It is the 1.33. For me, 1.55 is too extreme. As with most any Anamorphic lens, it will have some softness on the edge, but it's not bad and works with that style I am trying to achieve. I've got better footage coming soon!

@@Genshi Yeah, I was thinking about 1.33x myself. Some softness on the edge is expected from any anamorphic lens. I will get one and give it a try. I would love to see a better footage! I subscribed to your channel! Thanks a lot for your honest answer!

Thanks, I appreciate it!

Thanks!

Thank you! I really appreciate that!

Sadly, I sold my Control Forge shortly after this video... and completely regret it. I really want to get another one again as it's incredibly powerful. I just can't afford it right now and at the time, I needed the money as well which is why I sold. Wish I didn't though.

@@Genshi Ah I understand. I had to sell off my entire hardware setup in 2020 and lost many now rare items. (Monome Arc, many factory Mutable modules etc...) I fortunately have been able to rebuild my setup in a new way over time but I admit I still miss many things. Especially my old Dreadbox Erebus v2. That was the fattest sounding monosynth I ever owned. I made even the Mother-32 sound tinny in comparison.

@@TheSilentCartgraph3r Man, I feel your pain. 202 sucked. I too lost my Monome Arc which I loved! Also lost my ARP 2600, Korg MS-20, and a few other things that make me too sad to talk about... I've always wanted to try the Dreadbox stuff, haven't gotten around to it yet.

Thank you! I really appreciate that!

Good questions, so here is my honest answer. I was friends with the guys at Conductive Labs so at the time I was technically their first Beta Tester for the NDLR. I still have mine but I don't use it as much because with all of my experience with synths )over 40 years) I prefer to do things on my own from scratch. That said, I do definitely still see it as a valuable piece, especially for those new to music creation and synths/sequencers as it is very simple and yet powerful to use.. And in fact, now that you've reminded me of that, even for us old pros, it was still very fun, so I may just bring it out and do something with it! If I do, I'll definitely shoot a video of it...

Thank you, I really appreciate that!

Thanks! Though they cut out most of my scenes except for that one sentence which was taken out of context (though a lot of my music was in it through-out.) Eurorack is definitely a fun journey of sonic exploration... I wish you good travels on your journey!

thank you!

Thank you!

thank you, much appreciated!

Thank you, I really appreciate that!

Thanks!

Yes, though not the best example. If you search my Channel you'll find much better examples of the Buchla Music Easel. But yes, in general, the Buchla is an Additive synth because instead of Subtracting Harmonics with a Low Pass Filter (as you would do with a Moog synth) you are adding Harmonics with the Wavefolder (the slider labeled as "Timbre" on the Easel) as well as FM'ing the Complex Oscillator with the Modulation Oscillator to add even more Harmonics.

Thank you for the kind words, I really appreciate it!

Thank you, I appreciate the kind words!

Are you connecting to an iPhone like I am here? If so, I connected via Bluetooth if I recall.

Thanks!

Thank you very much, I really appreciate that!

Thank you! :)

@@Genshi cheers 🍻

It's definitely a fun combination! You can run the Audio out of the Microfreak into the Audio In of the K.O. II with a single 3.5mm TRS cable.

@@Genshi Aw man what a time to be alive! 🤣 Thanks for the help

Do you mean the device on the table next to the K.O.II? If so, that's the Zoom H4n Handheld Field Recorder. A quick and easy way to record something when I'm not in my studio or not close to my computer.

Thanks. The patch is actually in the Moog Matriarch's patch book; the second patch called "Swirling Stereo" though I modified it a bit to my own tastes.

thank you, I appreciate that!

thank you!

Thanks! And yes, I still use the Qpas; I haven't found another filter that comes close to it, especially when using the !!¡¡ inputs. I just did a recent video with the Polygogo going into the Qpas and Mimeophon which you can check out here - kzbin.info/www/bejne/fn2we3ShaM6tmKM

@@Genshi cool, I‘m thinking about building an Eurorack drone setup, maybe with Vhikk X (sound quite close to the soundscapes in this video), maybe a Qpas for stereo filtering, Beads for fx and some modulations (Triple Sloths, LFOs, function generators)

I‘m not sure about the Polygogo yet; I have it but need to explore more

@@el_dani that sounds like it would be a great setup! Though I'm not familiar with the Vhikk X, I'll have to check it out. And that reminds me I need to get my Beads out its currently in my "overflow of modules" rack) and use it more. I also have Clouds and though they are similar, they each do something different the other does not.

Thanks! I'm still stuck on Ableton Live (been using it since version 1.5 and wrote the Master Class book on version 4.) I'm about to change to Logic Pro since Ableton is a pain to use for Film Scoring work; despite the fact that I did three feature film scores on it.)

Thanks!

Yes, I wanted a CR-78 sound real quick and remembered that Ableton Live's drum rack had these as samples, so I used that and just played the rhythm in manually. I was going to use the DM1 app to do this as it sounds better, but this was all just a quick improvisation in the spur of the moment...

thank you!

Thank you, I really appreciate that!

Thank you for watching!

Thanks you!

Thanks!

Thanks! I appreciate it!

Thanks!