Clapping-clapping hands!!

op 117 n.2 4:54 op 117 n.3 9:18 op 118 n.1 14:49 op 118 n.2 16:35 op 118 n.3 21:49 op 118 n.4 25:23 op 118 n.5 28:10 op 118 n.6 31:58 op. 119 n. 1 36:56 op 119 n.2 40:43 op 119 n.3 45:00 op 119 n.4 46:22 [double tragedy….]

Toll! Danke Mauricio, danke Johannes!

Brahms, 4 Intermezzi Op. 119 0:17 / 4:23 / 8:57 / 10:22 Beethoven, Sonate No. 29 Op. 106 15:14 / 25:32 / 28:10 / 45:50 Schoenberg, Klavierstücke Op. 11 58:12 / 1:01:32 / 1:07:36 Stockhausen, Klavierstücke V 1:09:47

Debussy, 6 Etudes Livre II 0:10 / 2:26 / 7:03 / 10:18 / 15:02 / 18:36 Bartok, Im Freien 23:27 / 25:12 / 27:28 / 30:17 / 35:34 Boulez, sonate n.2 37:37 Schönberg, Klavierstücke op.19 (bis) 1:05:06

Chopin, 24 Préludes op.28 0:03 / 0:42 / 2:56 / 3:52 / 5:48 / 6:25 / 8:11 / 8:50 / 10:28 / 11:41 / 12:13 / 12:42 / 14:04 / 16:45 / 17:14 / 22:15 / 23:17 / 25:55 / 26:42 / 27:55 / 29:43 / 31:15 / 31:59 / 32:47 Berg, Sonate op.1 35:12 / Webern, Variations op.27 45:31 / Stravinski, Petrouchka 51:22 Chopin, Etude op.25 n.1 (bis) 1:06:47

Beethoven Op.31 No.2 0:14 / 8:53 / 16:32 Beethoven Op.53 22:47 / 33:31 / 37:42 Schumann Etudes 47:00 / 48:19 / 49:33 / 52:23 / 53:34 / 54:28 / 55:38 / 57:59 / 59:27 / 1:01:09 / 1:02:13 / 1:04:39 / 1:05:33 / 1:06:41 / 1:08:34 / 1:09:11 / 1:10:25 / 1:12:12 Schumann Arabeske 1:19:04

1 0:06 / 2 4:59 / 3 8:23 / 4 11:59 / 5 21:28 / 6 24:28 / 7 28:26 / 8 34:56 / 9 46:41 / 10 49:26 / 11 53:05 / 12 55:14 13 1:03:34 / 14 1:06:46 / 15 1:12:19 / 16 1:16:09 / 17 1:21:02 / 18 1:25:24 / 19 1:30:02 / 20 1:33:44 / 21 1:38:55 / 22 1:41:52 / 23 1:50:13 / 24 1:53:49

Very harsh, driven rendering of the Preludes -- doesn't give the lyricism a chance. Interesting for once.

музыка которую можно играть как угодно

все повторы в Шумане сыграл? ничего не пропустил?

вот только слушая Бетховена с пианистами типа Поллини, понимаешь насколько величественны исполнения Бетховена пианистами типа Рихтера, где полнейшая концентрация, точный темп, все строгое как Кёльнский собор. а Поллини по романтичному заносит, где-то в Шумане или Шопене это отлично а здесь нет.

ужас, глупые люди стали относиться к классике как к шоу бизнесу - пришли послушали теперь надо похлопать поорать. а как кто играл , хорошо плохо да разве кому-то это важно?😮

а почему на концертах Поллини позволяется хлопать между частями сонаты?

а почему на концертах Поллини позволяется хлопать между частями сонаты?

Prise de son quasi inaudible, hélas…

Jammer van die clote RECLAME

I cieli e la terra passeranno, le esecuzioni di Maurizio Pollini non passeranno!

This is just simply magnificent and very moving - thank you! This is Pollini at his absolute best; the integrity, passion, intellectual grasp, flawless technique - and here also the wonderful evidence of his incandescently beautiful sound at that time (helped by the most marvellous piano here) - this aspect of his playing often overlooked. What a beautiful recorded sound too, from a live source.

Merveilleux pianiste mais hélas, prise de son catastrophique. Presque inaudible. C’est beau mais bien trop lointain.

