бұрын
Great stuff John. Cheers! 👍
@JohnZazoMusic Ай бұрын
Thanks for watching! 👍
@PalTed1 Ай бұрын
Years ago I saw this video, Diminished 7th Chords: The Secret Doorway To Everywhere. There are only three Diminished 7th Chords. Blows my mind. I guess your video showed the relatives to the Diminished 7th Chords, if I understood it at all. Thanks for the PDF. I look forward to banging out some of those chords on my piano.
@lumarians Ай бұрын
F Bm Dm7 Ab Db G C_Tritone Symmetry_Neapolitan resolution Note: Abm had to converted to Ab due to F 5th dominant . Gm C Fm A B Db Abm....
@be7th Ай бұрын
I have the very same Yeti :3 It's a pleasure to see it online!
@YoVariable Ай бұрын
The Yeti is an amazing mic! (I have one, too) :3
@YoVariable Ай бұрын
For anyone interested in exploring how the 600¢ tritone functions in other tuning systems (when applicable), check out the Xenharmonic Wiki! Edit: I also noticed that at 8:23, the F♯7 to G♯m resolution sounded like the C7 to Dm resolution.
@ajt116 Ай бұрын
Awesome Video! Keep up the great work!!
@JohnZazoMusic Ай бұрын
@@ajt116 thank you!
@k.1784 Ай бұрын
the diminished chords are inversions of each other and two other diminished which means that both Eo7 and Bbo7 are also inversions of Go7 and C#o7, so they could also resolve to Abm and Dm.
@JohnZazoMusic Ай бұрын
Thank you for mentioning this. When I was studying the relationship between these chords, I was sure there was some things I missed but couldn't connect the dots on. If I make an updated video I'll be sure to credit your contribution! Plus diminished chords may deserve a video of their own.
@benbazzrea712 Ай бұрын
Great video! Thank you for your work. :)
@JohnZazoMusic Ай бұрын
@@benbazzrea712 appreciate you! Thanks :)
@DanDanDan-c2w Ай бұрын
super cool stuff. i love learning new ways to think about harmonic relationships, and this was def very eye opening
@JohnZazoMusic Ай бұрын
Thank you for watching!
@34rn357 Ай бұрын
Damn!
@YoVariable Ай бұрын
Amazing video! When applicable, I love using half-octave (600¢) tritone symmetry in tuning systems other than 12edo (the standard Western tuning system). For this to happen, the EDO (equal division of the octave) must be divisible by 2. For example, in 22edo (22 notes per octave), C harmonic 7 (C vE G Bb) and ^Gb harmonic 7 (^Gb Bb ^Db ^Fb) contain the same 600¢ tritone (vE = ^Fb) as 22 is divisible by 2.
@JohnZazoMusic Ай бұрын
Thanks! -and that’s a very insightful comment-I hadn’t even thought of the many exciting ways that the tritone could be used in other tuning systems-but since you’ve pointed it out, I expect that its symmetry can be extremely useful, especially with more notes and structures to choose from. I have much to learn about that!
@YoVariable Ай бұрын
@@JohnZazoMusic If you're curious about other tuning systems and want to dive down the deep rabbit hole of xenharmony, the Xen Wiki is a great resource!
@YoVariable Ай бұрын
@@JohnZazoMusic If you're curious about other tuning systems and want to explore xenharmony, the Xen Wiki is a great resource!
@YoVariable Ай бұрын
@@JohnZazoMusic Check out the Xenharmonic Wiki if you want to dive down the rabbit hole of microtonality and xenharmony!
@YoVariable Ай бұрын
@@JohnZazoMusic Check out the Xen Wiki if you want to dive down the rabbit hole of microtonality!
@BsktImp Ай бұрын
Funny (not funny) thing is, when I try to use anything other than I, VI, V, vi, ii with the supposed respective functions the result is rubbish.
@JohnZazoMusic Ай бұрын
Interesting, there are couple reasons off the top of my head why (I think) that could be. But I’d have to think about it more. (Assuming If I’m understanding correctly.)
@knopfir Ай бұрын
probably a voice leading problem. or maybe a misunderstanding of harmonic functions
@keithmarkus6852 Ай бұрын
It could also be a conflict with genre or style. Some musical genres/styles allow for spicy harmonies more easily than others.
@SenicoOcines Ай бұрын
great video! I'm looking forward to the next ones
@JohnZazoMusic Ай бұрын
Thank you!
