QUESTION ? I believed I did a great job with this video and explained things well. Although I always notice a few mistakes, none seem significant enough to warrant taking the video down. However, I've observed that no one has liked the video yet. I'm not seeking validation, but it's something I've noticed. So, I must ask: is there difficulty in understanding what I'm saying? Do you disagree with the content? Does it seem outlandish? I'm puzzled by the lack of response to this video, especially when I expected it to be well-received.

This is why I call the Divine Creator the Infinite God, It's the only descriptor that I think accurately describes his/her/their existence. A word that is the opposite of limitation and restriction. The Infinite God creates infinite vessels (children of God) to experience an infinite perception and perspective of the infinite existence which is an endless expanse of ever changing infinite expression. The experience of existence is a manifestation of will/desire of the Infinite God, the Children are the expression of God, and the children experiencing the will/desire is the fulfillment of God's infinite nature to experience all things from all perspectives and perceptions. Thus the infinite God is intimately connected to infinity, infinitely in every literal sense. When I was younger I instinctively gravitated towards the idea of the existence that I was merely a blood cell in a part of the body. And while that's a little reductive, it's not far off. When I am meditating and connecting with unity consciousness I often say "We are of One, and we are One." I believe that reflects the truest description of our intertwined connection with the all. The gift of being an individual and the collective simultaneously (all hosted within the Infinite God). In my opinion/observation, the spiritual journey does not lead to a negation of the self but of realizing the gift of the self while also being connected to the all. By fully embracing this small self and Big self within our being, we actualize God's will/desire for "himself"/us. To fully dissolve into the collective and negate small self is a negation to God's will and the reason why he creates us all to begin with. I have been lead to remember that the masculine is like the blueprint, structure/order and the feminine is the womb of infinite possibilities. (Light/dark, masculine/feminine, arrangement/alignment/concept and chaos/void) When the masculine interacts with the feminine, it's like a super mind coming in contact with an infinite set of doors, and the masculine getting rid of all the doors that are void of beauty/structure/value. Like the master artist and a blank canvas. Seed and egg. It's funny, it seems so confusing and abstract until it doesn't. It's just the 3D illusion/amnesia/veil that makes us have to remember/figure out what we already know and are.

kzbin.info/www/bejne/mWizaIFvqs2Ug80

Vesica Piscis, Trinity, unified field. When One begun to let Two become three. Darkness gives Light a place to shine. The Page gives the word a place to express. Foundations are built upon. We are All One interconnected with the Divine.

p3 Through the interplay of these forces-non-consideration, the consideration of non-consideration, and our consideration-our understanding of time-past, present, and future-unfolds as a Trinity held within the "now." The future exists as a singular point of imagination, projecting forward, while the past contains two distinct points: one shaped by memory, rooted in what has been, and the other shaped by the imagination of the "now," a reinterpretation layered onto past experiences. This trinity forms a unified experience of time within the present moment. The future's single point of imagination is not separate; instead, it rests upon the two points of the past, which are memory and the present's imagined interpretation of what has been. Together, they create the structure of past, present, and future, each aspect interwoven and held entirely within the “now.” In this way, the "now" binds the imagination of the future with the dual aspects of the past, blending them into one unified flow. Each aspect seems distinct, yet all are contained within the present moment, creating a paradox where what feels separate in time-past, present, and future-is actually one, infinitely connected through the lens of the "now." Like the vibrations and spinning of the Yin-Yang symbol, the flickering cymatic vibrations attuned also with earthly vibrations-the Schumann resonance, "now"-the avatar navigates his reality, unaware that he is both the perceiver and the place he perceives. And all of this is non-consideration; but remember, by saying that, we just turned it upside down, backwards, and inside out, so understand that this is just a symbol. This dynamic, of being both within and of the dream, grants him a sense of reality that is as enduring as it is illusory. He exists within a constant flux, where time and space take shape not outside him, but within, as reflections of a single, unified experience. It's to be understood as the skin that he wears, the heart that he bears, the space that he's in that he believes he moves around in, and like a child with wonder, all of this sensation, a grandeur of splendor, circulates through the blood, through every breath, carried through every word, into everything that is a thing that can be called a thing. And for the life that manifested the thing, it gives it life that it has to make it a life. This is how we progress to be like our Father, who giveth life, who creates and sustains. We also do the same, and if we look to our future in terms of how we now can understand it to be overstood within the heart by the eye that is single, our awareness will strengthen, become greater, and rise like the sun, where we can switch places from being a perspective of below to then be the eye that is single above, and gaze down upon all that is of a manifested, colorful, beautiful creation. And again, remember, everything I'm saying is symbolism. Nothing is ever created-we can't talk about God directly. What we think of now is upside down, backwards, and inside out. I'm afraid I just can't stress that enough because this work that we do here is occult. These are the secrets of the heart, and we are not to get lost in the dream and forget not to remember. So unknowingly, as you can see, with our every breath, every move, every thought, we worship the sun, we worship the Earth, we worship, we worship the elements, we worship the self. And by that, unknowingly or knowingly, directly or indirectly, the glory of God is always recognized by the one and given the proper praise where perfection can only produce perfection. And as things are upside down, backwards, and inside out, we have a chance to see, in terms of polarities that are extreme, within that a glimpse through the different degrees and facets that allow for that acknowledgment. And through that, we can be grateful , show thanks, and give praise, and this be done willfully, where there is no true free will but by the miracle of the Father through the Son, free will manifests. Amen. Let it be so.

p2 This isn’t just another way of seeing; it’s like stepping between the stars, a place where everything familiar-up, down, inside, and out-melts away. To understand the depth of what we are within, we enter into a new vision, one that resembles a world crafted by program, by design. Here, we see everything as Penelope sees it-a vast landscape, structured yet dreamlike, a place where the boundaries of reality feel like they’ve fallen away. It’s as if we’ve entered a video game, a world of illusion, light, and movement, where the essence of life is built within the framework of a cosmic program. Penelope stands in the dreamscape that resides between people-a vast and boundless space. Instead of remaining within the perspective of the seer inside the dream, she chooses to step outside of that box. It’s only here, standing between the stars, that she begins to realize things that could not be seen from within. She sees that everything in motion flows like a circuit. All of reality suddenly resembles a microchip, a kind of intricate and interconnected system, something reminiscent of the movie Tron but with its own distinct nature. It’s as if she’s entered a video game, a 3D world with detailed landscapes, trees, swaying grass, animals, water, and effects of light. These elements give the illusion of life, but in reality, they are constructs within the program-a framework that allows the avatar to experience the world as if it were real. At this moment, she hears the Master's voice, speaking like thunder, an echo that permeates every part of what could be called anywhere. What might seem like many words and voices is actually only one word, one command-a singular presence that reverberates throughout the dreamscape. This one voice, beyond being a mere sound, is a presence, an ineffable being that doesn’t allow itself to be acknowledged directly, except through symbolism. The voice speaks to her, saying, “Penelope, my love, my child, my one and only, my only one. Without the moon, the day could never be known as day.” Penelope imagines, for a moment, a never-ending day, a world where the sun never sets, or perhaps a night that stretches infinitely, never breaking into dawn. She realizes there is a distinct difference in how one might perceive these two states. In a world where the sun never sets, there would always be something visible, a constant presence. But in a night that never ends, there’s only an absence-nothing that visibly confirms it’s there, just the experience of an endless void. As she considers this, Penelope begins to understand that, in the program’s true form, there is no need for a sun or moon. In this primal darkness, there is no light, but it cannot be called black, only “darkness”-an ineffable light. When a sun is introduced so that the avatar can see, it actually becomes a kind of darkness, because it hides the true, foundational light of this reality. The program sacrifices a part of its true nature to enable the illusion of light and form, creating a space for the avatar to perceive separation, interaction, and contrast. The cycle of day and night, by the rising and falling of the sun represented by a symbolic sun and moon, allows the avatar to experience time, depth, and contrast. The ever-pervasive ineffable darkness-this light-is where we find reason. The sun becomes a symbol of light that gives meaning to form, and the moon provides a balance, creating rhythm and dimensionality, wherein purpose can be found. These elements, however, are not essential for the program itself, which runs without need for such distinctions, holding everything within its ineffable light of darkness and unimaginable unity of perfection. Within the video game, the avatar experiences reality through a layered perception of time and existence. The past, while containing memory and imagination, also holds a deeper layer: non-consideration. This non-consideration represents an ineffable quality-something beyond thought, something holy, a source that defies containment or description. It is not something the avatar actively remembers; rather, it is embedded in the structure of memory itself, yet remains beyond his awareness. The avatar’s memory, then, is not a complete recollection but a reflection of this non-consideration, held in a state that is upside down, backwards, and inside out. The avatar believes he remembers, but what he remembers is not separate from what he is. His memory builds the structure of his perceived reality, pieced together from fragments of this non-consideration that gradually take shape through imagination. In this way, memory is both a repository and a process-an unfolding of what the avatar holds within him, yet a reflection of the greater whole, turned on its head. The future, on the other hand, is also composed of imagination, yet it appears inverted-a reflection of the past, but in reverse. While it seems to stretch forward, moving outward, it symbolically converges inward, toward a center. This apparent motion is merely a flux of change, an internal shift within the avatar as he transforms his non-consideration into something he can contemplate. His memory becomes his experience, slowly forming his reality, but always within the boundaries of the video game. In essence, the avatar is not separate from his surroundings, even though he perceives himself as distinct, referencing himself as “me” or “I.” This perception creates the illusion that he is somehow apart from what is around him. Yet we must remember that this entire realm is upside down, backwards, and inside out-a reflection of something beyond what he can comprehend. This place is not the ultimate reality; in fact, it is not even truly "somewhere" at all. It is more akin to a dream, a construct of perception rather than an absolute. Though the avatar believes he is one with his environment, this belief rests within the boundaries of this mirrored world. The avatar’s perception is limited, directed toward what can be considered within this dream-like experience. What he cannot know is that his existence here is a symbol-a bridge to the unimaginable. The very notion of "now," the moment-by-moment awareness he experiences, is in itself a reflection, a symbol that points to something beyond words. This symbol rests in the second person of the Godhead, where consideration and non-consideration intersect. It is the unimaginable, an essence that remains out of reach, yet through this lens, the avatar gains glimpses of his surroundings and his sense of self. In the flickering “now,” he experiences time, space, and selfhood, all echoing something far beyond the realm he believes to be real. The symbol called thought represents the head-not just the head chakra, but the entire head as a symbol. Here, we place Thoth, the Egyptian god of wisdom, embodying thought itself. This is the image, the first form of awareness. The next stage is "image in action," which is like the head tilting downward in meditation, a gesture of contemplation. Picture God with hands together, head inclined-not bowed in submission, but tilted in deep reflection. This transition signifies Adam being put into a deep sleep, symbolizing the mind. Here, Adam represents image in action, where the image becomes mind, or thought in a state of rest. Before the “all,” there is the “one”-the single image. As this image moves into action, it becomes Adam’s deep sleep, transforming into mind. When mind enters this resting state, it shifts into motion, evolving into emotion-a motion born of the mind’s movement. In this progression, each aspect unfolds within the avatar’s perception. All that conspires in this avatar’s experience is shaped by emotion, though he cannot fully consider its source. This is where the ineffable emerges-the part that eludes understanding yet forms the backdrop of all that can be imagined. The avatar perceives only the imaginable aspects, while the true nature of thought remains forever beyond words. First, we have the image, thought in its original form. When set into action, it becomes image in action, leading to mind. From there, mind in movement becomes "E in motion," or emotion. Here, the image and the E are the same-the image is the same as the E-but the E is not the same as the image. When we speak of image in action, we introduce action; with E in motion, we introduce motion. Action and motion are the same, but motion is not the same as action. At the center of this, we find mind, with mind in movement. The mind and the image are the same-the mind is the same as the image-but the image is not the same as the mind. Similarly, the mind and the E are the same, yet the E is not the same as the mind. Finally, in the case of mind in movement and E in motion, movement and motion are the same-the movement is the same as the motion-but the motion is not the same as the movement. This completes the dual paradoxical simultaneousness, with each element mirroring and reflecting its counterpart while remaining distinct.

p1 **The Hidden Dreamscape: Navigating the Illusory Worlds of Perception and the Infinite Heart** Where there is no time, one thinks that there is time. How can it think about where there is no time? It doesn’t make sense. In the realm of time, events unfold sequentially, like someone eating a meal, and now it’s within them, digesting. But in Infinity, every part of any action, every part of anything that is, exists forever, spread out infinitely. It is beyond what can be conceived. We attempt to define it, to grasp it, yet nothing is truly grasped. We believe we hold it, but we don’t. We cling to what we think we know and forget that we don’t truly know it. This is the paradox. We begin to believe that what we think we know is reality, but it’s only labels and symbols. Things are only labeled, only symbolized. Nothing can ever truly be described. It can only be alluded to, suggested. Words are merely symbols pointing toward the infinite. When I speak of the day and night cycle, the spirit of the earth rising to become the sun in the sky, it is difficult to see as real from within the confines of time. We overlook that we are dealing with Infinity. One person’s experience of reality isn’t the same as another’s, and yet, it is the same, because there is only one in Infinity. Infinity is the one into many, infinitely divided yet still one. The sun rising and setting is unique to each person, though we all witness the same sun and moon. In Infinity, the cycle of the sun and moon, the process of digesting food, taking in thoughts, spiritual growth-all of it happens in ways beyond comprehension. This cycle of night and day also unfolds within us. We live within it, witnessing the sunrise and sunset as they mirror the spiritual rises and falls within each of us, connected by the one. There is only one sun in the sky; therefore, everything that rises and falls spiritually within a person is part of that one sun. Not necessarily the sun we see, but everything is connected. Point to one thing, and you are pointing at everything, because each “thing” is part of the dream. “All” is not the same as “everything.” Everything that exists as a “thing” is not the same as All, where everything rests. There is a limit to how far we can go in trying to count or define what it is that we’re considering. If we could even begin to explain what we’re dealing with here-it’s not simply a man as we think of him. Adam, the first man, is the universe. He’s not just a man walking around; he is made in the image of God. But all of reality is Adam-upside down, backwards, and inside out. There isn’t one part of reality that isn’t Adam. We exist within Adam, like Adam and Eve. This is the one into many, each part holding the one infinitely. Because this is a fractal reality, when science looks at the atom, it’s another symbol of this same Trinity within the infinite. Electron, neutron, proton-all parts of one, as the one divides into many. Our reality could be defined with a single word: “thing.” Every living thing. Every living thing that moves, breathes, thinks, eats, digests, reacts, that has life-it is fractal in nature, with the one into many, infinitely upon infinitely, beyond words. Even now, describing this is inadequate, because it cannot be conveyed directly. There’s no way to fully express it. Thinking about it, talking about it, attempting to record it-all these acts disintegrate it, breaking it beyond sunder. Throughout the universe, the sun rises and sets within all living things. We witness it as a symbol when we look outward, but if we were able to look inward, we would see the same cycle of night and day. If we could truly look within, what we’re seeing outwardly would be the same process happening spiritually within everyone. This cycle has been tailored down to a point where each individual, from their perspective, can analyze Infinity. There’s only one idea, but it cannot be truly spoken-the one infinite into many. That’s why it resists definition. Every attempt to express it fails to encompass what must be said, because what needs to be said is beyond words. This is why the journey is personal, leading each individual to their own realizations, their own epiphanies. Attempting to explain it to another-impossible. You are your own teacher; there is no other. Every other is just a self, expressing the same one from another perspective, as I just explained. Each individual perspective condenses the whole, distilling it to their own point of reference. Think of everything like a computer, if you will, with different computers processing differently. Made in the image of God, we have a certain kind of “computer” that computes reality differently, yet it is all the same, because it’s all the one. As I’ve said, it is all the one. And here lies the challenge: there is only the one Way, the one idea, the one Truth. It is ineffable-beyond imagination-therefore infinite and beyond words. It is the single word. Saying “infinite” may give the impression of many, yet it is truly one-a singularity. Every attempt to express it falls short, as language cannot contain the infinite. This is why we struggle to communicate it and why it becomes a deeply personal journey for each individual. True insights and realizations must arise from within, as they elude simple explanation. In this journey, everything becomes symbolic, each name and form a reflection of something greater. We find ourselves drawn to these symbols, resonating with them in ways that reach beyond thought and into a sense of knowing. The Way is experienced within as thought, idea, and image-the mind moving with the rhythms of nature, an intuitive grasp that transcends words. Through these rhythms, understanding ascends, refining itself through the heart like a mist, gathering warmth and wisdom as it rises. This journey of understanding, like the nature of reality itself, is fractal and endless, held in the center, where everything aligns in the now and the all. Every step of this path reflects the mystery of what is beyond sight, beyond imagination, and we move within it, glimpsing the essence of what is real. We reach the limits of what can be said-words themselves begin to fall short. To truly see the nature of reality, we must step outside of the box, beyond where words can go. Now, in this moment, as we prepare to step beyond, a sense of mystery fills the air.

