Это ты

I would also like to hear an interview with Thomas Morgan, solo 🙂

Such excellent people. I wish the long silences within and between Thomas’ and Bill’s sentences weren’t edited out. That’s part of their charm as humans!

💖 'promosm'

シェイラとベースのデュオ　やはり素敵❣

Wow it is a pure love and respect I find here. Jazz is all about these things. Why I cherish Jazz, and for that matter, MUSIC? Because of this.

YOU ARE SO FABULOUS!!!!!

Hey Thomas...long time.

Brilliant!! Meeting you was my dream come thru yesterday at the Latin quarter.. Simply stylish. Thanks for taking the time to takz photos with me and all of us. You are a living angel. Best to you and your family 🙏🏽😍🎊

This is great! Thank you!

💜✨🎶

Congratulations to all of you, and thanks a lot for sharing your conversation. Bill and Thomas are two of the greatest musicians alive, I'll be eternally grateful for the art you create.

Love these guys. They sound so good together. I swear Thomas is like Bill's son if he had a son.

When MJ Williams mentions "Jack," she's referring to trumpeter Jack Walrath.

Thank you for getting this together, Howard and company. I had to miss the party because of a family illness, so it's good to catch up.

I found this while searching KZbin for "Jazz After Hours," which I wound up revising to a search for "Jim Wilke Jazz After Hours" before finding this. I was a regular listener of Jim's show, via KPLU, through a college radio station at the University of Central Oklahoma, in 1985. I had been playing alto sax since 1979 (by ear, as with every one of the several instruments I've played since I was a teenager), and in 1985 a friend and co-worker who was also a saxophonist when we weren't busy making a living as draftsmen in an Oklahoma City engineering firm recommended having a look at a Horn Trader store, where I found and purchased a student model trumpet. So, long story short, I've been a fan of Jim's rendition of Jazz After Hours, right up to a few years after moving to Seattle, where I've lived since 2009. I found, at that time, that Jim was no longer hosting the show.....I don't recall who was, but I wasn't impressed with what had happened to the show, to say the least. Oddly enough, when I was listening to Jim talking about the artists appearing at Dimitriou's Jazz Alley and was wishing I lived in Seattle, so I could go there, I had no idea that many years later, after moving to Seattle, I would never set foot in Jazz Alley. Sadly, today, in my late sixties, that is still the case, owing to the changes that have occurred in my life since about 2008, when my 31 year career as an architectural draftsman/CAD technician came to an end. I segued into a short stint in the IT field, until Microsoft pulled the plug on that and I wound up living on my Social Security in a HUD subsidized apartment, so going to Jazz Alley has become rather inaccessible for me. Now it's 2020 and I'm wondering what will happen in the wake of COVID-19, which wasn't on your radar when you guys made this video....nor on anyone else's radar, for that matter.

Muy bueno

You are my heroes, speaking out about what I've lived now for over 45 years. Not much has changed... perhaps this is the way to make it finally happen. Thank you, ladies!

What an insane!

wish she would do more after hearing "telling stories" which is a GEM. Please let me know when you will be in NYC . Station WBGO should put Paulette in rotarion. would be a HIT on sunday singers.

Delicious sound. I was not familiar with her sound, until reading she was the original voice with Rufus. And that she suggest Chaka Khan to take her place. This is total aweseome[ness]. Thank you for this post.

"Un Poco Loco," written and played originally by Bud Powell.

Totally enjoyed this conversation! (A shout-out to Janis-Hey, Janis!) Here in Durham NC, there's a jazz jam run by a drummer named Kobie Watkins. The college/pro session is preceded by a kids' jazz jam for young players ages 8 to 18. These jazz jams are held at a downtown coffee shop and they're well attended. It's a good setting for both girls and boys because they're surrounded by their friends and family. And, by the way, they're encouraged to stay and enjoy the grown-up jazz jam (which ends at a decent hour, 10pm). I recently attended a very cute StArt of Cool jazz camp concert (presented by the Art of Cool's Cicely Mitchell). Elementary-school kids (roughly 50/50 girls and boys) attended a one-week "camp" where they got their first exposure to musical instruments. They put on a concert, and surprisingly, each instrumentalist took a solo. And even though the solos were mostly awkward bleats and honks, the audience went wild with each attempt. It was also nice when the camp instructors, cool jazz musicians, freely gave out high-fives to the kids. Following the kids' concert was a performance by the instructors. The kids watched with rapt attention and I could see the beginnings of a whole new generation being introduced to some great music. If adults can keep coming up with this type of programming, girls will feel encouraged to get into jazz just as they have gotten into soccer (which has also encouraged both boys and girls).

Do you have the Jazz Gene? (13:00) Terry. If so, comment below.

Thanks for addressing my comment. I totally appreciate this webcast! Let's keep the discussion going. Please register for the Symposium on Women in Arts on August 4 in Washington, DC at my.barackobama.com/page/event/detail/gs8yss

kfai.org/news/2015/03/47410

Yeah, the cute boys play in the jazz band. Ha!

What a voice... such control in her delivery. Love it! p.s. I see the great Nat Adderly Jr behind the piano.

Very interesting and informative.

She is jamming

See more about The Jazz & Democracy Project® here ow.ly/tXa2E

Thats Rudy Royston On Drums Not Kim Thompson

Beautiful Ayako! Can someone remind me what this tune is called?

Genius....bebop is so difficult....I'm still trying

Im so glad I found a women that has not the sound of smooth jazz...

Awesome! Wish I could have been there!

@SuperTrumpet100 you should post a video of you taking a better solo, so we can understand what your saying...

I don't understand playing like this, the lyricism is gone, its just a bunch of jumbled up notes, if you want lyric value go listen to John Coltrane, Sonny Rollins, Sydney Bechet, and of course Charlie Parker. She has moments of great lyricism but I don't particularly the beginning. I am not saying that I am better than her, I am just saying. That there is a line between music and just "elevator" music. Not sure where she is. She plays with soul, but could still learn from the greats.

playin' her ass off.

Tia actually visited my school yesterday and her perfomance for us unlike anything ive heard it aws just amazing it really opened my eyes up to the jazz culture thank you tia

Tia Fuller~~ what a friendly and gracious lady!!! Thank you for you kind words of encouragement much respect~~~ her show here was hot she was awesome!!!!! Phenomenal!!! I can say you are my friend!!! Thank you Tia !!!

Fantastic performance!