@RED40HOURS Ай бұрын
one tritone, 9347387418473 destinations!!😲😵😲😵
@JohnZazoMusic Ай бұрын
Lol
@AndersonsSmokeShow Ай бұрын
Great video!
@JohnZazoMusic Ай бұрын
Glad you enjoyed it
@shadmium3471 Ай бұрын
how did a guy who does grill content manage to find their way to a music theory video, not complaining though I enjoy both
@AndersonsSmokeShow Ай бұрын
@@shadmium3471 he’s my drummer and I’m his bass player 🤣🤣 it’s a symbiotic relationship
@xsilentg Ай бұрын
3:06 🥩+🥔=🎶
@f52_yeevy Ай бұрын
Great explanation! I really appreciate your pacing and structure (and lack of redundancy), it really helped me to consolidate certain ideas
@JohnZazoMusic Ай бұрын
Thank you for watching!
@dorukusuk1628 Ай бұрын
The Lydian chromatic concept helped me with tri tones biiig time
@JohnZazoMusic Ай бұрын
I’d have to look into that! Haven’t heard of it to be honest. There are so many different ways to think about it the more I’ve looked into the subject. Hopefully this has been somewhat helpful.
@jz31832 7 ай бұрын
🐐
@jz31832 7 ай бұрын
What an outstanding perspective and lesson on growth.
@JohnZazoMusic 7 ай бұрын
Thanks for watching :)
@na9110 8 ай бұрын
This is just the video I needed lol. I definitely make faces when I make mistakes
@JohnZazoMusic 8 ай бұрын
Glad you found this helpful! Thanks so much for watching btw :)
@honokamasuyama8567 8 ай бұрын
Awesome video! This is what I need to remind myself every time I perform!
@JohnZazoMusic 8 ай бұрын
Thanks for watching Honoka!
@JohnZazoMusic 8 ай бұрын
This video is to start a discussion /offer support to developing musicians who feel frustrated and defeated while in the process of GRINDING to become better. (Music is a lifetime grind) At the end of the video, I do my best to give actionable advice to musicians who are very serious about finding better, healthy ways to cope with failure or making mistakes. Especially as a student, it can be very frustrating when you feel that you have worked very hard, working all semester preparing for a performance, and you come away from it feeling unsatisfied--and then it's time to move on to the next thing! With that said, I would like to emphasize that Both Hobbyists, Amateurs, and Professionals are welcome here and are willing to be a part of this discussion. Also--there is so much more to be discussed on this topic, but I really wanted to keep the video relatively concise and leave room for people to share their thoughts and add some nuance. For example, another thing that can be discussed is our mental approach to performing, especially regarding the minutes leading up to a performance.
@sebastianbottone 8 ай бұрын
Loved this! Thank you for sharing. Your points on body language were fantastic. I think this message will help many individuals out in mindfully improving their craft. I would like to add - mistakes are never 100% preventable; always be kind to yourself! If all humans make mistakes, we can cancel out the variable in terms of it being critical of ourselves as artists and people. Also (this may ruffle some feathers)- in my opinion, blatantly criticizing someone for making a mistake as part of feedback is NOT constructive criticism. When it comes to giving feedback to others, not everything can be justified as helpful feedback. I believe that if it is destructive to the person receiving the feedback, it is destructive criticism by definition.
@JohnZazoMusic 8 ай бұрын
I completely agree with everything you said! I think for a future video, I could perhaps talk more about healthier ways of thinking/reflecting on mistakes because you're right; they are not 100% preventable, but we can do things to reduce their frequency, as well as their impact. Just want to be clear that most of the time, mistakes are not a big deal, and the audience will (usually) not even notice them. So it's best not to react in the moment and focus more on all the good/hard work you put in! With that approach, the audience will be much more likely to appreciate the performance, I think. Regarding feedback, I would agree, especially for higher-level musicians. 100% of the time, they are already aware when they make a mistake, so it's pretty much a wasted effort to point it out to them. Instead, it would be better to get them tools to help reduce mistakes and reduce the impact that they have on the performance (by teaching musicians not to allow mistakes to have power over their mental approach to a performance)
@nino-ciampa 8 ай бұрын
Great video John!! Very insightful and informative plus the editing looks super clean and professional!
@JohnZazoMusic 8 ай бұрын
Thanks Nino!
@cashtwonine 8 ай бұрын
angry grandpa music frrr
@JohnZazoMusic 8 ай бұрын
LMAO
@na9110 8 ай бұрын
Sounds great Zazo
@JohnZazoMusic 8 ай бұрын
Thanks!