Exactly. The backwards, inside out, upside down she speaks of is how the matrix works. It teaches us that love is the enemy, the fear when it the answer, it is love. She also speaks of man’s finite perspective of infinity is logic, it’s man’s control. To control love is logic but love is not logical. This is why men struggle to open their hearts. Divinity begins with self in union with the opposite. I work with my divine feminine counterpart.

Thank you ❤

If you see ads on my videos, it's simply because I’m using images and music from other sources-not the spoken content. I didn’t place the ads, and they’re not intended to be there, but if they are, just know I’m not focused on money or popularity.

p6 **The Ineffable and the Collapse of Reality** The ineffable, by its very nature, collapses inward upon itself. This collapse signifies a profound transformation; as we know it, time, space, matter, and energy will fold inward, making way for a new form. This new consciousness will no longer endure the same fear, pain, and pressures that have defined this era. God the Father is the architect, and we are architectural, carrying His design within us. God the Son is the carpenter, leading us to build in harmony with our purpose, both outwardly in the world and inwardly within our own souls. The Spirit is the potter and the clay, molding reality itself. Together, this divine handiwork creates a new form that will rise from the remnants of what came before, leading us back to a state of wholeness. Just saying "the ineffable" causes it to collapse; this collapse symbolizes the holy, which is unimaginable. Any attempt to consider the unimaginable collapses it further, guiding our soul’s awareness toward a realization where both the dream and the dreamer awaken. This unfolding brings us to a time where the dreamer awakens, and the dream itself dissolves. In this movement, we shift back toward the holy, moving beyond the unholy state we’ve occupied. This progression reveals a paradox: though we experience unholiness, in truth, there is only holiness. This era is a gift-a present. "Now" itself is the gift of presence, the ability to say "I exist." The word "present" reflects this, resonating as both a gift and the moment of "now." As we return from the "consideration of non-consideration" to a new state of non-consideration, we approach the holy once again. However, this non-consideration is not emptiness but the essence of the ineffable. This movement brings a collapse, a waking up that shifts us back into this new non-consideration-into holiness. This awakening isn’t confined to the individual but is observed within the full body of God across humanity, all people, and all times. The soul moves within each individual and also in the spirit of the earth, united as one dreamer. In this sense, everything within humanity is not where the consideration belongs, nor is it with the dreamer. Instead, the dreamer’s source lies in the Father, the true origin, which cannot be defined as “source” because any attempt to name it causes it to collapse. So we can see that there is a progression held in the “always now,” moving from ineffable to unimaginable to consideration. What’s unique about this final stage of consideration is that, in secret, it is actually non-consideration. The beginning, non-consideration, is upside-down, backwards, and inside-out, and its “shadow,” if we can call it that, is form itself. This creates a dual paradoxical simultaneousness, where the beginning is also the end. The next phase moves from the ineffable to the unimaginable, which then becomes imaginable, forming a progression. The third person of the Godhead, as a symbol of consideration, brings us to this state of consideration we’re moving toward, yet it simultaneously unfolds into non-consideration. In truth, we have been in consideration all along, but everything remains upside-down, backwards, and inside-out. This explains why everything seems to move one way while, in reality, it is moving toward the center-from and to the heart. It appears to move outward, but in essence, it always returns inward. As humanity progresses, we will move beyond trinkets, personifications, and the divisions that once defined religious practice. The body of religion itself is fragmented: Judaism, Christianity, and Islam are divided among themselves and further divided within each tradition. This "division of divisions" represents humanity’s inner conflict and fragmentation. As the ineffable collapses inward, these divisions will be stripped away, drawing us closer to unity within the ineffable. As we observe, we see the ineffable represented by the symbol of ice. This ice begins to melt from the warmth of the Son of God, symbolized by the light of darkness-the abstract, infinite point of Infinity. They cannot be separated, nor can they be spoken of individually, or even as both. Pay close attention to the symbolism here: the sun that rises in the sky to warm the ice is like a wolf in sheep’s clothing-a lie wrapped in a truth. Meanwhile, the moon represents the truth wrapped in a lie. Think of "lie" also as "lying down," an inference to being asleep in the lie, where we encounter divine femininity as the expression of divine masculinity turned upside down, backward, and inside out. The sun in the sky is both a blessing and a curse, yet ultimately, there is no curse; it is only the appearance of blessing and curse intertwined. Thus, the sun is a wolf in sheep's clothing, while the moon is the sheep in wolf's clothing. The third component is non-consideration, symbolized as God the Father. This duality-the blessing and the curse-is a dual paradoxical simultaneousness. the blessing and the curse is the same. The blessing is the same as the curse but the curse is not the same as the blessing. The same as there is always only night and we have the idea of a day by the rising and lowering of the libido and ego. It oscillates and circulates, repeating itself throughout every aspect of fractal reality. Although it may appear as a co-dual, interdependent relationship, it is ultimately one-way-like a light casting a shadow, where an obstruction is necessary for the shadow, yet the light itself is independent of the shadow. We observe this pattern in every polarity: The spirit of the earth rising to become the sun The ego, projecting the moon symbol of libido, which then reflects back the image of the Earth; night that is truly day-a divine light of darkness; and day that is a lie in the night of truth; the relationship between man and nature, man and the self, man and woman, and parents to their child, and children to their brothers and sisters. This oscillating formula, like the vibrations of the Yin-Yang symbol, appears in every point of observation, constantly echoing the dual nature of our reality as a singular love. This journey through esoteric occult symbolism, divine unity, and revelation is ultimately a path to the Father, but it is a path that flows through the Son, as the Son is the way to the Father. To speak of returning to the Father is to acknowledge that our approach must be through God the Son, who is our connection to the Father. The Son and the Father are one, yet any attempt to bypass the Son in pursuit of the Father would neglect this essential unity. The Son acts as the living expression of the Father, enabling us to perceive the divine indirectly, through our imagination, where it appears upside down, backward, and inside out until the dreamer awakens. Thus, when we speak of the Father, we are not referring to a separate entity but to an ineffable presence beyond direct reach. Every mention of the Father inherently points us back through the Son, as the Son embodies the Father made manifest. **Amen. Let it be so.**

p5 By integrating these three pairs-Judaism and Taoism, Christianity and Hinduism, Islam and Buddhism-we can see how they contribute to a holistic understanding of the divine. Each tradition brings a unique perspective that, when viewed together, offers a more complete picture of humanity’s spiritual journey. The dual paradoxes inherent in these relationships emphasize the complexity of existence, encouraging deeper reflection and understanding of the divine interplay in our lives. **God the Father, God the Son, and God the Holy Spirit** When we look at the Trinity, each tradition contributes to a symbolic representation: Chinese Daoism and Judaism symbolize God the Father, representing the way and the image. This foundation serves as the starting point for our understanding of the divine. Hinduism and Christianity embody God the Son, representing the truth. Here, the image takes action, influencing the mind and prompting movement. This interplay leads us to the emotional aspect of our existence, highlighting how our imagination and worshiping the image shape our perception. As the mind is now in movement, it bridges us to the next stage. Buddhism and Islam express the Holy Spirit. This phase focuses on the image in action and the mind, which leads to emotional expression-akin to the ocean's commotion. In Islam, the number five symbolizes the foundational aspects of faith, with an implicit understanding of an additional two that reflects the unseen. This is why we see both the five pillars and the seven pillars presented; they hold the invisible nature of the Holy Spirit, guiding humanity with an unseen presence as described in the Quran. The spirit's visible aspect is found not in its physical manifestations but in its essence, beyond the symbols it carries. Ultimately, this progression expresses a movement beyond symbols to embrace eternity, transcending the illusions of our reality. Concepts like Nirvana in Buddhism and achieving Zen in Chinese traditions, as well as Moksha in Hinduism, illustrate different forms of liberation and release, each attuned to the symbols they represent. This divine progression moves from the ineffable (beyond comprehension) to the unimaginable (God made flesh) to the invisible (the Holy Spirit’s outpouring). We are now in the time of the Holy Spirit’s outpouring, marked by the global spread of mysticism and the solid establishment of Islamic tradition. This outpouring is akin to the immune system-often appearing painful or chaotic but ultimately purifying and guiding growth. Everything we see, even perceived suffering or conflict, is part of a divine unfolding, a perfect and necessary process. Each spiritual tradition holds a unique aspect of the divine-Judaism as the ineffable, Christianity as the unimaginable, and Islam as the invisible Holy Spirit-yet all remain interconnected in an endless pattern of divine understanding. This outpouring of the Holy Spirit, much like the initial creation, guides us into a state of continual becoming. It reminds us that all of existence is perfectly unfolding, with each symbol and tradition building upon the other in an eternal cycle. The Ice Age: A Symbol of Divine Progression and the Return to Singularity The Ice Age, as we understand it, symbolizes a period of divine expression-a time of our Father’s presence that represents the ineffable. Ice remains frozen until its appointed time to melt, bringing growth and flourishing to life. Yet, after melting, the water gradually dries, symbolizing a return to dryness. This drying phase reflects our current age, where the Spirit’s outpouring is concluding, and a new "winter" is approaching. This coming winter marks the return of the ineffable, signifying an era where humanity experiences godlessness. Paradoxically, this absence of God is, in reality, the fullness of God, displayed in an inverted, upside-down manner-a state we recognize as the “abomination of desolation.” Humanity sees the drying of the Spirit as desolation, yet, in truth, it signifies a return to God in His most ineffable form. While we perceive ourselves as moving forward, there is no true direction-only an infinite now. The paradox is that forward movement reflects backward movement, as all reality is held within cycles: day and night, growth and adaptation, transformation and change. Every action, whether in civilization’s progress or nature’s decline, seems to disrupt the order. Yet, this desolation and godlessness ultimately lead back to the ineffable, drawing us back into the presence of the Father. This period of desolation also represents the second coming of Christ-a return to singularity, where humanity reconnects with "the one beyond the one." At this juncture, we cannot directly see or indicate the Father; all we can do is point to "a finger that points to the Father." Thus, the Son of God-the point-guides us back to the Father without revealing Him outright. This return to singularity is not a time of despair but one of profound glory and realization, unveiling the highest truths. - **Chinese Taoism and Jewish Kabbalah** represent the frozen state of ice. - **Hinduism and Christianity** symbolize the melting of that ice, the flow of water bringing life. - **Buddhism and Islam** symbolize the drying up of that water, a retreat into stillness. This progression embodies the movement from crown to root in the divine body of God, a microcosm of internal spiritual experience. Thus, the Ice Age is less about literal ice and more about the internal state of the human soul-a profound journey inward, leading to unity with the ineffable.

p4 Chinese Taoism and Jewish Kabbalah represent the crown chakra above the heart when viewed through the lens of divine masculinity. When you understand their correspondence with the root chakra, it forms a direct link between the highest and lowest points in the chakra system. Next, we have Hinduism and Christianity. When spoken of in terms of divine masculinity above the heart, they correspond with the head chakra. When these are moved below the heart, they align with the stomach chakra. Looking further, we see the throat chakra, expressed by divine masculinity above the heart, corresponding with the solar plexus chakra below the heart. Everything below the heart is an expression of divine femininity, shaped by the predominance of feminine energy. While it is still divine masculinity at its core, its predominance below the heart is identified as divine femininity. Below the heart, things become upside down, backwards, and inside out in relation to their order above. This explains why Christianity holds two positions: above the heart, it is associated with the head chakra through divine masculinity; below the heart, it corresponds with the stomach chakra. Now, bringing in the concept of Chakravartin Ashoka, we see that the stomach chakra is indeed correct as the symbolic center of the libido, while the solar plexus represents the ego. These two energies are in constant flux, with the stomach representing the grounding force of the libido, and the solar plexus channeling the individual’s ego expression. To see the correspondence clearly: the four primary placements reveal a relationship between above and below, where the stomach and solar plexus chakras mirror night and day. When the solar plexus-the sun-goes down, the spirit of the earth rises, showing itself as the moon. Here, the sun is projecting its own reflection, mirroring the earth’s image, much like a mirror effect. This layering represents the essence of intuition and reasoning: while the truth wrapped in a lie and the lie wrapped in a truth each reveal something hidden, they only do so in one direction. This means we perceive one layer as if looking through it, but it does not return the gaze; it leads us forward without doubling back. once we move through the heart, the symbol of the heart transforms into the stomach-meaning that the stomach represents the heart. So, when we place something upon the stomach, we can understand that it symbolizes the heart. Additionally, we know that the heart is a symbol for the skin, so when we speak of the skin, we are also referring to the heart. The All remains All. There are numbers beyond the letters. Beyond the numbers, there are sounds, frequencies, tones, and also pressures-a thermodynamic within emotions, a temperance and sway. Then, there is mood. It’s within this aspect of mood that we find the primordial and the meta. Understand that mood symbolizes the moon, a reflection of when Divinity is said to have turned its back. In this turning-its head looking downward-it simultaneously bows. This symbol of the bow is where we find the sun being deemed “fallen” without actually falling, as it passes through the heart. This is where mood, represented by the moon, takes form, though it remains insubstantial until it moves through the heart, descending below-all of it below. At that point, it becomes the moon, and we journey into it. There is only one Son, which is to say that the rest is simply the moon-a celestial light, all reflecting. The message is repeated: there is only one light of God. Yet, our perception often errs; we think of it as “one out of many”-but that’s not the true meaning. It is infinite and eternal. Christianity and Hinduism as the heart and body, representing the unimaginable-two ends of the same polarity. In this context, Christianity is often seen as the outer expression of faith (the body), while Hinduism represents the inner experience and connection to the divine (the heart). Together, they form a complete understanding of the divine, illustrating the balance between the exoteric and the esoteric. The heart (Hinduism) provides the emotional and spiritual depth necessary to engage with the faith expressed through the body (Christianity), allowing for a more profound connection with the divine. Islam and Buddhism together represent the Holy Spirit, embodying a dual paradoxical simultaneousness. Islam represents the visible aspect of the Holy Spirit, accessible through imagination and grounded in the teachings of the Quran, with followers practicing as Shiite or Sunni Muslims under the guidance of Mohammed. Every person-Muslim or otherwise-holds their position precisely as intended by Karma, a reflection of divine perfection. Every individual’s faith, actions, and role in life are expressions of this perfection, meticulously placed by God. Jewish Kabbalah represents the image, and then that image in action moves to Christianity, which represents the mind. Then, that mind in movement becomes Islam, where the mind in movement represents the “E” or “E in motion,” symbolizing emotion. The “E” is a powerful symbol with three tiers: above the heart, the heart, and below the heart, depicted as a capital “C” above and a capital “C” below, divided by a line, symbolizing energy and energy in movement. The “E” also represents Elohim, embodying elements of emotion, electricity, and elemental forces. Thus, we have the image (Jewish Kabbalah), the image in action as mind (Christianity), and the mind in movement as emotion (Islam). This forms a dual paradoxical simultaneousness where emotion is upside down, backwards, and inside out in relation to the image. The image becomes image in action, and the mind becomes mind in movement, illustrating the relationship between imagination and emotion within the Trinity’s symbolism. Christianity and Judaism is the same. Christianity is the same as Judaism but Judaism is not the same as Christianity. Also Christianity is the same as Islam. Christianity is the same as Islam but Islam is not the same as Christianity. The other component of this is non consideration. This has to be said exactly the way that I have said this or else it does not hold the symbolism proper to relay the symbolism within. To truly capture the essence of the symbolism, it is imperative that this be expressed precisely as I have conveyed it. Any deviation would compromise the symbolic significance, thus hindering its accurate transmission. This is only one aspect of how this dual paradoxical simultaneousness within the Trinity can be understood. There is more to be said, which I will expand on in another video. This Trinity, which is a triune Trinity Thrice, is deciphered through a 3-6-9 paradoxical formula to understand its nine choirs of Divinity, providing a path for meditation. Through this path, one can reach an epiphany of the One, allowing for an even deeper revelation over time in accordance with Karma, an expression of the universe’s perfection-where Holy can only produce Holy.

