This is a LUT built-in Resole. See my answer to youtubeAcc bellow ;)

I assume you mean the orignal A7s, not the A7s2? Well, for general purpose video, the A6300 has a much better color science with S-Gamut3.cine and records in 4k, which you can use for perfect 1080p. If you need the full frame look or high ISOs, the A7s has the lead of course! Rolling shutter is also bad, but didn't impact me so far.

Hi Joel, like in my previous test video, I used the A6300 with SL2/SG3c!

Amazing , do you use Zeiss lenses?

I have the 24-70 F4 for my A7s, but in this Video I merely used the 18-105 F4 G ;)

+aiaikago I used the one built in in Resolve. Don't get fixated on the LUT, most of the look comes from the lighting. My father has very blueish fluorescents in there and they lit the motorcycle with warm tungsten. That's where most of the color contrast comes from. The film print emulation just accentuates that.

+Michael Fischer Thanks for the fast reply

+Gellért Ficzere S-Gammut3.cine is a much bigger color space than Rec.709. You have to know the recording gamma (in that case Cine1 or HG4609G33) and gamut in order to convert them properly. What I mean with "linearizing" is to go back to linear light. That's the way cameras capture light when shooting raw. Therefore I can make precise adjustment to the exposure and white balance. After that I can setup my desired look. In that case with a Kodak film print LUT. Hope that helps ;)