I never liked clamping to a hoop after an audio tech once told me that clamps can potentially rob a drum of as much as 30% of its resonance. In today's world though, I've found that there are a lot of clips/clamps that are much superior to those older Claw clamps that have taken isolation to a new level. I still have my Claws but I only clamp them to hardware. Problem solved. :)
@TimMetzКүн бұрын
I haven’t noticed any reduction in resonance with these clamps.
@garydonnelly1002 күн бұрын
I have four notebooks, and counting. I started them in 2020 during the pandemic. I also have dozens of staff paper sheets that are four folded pages full of additional ideas, exercises, personal "licks" and personal adaptations of transcribed stuff ( I usually can't play something that one of the greats did but I always manage to be able to displace it or reconfigure a sticking or orchestration to make something unique to me). Many of these ideas that share a common concept I'm putting together as a book. It addresses many of the shortcomings I had, particularly the rut I was in playing time and continually recycling the same things over and over. It consists of different drills and ways to create variations and combinations that lead to discovering a myriad of new ideas.
@johndiraimo14442 күн бұрын
Hi Tim, What's the name of the practice pad you're using? Thank you.
@TimMetz2 күн бұрын
It’s an Aquarian Super Pad
@johndiraimo14442 күн бұрын
@TimMetz Thanks Tim. I love your short videos. I've been following for a number of years.
@TimMetzСағат бұрын
Thank you!
@sergiocortes862 күн бұрын
Very nice video. I like nylon tips for recording (for consistency and the cymbal sound). Playing live, it just depends on the song I'm playing, but sincerely, it doesn´t differ much. I just switch more for a mood feeling.
@AdamStachelek6 күн бұрын
I'm sorry but nobody knows Zildjian better than Paul Francis. I'm so happy he's making his own destiny right now but what was Zildjian thinking. I appreciate everything Pauls gives to the drumming world, during Zildjian, and after.
@jeromedrum16 күн бұрын
thank you 🙏🙏
@SnoopyisCool00717 күн бұрын
Did I miss you talking about what was happening with the high hat?
@toddglacy116120 күн бұрын
Can’t understand why you would ruin a perfectly good XS20.
@OscarW_Drums23 күн бұрын
Yeah Tim
@rafaelbustos4758Ай бұрын
I don't know who you are but l ❤ you😊 I spank the skins God love you 😊 had a shot jesus
@robatkin7580Ай бұрын
I'm totally lost!
@ncslavens1Ай бұрын
clone? idk about clone. it's like a whole octave lower in pitch, buuuut I'm not saying that's a bad thing. I believe I prefer it's sound over the original as well. so id say he didn't make a clone, but indeed cracked the code to the sound, tone and presence. bravo my guy
@SomeBloke-p1eАй бұрын
When you buy your first Zildjian at 15 back in 1976 you find it hard to believe that they started centuries ago in 1623. As time goes on you realise there is a dense mystique associated with Zildjian history but it was so hard to accurately find the truth and understand the timeline of that history. The information has become more readily accessible in recent times but to now hear from a true insider, Paul Francis, how this world and instruments of mystique has developed is simply wonderful. The depth of sound and manufacturing information that he is able to impart in many ways completes an integral part of the being of so many drummers! Very much appreciated that he makes makes himself accessible to us all.
@gerardi2000Ай бұрын
Nice!
@ochocabra1542Ай бұрын
a few MONTHS later??!! to get it from GC?? wtf!
@TimMetzАй бұрын
@@ochocabra1542 to be fair, I don’t have time to film the video right away. The cymbal came from GC in about a week.
@ochocabra1542Ай бұрын
@TimMetz ah. I thought you meant you got it from them after a few months
@TimMetzАй бұрын
@ yeah, that wasn’t very clear in the video.
@daggzgАй бұрын
Vintage all the way 🤘
@MarkStephen-q5p2 ай бұрын
Do you plan on continuing in the series ? Thanks !
@TimMetz2 ай бұрын
I have decided to keep them private for my students, but I could be convinced to make them public.
@johnthomas70702 ай бұрын
U gotta be careful with it because a lot of inexperienced musicians will interpret the 4 as the one, if u do it’s gotta be somewhat obvious and smooth, in my experience
@thomaskauser89782 ай бұрын
Did the rivets cost extra?