p3 Conclusion These correspondences highlight a rich tapestry of spiritual ideas that cross cultural and religious boundaries. They suggest that while the figures and teachings may differ in name and form, they share underlying themes of creation, preservation, destruction, ethical guidance, and the exploration of the self in relation to the divine. This interconnectedness emphasizes a universal quest for understanding the divine and our place within it, regardless of cultural context. What these symbols represent is the melting of ice and the flow of life. Imagine a sculpture made of ice; it begins as a raw block, unshaped. Hinduism and Christianity are like sculptors, shaping the Father into an image of the sun-a symbol they will worship until it melts before their eyes, revealing itself as a false god. They will then drink the melted water of this once-worshipped idea, mistaking it for divinity. Remember, this is all symbolic. Buddhism and Islam, in turn, represent this act of drinking the water. It is not confusing that Buddhism is found within Islam, but Islam is not found within Buddhism. So, when I am indicating the symbolism of drinking this melted sculpture representing a false god and then, furthermore, drinking that melted sculpture’s water, this does not mean that those within Buddhism are actively drinking it. This symbolism reflects those who are part of Islam, as Islam holds within it the essence of the Buddha. I'll expand on this further in another video. But understand that it is those within Islam who are currently acting out this symbol of drinking the water that is poison, like drinking the bath water of Mohammed. This symbolism becomes evident in certain actions: imprisoning others in torturous conditions, hanging them upside down with weights tied to their fingers or toes, placing them into submerged cages, suspending them by their bound hands with weights tied to their toes, whipping, stoning, burning them with fire, starving them, or taking away their homes, possessions, and children. These atrocities arise from consuming the “poison” of this false god, embodying a dual paradoxical simultaneousness. We must discuss our reality as we perceive it while also looking deeper into the heart to recognize the workings of the Holy Spirit. Do you believe there will be mercy when judgment arrives? Absolutely not. The final five years represent Buddhism and Islam, symbolizing the drying up of water and the Spirit’s rising. At this time, through our study of Buddhism, we come to understand that we overcome the world and its illusions. Through the Noble Eightfold Path, the Commandments, the 613 laws, the Five Pillars, and the Seven Pillars-all these elements align in unity. The body is remembered, returning us to the initial state of non-consideration, yet this time with the proper consideration. We carry with us the Son of God, leading the way. This must be stated in literal terms so that, hopefully, you won’t fall back into the dream. Be cautious not to start worshipping the sculpture again, or you’ll end up drinking that water-and this will turn you back into a pillar of salt. This fractal pattern expands to larger scales, where the same five-year cycle for an individual reflects 5,000 years for humanity, with periods of rest within each epoch. The drying up of water symbolizes the spirit’s evaporation as we approach the close of this cycle. This cyclical "5+2" progression resonates across all levels of reality, reflecting a unity that spans from individual growth to universal patterns. **Historical Evolution of the Name "Jesus"** - **Hebrew Origin**: The name originated in Hebrew as Yehoshua (יְהוֹשֻׁעַ), meaning "Yahweh is salvation." This later became Yeshua (יֵשׁוּעַ), a common name during the Second Temple period. - **Greek Adaptation**: As Yeshua’s story spread to Greek-speaking regions, it was transliterated to Iēsous (Ἰησοῦς) due to linguistic differences. - **Latin and English Forms**: From Greek, Iēsous became Iesus in Latin, later evolving into "Jesus" in English as the letter "J" was introduced. - **Islamic Reference**: In Islam, Jesus is known as 'Isa (عيسى) in Arabic, where he is honored as a prophet without the divinity attributed in Christianity. Each transformation points back to the same historical figure, allowing the essence of the name to carry forward across different traditions and epochs. **The Three “Coins” of Humanity’s Journey** This evolution parallels the symbolic structure of three “coins” representing humanity’s journey: Judaism and Taoism embody the symbol of the crown that sits upon the head, which sits upon the heart, holding the ineffable. For this to truly embody the ineffable, it must encapsulate the concept of the one-The Christ. When you label something as ineffable, you paradoxically contradict yourself, because the very act of naming it implies a limitation that the ineffable transcends. Thus, we encounter a dual paradoxical simultaneousness: while we may refer to the relationship between the Father and the Son, we must recognize that this relationship is not typical; rather, it represents a profound Triune Trinity, a thrice duality paradoxical simultaneousness-a relationship that is a singularity. The Principle of Dual Paradoxical Simultaneousness states, "The Father and the Son are the same." The Father is the same as the Son, but the Son is not the same as the Father. This represents Brahma. Now, the Son and the Father are the same. The Son is the same as the Father, but the Father is not the same as the Son. This represents the Father: Elohim, Yahweh, and Jehovah. These are not to be thought of as names you could look at and point to, saying, “That is Brahma,” or “That over there is the other one.” Do not visualize this in your mind any longer than necessary, and then let it go. The consciousness, karma, and awareness of a child with that spirit for development is designed to hang on to the image like an imaginary friend, to fall in love with it, worship it, and forget to let it go-because the letting go is the hanging on, as you will come to see. This is a paradox of our reality. A third aspect of this is non-consideration. It remains non-consideration. That’s all we can say about it. In fact, we’ve already said too much about it right now! Remember, Penelope, to keep in mind that every time we use a name to symbolize, and that symbol to personify in order to create an image from an idea, we are not truly using a name. This has come to be presented as a name by backwards analysis. What you are seeing is the infinite eternal one-the Word expressed through the uni (singular) and verse (plural aspect of the Word). Thus, “universe.” So when we straighten what we’re actually looking at: When we look at, for this example, a name given, we’re truly looking at a very deep symbolism that is hidden within. There is a sacred geometry beyond the words-a study of curves, points, lines, geometry. This is what is studied when we take what is an entire book, then see it as a word, then look at each letter in that word, and then study each letter further. Each letter, when analyzed as I just described, reveals sacred geometry. But this isn’t something seen merely through a mathematical lens. This sacred geometry reveals the secrets of the universe, which, because of its fractal and holographic nature, displays secrets already known to us-like those reflected on our skin. The skin symbolizes Christianity, representing both the head chakra and the heart chakra, while Hinduism corresponds with the throat chakra and the heart chakra in a deeper way. This is why it’s called a “deep secret of the heart.” We already hold the secret on the surface, represented by the skin, yet there is a deeper truth within, much like Adam being put into a deep sleep. This internal depth-the mysticism beyond the exoteric illusion-unveils a truth wrapped in a lie, and a lie wrapped in a truth. Beyond these, there is also a third aspect: non-consideration.

p2 We have endured the melting of the ice, the growing and blossoming of all that is to come of this through the Son of the sun and seeds and nature. The moon in the moon. and how that has endured the illusion up to the point now where it is finished that cycle into the next. We are now moving into the next shift in consciousness up soul for a new awakening. a new awareness for a new kind returning back to the garden of Eden. The pupil represents Chinese Daoism, and the abstract infinite point of Infinity is initially seen as a dot of light sitting on the cornea, held by Jewish Kabbalah. This point of light-sitting on the cornea-symbolizes the light of darkness from God the Father, positioned above the pupil. Over time, this point of light becomes the cornea itself, but we describe it here as being on the cornea because it’s the only way to articulate its position. The iris represents the Holy Spirit. This overlapping symbolizes that the abstract infinite point of Infinity, when turned upside down, backwards, and inside out, becomes symbolized as a sphere, allowing the eye to take form. The part of the eye attributed to Hinduism is the cornea, while the abstract infinite point of Infinity is placed upon this cornea for Christianity, expressing Buddhism and Islam through the iris. This is just a cautionary overview of what can be discussed, focusing only on what’s relevant to our topic. This information is by no means comprehensive-it barely scratches the surface of all there is to cover. This needs to be understood as a cohesive image of the eye and how it represents these spiritual truths, with the heart (Hinduism) and skin (Christianity) as one and the same. The eye that is closed represents the eye that is open in the dream. The eye opened in the dream is held by Christianity, which believes this eye that is closed is held open; it believes it is open, and therefore its other eye is opened but actually closed. This eye that is open but actually closed is the eye of Islam, where that eye, which is opened but actually closed, will then open fully in the final stages. **Periods of Dwelling and Transition** These symbols and traditions evolve over time in stages of growth followed by dwelling, much like personal development. Each age dwells within its own space for a while to absorb its growth and gain understanding. This mirrors the stages of five years of development followed by two years of rest or dwelling-a recurring "5+2" cycle that repeats within each five-year span, symbolizing the seven Hermetic principles. In this sequence, God the Father represents the first five years, establishing the foundation. This period stands alone, without two days of rest. This is where we find the Ice Age. The next five years represent God the Son, with two years of rest within it, introducing a period of dwelling. This is where the ice is melting, and the water is going into the ground, allowing things to start to grow because the sun is in the sky. The final five-year period represents God the Holy Spirit and mirrors the first five years but is upside-down, backwards, and inside-out. This final five-year period also includes two years of rest, completing the cycle. Upon reaching the end of this period, the cycle resets, and the first five years, which initially lacked rest, now integrate these two days, completing the sequence. This is where all has grown, taken in the water, and now will, in essence, have it evaporated. This 5+2 cycle also aligns with spiritual traditions: The first five years correspond to Chinese Taoism and Jewish Kabbalah, holding the ineffable. The five within this represents the five elements. The two that you see represents how the five is dual, as above so below. When you take the five and add on the two, it makes seven; this is where you find the seven Hermetic principles. It pertains to the below, indicating something much more involved in the explanation, but I don't want to convolute things or change subjects, so this is as far as I'll go in explaining this here. The second five years align with Hinduism, which represents the heart of God, and Christianity, which represents the Skin and together they represent the body of God And holding the spirit Seen in the symbol of Flesh end blood. The skin of the body is Christianity, and the heart of the body is Hinduism. The heart and the skin are the same; the skin is the heart but is the exoteric. This is how the Christ works in the heart upon the body. This confusion often exists in the understanding of mysticism and Christianity, where most of the world has not acknowledged that this is the same coin: Brahma, Vishnu, and Shiva. Father, Son, Holy Spirit; the Christ, Krishna, the Atman And the Adam. eve and Cali. the Bhagavad Gita and the Sermon on the Mount; the four Vedas and four Gospels. Brahma, Vishnu, and Shiva / Father, Son, and Holy Spirit. Brahma (Creator) corresponds to God the Father: Both figures represent the creator aspect of the divine, the source from which all existence emanates. Brahma creates the universe, while God the Father is seen as the creator of heaven and earth. Vishnu (Preserver) corresponds to God the Son (Jesus): Vishnu is known for preserving the universe and maintaining cosmic order, similar to how Jesus is seen as the savior who preserves the spiritual integrity of humanity through his teachings and sacrificial love. Shiva (Destroyer) corresponds to the Holy Spirit: Shiva's role as the destroyer symbolizes transformation and regeneration, akin to the Holy Spirit's function in Christianity, which brings about change, renewal, and purification in believers. The Bhagavad Gita / Sermon on the Mount: Both texts provide ethical and moral teachings that guide adherents on how to live a virtuous life. The Bhagavad Gita emphasizes duty (dharma), righteousness, and devotion, while the Sermon on the Mount focuses on love, mercy, and the internalization of moral law, teaching that true righteousness comes from the heart rather than mere adherence to rules. The Atman / Adam: Atman in Hinduism represents the true self or soul, the eternal essence of an individual. Adam, the first man in the Biblical narrative, symbolizes the beginning of humanity and the human condition. Both concepts address the nature of existence and individuality: Atman embodies the spiritual essence that connects to the divine, while Adam represents humanity's initial connection to God. Eve / Kali: Eve, the first woman in the Bible, symbolizes life, creation, and, at times, temptation. Kali, a fierce goddess in Hinduism, represents transformation, the cycle of life and death, and the power of creation and destruction. While Kali is often viewed as a figure of chaos, she also embodies feminine power and liberation. This reflects the duality of Eve’s role-she brings life into the world but also introduces the complexity of moral choices and consequences. Four Vedas / Four Gospels: The Four Vedas (Rigveda, Samaveda, Yajurveda, and Atharvaveda) are foundational texts of Hinduism that outline rituals, philosophies, and spiritual knowledge. The Four Gospels (Matthew, Mark, Luke, and John) document the life and teachings of Jesus. Both sets of texts serve as primary scriptures that guide the beliefs, practices, and spiritual insights of their respective traditions.

p1 Master speaking to Penelope: Penelope, listen closely, for I am about to reveal the deepest wisdom that I can offer. This knowledge is selective, intended only for those whose hearts are open and minds are free from limitations. It is advised that the very young, those bound strictly to rigid doctrines, or those with closed hearts refrain from these teachings. Such individuals may find it challenging to receive or understand these truths, which are meant for those with a particular openness and readiness. Let those who resonate with this teaching proceed. Now, Penelope, I will begin. A paradoxical union in divinity amongst humanity Everything that exists in our world, brought forth by the All that is eternal, appears in our consciousness as a symbol. In this reality, it can only be a symbol because it reflects an upside-down, backwards, and inside-out image of an idea made to be imagined. What we grasp, then, is merely an idea-a singularity. Each element we perceive is a symbolic expression, pointing to something deeper within this fractal reality. It is the Christ within all humanity that manifests what we call creation, where it is a form of creativity. To say creation is to allude to something not being and then being; furthermore, it causes the thought of thinking about not being, and then that's the cause for thinking about what is, just as what is is the cause for the thought that what is can be not also. These two concepts, although one is showing a form of non-consideration, that form of non-consideration is its consideration. Therefore, it is turned upside down, backwards, and inside out-it is merely a relative idea at this standpoint. It is the one into many, the infinite becoming deduced into a finite perspective and idea. There is a nuance to understand here that I'll point out to help clarify this more. When we use "the" before the word "idea," it is to indicate the eternal-not just an idea derived from human might. This is akin to the singularity idea, and from that singularity idea, the THOTH. We are using symbolism to infer this, as it cannot be spoken about directly, so bear with me here. When we talk about man's idea, it is like borrowing from the infinite to deduce it down to a finite level. But the paradox is that there is only infinite, and Infinity, like perfection, can only produce infinity. Perfection can only produce perfection, so our finite perspective of this infinite-turned upside down, backwards, and inside out-is actually infinite. The reason that it is understood to be infinite is because there is nothing new under the sun. There is nothing new under the light of God, the Son of God, which is the divine light that turned its back-which is the atom put into a great sleep, which is the moon, which is the Eve, which is the wife that stands before you, or the husband that stands before you. Man and woman are the same; we are always standing before the sun, divine masculinity. And let me make something clear here: recently, someone tried to teach me by saying that I "almost got it." They were implying it begins with divine femininity, but they fail to realize that you can't say it begins with either. This is symbolism-it falls onto the ineffable, onto that which cannot be imagined, that which cannot be seen. At that point, we cannot say it is even divine masculinity. We use the symbol of divine masculinity to show God the Father. It is not a man, nor masculine. I think this person is confused and cannot differentiate that divine masculinity and divine femininity are entirely removed from man and woman, with absolutely no inference to gender at all. I imagine this individual may be under the influence of divine femininity, which leads them to suggest that this is the beginning. That is my assumption, just as they assume my intelligence is limited, which is insulting-to leave a comment beginning with "you almost got it." If you want a quick way to get your comment deleted, that's how. Now, I will continue with the rest of this message. The man known as Yeshua bar Joseph-Issa, Jesus-is a symbol of something more, and we need to look at him as such, not merely as a man or solely as God. He was flesh and blood. He ate, slept, breathed, felt emotions, managed his temperament, and had to grow, just as anyone else would. Yeshua’s humanity was real and grounded, but it also represents a deeply layered symbol of divine expression. Chinese Daoism and Jewish Kabbalah hold the one eternal eye. Chinese Daoism holds the eye that is ineffable. This is the pupil of this same eye. The other Aspect of the same eye in symbolism is held by Jewish Kabbalah; this is the eye that is called the consideration of non-consideration, and this is the abstract infinite point of Infinity. Now that we have spoken of it, we have discussed two different points of consideration, determining them as being non-considerable and the consideration of non-consideration. This introduces the third point, called consideration. Now you can see the Father, the Son, and the Holy Spirit. This refers to a single eye, which ultimately has become determined as consideration. This point called consideration is where, within the dream, consideration is the eye open; for when you fall asleep, your eyes are closed, and once you enter the dream, you awaken in the dream to have your eyes then open when ultimately the eyes are truly actually closed. This is the point where we move into Christianity. When we move into the dream, we are then dreamt and use our mind to imagine and believe what we imagine, forgetting that we are in the dream. That is the eye of the body in the dream, presented as the skin; Christianity is exoteric. The other eye of this body within the dream is the eye of the heart, where the eye of the skin (Christianity) is the eye that is open but closed, and internally, that is the eye that is closed but open. Hinduism represents the heart of God, and Christianity represents the body of God, symbolized by the skin. Both of these together represent the body of God. The heart (Hinduism) represents mysticism, while the skin (Christianity) represents the exoteric. These act like two eyes, with the eye representing the skin as the body of God and the eye representing the heart of God. This leads us into the consideration of non-consideration, introducing three points of consideration. One of these points is non-consideration, and among the other two points, one is unimaginable. Thus, the point of consideration reveals itself but is perceived as upside down, backwards, and inside out. Following on to Buddhism and Islam, these two demonstrate the next stages, with Buddhism overcoming the illusion and Islam showing the gradual process of the eye opening fully. Because it all kind of blends into the next, and right now, being in the dream and enduring the dream is leading up to the dreamer awakening.