Thank you for sharing this great performance....what a soulful masterpiece ❤

OMG! I was at Salle Playel the year before at a Pollini recital, and noticed that in the following year's brochure, this concert was scheduled, which surprised me because Pollini hadn't recorded any Bach at that stage. I so wanted to go, but by then I would be back in my own country, Australia, and sadly miss it. I had no idea it was recorded (which I assume is a secret recording or bootleg??). And it is SO much better than his official recording of the Well-Tempered Clavier, many years later, which I actually don't like. I love this one, though. Thank you! You've gifted me a time capsule and an opportunity to change my mind about his interpretation of Bach.

The performance of the Diabelli Variations is outstanding. Although playing at a fast tempo is technically challenging, the ability to do so maximizes the musical effect, making it feel as though the composer's intentions are vividly expressed in this grand, fantastical, and improvisational piece. I have encountered a truly exceptional performance.

Wonderful discovery

Concerto leggendario! Grazie, Maestro!

(Apart from the two genial soloists, Pollini and Rostropovich) The thumbnail looks like if they are fighting ("this time I want to play the piano!", "No, the piano is mine!") and the mustache man is separating them,

Ottimo!

♥️😍😍

Immense pianiste que Maurizio Pollini, dans Schumann , il fait des merveilles, comme Chopin bien sûr, Beethoven, Brahms, Schubert, Debussy...

God this is TERRIBLE. So Gould was a disaster at Mozart, and Pollini was a disaster at Bach. Well, they both are good at Beethoven - usually.

Un récital impressionant d’un très grand pianiste.

Waldstein 22:40 Schumann 47:00

Необычайно чувственное и тонкое исполнение, наполненное полифоническими переливами! От этого можно испытать катарсис!

Ma chi può suonare le Mazurke op. 56 in un modo così straordinario? Pollini toglie a queste pagine immortali ogni residuo salottiero e le rende per quel che sono, una straziante riminiscenza della patria lontana, ossia un non-luogo esistenziale nel quale Chopin allo stesso tempo voleva vivere, pur sentendosene estraneo. Pollini non nasconde l'asperità ritmica e melodica di questa pagine, al contrario, la esalta, con un suono terso, cristallino, a volte persino rude, ma sempre nell'ottica di uno Chopin anti-biedermeier, prova ne sia la chiarezza del contrappunto nella seconda Mazurka dell'op. 56. Ci si dimentica troppo spesso che il grande polacco era un fervente ammiratore e conoscitore dell'opera tastieristica di Bach e Pollini, da par suo, ce lo ricorda in modo inappellabile. Che dire poi degli "Studi" di Debussy? Un'esecuzione assolutamente inarrivabile, al calor bianco.

misleading thumbnail

Still a beautiful piece played by a passionate player. Heard him twice in London and the divine Concertgebouw..

2月9日15:14

Beethoven, Sonate No. 23 Op. 57 "Apassionata" 10:37 20:04 26:10 Beethoven, Sonate No. 27 Op. 90 1:08:49

Beeethoven, Sonate No. 14 Op. 27 No. 2 58:15 1:04:23 1:06:45

Grazie del contributo 😊

0:12 ❤❤❤😂😂😂🎉🎉🎉😢😢😢😮😮😮😅😅😅😊😊😊

I am not a huge fan of Pollini, but his Kreisleriana is incredible. I think he really got it, never heard anything like this. I wonder how does this compare with the deutsche grammophon version of 2002.

Самое потрясающее исполнение Крейслерианы! Нет равных ему!!❤

ОЧЕНЬ понравилось!!! Замечательная программа концерта-я потом переслушаю ещё. Спасибо Вам большое! 28.05.2024. Всего доброго!

Je me rappelle que les lumières de la salle se sont allumées, le public a commencé à murmurer, bouger, le maestro lui était dans sa musique et ne se rendait compte de rien. Il a fallu que le directeur de la salle entre sur scène, lui prenne les épaules pour lui dire qu'il fallait arrêter de jouer. Après l'interruption, il a repris comme si de rien n'était...

1:17:51 🤍

Merci ! Quelle émotion, le premier concert du maestro auquel j'ai assisté. Je n'avais pas 15 ans🥲 Et dire que Blomstedt est toujours parmi nous 😀

Truth is that there were only 12 for classic? piano what hell those classical music major, minor keys?

Спасибо Вам,Йоханнес и вашим слушателям! Благодарю МАЭСТРО ПОЛЛИНИ!!!

Wow, especially for Appassionata !