The TG1 Limiter is very much still in production, why do you think it's not? In fact, it's never been out of production.

sorry...I was talking about the Chandler tone control that was out of production... my apologies.. I am still very satisfied with the TG1

@@beatexplorer4493 No worries! With 26 products and counting…for the Tone Control though loved by dedicated users along with the LTDs, the time had come to make room for newer inventions to come.

@@Balverine That’s cool, thx.

@@javierjanaid It was direct to the DAW.

​@@chandlerlimited That's I n c r e d i b l e!!.

@@javierjanaid I know, right?🤯

REDD.47, soooo gooood.... \m/

Could you pls let me know the exact model of the drum kit?

​@@marcellpethoe It's been so long now, I'll have to dig a little for some info.

Indeed!

Yes, this was in the mono overhead position, with the capsules 55” from the floor and between snare and floor Tom; both mics; I have to look back, however there’s a slight angle.

The bass in both cases was a Fender Power Jazz, played with a pick. The REDEYE split the signal and the SVT is a preamp only, not a head and the output from the SVT side of the chain returned back into the second REDD.47 preamp. The other side of the split went in to the first REDD.47. The TG2-500 setup would have been the same, albeit with TG2-500s instead of the REDD.47s.

@@chandlerlimited nice! Yeah I found the product, its called an SVP pro. I guess the P is for preamp. Thanks man

Hi, wow, it's been a long time since this was done! Regardless, at this point in time...I'd have to see if there are any notes; actually I put the notes in the video lol. It was the Little Labs Redeye used as a DI into the TG2-500 and the split signal was DI into the SVT preamp. The REDD.47 video track used the SVT and REDEYE split and 2x REDD.47s, and you can see the bass in that video.

@@chandlerlimited thanks for the quick reply! I’ll go check out that vid.

Awesome!!!

Butch is amazing!

​@@chandlerlimited hi west chandler microphone would u recommend for male vocals onto avalon m5 within budget?india.

@@amonchhetri1053 Every vocal is different, however, regardless of budget...the TYPE L is great on vocals too.

Nope lol.

Thanks Jordan, long time...You know you want one. :)

Thanks, we're so happy your dig it!

We manufacture the Germanium Compressor, it slays on drums and is great vocals or mix bus.

@@chandlerlimited apologies was not aware you were the manufacturer! In that case, are you guys able to customise me a personal one 😉 Indeed it destroys ,sounds rich or dirt harmonics, fell in love with sound and the yellow knobs! I usually run it in paralell and every thing thickens up!! Cheers!

@@khalilroukoz Hi, we don't do customization.

This is direct into the first REDD.47 and into a second REDD.47, and then into the DAW; there's no guitar amp.

Wow that’s awesome. Very cool sound and one that I’m looking for. Thanks for the response.

I saw at another video that they are using 2 redds to get this revolution guitar sound. any workaround to get this sound with only one Redd? @@chandlerlimited

@@HeyYou2618 Yss, to get the sound, you would normally chain one REDD.47 into the next, using the first one to overdrive the second one. If you only have one REDD.47, you can reached a take through it to your DAW, and then by "re-amping" the recorded signal back through the REDD.47 from your Daw timeline and back onto another track. You can use the DAW fader of the original take to determine how hard you want to hit the REDD.47's input and at the same time, set the input gain 'Voltage gain' and 'Faine gain' for the desired input sensitivity to achieve the sound you want.

Thanks for the explanation :))@@chandlerlimited

The only difference is stepped I/O and the units are matched- tubes etc...to be as close in response as possible.

Thanks James!

The Germaniums aren't part of the Abbey Road Studios line, they are their own thing. However, out of respect for our intellectual propriety and commitments to our partners, we don't publish such information.

Hi Zane, nope, however, because the gain control set is different, your knobs will be in different positions to achieve the same sound.

Backorders are being fulfilled and they are shipping now.

If you just mean pedals that make your guitar sound like this, there’s three types: Overdrive Pedal - The least intense type (that’s where I’d classify this pedal) Distortion Pedal - Medium intensity Fuzz Pedal - Very intense Those are the different types of pedals that make your guitar sound distorted. If you’re looking for more pedals that sound similar to this one, I’d look for some overdrives.

It's all over the track, on all individual instruments and vocals too.

@@chandlerlimited wow, that is just like a Beatle's production. I am watching some stuff about the TG mic. Please let Wade know I think I know what makes the TG mic so good as I have a background in electronics myself and my friend Dan and I, were discussing what we thought should be done with microphones. A day later I found that you had done what we were talking about. I also have an idea to throw at you if you want.

@@chandlerlimited I have a second idea which could be useful too. Maybe tell you one day when you are in London. Thanks Wade and all

Can I ask what settings do you use and for what application? Cheers!

@@voa23 for tracking--- the tg2 preamp section i usually dial it in until distortion and then knock it back a click. classic way to approach most preamps with vocals tbh. sometimes i'll slam it for a fuzzy bass and drive the compressor a bit. vocals sometimes i'll slide a little bit of compression on. i always add some treble eq for vox but not too much cuz i always overdo it and then the mix suffers lol. it all totally depends on the production though really, except for not adding too much top on the vox, that's universal IMO