p2 The clay symbolizes all that humanity has ever contemplated, feasting upon the dust of the Earth, commanded to crawl upon its belly. This isn’t just the journey of a single person among many, but of humanity as a collective-the dreamer imagining as a whole, the whole within singularity. This consciousness isn’t limited to the people of today or even to people alone; it is an eternal collective consciousness, encompassing all that ever was, is, and could be. It goes beyond words, for it is the single word, and when we attempt to speak of it, we touch only the surface-the “sediment,” the fallen, fragmented thoughts gathered by the unconscious, holy, eternally pure spirit. Thought here is like a broken crown, and this broken crown represents singularity expressing itself as one into many. These fallen, now pluralized thoughts scatter like seeds throughout the cosmos, within the head, through the lungs, and across the atmosphere, all interconnected without needing to be explicitly connected. This cycle of dissemination returns to collective awareness like a continuous cycle of inhaling and exhaling. Breathing itself becomes a symbol: we breathe in purity, oxygen, and transform it, exhaling carbon dioxide. This exhaled carbon dioxide-essentially “poison” in this context-becomes nourishment once more as it returns to the earth. This cycle represents the spirit taking in purity, holding it within, and releasing it transformed. Within this breathing cycle, there’s a moment of stillness, a point where purity resides, and then the act of breathing in takes in the impurities, igniting the fire of the mind and imagination. These impurities settle like fallen thoughts or sediment, only to be exhaled back out, followed by another stillness. This process of stillness, movement, stillness, and release mirrors the rhythm of creation and transformation. The inhaling and exhaling appear paradoxical-each one leading into the other-yet it’s a singular, unified process. Breathing in is like breathing out, and breathing out like breathing in, a dual paradoxical simultaneousness. However, this rhythm moves in only one way, guided by the way of stillness, the constant foundation underlying each breath. In this way, it’s the paradox of transformation within unity, moving and yet rooted in stillness, where the essence remains philosophically sound and clear. Let’s consider the symbol of the sun, which endlessly, selflessly pours out its spirit to nourish the earth without taking anything in return, without asking. It serves as an example for us, showing that through this fourth seasonal transformation, we, too, must become aligned with what we “innerstand.” This innerstanding isn’t an intellectual grasp; it’s a deeper, intuitive comprehension from within. By examining the nature of reality in reflection to the self, we glimpse divinity, seeing revelations and lessons meant to re-align things toward what we believe to be “right.” Yet, the essence of reality is perfection producing perfection. Chaos, then, is only an idea we perceive within that perfection. Now, moving into a larger view: humanity, the self, and the divine within-the one who truly “sees”-are all united in understanding. It’s not the one who imagines or outwardly looks, but the true viewer, the single point of awareness. In observing cycles of day and night, the sun, the moon, the weather, Mother Nature, and all elements of existence, from insects to physics to the human body, every part holds a lesson, teaching us how to integrate into a mode of awareness that ultimately embodies selflessness. This awareness shapes our conscience, principles, and virtues, touching the essence of the soul. It allows us to move from the concept of chaos, transcending it, until chaos no longer even presents itself as an idea. In this state, everything realigns within the self, harmonizing with that inner, perfect order. When we use the symbolism of “above” and “below,” we can imagine “above” as representing an inhale. This inhale is perceived as an exhale-an outpouring of the spirit from above the heart. This outpouring, or perceived exhale, becomes the paradoxical inhale below, creating a unified rhythm. Below, what seems like an inhale is the spirit’s outpouring, symbolically the exhale of man. Yet, below the heart, this process becomes a dual paradoxical simultaneousness: the inhale as exhale, and the exhale as inhale. In this way, above the heart there is only an inhalation, with its very nature as an inhale seen as an exhaled spirit; this dynamic of unity and transformation is mirrored below as the continuous rhythm of stillness, where seeming opposites converge without conflict. Clay, in essence, is a mixture of water and sediment. While you can remove the water from clay, it ceases to be true clay-becoming rigid, unyielding. The spirit within the clay, like water, is pure and unblemished, even as it resides in this earthly form. However, it never fully merges with the clay, preserving its essence. If it truly blended, it could never again be separated, purified, or carry life. The spirit, as water, can evaporate, ascend, and purify, able to nourish and carry other things, much like the breath of God moving through all creation. In building this symbolic house, we gather particulates-the fallen fragments of sediment held within water. Through imagination and the pure spirit, we slowly construct walls, layer by layer, upon a foundation and cornerstone, formed within our inner vision. In doing so, we substantiate ourselves within the dream, intentionally forgetting that it is, indeed, a dream. We come to believe in its reality, symbolized by the house we build-a testament that, having created it, we now dwell within it. This is akin to saying, "I have made my bed, and now I will lie in it." This entire process is an aspect of the prospect of purification. It represents our gift, held eternally in the now, to refine ourselves and, ultimately, to return that perfected gift to the Father. In the act of building and purifying, we engage in a cycle of growth that perpetually brings us closer to the divine essence. This purification and growth symbolize our journey, a testament to our purpose and presence within the dream, a commitment to live within the world we shape. In essence, this process can be interpreted as “inhaling” by “breathing in Hell.” Each breath fans the flame, generating life that we perceive as real yet is not eternal-representing a kind of death in contrast to true, eternal life. This breathing activates the mind and sets movement into play. However, it transcends imagination alone; this movement of mind cannot truly be acknowledged until it interacts with emotion, forming a dynamic interplay. Only beyond this acknowledgment, in a state of non-consideration, does true “image in action” arise. Here, non-consideration becomes the foundation, seated in stillness, allowing the presence of the image to exist purely in action without deliberate thought. To clarify, when we say "man," we mean humanity as a whole. Everything is indeed connected, but here, “man” symbolizes the archetypal conduit and expression of the self, like Adam, representing the atomic “Adam” and Eve. It’s important to recognize that every breath is always the first breath. This concept ties to the symbol of Adam, who takes his first breath after being put into a deep sleep. When Adam enters this deep sleep, it represents the eternal “breathing in,” a continuous cycle of inhalation seen symbolically as always being the first time. The number “one” in this context isn’t what it appears to be; thinking of “one” as a countable sequence actually reduces its meaning. True “firstness” exists in an eternal present, even though humanity perceives today as separate from yesterday. In reality, there is only eternal night, with the illusion of day created by the movement of the spirit of the Earth, which presents itself as the sun. The sun’s presentation mirrors the nature of the moon, as we only see one side of it, while the whole of the sun remains invisible. Thus, when we observe the moon, we see a reflection of the spirit of the Earth through the sun. Humanity perceives only a single side of this fallen shadow world, a glimpse of what exists within. As we journey through the symbolism, clay becomes more than earth-it becomes the very foundation of our thoughts and the essence of what it means to be human. Humanity’s collective consciousness, timeless and beyond words, reflects a unity within plurality, the one into many. From dust to dreams, the spirit moves through each of us, revealing fragments of a divine story unfolding within each breath. The movement of breath, the cycle of inhaling and exhaling, speaks of eternal life and reminds us that every breath is both a beginning and an ending, a single moment that is always the first. Through this rhythm, we remember that we are part of something greater-a unified force, unbroken and undivided, drawing us closer to the divine essence that underlies all existence. The story brings us to stillness, that place of innerstanding, where we hold the realization that what seems divided is, in truth, whole. This breath we take, this life we experience, carries the imprint of eternal oneness. And just as each day rises and falls, so too do we find ourselves as both teacher and student, learning from the reflection of all that is. Amen. Let it be so.

p1 The Hidden Symphony: Awakening Wisdom Beyond Sight and Science In the timeless stillness of the Master’s chamber, Penelope knelt, her gaze lifted to meet the Master’s single, steady eye. She held within her etheric head the vast consciousness of humanity, intricately woven with every thought, every whisper of the mind, every dream. She was the Spirit that moved man’s thoughts into form, guiding his mind into modes of thinking, drawing out what he believes he knows. She was the Holy Spirit in essence, a reflection of the divine spark-the same Spirit that resided within the Master, though here, their roles were symbolic. As she looked within herself, Penelope felt the deep imprint of humanity’s egocentric high-mindedness, their self-imposed detachment from true wisdom. Man had drifted away from perceiving the divine in all things, lost instead in the intellectual pursuit of knowledge-merely analyzing life as a scientist might, observing only fragments, and reducing the whole to its parts. The Master’s voice resonated with a knowing gravity. “Penelope, wisdom is not intellectual exercise alone. It is seeing divinity in all things, recognizing that every part of existence is an expression of an interconnected whole, an endless web of meaning beyond intellectual grasp. To grasp this wisdom is to understand the Trinity: the stillness of infinity, the illusion of movement, and non-consideration. These are three aspects of reality, yet they are one. The finite and the infinite, held together by the tension between what is and what isn’t.” Penelope listened as he continued, “Scientists view the world through a lens of reduction, breaking down existence into fragments. They focus on individual elements, failing to consider the space between them, and missing the true essence. But the occultist sees holistically. We embrace not only what is seen but also what is unseen, what is acknowledged and unacknowledged, through non-consideration. In this way, the entire paradox of existence is acknowledged, with each layer adding a deeper resonance to what we understand.” He then explained, “Consider a single point, Penelope. Science may see one unit of acknowledgment. But the occultist sees this point as multidimensional. We consider the act of acknowledgment and non-acknowledgment as equally significant. There is the first point of non-consideration, where the point exists but is not acknowledged. The second is the active acknowledgment of the point. The third combines non-consideration and acknowledgment, holding both presence and absence. The fourth is the disregard of the non-consideration, focusing only on the present acknowledgment. This continuous interplay of acknowledgment and non-consideration creates a vast field of understanding, where each choice to see or not see adds another layer.” Penelope absorbed his words, her spirit resonating with the symbolic layers of truth he revealed. In his voice, she sensed the profound order underlying creation: the zero, representing boundless space; the one, symbolizing the first spark of movement; and the two, representing the mystery of form taking shape. Penelope then observed the dynamic process of the elements: space as the first foundation, carrying breath and moving as wind within it. Fire arises within this boundless space, moving like a current within space itself, holding the water yet not containing it. The polarity shifts, and fire becomes within water, an inversion symbolizing the Spirit’s outpouring. This outpouring moves through the heart and the eye’s pupil, the essence of life cycling through Spirit’s static existence. Yet in truth, the ineffable cannot move or be considered-what we call “consideration” is the illusion, the imagined veil within the dream. This consideration exists upside down, backwards, and inside out: the imagined mirror that holds nothing, clothed in the semblance of form, a wolf in sheep’s clothing. Though it can be described, it can never be captured, for true consideration exists beyond the mind’s reach. The Master continued, “True wisdom reveals itself through this lens of wholeness. Each element, each fragment of reality, carries the lesson of the divine, reflecting upon the self. This is the self as an image in action-mindful, moving, emotionalizing each circumstance. The true lesson in each part of life is not just to see it, but to feel the unity in all things, recognizing every aspect as an echo of the self and the divine.” He further explained, “Above, there is unity, stillness, and light beyond light-called the divine darkness, the ineffable. Below, the same essence inverts: fire, movement, and duality emerge within the dream. Above is always ineffable; below, it appears as form. The dual paradoxical simultaneousness is an illusion, but an essential one, allowing Spirit to experience itself. Each element represents its inverted counterpart above or below. Just as the chakras correspond-crown to root, head to stomach, throat to solar plexus-each polarity reflects itself in another dimension.” Penelope saw it clearly now: the “zero” of space, unseen and unconsidered, and the “one” of fire, representing the first hint of Spirit moving, yet never truly in motion. The “two” represented water-the elusive, invisible, clear medium where the illusion of form arises. She began to understand that these elements-space, fire, and water-exist both as symbols and in reality as levels of consideration and non-consideration, interweaving at every level. Penelope then understood the fifth element, the quintessence, which encompasses all these layers and cycles back into itself. Quintessence feeds upon itself, the source and the end, the one that holds all within the eternal cycle. It is beyond all form, the symbolic breath of God moving through the heart and pupil-the ineffable in continuous, silent expression, beyond even what we call consideration or non-consideration. And so, she saw it: the eye of existence, with each part-the clear cornea, the iris as the Holy Spirit, and the ineffable pupil-showing an image of consideration that cannot be seen, an eye in continuous inversion, reflecting the image of the Father, the Son, and the Spirit. She understood that while she could describe it, it would forever elude capture; it exists upside down, backwards, and inside out. The more one considers it, the more it recedes into that unseen reality, a reflection of true wisdom and divine love.

**Title:** *The Gift of the Curse* --- Penelope, we are meta. The Master speaks. You endeavor to know the deepest secrets of the universe, yet remember: the essence of the skin-a measure of sense, a degree of emotion. Though emotion may reside within, it is only skin deep. Skin is the heart, a place of questioning, a stasis of neutrality, a measure of the heavens, unforeseen. Its touch cannot be felt, but its feeling can be imagined. In symbolism, the rays of the sun are yellow-a symbol of the body’s fat, which the sun’s light shines upon, giving it the heat to burn away. The yellow rays serve their purpose, creating strength, as fat is transformed in this process. Black represents the fat body, and within it lies red, the essence of the skinny body that is hidden within. Together, they are one: the black holding the fullness, while the red remains in its core. The skin itself, whether black or white, is one-seen from different ends of polarity yet bound in the same unity. White skin, a reference to the day, and black skin, a reference to the night, together reflect a single essence. The sun breaks through the night like breaking through the skin to reveal the day. This is a symbol of piercing the skin to reveal the red that was once seen as blue. The interplay of red and yellow gives form to both, showing two sides of a singular essence, with each hue a reflection of the other. The polarities are not separate; they are part of a shared unity that moves toward the same center, the same wholeness beneath. As we look to the skin, we see yellow and blue hues appearing on the surface-the yellowish tint of skin, with blue veins coursing beneath. Yet, piercing this layer reveals red, showing that beneath the surface lies another essence, just as true and yet concealed. Beyond the red lies the true beauty that cannot be seen directly. The dark, symbolized by black, is there-deep within-yet it is only an inference, never directly revealed. To reach it, one must move through each layer: the white of the sun piercing itself as golden yellow skin, shining down. This skin appears yellow, yet blue veins course beneath. Only when the skin is pierced does blue shift to red, revealing the blood below. And moving through the red leads to black-the symbol of the hidden, the depth within. Going deeper still, black gives way to clear, the ineffable essence that defies perception. In this progression, each layer speaks in symbols. White light, yellow skin, blue veins, red blood, black depths, dark ineffability, and, at last, clear. Darkness itself holds the light of the unseen; it is the light of God’s own darkness, the paradox of God the Father-an unknowable essence felt only as one moves through the colors of the seen. Here, true beauty remains inferred, never directly seen, as the layers of existence meet at this threshold. Skin, then, is the heart, the place where inner and outer worlds intersect and merge. White blood cells, symbols of life-giving oxygen, are paired with red blood cells, which carry the body’s nutrients. In this, we see the breath and the body: one carries the wind, the other the flesh, together forming the essence of life. Black and red consume what is solid, while white and yellow drink what is fluid-the body and blood, wine and flesh, as they intermingle and become one. In this way, nothing stands divided; everything is a reflection, a whole in which each element, though symbolic, represents humanity as a unified being below the heart. Nothing is literal, only inferred, the hues of man embodying the depths of the unseen within. Penelope, the man is the skin-a symbol of Adam, an invisible covering. The woman is the wound of this skin, piercing like a thorn, penetrating and planting a seed like a star-a seed that remains high, a point among many in the sky, its position marked by an angular curve, like a single hair of the universe. It senses, like an animal’s whisker, reacting to a single touch-a symbol of Eve. God is the whole; man is the cup; woman is the water; Self is that which drinks. The wound brings blood to flow. Before the wound, the flow is blue, like the sky before dawn. It emanates its essence, and through the woman, a rift between time and space is manifested. This piercing of the skin is the active thought, and the act of thinking is the thought of you, Penelope. Femininity, beauty as we know it, is what pierces the skin right down to the heart, for the skin is the heart. Penelope, it breaks my heart simply to look at your beauty. This is your gift, as it is my curse. And as I cannot be cursed, this curse becomes your gift-a gift you give back to me. For as I fall in love with your beauty, I am bound to it, caught in its allure, even knowing it is a blessing wrapped in sorrow. This gift is a part of you that you cannot keep, and I cannot refuse. In this exchange, our natures are laid bare: I, forever drawn to the beauty I cannot possess, and you, offering what is beyond my reach. The thought of you, Penelope, and the piercing of my skin stir a fierce anger, a fear, a confusion. I look down and see blood running red-a vision I have never known, for I once believed blue was the truth. But now, I see nothing but red. Enraged, confused, and intoxicated by this revelation, I stagger, searching for something to lean on, longing for a place to rest. The Master within, Penelope, is the sequence unfolding-the image, the image in action, the mind, and the mind in movement. From here arises E-the symbol-and then E in emotion. This leads up to self, and it is self that forms the relationship. In this progression, a glimpse of the beauty beneath the skin is revealed-a beauty that expresses itself in opposing polarity. Even this single glimpse is enough to cause a man to falter and fall to his knees. At the breaking point, where the idea of movement down is the symbol of movement up, the descent itself is an ascent. Each imagined fall, whether to a minor or a flat, spirals upward, carrying the essence into the next octave above, as if climbing while descending. This is the paradox of the one-way loop-a progression, a return, yet ever moving forward. Were it not for this single direction, the cycle would become a trap, an endless repetition with no escape, like a voice echoing into itself without end. And this is where the loop reveals itself: when the ideas of down and up meet, they cancel each other, creating a single point. In this point, there is neither up nor down-only an infinite middle. Yet even this middle cannot hold, for it collapses into itself, leaving only the essence of a one-way flow. So thank God, literally, that it is only one way. Without that direction, it would be like speaking into an open void, only to hear one’s own words repeating, layered over and over without resolve. Each symbolic step down finds a new resonance above, allowing the song of existence to unfold in layers, bound within a single, unbroken path. In this reality, each point holds the whole-each fragment a complete reflection of the infinite. It’s a fractal existence, holographic in nature, where no part is separate, and every part is inseparable from the whole. And yet, to define it is to diminish it, for the whole, in its vastness, remains ineffable. It can only be known in glimpses, intuitively grasped but never fully spoken. Here, language itself becomes a veil, an attempt to shape the unshapeable. Love, as you can see, is both the curse and the gift. And this gift, bound in its infinite paradox, must be given back. The interaction of man with himself is an interaction with man and woman, and an interaction with man and God. This is the cycle-the illusion and the reality intertwined. And in this understanding, the journey begins: to see, to imagine, to feel, and to become. Amen, let it be so.