@bernardrooney1052 ай бұрын
I love the distance in the old K. It speaks so serenely. Only maturity can do that. The funch is a marvel of sound as well with more enthusiasm, still I would take the k ahead of it if given a choice.
@azpeitia39632 ай бұрын
where can I review the modification process Tim? Greetings from Mexico. ☺
@aakkoin2 ай бұрын
I played Sabian XS20 cymbals for like over 10 years, I never wanna hear that garbage again😆 These days I'm a Paiste guy, Paiste Signature/Signature Dark Energy✌️
@jimbo70512 ай бұрын
I had TR do that to mine, told him i wanted the Jimmy Cobb vibe. He nailed it!
@tyronejohnson79792 ай бұрын
From 60 dollars to 1000😮😮😮
@rhythmista77072 ай бұрын
New classic a lot more resonant
@sayangwli-m6w2 ай бұрын
要怎样训练手脚的协调性
@morasa30002 ай бұрын
I am not an expert, but I think it sounded great for Rock, and, in my not expert opinion, the modified one sounds more like for Jazz... Please, I´d like to hear expert opinions on this, thanks
@TimMetz2 ай бұрын
@@morasa3000 nailed it.
@Rus-z9r2 ай бұрын
“Improve your jazz soloing by not being a useless idiot”
@juanmedina19342 ай бұрын
Quite my tempo 🫰
@MrNikolab2 ай бұрын
Когда тарелка не звучит в нее запихивают заклепки. Была нормальная тарелка, зачем то ее испортили.
@caveguerra3 ай бұрын
You can try with one Sabian B8 series, and you'll see that the alloy is not a problem, but the process. Good process, good sound, poor process, poor sound. 🎶 😎
@angelagk48843 ай бұрын
I preffer the original xs by far...
@bbc_nanm3 ай бұрын
plz upload Video mod Paiste pst7 Crash&Ride Zildjian Mega Bell Ride!😊
@RalfieDDrummer3 ай бұрын
great stuff, thanks Tim!
@q3playing3 ай бұрын
Hi Tim. Do I get it right that the one on-the-beat is diddling the sextuplet?
@JulianFernandez3 ай бұрын
so cool. thanks for sharing!
@jaycharger723 ай бұрын
Its over saturated quelch and congliphical panash saturates its wet melch , it welps and canouches tones perfectly BEFORE you jookeyed it
@jazzhole82083 ай бұрын
Soooo awesome 🙌
@TimMetz3 ай бұрын
Thanks Marcus! I’ll be posting them here before they go live. Let me know what you think and if you have any suggestions.
@philipnestor50343 ай бұрын
Your videos are great Tim. Philly Jo Jones was a student of Charlie Wilcoxon. I would love to see a video of applying Wilcoxon solos to the drum set. Thanks again.🎶🥁
@TimMetz3 ай бұрын
That’s something we go over in the Jazz Drummer’s Blueprint al lot! Book a call and we can chat about it!
@SimonLopezPsymon3 ай бұрын
Wilcoxon solo are always a good work ! I try to work on it and record at least one by month 😊
@jazzhole82083 ай бұрын
Yesssssss ❤️❤️❤️🥁
@TimMetz3 ай бұрын
More to come!
@jazzhole82083 ай бұрын
@@TimMetzcan't wait 🙌 so awesome 🥁❤️
@coconutandrus49443 ай бұрын
Thanks Tim! Very helpful and the perfect tempo !
@syjwg3 ай бұрын
Impressive! I'm wondering what the original speed is and whether it is the same for all of them.
@TimMetz3 ай бұрын
Well, I always recommend playing them slow and going for articulation. Playing them fast and sloppy defeats the purpose. I do think the tempo can be varied quite a bit though. I’m posting them at one tempo for my students (and everyone else) to be able to follow and possibly play along easily.
@raymondbaylis73403 ай бұрын
Great thanks Tim 😊
@TimMetz3 ай бұрын
You’re welcome!
@andytrim59363 ай бұрын
Man! Thanks for sharing this. I love a bit of Charley ( Wilcoxon ) that is! Beautifully played with consistent dynamics and control. Great tempo too. Awesome job. 👏🏻👌🏻
@TimMetz3 ай бұрын
Thank you! I’ll be doing the whole book 10 solos at a time. Glad you enjoyed it!