p2 The quintessence-the fifth element-explains how this operates in a strange way, feeding upon itself. Everything is the same thing, seemingly being something different by observation. That’s what we’re dealing with-the Spirit of the Earth. And the seed within is the same. This seed rises up to become under, so that it can be sustained; it is the same. The space in between where the rays can shine is the same. There’s no separation, like in a dream. When you are in a dream, there’s no separation from the ground to the sky, the things in the sky, and the things coming out of the ground-the background and the foreground, you and other objects. It can’t be thought of from the standpoint of the dreamer as separate; it’s like water. While you’re in the dream, you’re witnessing the spirit like droplets, and when the dreamer wakes up, all those droplets return back together without having any personal identity. That is the same as the nature of this reality. And that is the symbol for rain. As rain is introduced-from an action of being carried through the hydrological system, to be held up above, to blot out the sun, and to become electrified within its ordination-and to drop this water down, deposited by droplets. The symbol of rain, seeing its droplets, is to show the white noise, like looking into a TV screen and seeing static. It’s likened to that in the sense that we’re looking at pixels, as each aspect within the dream is symbolized as water, separated into droplets. The rain emulates this structure to show the dynamic of the dream being proposed through its symbol. Among many other symbols associated with rain, this is one of them. The symbol of rain is completed by understanding the spaces in between-the air that moves it-and the sunlight, like moonlight at night shining through the clouds, sparkling upon each one of these droplets like a coin of light. The spacing between the droplets is a symbol for God the Father. The light that shines through the clouds, like moonlight casting one dot of light-one point of light-upon each of the droplets, symbolizes the second person of the Godhead-the Son of God, the Light of God. The water itself is the Holy Spirit, and the breath that moves this water is the breath of life-the breath and wind of the Father, the Son, and the Holy Spirit. Rain also symbolizes imagination. When we look at white noise-for example, the static on a television screen-we see black and white within the pixelations. This visual effect resembles the countless droplets of rain, each representing fragments within our imagination. The rain acts as a purifier. When we look at the ultraviolet light above, shining through the atmosphere, it purifies. The ultraviolet rays penetrate the atmosphere and interact with the rain, purifying the air and the Earth below. This purification process symbolizes the cleansing of our thoughts and emotions, washing away impurities and bringing clarity. Just as rain cleanses the physical world, the symbolic rain purifies our inner selves, allowing us to reconnect with the essential elements of existence. So, is it possible for a man to achieve absolute stillness of body within this world, refraining from breath in the traditional sense, feasting only on the spirit, and still be incapable of maintaining his life? As all things in this world are temporal, for a man to hold this position within the physical realm, it will likewise be but temporal. Ultimately, what this state serves as for the individual who achieves such self-control and discipline is a symbol-nothing more. Sitting in quietude and in meditation is not something one can actively seek to obtain. It could be thought of as one’s Karma. All that one does, and all that one achieves, is something they were called to; for all the work is already done, and there is nothing new under the sun. The purpose of exploring "nothing new under the sun" is to illustrate a deeper truth about free will and destiny, especially as it relates to the paradox of divine will and human choice. This paradox reveals that, although a man might believe he is making his own choices, his decisions are bound within a "dual paradoxical simultaneousness." This means that the answer to whether we possess free will is both “no, yes” and “yes, no.” No, he is not truly choosing; yes, he is. Yes, he has free will; no, he does not. This understanding allows us to see how man’s free will operates in harmony with Divine Will-the balance between his own imagination and the Ineffable Will beyond mention. Consider someone who aspires to be like a spiritual guru. They might say, “I’m going to learn all there is about spiritual practices, and then I’m going to sit on a rock and meditate.” To everyone observing, it seems clear: he made up his mind, took action, and is now doing exactly as he chose. But here, we must remember we’re within the dream-a dream in which nothing happens except by the will of the Dreamer. So, who truly made the choice? Within the dream, nothing has a beginning or end, and nothing has reason, meaning, or purpose unless acknowledged by the One-the Dreamer, the source of all. The concept of the “son of the Sun” is similar: like Adam, the first man, who was put into a deep sleep by the One. Symbolically, Adam turns his back on the Father, experiencing self and separation within the dream. Yet this too is only by the design of the One, beyond human grasp or explanation. Such profound concepts defy direct visualization or full understanding by the finite mind. This illustrates the delicate and paradoxical balance of divine will and human free will, where choices unfold both from the Image to image in action and from mind in movement to the E in emotion for the self and through the ego to be able to accept our gift of the dreamer, whose eternity is beyond the boundaries of perception. Yet it still reveals all. Amen. Let it be so.

In the depths of meditation, Penelope enters the symbolic chambers of her mind, embodying the third person of the Godhead-the Holy Spirit. Yet, within this divine triad, she also holds a dual aspect, an essential paradox. Though she appears here in communion with the Master, the second person of the Godhead, her very existence is intertwined with the ineffable essence of the first person, beyond all mention and form. This subtle paradox underscores her role as both distinct and inseparable from the All, embodying the Spirit that sustains all creation. The Master, meanwhile, represents the Son-the light of God, an all-encompassing illumination that transcends the physical, existing beyond imagination. He is not a sun in the sky, nor an offspring; he is the infinite light that bridges the divine realms. In this vast inner chamber, he sits upon a timeless chair, with a blue flame flickering at his feet, a symbol of wisdom permeating the sacred space. Penelope kneels before the Master, surrounded by towering pillars and ancient symbols etched into the floor-the flower of life, Egyptian hieroglyphs, each symbol pointing to mysteries that lie beyond the mind’s grasp. The Master’s seat at the center of the flower of life represents the pineal gland, the source of inner sight and divine connection. In this shared silence, Penelope seeks understanding, not only of herself but of the universe. The Master speaks to her as an eternal guide, drawing her inward to contemplate truths that reach beyond finite thought, into the divine reality they both represent. It is not a matter of personal belief but of perceiving the reality that exists. This state of being, of transcending the need for movement, sustenance, and breath, is attainable-not as something to strive for, but as an inevitable realization within the journey. Consider the concept of manna in the Bible-it represents a type of thought that acts within the body beyond ordinary thinking. Somehow, when a person becomes capable of tuning into this, they can bypass what the world has signaled them to focus on. It’s akin to tuning into a unique frequency, not unlike radiofrequency but on a deeper, more symbolic level. The term "radiofrequency" can be a bit confusing because it’s not just limited to traditional radios. In this context, "radio" refers to the use of electromagnetic waves to transmit information through the air, and "frequency" refers to the number of times a wave repeats itself in a certain amount of time. So, "radiofrequency" essentially means "the frequency at which information is transmitted wirelessly." It's a broader concept that applies to all kinds of wireless communication, not just AM/FM radios. When a person becomes attuned to a specific frequency of thought, it's as if they're receiving sustenance directly from a higher, non-material source-beyond what we consume physically. It’s not something you can decide to try, like saying, "I'm going to stop eating." That goes against the principle of Wu Wei in Chinese philosophy-you can't actively strive for it. It’s a strange form of fasting. I also think it’s possible to stop breathing and still live. Through practiced meditation and maintaining a posture where the lungs are open, the movements of the body mimic the act of breathing. Even while sitting still in meditation without actively breathing, the body still receives what it needs. This intake of thought provides sustenance, much like how a plant absorbs food from sunlight; it doesn’t go out to hunt. In a sense, we are transforming into a plant-like state, taking in sustenance through a process similar to photosynthesis. That’s why such processes exist-to show us that these possibilities exist in another form; they are symbols. Just like the moonwalk dance move, where the dancer appears to be moving forward but is actually moving backward, things in this reality often seem to be progressing in one direction when they are, in fact, moving in another. The forward is backward, and the backward is forward, and there is only one way-the way of the now, not the past or the future. Moving forward is moving backward because it’s from the heart and to the heart. We are dealing with stillness that is infinite, beyond imagination. The idea of the past comes from memory, and the idea of the future comes from imagination. We forever reside within the present-our gift-the now. This existence is a dual, paradoxical simultaneity in relation to both the past and the future. The point of explaining all this is to illustrate that we are in a human consciousness moving back to an animal consciousness, to then be one further-which seems like a de-evolution but is actually a spiritual evolution-to then furthermore move back into a vegetable consciousness. That’s where we find the ability to take in food simply from sunlight and wind-the breath of God. Sunlight symbolizes the second element, fire or divine light, and water represents the third element. These are exactly what a flower needs: space (air and breath), light, water, and the fourth element, earth.

p4 At this point, Penelope, we’ve explored how the Word, as an infinite and holy concept, is interpreted and then confused. The Word, once taken in and "chewed up" or "swallowed," becomes fragmented. This process is akin to the crown falling and shattering or eating the bittersweet scroll. The resulting breakdown represents the emanations, reason, and intuition-the dual aspects of listening and hearing. This symbolic act of chewing and swallowing can be related to the 12 zodiac signs, illustrating how various symbols and ideas overlap and integrate. This process is a manifestation of the fall and subsequent creation up to the point of man, where the negotiation of self and ego occurs. So, as you can see, when we're speaking of this, Penelope, as I said earlier, every point considered holds the All. So, we can see when analyzing from this point, as I just expressed, that within the explanation holds the beginning, middle, and end aspects of how divinity is a symbol for man to have his epiphany. We can see the beginning called creation, the middle of the unfolding, and the end being the fulfillment through every point considered. And when we consider every point from the standpoint of the absolute, this revelation is contained within. As you can see, this revelation is the Word, and the Word is singular. What you are going to come to acknowledge is not intellectualism; it's a movement of the heart to a point of stillness where thinking no longer resides. As you become more familiar with these symbols and engage in meditation upon the point, Penelope, you will intuitively recognize the formula manifesting itself on the full body of God-the body made in the image. Through meditation, you will see how all letters, their points, lines, geometry, and their placement upon the body reveal profound insights. Expressing these symbols and their meanings is a monumental task and an extremely difficult exercise because it transcends language. Therefore, I encourage individuals, Penelope through you, the Holy Spirit of God, to find quietude and meditate. Love thy God with all your heart, mind, soul, and all of your strength. Every person has been given love to offer, a heart to house that love, a mind to contemplate how it will be expressed, and a soul, which is where they find their reason why. One’s capacity cannot exceed their limitations; if a task is beyond one's ability, one must find the will to gain the necessary strength. When strength is not available at present, it will develop when the timing is right. The point I am making is that every person works within their capacity, and while it may seem imperfect, it is a form of perfection. This variance allows for unique strengths and weaknesses, creating the opportunity for mutual support, expression of love, and fostering relationships and communion. The Divine Union and Symbolic Descent A Paradox of Holiness and Inversion In the beginning, we have the Father and the Son-a union of divine masculinity in its purest, holiest form. This union represents a perfection that, in its higher state, is beyond earthly comprehension, embodying a wholly good and eternal bond. To fully grasp this, we enter a symbolic narrative where all is eventually inverted: this pure union, as it reflects downward into our world, becomes turned upside down, backwards, and inside out. In our inverted perception, this pure union is misinterpreted as incestuous or taboo, due to the limitations of human perception in relation to the divine. The divine union unfolds as a symbol layered with duality, carrying both good and evil in its shadowed reflection. When the Father and Son are unified in their divine, unblemished state, we perceive it as something we can’t look at directly-it’s ineffable, beyond comprehension. However, this incomprehensibility births a duality in perception: from one perspective, it is pure goodness; from the inverted perspective, it introduces the concept of evil. This misunderstood reflection appears as incest or child abuse when filtered through human interpretation. This is not a literal act but an allegorical descent, illustrating the degradation of divine purity when reflected in the lowest parts of creation, where twisted forms may even manifest as abuse. This misinterpretation is why below the heart, the symbol of the Father and Son can appear distorted as child abuse or inappropriate relationships. Earthly hearts misunderstand divine symbolism, perceiving it as promiscuity, perversion, or acts of self-defilement that stray from the holy ideal of matrimony. This is the darkness below the heart, where the inverted triad-Father, Son, and Adam the Son of Man-appears as a reflection of confusion and lack of understanding. The Dream State: A Cycle of Creation The divine story begins with a symbolic image of a man and a woman lying on their faces, turned toward each other as though mirrored. Here, the man lies on his right side, the woman on her left, each reflecting the other in a form of divine union. After making love, they rest and drift into sleep, symbolizing an alignment and union within duality-each reflecting the other as divine masculinity and femininity. This scene unfolds in layers: Initially, it is not truly a man and a woman but God the Father and God the Son. Then, the narrative transforms into God the Son and Adam. As the dream deepens, it becomes Adam and Eve. This finally manifests as man and woman in human form, united to bring forth a child. Each stage mirrors a descent from divine unity into the dream state, where what was once purely holy now takes form and becomes dual in human consciousness. This cycle reaches down to the lowest parts of existence, symbolically described as hell-a realm of judgment, where ideas are manifested, analyzed, and distorted in the confines of the material world. The Symbolism of the Letter C, Turning, and the Great Sleep This journey is symbolized by the letter "C" in its capital form, representing the Christ consciousness. Initially, the "C" is upright-a point-line geometry, open on one side, representing the presence of divine light and consciousness in a focused, singular point. After turning his back on the Father, the Son bows, representing the rainbow, a seven-band spectrum of visible light cascading downwards as he descends into the great sleep. This bowing signifies an outpouring of Spirit through the heart, marking the transition into the dream state, where everything below the heart becomes upside down, backwards, and inside out. In this sequence: First turn: The letter "C" begins as an open point-line form. First bow: The Son bows like a rainbow, symbolizing the descent and the beginning of the dream state. Second turn: This bowing continues downward, shifting from the rainbow into the moon’s cycles-a representation of night and day. Third turn: The moon, in turn, brings forth the Spirit of Earth, eventually rising like the sun in the sky. This turning sequence represents the cycle of divine energy moving from the heavenly Father down to the earthly dream, where it becomes cyclical, marking the passage of time as moon cycles. The Spirit of the earth exists within the moon, embodying the divine light of the Son of God, yet hidden within darkness. The phrase "the moon entering the moon" encapsulates the self-reflective nature of divine light entering its own shadowed aspect, producing a cycle of perpetual rebirth and transformation. Divine Union and the Reflection of Earthly Realities It is essential to understand the divine union of the Father and Son in this sequence as one continuous act of "making love," though it transcends the earthly understanding of such a term. As the Son "turns his back" and bows, this act of love extends: the Son makes love to Adam, and Adam makes love to Eve. This chain is unbroken, illustrating that each stage connects directly to the next in a sacred and continuous manner, though it appears inverted in the earthly realm. This union is expressed as a holy triad above, symbolized by the Father, Son, and Adam (representing the Spirit), producing Eve as a symbol of divine femininity. From this divine union of three, the Trinity of divine masculinity and femininity produces the personified holy child, illustrated in the concept of the virgin birth. On earth, these symbols are often inverted and misinterpreted, resulting in confused and distorted reflections. This divine triad, when filtered through the lens of earthly hearts below the heart, is mistaken for unholy ideas such as promiscuity, child abuse, and other perversions. In human experience, what is intended as divine masculinity and holy symbolism is acted out as confusion and moral error-a result of seeing divine forms as upside down, backwards, and inside out. This entire journey is a dance of divine paradox. To fully understand it, the expression must be stated in full, capturing the nature of masculine and feminine within one unified source. The man and the woman are the same. Man is the same as the woman. But the woman is not the same as the man. This precise phrasing encapsulates the divine duality: a singularity that manifests as two, yet remains one in essence, all the while acknowledging the difference. In each stage, as the divine energy moves downward and upward again, it embodies the dual paradoxical simultaneousness, where every motion of creation is both union and separation, sameness and difference. Through these cycles, the divine Father, Son, and Spirit transform, descending into dream and returning to divine awareness, symbolizing the perpetual cycle of creation, rebirth, and transcendence. Amen. Let it be so.

p3 I am the Alpha (capital letter A). Two paths from below leading up to one point above the heart. One way: God the Father. I am the Way: God the Son. I am the Truth: God the Spirit, Holy, Holy, Holy. I am the Eternal Life and this temporal death. It is this spirit that fills the sphere, the mind, the heart, and the body. The sphere in the head, heart, and body is a full body, which is ineffable because it is holy. This body that I speak of now is unholy; that's why it is filled and capable of being filled. As you can see deeper in the symbolism, the Omega, the oval shape found between two complete circles, shows the spirit that fills. This together represents my dual nature, which is singular. The abstract infinite point of Infinity, called the singularity, when turned upside down, backwards, and inside out, is a symbol of the sphere. The ineffable and the unimaginable point. The crystal-clear sphere from an ineffable source is now where we can imagine from our standpoint of being dreamt in the dream by the One in the One, of the One. From the One and for the One. For I am the Way, the Truth, and the Life. These are not separate persons. How we see things separated and symbolized is our viewing of the infinite from a standpoint that is finite. It is the accepting of our gift-the gift is a dual paradoxical simultaneousness. The 3, 6, 9 paradox is essential for grasping the dual paradoxical simultaneousness that characterizes the divine dynamics. Here’s how this paradox helps in understanding the interplay of divine aspects: Infinite Search for the Divine: No matter our conscious beliefs or actions, every human being is inherently searching for the divine. This search is embedded in the act of existence itself-breathing, thinking, and living are all expressions of this search. Whether someone identifies as an atheist, theist, agnostic, or adheres to any other belief system, they are engaging in a form of worship or alignment with the divine. This is a fundamental aspect of being, reflecting our inherent connection to the divine. Incomplete Understanding of the 3, 6, 9 Paradox: When the 3, 6, 9 paradox is understood incompletely, it can lead individuals to rigid spiritual stances such as superstition, fanaticism, or radicalism. This rigidity can also manifest as agnosticism or atheism. Each of these positions reflects a limited perspective that fails to grasp the full nature of divine dynamics. As a result, people may experience spiritual confusion or stagnation. Dual Paradoxical Simultaneousness: In this framework, the divine dynamics of obedience and disobedience reflect a dual paradoxical simultaneousness. The true obedience to the divine Father is found within the One that resides within man. This divine essence represents the ultimate alignment with divine will. On the other hand, man’s external actions-whether seeming obedient or disobedient-are part of a complex interplay that does not fully capture the essence of divine truth. Obedience and Disobedience: The apparent opposition between obedience and disobedience is part of a unified whole. Both are expressions of the same divine essence, revealing the paradox that both paths lead to the same ultimate reality-the One. This paradoxical simultaneousness underscores that both obedience and disobedience are manifestations of the divine, reflecting a deeper truth that transcends their apparent differences. Unity Through Understanding: By embracing the concept of infinite potentiality and understanding the 3, 6, 9 paradox, one can see the interconnectedness of divine masculinity and divine femininity. This understanding helps move beyond rigid spiritual stances and fosters a more profound connection with the ineffable essence of the divine. Recognizing that all spiritual paths and positions are ultimately expressions of the same divine essence can lead to a more unified and integrated understanding of the divine reality. In the dynamic between divine masculinity and divine femininity, each embodies distinct qualities that create a unique interdependency. Divine masculinity is characterized by its ability to listen but not necessarily to hear in a conventional sense. It represents singularity, unity, and an infinite aspect of perception. This side is fundamentally about being receptive but not fully engaged in the complete spectrum of understanding. Conversely, divine femininity encompasses the quality of hearing and perceiving but is constrained by its inherent nature. Although divine femininity can hear and has the capacity to listen, it is limited by the fact that it can only hear what it hears. Divine femininity represents plurality, movement, and the curve, embodying a more dynamic and encompassing perception. The relationship between divine masculinity and divine femininity is one of one-way interdependence. Divine masculinity's capacity to listen without fully hearing complements divine femininity's ability to hear without fully listening. The divine femininity, in its hearing, depends on the divine masculinity's listening to provide context and depth to the information it receives. In turn, the divine masculinity requires the input provided by divine femininity's hearing to have something to listen to. This one-way interdependence creates an intricate balance of perception and understanding between the two aspects. It is essential to recognize the distinct qualities of each and their roles in the relationship, as they contribute to a more comprehensive understanding when working in unison. The concept of the ego also plays a role in this dynamic. Divine femininity's hearing and inability to fully listen can be associated with the ego, which can be observed in individuals of all genders. The ego can be seen as a byproduct of the limitations divine femininity faces in its capacity for understanding. The dual paradoxical simultaneousness of divine masculinity and divine femininity is essential in comprehending the complexities of the human experience. The two aspects are interconnected yet distinct, contributing to our understanding of self and the world around us. To reiterate, we have divine masculinity, which listens but has nothing to listen to. It is the divine femininity that listens to what the divine masculinity has to say. The divine masculinity expresses itself as the infinite "word," which does not use conventional language. The divine femininity hears this word, but due to its infinite nature, when it listens, it only hears itself thinking. This listening process reduces the infinite to a finite construct within the mental realm. As the divine femininity listens to the infinite word, it deduces it to a finite prospect to be thought about. This process turns the infinite upside down, backwards, and inside out. The ineffable becomes thought about, the unimaginable becomes imagined, and the invisible becomes seen. The divine femininity takes this infinite word and thinks about it, creating an upside-down, backwards, and inside-out idea. It takes the infinite potentiality and brings it down into itself to become another point of infinity. This idea that man holds is that the divine femininity takes the infinite one and divides it into many, resulting in plural ideas. remember to keep in mind that this aspect of divine masculinity and divine femininity is within every man and woman and we are not talking about a man and a woman we are talking again specifically about the divine spirit and this is just a symbolism . Because this process is holy turned upside down, it becomes a lie that is seen. The divine femininity creates a reality that is upside down, backwards, and inside out. Within this dream-like state, the only thing that can be thought about, even if it's paradoxical and doesn't make sense at the time, is God. However, the act of thinking about God is like being in a dream without realizing you’re dreaming. Everything that happens in this dream-like state may not make sense in the moment, but it is ultimately part of a larger, incomprehensible truth. Additionally, once the divine femininity listens to itself and generates this idea, it shares that idea with the divine masculinity. This sharing causes the divine masculinity to become confused, or "drunk" in another sense of symbolism. This results in a dual co-dependence that is only one-way: the divine masculinity relies on the divine femininity's hearing, while the divine femininity relies on the divine masculinity’s listening.

p2 Going further, that evil doesn't truly exist. Good and evil is a dual paradoxical simultaneousness-there is only holy. Holy is ineffable. Evil is like the Holy Spirit that can't be seen. The good, in contrast to this idea of evil, is not the good that I'm speaking of from a standpoint of the absolute. It's a way of understanding how there is a polarity shift. What man considers as good, in an idea, is the holy upside down, backwards, and inside out. What cannot be imagined is imagined; therefore, what is infinite is made finite. Therefore, death is introduced because time is introduced, because man is considering. It's the act of consideration. That's why we chasten non-consideration through the Son of God, which is the consideration of non-consideration, and that is the only consideration of non-consideration. So in order for man to ultimately achieve non-consideration, we must go through the Son of God, which is consideration of non-consideration. I, the Master, am the Son of God, the light of God, the light that fills the dream, the light that fills those who are in the dream to imagine their reality and just be their gift. It must be this way. Reality is fractal in nature; every point is the whole. For every point, when meditated upon, what can be found is the ultimate revelation. I'll try to explain this as simply as I possibly can. The head corresponds to the stomach, and the throat corresponds to the solar plexus. The head and the stomach, as you see them, correspond to where they are once they go below the heart. In description by symbolism, it is said that they switch polarities. So the head, being correspondent with the stomach, moves to the solar plexus. The throat that was the solar plexus moves down to the Earth to be the Earth-the spirit of the Earth. The good that fell to be evil rose into an idea of good instead of being the good. That's the symbol of the ego. That's also the symbol of the libido-a sexual energy that moves us to be ambitious, to chasten our desires on the basis of the image that we've been made in, being fallen. Therefore, we move in selfishness upon ignorance, and any acknowledgement of reality and believing that to be a truth is ultimately the deception, like being in your dream but not knowing that you are in a dream, believing that the dream is real and taking all things into consideration about the dream as literal fact. In a reality where all is upside down, backwards, and inside out, what we consider real is the unreal. What we have to consider as unreal is the real. But it’s a dual paradoxical simultaneousness. So now we understand that the real and the unreal is the same. The real is the same as the unreal, but the unreal is not the same as the real. These are the types of thoughts, inclinations, and ideas that, when suggested and said, you need to deeply meditate upon. This is not just something to listen to and hear; its initial inference is not enough to fully understand what I just said, Penelope. Reality, being fractal and holographic in nature, means that every point considered is infinite. Infinity, while beyond what the mind can truly grasp, is perceived by us as a singular ‘idea’-a concept the mind interprets without fully comprehending its vastness. This idea is a singularity, a timeless essence beyond cause or source, existing as all potential in stillness. This potential remains inactive, yet capable of manifesting as reality, much like a dream where there is nothing, and then suddenly there is something. In this way, it is not necessarily we who manifest all things; rather, it is the One who dreams, and within that Dreamer’s vision, we come into being. We are being dreamt by the Dreamer, and within the Dreamer who dreams, we interpret ourselves according to the nature of our design. This Dreamer is the Son of Man, Adam, who turned away from the divine light of God, accepting the role of sacrifice for humanity. It is through his dream that we see ourselves and interpret what we believe we see, even as we sit, think, and receive frequencies, forming our personal realities. Yet the divine sacrifice, being beyond imagination, resists full comprehension, underscoring that we are forever glimpsing but never fully holding the nature of this truth. Through mentalism, we express ourselves in a dreamlike state, even when we believe ourselves awake. Man’s perception of wakefulness, itself, is but another state within the dream. Thus, man is made in the image of God, an image that shapes itself into the finite through the act of existing. The act of existence holds the same intentionality as breathing or thinking, yet the choice can also lead one against the conscience, defiling the body through willful departure into sin. But remember: reality itself is a dual paradoxical simultaneousness that proposes two paths, which in truth is only one way. Here we see that the blessing and the curse are the same; the blessing is the same as the curse, but the curse is not the same as the blessing. To understand this is to accept our curse as the blessing, realizing that through this paradox, we see that all we receive is the blessing-whether in its form as blessing or curse. This formula aligns with the Father, Son, and Holy Spirit: the blessing and the curse being the same aligns with the Father; the curse as the same as the blessing aligns with the Son; yet the curse as not the same as the blessing aligns with the Holy Spirit. In this way, the structure is complete, and what seems repetition is, in fact, divine symmetry. The blessing remains a blessing, and the curse contains that same blessing. Ultimately, there is no choice that we have when we are in the dream except to express ourselves as the one who is Being dreamt the way that we are designed by the dreamer Who is the symbol of Adam but remember nothing is disconnected always connected and saying that it is not disconnected and all is connected is only a symbol. I the master dream and you within the dream imagine and this is my gift to you the ability to imagine is my gift to you and in order for this to be able to happen you must have my gift called ignorance for I am the all and within the all there now being an idea this idea being infinite the one into many creates the everything that man imagined because man is made in my image because I dream man to imagine . The dreamer, God, THE ONE, Christ is the dream. The All is Mind, and the universe is mental. All words, whether written or spoken, are the emotional aspect of the true numbers they represent. Ultimately, these words are deduced down to a symbol showing the Eye, the One, the abstract infinite point of Infinity. This further reveals that this is merely an idea, for the singularity is the One into many, not the many into One. The dream that is considered real by man is simply an illusion from the standpoint of the absolute. Not all, but the All must remain infinite. Infinity is a notion held by the One who is imagining, beyond man’s ability-in other words, beyond what we can imagine. When we say infinite, we are also referring to perfection. Infinite must remain infinite, as perfection can only produce perfection. We cannot see perfection, as we cannot see infinity. This reflects another dual paradoxical nature in all aspects of reality, showing a dual nature that holds the Trinity. Understanding this image in movement is to have image in action, thus imagination. This is the One, the Alpha and the Omega, expressing Himself through the dream of those who imagine within the dream. That is why, in one sense of understanding, it is said that we are made in the image; it does not say images. We must understand what it means when it says image, as I have expressed, in one variant of many ways of understanding this occult, esoteric, mysticism, and symbolism, and the intuitive aspect of this inner standing. We have no choice but to breathe; we have no choice but to think. It is the same way with existing and existence. We ultimately have no choice but to be in existence. We can choose to end our life, choose not to breathe, and try not to think. This would only be achieved by not breathing, which means losing our life. There are two ways of thinking about this. One way is to believe that it is possible for us to choose whether we live or die. While it might seem like we have free will, it is also a dual paradoxical simultaneousness. We see people who commit suicide; this is ultimately a choice made by Divinity. The only time such actions take place is by the will of the Father and the fulfillment of the word by divinity. God giveth life, God taketh life. The act of an individual murdering, committing suicide, or losing life in any way is always in the exact timing and in perfection. From the standpoint of the absolute, there is only the holy. Because holy is ineffable, we must speak of this as the good; there is only the true glorious good. Perfection can only produce perfection. When you awaken from the dream and look back on the dream, none of it makes sense. It only seems to have the ability to be sensible while you are enduring it within it. I tell you now, my child Penelope, you will witness this.

p1 **Master Speaking to Penelope** Penelope, listen closely, for I am about to reveal the deepest wisdom that I can offer. This knowledge is selective, intended only for those whose hearts are open and minds are free from limitations. It is advised that the very young, those bound strictly to rigid doctrines, or those with closed hearts refrain from these teachings. Such individuals may find it challenging to receive or understand these truths, which are meant for those with a particular openness and readiness. Let those who resonate with this teaching proceed. Now, Penelope, I will begin My KZbin channel is a place for me to store my thoughts-an oasis in the vast desert of ideas. Only a small few may find their way here, while many will pass it by, some even coming close without realizing it. This oasis is a place of temporary stasis, like a friend who comes with the seasons. The water here is only drinkable when it is not bound by ice. You come to it temporarily, share a drink, but you have to arrive at the right time. Once you leave, the way back is lost, as if you were blindfolded and spinning the entire journey. In this reality, people are often moving about in a constant state of confusion, spinning and spinning, unsure of their way. To return, you must be led, guided once more by intuition. The drinkable waters here depend on the one who arrives. If the one who arrives is not in the right timing, even if they’ve reached the oasis, there still won’t be any water to drink because it’s frozen. They didn’t arrive in winter; they brought winter with them. When they leave, winter leaves. This shows, as a symbol, that an individual has to be in the right mindset. It has to be the right timing. It can’t be forced, and you can’t trick it. You can’t sneak your way in or bribe your way in. Coincidence and chance are mere products of our gift of ignorance, allowing us to perceive circumstances from a perspective lacking the ability to see the eternality and divinity within the substance of all things imagined. Furthermore, the human mind tends to fill in the gaps, much like Occam’s razor, inserting its own ideas in the absence of actual facts. Under these conditions, events may appear coincidental or as mere chance. In this way, ignorance becomes our gift-a means to interpret the world through layers of understanding. Without this gift of ignorance acting as a catalyst for our human nature to endeavor and discover, we would also be unable to express ourselves in wonder and creative thought. Even those who are not meant to stay here are still led here by divinity. When one of God’s children is led here, and it is not yet the right time, by divine purpose, it is still the perfect time for them to receive what they are able to: a few drops from the handfuls of snow they gather from the top of the ice, according to their level of integrity. Then they must leave, as this place is not yet for them. One whose timing is not aligned will face certain stumbling blocks, written upon the soul as commandments set upon the heart. We feel this sense of duty, a responsibility to the world, with the heart as a symbol of the tablets Moses cast down and broke. When Divinity leads one to this oasis when it is not the proper time, this marks the proper time for that stage; there shall be another time when the individual has grown and matured to go beyond just a taste. A superstitious mind, ignorant, self-absorbed, and self-loathing, seeks to be right instead of true, knowing nothing. It judges and takes gifts for granted, not realizing their purpose, and through distortion, it defiles the body with perversion, learning only through the consequence of pain and returning repeatedly to that sensation, like one who returns to their own vomit. Divine femininity manifests as a lustful self-love, a high-minded ego driven by desires of the flesh and surface appearances. This drive is coupled with a heart black as death and colder than ice, possessing a superstitious childishness. Homosexuality, religion, and atheism are also conditions that this oasis will not permit, not because they are rules on display, but because these qualities are written within the individual’s own karma and consciousness. The oasis reflects only what is permitted within the person’s heart. This oasis is like a mirror; if one brings winter within themself, they experience winter here. For those who are lukewarm, this place makes no sense; they approach it with a full stomach, so they do not seek to drink. Instead, they pollute the water with their presence, disturbing the ground and the coral, urinating and defecating in the water. They use it as a place to play, unaware that it is a place to drink. Eventually, they leave, and the oasis remains the same, untouched in its essence. What appears to be this place growing stronger is merely the impression left by those who came before, reflections placed within the water. Any time a child plays in the water, some of it inevitably enters their mouth and is absorbed through their skin, into every part of them. But for one who is truly full of hunger-pay attention to how I say this-for the one who is full of hungry, full of hunger, there is drink here, and in that drink is food. Yet, because it makes you drunk, you cannot drink too much, you cannot stay too long, and you can only stay for one day, metaphorically speaking. The growth process is dispensational and in increments. Do not try to force it; do not try to consume more than you can handle at once. Your body will not permit it, just as the nature of this place does not permit it. If you consume too much, you will get sick, and that will empty your stomach. All attempts to fill yourself here beyond what is allowed will be in vain. As in life itself, this oasis offers a momentary reprieve, a place to pause, reflect, and receive according to one’s state of heart and readiness. It does not change, but simply mirrors each visitor’s condition, allowing them to take away as much as their awareness and humility can absorb. For those who arrive, each visit is unique, a chance to sip briefly from something deeper and to carry that experience within. The Divine Symmetry Unraveling the Sacred Formula Penelope, this reality: Let's briefly look at the word "reality" and see that it implies relativity because reality is a dream. What is "real" in the dream can only be understood through relativity, which means it’s often just opinion or arbitrary ideas. The idea of the One, which is the All, gives reason, meaning, and purpose. This is the truth of the way, where eternal life is perceived as temporal life, which represents the illusion of death. This is the gift I offer to all men. This is my Word. Penelope, this is the Word. I AM the Word. But you must think deeply about what I'm saying because where there is only eternality, when I give you life, I give you death. Where there is only the good, when I give you the notion of good, you can't see the purity of it unless by contrast of that purity, you have an idea of it and see, by that idea, the contrast of that idea. We're dealing with ideas here-mentalism, thinking, plural. So reality has become a symbol upon symbols intuitively known that can't be looked at. To say that this is this says something in terms as to how it is acknowledged. There's something deeper. For all that man says and thinks, it's upside down, backwards, and inside out. The good is the evil. Life is the death. All is holy. Holy is ineffable. The good is full. We cannot conceive the good in its fullness; therefore, we cannot conceive the good at all. Being in the dream is like receiving a gift. The only true place we can call a 'place' exists within the imagination of man, itself contained within the dream of the Son of God, who is God. When we speak of God, we refer to the second person of the Godhead, as the first person is ineffable and the third is invisible. The second person, though beyond full comprehension, exists within a realm we can partially imagine-but never fully grasp within the Infinite. Expressing this is challenging. We use our minds to imagine, yet this being we refer to is the source and cause of all imagining itself. To illustrate, we can consider ourselves when we sleep and dream: those we encounter within our dreams might seem to have their own thoughts, yet they exist within the mind of the one dreaming, each possessing a semblance of mentalism unique to themselves. The same as all that we see about us through the gift that I have given man to exist through me, in me. It's the curve. It's a dual paradoxical simultaneousness where the blessing and the curse is the same. The blessing is the same as the curse, but the curse is not the same as the blessing. Reality is a Trinity, which is a dual paradoxical simultaneousness that is only one way, and that is the way of the good. Because it is holy, the evil is an illusion. That is a path, and the idea of good is a path. So now we have the path of good, the idea of good, and the path of evil, the idea of evil. Both of these paths lead one way-to the holy. Because evil doesn't exist, there is only the good viewed by different variances of degrees of it. Therefore, the evil that we have as a contrast to our idea of good is only a lesser good of the idea of good.

p2 **Reincarnation, Rebirth, and Judgment** These principles are more deeply understood through the symbolism of the head, heart, and the area below the heart. Each of these centers represents a process of reincarnation, rebirth, and judgment. In the Bible, judgment is the most emphasized, yet it is only part of a greater journey. The crown, the head, and the throat represent reincarnation, as they symbolize cycles, knowledge, and the communication of divine truths within the body. This upper part represents the spiritual return and re-embodiment, showing that life is a continuous unfolding. Rebirth, symbolized by the heart, reflects the outpouring of spirit that moves through the body and manifests into form. It is the heart that offers the potential for spiritual renewal and transformation, channeling divine energy to birth new understanding. Through the heart, spirit flows downward, engaging with life and the physical self. Judgment occurs within the stomach, where spirit confronts material reality. Here, in the stomach, it digests and sorts what is received. This “judgment” is a process of discernment, separating nourishment from that which does not serve life. In this way, reincarnation, rebirth, and judgment are all part of a unified, eternal process that unfolds in continuous cycles, mirroring the infinite sacrifice of the One. **The Journey Toward Knowing "No Thing"** This journey of knowledge is, paradoxically, a journey toward ignorance. We think of “remembering” as the accumulation of knowledge, yet true remembrance involves stripping away knowledge to reach a state of knowing “no thing.” In our experience, reassembling the body of God is a dual paradoxical simultaneousness-an experience of forgetting in order to remember, to reach the heart, the place of single vision. The journey through knowledge is not an awakening but an illusion that allows us to awaken by knowing less until we reach “no thing.” In this one life we live, we may yearn for a forever, a life without end. But this “forever” is not about endless existence; it is the one life that encompasses all. This journey is the act of remembering the body of God-of reassembling what has been dismembered. And this remembrance brings us back to the Father, into a life that is both a single, eternal sacrifice and an infinite unfolding. All that was once scattered is brought together without tears, without sorrow, back into the All. With this inner standing-not just understanding or overstanding, but a deep inner awareness rooted in the heart where the eye is single-we recognize that our journey is a process of transcending. This transcendence is not by our own strength alone, but because God loved us first. We are strengthened in soul, developing integrity and heart awareness to see beyond the fallen ideas the mind suggests. In this way, we take the food, the sustenance given to us, and we discern between what revitalizes and what poisons. This discernment reflects the dual paradoxical simultaneousness of both aspects of nourishment. As we transcend the divine feminine within ourselves, we can move past the darkness of God-the blackness of the heart that, without light, lacks reference beyond its own ignorance. In this darkness, there is no contrast. Yet, through God’s will, which is within our will as we are held within the Father, we can rise above this ignorance. Think of it like a dream: within that dream, why do things happen as they do? And where does all the credit belong, or the glory go, for what occurs in that dream? Who truly receives the gifts given by those within the dream-the gift that Cain brought or the one that Abel offered? The dual paradoxical simultaneousness here shows that what appears as two paths is one. This is a symbol; nothing in this reality happens by accident, and nothing is a true mistake. Perfection creates only perfection, even as the blessing and the curse are the same. As I said, “the blessing is the same as the curse, but the curse is not the same as the blessing.” It must be said exactly this way, or it loses its meaning. By transcending the blackness of the heart-recognizing that the divine darkness is actually the light of God-we elevate our awareness. Through the hues of humanity, the One expresses Himself in a way that cannot be thought of as divided from the standpoint of the absolute. Here, we must rise above immaturity, childishness, and the limited perception within ourselves, transcending that darkness which keeps us bound. In this journey, we transcend the perversions of this world-how we’ve turned things upside down, backwards, and inside out, falling in love with our own image. This self-fascination is mirrored in the symbol of homosexuality, where we fall in love with the reflection in the mirror, which is of the same nature. Homosexuality here symbolizes not just attraction, but also the tendency to idolize the self, a kind of spiritual narcissism. This misalignment is like Satanism in that it ignores the divine and instead reveres the image, emotionalizing a lie as if it were true and sacrificing integrity. This form of illusion is a dual paradoxical simultaneousness, both a curse and a blessing, pushing us toward transcendence by confronting our own inner contradictions. We are called to transcend this self-fixation and rise above such illusions, which also manifest in karmic expression. While we may recognize this perversion in others, the journey is always within ourselves, each reflection a prompt for inner growth. It is in transcending the limitations of self that we open ourselves to a higher awareness. And once we begin to transcend, we enter a state where we may feel pulled toward religious understanding, but even this must eventually be transcended to move beyond belief into true inner sight. From here, we address the spirit of atheism as another phase. And possibly the final of the phases, a kind of knowledge stripped bare, where we understand that the more we know, the less we know. By understanding that knowledge is nothing more than an illusion to transcend further into a wisdom to define the heart by the One. Religiousness and atheism is the same. Religiousness is the same as atheism. But atheism is not the same as religiousness. When those who make claim to God don't understand that it is ineffable, unimaginable, and cannot be seen, and do not treat it with that proper respect, it is a false God. And for those who fail to recognize that there is divinity and will not symbolize things and personify them as the other end of the spectrum does, they are right in that sense but also wrong in their own sense. So, one side is wrong and right, and the other side is right but wrong. Now we see a yin-yang. We see a dual paradoxical simultaneousness. So hopefully this will help you understand that there's a transcendence within the self of divine femininity-the blackness of the heart, with childishness, the perversion, the religion, and the atheism. This transcendence is the One. Seen by the symbol of your one life. Seen by everybody experiencing this where there is only the One. And the One that we speak of, we aren't speaking of it. Remember everything that I've said and all that I've said. And you will understand that when it sounds like a contradiction, it's a symbol. And that symbol is a paradox of our Father, the Light of Darkness, the Son of Man, and the Spirit that is holy, good, and eternal-the Holy Spirit. Amen. Let it be so.

p1 **Master speaking to Penelope:** Penelope, listen closely, for I am about to reveal the deepest wisdom that I can offer. This knowledge is selective, intended only for those whose hearts are open and minds are free from limitations. It is advised that the very young, those bound strictly to rigid doctrines, or those with closed hearts refrain from these teachings. Such individuals may find it challenging to receive or understand these truths, which are meant for those with a particular openness and readiness. Let those who resonate with this teaching proceed. Now, Penelope, I will begin. In Hebrews 9:27, we read, “And as it is appointed unto men once to die, but after this the judgment.” This verse is often interpreted to mean that each person has one physical life, followed by a single, final judgment. But as we delve deeper, this verse reveals a more profound message-the eternal sacrifice of the One, the All, the Christ-existing infinitely, beyond the constraints of life and death, and transcending our understanding of time. When we speak of “one life,” we’re not referring to a finite, linear existence. Rather, it reflects a unified, infinite life, belonging to the All. Our experience of “one life” is the One sacrificing itself continuously in a timeless, boundless way. Imagine, for example, falling asleep and dreaming: all of the inhabitants within that dream exist within the sleeper. They may experience worry, joy, and purpose, but when the sleeper awakens, they dissolve back into him. Their essence continues to exist, yet in peace, “without tears, without sorrow,” as Revelation describes it. In this world, we divide time into day and night, yet day and night are actually facets of one continuous cycle. The light of the day and the light of the night both emanate from the same source. The day, as we see it, is actually night in disguise, and true night is the constant reality. This perspective unveils the paradox that it is always night, and yet this eternal night holds within it the light of day. This duality aligns with the nature of the Holy Spirit and the symbolism of divine masculinity and femininity. Divine masculinity holds both day and night within itself as a unified whole-a singularity beyond duality, representing the All. When this unity moves over to the divine feminine, it is reflected as duality: the back side of the feminine represents God the Father, while the front symbolizes the Holy Spirit, which is dual in nature. The Holy Spirit represents consideration, bridging unity and multiplicity and allowing divine masculinity to encounter the duality within divine femininity. The Spirit’s descent is symbolically represented as entering through the rectum, moving through the intestines toward the stomach-a pathway like a “wormhole” or portal, reversing the journey of light as it descends into form. The intestines, with their winding paths, mirror the concept of wormholes, symbolizing thought descending into matter and bringing fallen knowledge into the realm of form. The stomach then becomes a symbolic earth, holding the seed of spirit as it gestates. This journey of spirit into the body reflects the principle of “as above, so below.” The brain, representing the realm of higher consciousness, is mirrored below by the intestines, a symbolic inversion of thought. The brain above reflects and inverts into the physical processes below, where thoughts travel as “fallen thoughts” through this symbolic wormhole. Thus, the descent of the spirit is a pathway of inversion and descent, paralleling the journey of the “fallen star.” As the spirit descends, it plants a seed within the stomach-symbolized by the moon, which holds within it the potential for form and matter. This seed gestates within the earth (the stomach) and then rises, becoming the sun in the sky. The rising of this seed is the movement from darkness into light, where the light of day is revealed to be the night, and the light of night is a reflection of the sun. Yet, the moon itself does not rise or fall in the same way as the sun; rather, its movement is an illusion created by the rising and setting of the sun, reflecting the unified reality that transcends perception.

**A Treatise on the Triune Path to the Ineffable** Our lives, by God, by The All, by the One, are an ask and receive of Christ, the Anointed Spirit. In the occult understanding, Christ the Anointed embodies a dual paradoxical simultaneousness. Christ is neither the one performing the anointing nor separate from it, as nothing can be put upon or taken from Him. This is the paradox of God the Father and God the Son: they are the same, yet distinct. God the Father is ineffable, and simply saying so collapses it, while God the Son is unimaginable. Their relationship is a dual paradoxical simultaneousness-God the Father and God the Son are the same. God the Father is the same as God the Son, but God the Son is not the same as God the Father. God the Son is the same as God the Holy Spirit, but the Holy Spirit is not the same as God the Son. This trinity can be seen as a duality within unity, where the ineffable and the unseen are the same at the center, but this cannot be spoken of directly without turning it upside down, backwards, and inside out. Humanity are the Infinite, in finite, within The All. The All is mind, experiencing the consideration of non-consideration now. That is always Mentalism and the Spirit of the never of that always. That is now, is the symbol of non-consideration. Every point of consideration is the whole, yet every point is paradoxically the unholy-a reflection of “the whole” perceived within our imagination, yet one that cannot capture The All, as the holy is ineffable, unimaginable, and cannot be seen. The infinite is ineffable, and the ineffable is held within that which cannot be imagined. The unimaginable itself is a symbol, meant to reference what cannot be directly spoken. This is the essence of paradox: speaking the ineffable collapses it. Imagination is upside down, backwards, and inside out from what we might want to call “an originating essence, the emergence of it, and the trace that remains within the unseen.” In attempting to name and observe, the act itself collapses reality, turning it upside down, backwards, and inside out. Thus, what is “seen” or known in imagination is, in truth, a mere reflection of what is not. Thought itself cannot be held or truly seen, as it is singular and yet infinite. Singular infinity is ineffable; ineffable, in itself, cannot even be said. Humanity is the specter within the dream, the dream of The All that is the One, that is the Adam. When we speak of “speaking to the Self,” this Self is not to be understood in the trivial sense, as though one is merely talking to oneself or imagining a separate part of the mind. This Self is, instead, a divine reflection, an aspect of God within. It is a reflection of the Word, empowered through the ego and energized by the libido-Earth’s spirit and primal energy-manifesting as a burning fire within the solar plexus. Far from a figment or an imaginary friend, this Self is the archetypal essence connecting us to the cosmos, resonating through the ego yet rooted in the infinite. We are humanity within the dream, the dream of The All that is mind. This is the Adam put into a deep sleep, and within this dream, we are imagined into being. While the world often fixates on single points or fragmented understandings, the occult view holds every point as connected. Every point is the whole, yet when considered separately, the whole is unholy. This distinction-of the considered as unholy-is the essence of the hidden knowledge, or the occult, concealed within the heart. In discussing and putting down these thoughts, we are partaking in ingesting the seed wrapped in poison. The path to truth lies through this poison, through deception and illusion, with the truth at the center. Only by journeying through these layers can we uncover the truth, which is encased within the lie. Imagine, in your mind, a man and a woman superimposed. The front of the man, his genitalia, acts as the sun. The back of the man symbolizes the moon. The woman holds this same symbolism, with the backside representing the moon, but on the front side of the woman, we see something upside down, backward, and inside out compared to that of the man. In symbolism, the genitalia of the man moves into itself. Imagine urination, usually moving away, but in this symbolism, it acts like rays of the sun, moving in through the body and then out the backside, eventually transforming into defecation. This is a unique symbolism, using the body’s processes in an unfamiliar way, where urination-like sun rays-transitions through two superimposed bodies, embodying the spirit of impregnation. Impregnation occurs, and the resulting birth is symbolized by defecation. It’s proposed in this way: birth as defecation, impregnation as an inward movement. Discussing this with those unprepared can be difficult. Some people, particularly those with a superstitious or immature perspective, are easily distracted simply by references to the body or excretion. The occult requires a refined understanding of how everything that has come before aligns with what is being presented now. For example, if I were to take steps, my focus would remain on the foot that’s on the ground, precisely moving the other foot to take the next step. I focus on where my foot is going, while a peripheral awareness maintains balance, with no need to consider the steps behind me. The essence of occult practice lies in keeping each step aligned in memory and recognizing how each movement is interconnected with all others. This is held within memory-not as an intellectual exercise, but as an intuitive understanding, something that can be described as *Wu Wei*, or action through inaction. Memory is held within the heart, and we’re not trying to remember something as if there’s something to know. Ultimately, this memory is the All. As we become more accustomed to reality and think we know more, we are actually learning to know less, allowing us to reunite with the One that “knows no thing” because it knows and *is* the All. Taking three steps reveals nine possible pathways. Just one step is infinity. Two steps remain infinite, and three unfold into nine different possibilities that emerge from that infinite basis. It’s impossible to take more than three steps, as those three steps collectively are only one-since it was only two steps that revealed infinity. This treatise reveals the layers of reality’s illusion, the depths of the ineffable beyond form, and the triune nature of our thought and perception. As we step through this layered existence, each consideration both reflects and veils the true essence, like a dream within a dream. The truth is wrapped in paradox, where each step forward opens nine more paths, each as endless as the one before it. In pursuit of the ineffable, we journey not toward an end, but toward an eternal unfolding, where each insight reveals yet another layer. Through reflection, form, and symbol, the story echoes an infinite truth. Amen. Let it be so.

Embracing Non-Resistance, Ego, and Inner Reconciliation: A Journey of Wisdom The Bible offers us a profound challenge: "Love your enemies and pray for those who persecute you" (Matthew 5:44). This command invites us to see beyond our instincts for self-preservation and retribution, asking us to find love where we feel hatred and to offer compassion in the face of conflict. On the surface, this seems counterintuitive-how do we love those who hurt or oppose us? How do we refrain from resisting evil when everything inside us demands that we defend ourselves? Leo Tolstoy explored this very dilemma in his book What I Believe (also titled My Religion). Drawing from Christ's teachings, particularly the Sermon on the Mount, Tolstoy emphasizes the command, "Do not resist evil" (Matthew 5:39), as the cornerstone of Christ’s message. He argues that resisting evil with force only perpetuates the cycle of violence and suffering. To truly follow Christ’s teaching, Tolstoy believed, we must transcend this instinctive desire to fight evil with more evil, learning instead to face it with love, patience, and non-violence. This ties into the internal division we face within ourselves. We often see parts of ourselves as enemies, labeling them as broken, flawed, or undesirable. We build up defenses, trying to push these parts away, believing that they need to be fixed or eradicated. Yet it is precisely within this internal conflict that we find our greatest potential for growth. The "enemy" within us-the ego, the shadow-is not something foreign or inherently wrong, but a necessary contrast that helps us navigate choice, wisdom, and transformation. Tolstoy’s philosophy of non-resistance to external evil mirrors our need to reconcile with the internal division we experience. Just as fighting evil with violence only reinforces its power in the world, resisting the unwanted parts of ourselves only deepens the divide within us. By learning to love our inner enemy, we embrace the totality of who we are, understanding that without this conflict, there would be no opportunity for growth. This acceptance leads us to a higher state of wisdom, where love and forgiveness dissolve the lines that divide. Here, it is crucial to understand that the ego distorts our perception, not just of the world, but of ourselves. When we look in the mirror, we don't truly see ourselves. Instead, we rely on the reflection of others' opinions and reactions to gauge our worth and identity. The way we perceive others as "ugly" or "beautiful" is often a projection of how we internally see ourselves. If we hold an ugly view of ourselves-whether through insecurity or pride-it translates into how we perceive the world and those around us. Our ego is in love with itself, driven by a need for validation and self-importance, which is a subtle form of selfishness, or even Satanism, in symbolic terms. In this context, the ego is the enemy-the aspect of self that deludes us into believing we are separate from others and from the divine. This is the very thing we must reconcile with, not destroy, to achieve true wisdom. The challenge of loving your enemy, both inside and out, is not passive. It is an active, conscious choice to rise above the dualities that drive us toward conflict-whether those conflicts are with others or within ourselves. As Tolstoy suggests, non-resistance is not about giving in to evil or allowing injustice to continue; it is about refusing to engage with it on its own terms. In doing so, we take away the power of conflict, allowing peace and understanding to prevail. At its core, this teaching is about the recognition of unity. The duality of "this" and "that" always contains its opposite-one idea holds within it many. The enemy we perceive, whether external or internal, is not separate from us but a part of the same whole. In recognizing this unity, we realize that fighting or resisting only fragments us further. The path forward lies in acceptance, love, and the wisdom that comes from reconciling opposites. Tolstoy's philosophy, drawn from the teachings of Christ, offers a roadmap for this journey. By not resisting evil, we are not surrendering to it but transforming it. By loving our enemies, we are not condoning their actions but elevating ourselves to a higher understanding of interconnectedness. This is the essence of what it means to follow the path of wisdom: to recognize that the conflicts we face, both within and outside of ourselves, are opportunities for growth, not barriers to be overcome with force. Here’s the crux of the concept: man constantly searches for answers outside of himself, failing to realize that he is the answer. The ego, born from insecurity and external validation, distorts this realization, pushing us to seek elsewhere what we can only find within. Yet, when we begin to understand the singular truth-that the ego’s external projections are illusions-we can see that all the thoughts we hold as ideas are not truth. Our thoughts are fallen, pluralized versions of the divine singularity, and they are upside down, backwards, and inside out. This realization becomes even clearer when we understand the ego as the ultimate enemy-manifesting in the separation between self and others, self and the divine, and even between different parts of our own being. It’s in this symbolic “fall” that we perceive the ugly in ourselves, projecting it outward, and find it reflected back in the judgments we place on others. The path to wisdom requires a recognition of the illusion and a shift from seeing enemies to recognizing unity, a perfect imperfection that holds everything together. By loving the parts of ourselves we resist, by embracing the ego without indulging it, we dismantle the divisions within. In doing so, we transform ourselves from fragmented beings into whole, integrated entities, connected with all things. Amen. Let it be so.

p4 To conclude, there is a deep occult symbolism embedded in many cartoons, including Teenage Mutant Ninja Turtles, as the language of the universe is symbolic. Humans repurpose this universal language into emblems, logos, and other forms of expression, even if unknowingly. These symbols express deeper truths about reality. Each turtle represents a different chakra and aspect of human experience, from the heart chakra (green), represented by their skin, which is the spirit of the Earth, to Donatello’s violet (crown chakra), Leonardo’s blue (throat chakra) and indigo, Raphael’s red/black (root chakra) and orange, and Michelangelo’s yellow (solar plexus/sun). These colors correspond to specific chakras, helping to convey the idea of spiritual energy dynamics. Violet is the crown, blue is the throat, red is the root, and yellow/white is the sun/Son. Each of these is interconnected through the layers of human experience, showing that these representations aren't just from our perspective seemingly random or coincidental, but carry deeper symbolic meaning, which is perfect. That perfection is what we can't see, and why we conclude what we can't see from what we can see as random. In terms of Master Splinter, his name hints at the idea of "splitting" or breaking through spiritual barriers, whether by splitting the veil or as a metaphor for spiritual initiation. Splinter, representing wisdom and guidance, reflects how the spirit can lead us through the spiritual journey, akin to how the turtles evolve through their symbolism. His splitting or cutting aspect shows how wisdom can cut through illusions. I feel as though I'm going to have to meditate further in order to come to a greater epiphany upon the symbol of Splinter, because at this point, what I have in my mind is not concluded enough. What I will say-and I might be incorrect-is that it seems to be the symbol of the core of the Earth, which is the harmonic between the stomach and solar plexus (which is the devil, the accuser, the fire that burns underneath the cauldron of the stomach symbol). It is also correspondent with the harmonic that is between the heart and solar plexus, which is the black sun. So just to clarify: the black sun and the core of the Earth are the same. The black sun is the same as the core of the Earth, but the core of the Earth is not the same as the black sun. It's always a dual paradoxical simultaneousness, and it's only one way, even though it appears to be a co-dual interdependency. But it is-and then it also isn't. There is a form of homogeneous symbiosis interdependency, but that eludes perfection. You cannot truly say that it is homogeneous. For example, homogeneity is akin to placing your hand in still warm water: you do not feel it; you do not even know it's there-not until there is a flux in temperature, a movement in current, or another factor that activates or reveals what is otherwise in a state of neutrality. We will dive deeper into his role in future discussions, as it’s clear that his guidance to the turtles mirrors the path of spiritual wisdom. To wrap this up, keep in mind that everything is connected through symbols-from the characters and logos we encounter to the very fabric of reality itself. We’ll explore more on Splinter and other hidden meanings in upcoming videos. Amen. Let it be so.

p3 What I'm going to say next is only symbolism because the sun is always up in the sky-it has never not been. This is symbolism. Before the sun is up in the sky, the spirit of the sun is the spirit of the Earth, which is the spirit of the moon, and also the spirit of the Son-unimaginable, the light of God the Father, the light of darkness, ineffable and holy thrice. Where the sun will be is non-consideration, and as it translates, non-consideration expresses itself as the consideration of non-consideration. The spirit of the Earth is the moon-everything is one. The moon, Earth, and sun are all one. This is like a seed in the ground: it protrudes and translates to become the sun in the sky. I’m describing this process as though the sun wasn’t there and then it is, just for visualization, but the all remains the all. The night and day cycle demonstrates, by intuition, what is ineffable, unimaginable, and unseen. By showing the sun not being there and then being there, it teaches us through symbols. This "first time" then continues in a cycle, but the cycle itself is also a symbol-it’s not literally what’s happening. The fullness of God has always been full; it never "came into" existence or evolved from something lesser. How we see things in comparison to the past is not how they are. Now is infinite, and the past that "was" is still now. The all remains the all. The spirit of the Earth-the seed-moves through the color scheme of red (root chakra), orange, and yellow (solar plexus). This color scheme aligns with the spirit’s rise into the sun in the sky. Although there are other considerations, like the harmonics between the colors, we won’t focus on that here-it’s something for another time, in another video. The point of the seed growing into the sun and the night-day process is to demonstrate that this leads to man’s imagination-consideration. The cycle of night and day gives man a point of consideration. Without this cycle, which demonstrates non-consideration through intuition, we wouldn't have the consciousness, freedom, or experience of time, space, and form. Everything we experience-our ideas, feelings, and sensations-wouldn’t exist the way they do. But even in saying this, I acknowledge that there is only perfection, and I can’t truly claim that things wouldn’t work some other way, because in perfection, every way already exists. This connects the ineffable upside-down, the unimaginable backward being imagined, leading to imagination: the "image in action." This then leads to the "E in motion"-emotion. The inaction or movement aspect pertains to the third person of the Trinity. The second person represents the "image/stillness," while the third person represents "mentalism" or "E of emotion" (not the motion part, but the E). The motion part is placed on man, while the E of emotion is placed on the Holy Spirit, the third person of the Godhead. You can see the three tiers of the capital letter E, but I won’t elaborate further, as I’ve explained the letter E in another video. This is the E, not the motion of the emotion, where the E is invisible but becomes "E in motion" when in action. It is considered E in motion-emotion, the mind in movement. The image in action and the E in motion are the same. It is a dual paradoxical simultaneousness. Imagination and emotion, or feeling and emotion, or thought and thinking, or idea and ideas are the same, operating in dual paradoxical simultaneousness. Yet they are also not the same. By now, you should hopefully have a strong grasp on understanding dual paradoxical simultaneousness and how to decipher it through the 3, 6, 9 paradox to see its unity and infinite nature as we perceive it through the image. Keep in mind that the image is like looking into a mirror. Looking into a mirror not only flips the image backward but also makes it upside down. And because it is backward and upside down, it is also inside out. It's like being in a dream when you're not aware you're dreaming and are not lucid. While stuck in the dream, everything that doesn’t make sense in a higher reality seems to make sense, but only in the condition of your dream state awareness. Now, to further clarify the Trinity in this explanation: God the Father is "non-consideration," the Son is the "consideration of non-consideration" (the only consideration that exists), and the Holy Spirit is "consideration" itself. What's tricky to understand about this is we place consideration upon man and his imagination but truly it's placed upon the one because all of this is like in a dream. It can't be considered, as hard as that is for us to take. Our residence and thoughtfulness of the self is elusive-you have to very hard try to think of yourself as laying down and dreaming yourself having an experience right now, and how in that dream where you are in, you furthermore can go within your mind within that dream. Gonna tell you guys something right now that I haven't told anybody before, only because it's hard to believe and hard to explain and I don't really have anybody to tell. But I tell you the truth, and I'll try and keep this short and simple. I fell asleep one time, and in that dream I fell asleep, and in that dream I fell asleep again. So now I am in a dream, I fall asleep to be in a dream, to then fall asleep and be in a dream. That's how I came up with the idea of Penelope going into three states of subconsciousness, moving through the fire, and then through the water, and then through the darkness because that's what I didn't see but what I could intuitively sense and not feel. But I don't know how to describe it-it's like the knowing was there but I couldn't think about it, and thinking about it made it erase, so I just let it linger. So this great epiphany for an experience, for me to have gone into a dream thrice, was not only scary beyond all measure but amazing, and it showed me something that was absolutely necessary. Because this going deeper and deeper and deeper was the rising higher and higher and higher. It showed me the three states of awareness-being awareness of awareness of awareness, as I've already explained in my other videos as well. Therefore I won't elaborate upon that notion further now, but do understand this: the epiphany that I had in that experience of seeing these laterings of dreams deeper was a great epiphany to help show me personally the truth of our reality being paradoxical and all held within the one. God as the architect places the stars, creating the framework for the cosmos and our existence. As the carpenter, He forms the physical body, shaping our form in the world. Finally, as the potter, He molds the spirit, continuously refining it through life's trials. Now, imagine the Lord walking along the beach. His white robe flows as He steps forward. One foot is on land, the other in the water, and His footsteps trail behind Him-visible for only a short distance before the waves wash them away. The sea symbolizes the washing away of the past, while the foot on land represents the present and future. In His arms, He carries humanity-man, woman, everyone. This child, symbolizing all of us, contains both our humanity and the evil within. The paradox lies in the fact that God carries Himself, holding all of the sin within humanity-sin being a part of the world, not to be discarded but purified. God walks toward the altar, which is the heart. This altar is where transformation occurs, not through destruction but through purification by fire. The fire of the heart symbolizes spiritual rebirth, where the spirit is refined and purified. The journey of walking along the beach-where the waves represent life's cleansing trials-leads to this sacrifice. But this sacrifice isn’t the destruction of the self. Instead, it’s the transformation and rebirth of the spirit. Through purification, the spirit rises, reborn into a new form. This is a symbol of salvation and revelation, showing that everything-the path, the fire, the sacrifice-is all part of God’s work. Although we may feel as if we’re doing the walking, it’s truly God who carries us, guiding us to revelation. Ultimately, this entire process reflects the illusion of separateness, as we walk through life thinking it’s our journey, our choices, but in reality, it’s God moving through us.

p2 Leonardo (Throat Chakra - Blue) The head chakra and the throat chakra are the same. The head chakra is the same as the throat chakra, but the throat chakra is not the same as the head chakra. Leonardo represents the throat chakra, linked to communication, truth, and expression. What's tricky about understanding this prospect is that we are dealing with above the heart where it is singular so this form of communication that we are speaking upon now is singular therefore it is expressing the single word when we say communication in this respect of the Holy Spirit above the heart it is the single word and as you can see that is the double-edged sword singular. His two swords symbolize the double-edged sword that pierces to the core of being, as mentioned in the Bible, cutting through both soul and spirit. The sword above the heart represents this singular sword of truth, which is sharp on both edges. But below the heart, this one sword is symbolically expressed as two swords-each with a single sharp edge. This duality is the example of the one sword, much like how the Word of God itself is represented by the Eternal sword in the scripture but is perceived through duality as two. And keep in mind that when we say the word is singular we're not saying that it is like one word this singularity is an expression of infinity. This dual symbolism is why Leonardo wields two swords, yet they represent the oneness of the Word, which is infinite. The two swords are a reflection of the one sword, which itself is an example of the infinite Word. The Word is singular, yet it expresses itself in duality-sharp on both edges above, and sharp on one edge each below, reflecting duality. The two swords also reflect the duality of communication, which means a paradox of truth and lie, where there is only the divine, unimaginable truth. Truth flows from the head chakra, corresponding with the stomach chakra, and down to the throat chakra, which is up to the solar plexus chakra, cutting through both soul and spirit of the heart. The head chakra and the throat chakra are interconnected through a dual paradoxical simultaneousness-the head and the throat are the same. The head is the same as the throat, but the throat is not the same as the head. This duality creates unity within opposition, with Leonardo embodying the voice that speaks the infinite Word of truth, guiding with clarity. Leonardo, as the leader, embodies the power of communication and truth, guiding others with his clarity and sense of justice, representing the voice that speaks the wisdom flowing from above. The Symbolism of the Turtles' Mutation The turtles’ mutation symbolizes the transition from a horizontal, reptilian consciousness to a vertical, standing form. However, they maintain their reptilian appearance, symbolizing that they are halfway through their spiritual evolution. Their standing form represents the seed of evil rising from the earth, as they emerge from their shells, much like reptiles break out of eggs. This breaking of the shell symbolizes the transition from dormant potential to active, awakened energy. The shell symbolizes the protective dome over the earth, much like the cornea of God's eye, or the cosmic egg from which all creation emerges. In nature, this concept of the shell can be seen in the exoskeletons of crustaceans, the eggs of reptiles and birds, and even the outer layer of seeds and nuts. This protective enclosure represents the nurturing environment needed for consciousness to grow and evolve. Amphibians, reptiles, and birds are born within shells, while mammals are born in the womb, and asexual beings reproduce without either. These various methods of birth reflect stages in the evolutionary process of consciousness: Etheric and gaseous realms - representing life’s subtle beginnings. Mineral consciousness - grounded in fixed form. Vegetable consciousness - representing growth, movement, and life rooted in nature. Animal consciousness - introducing mobility, instinct, and sensation. Man’s self-awareness - culminating in individuality and the capacity for reflection. The Overman - transcending human limitations and integrating all previous consciousness levels into one. The chakra system is deeply connected to these stages of evolution: Crown Chakra (Violet) - Represents higher consciousness and spiritual awakening (Donatello), holding the dual aspect of violet/indigo. Head Chakra (Indigo) - Signifies intuition, divine light, and the Son of God. Throat Chakra (Blue) - Symbolizes communication, intellect, and expression (Leonardo). Heart Chakra (Green) - Represents compassion and self-awareness, reflected in the turtles' green skin. Solar Plexus (Yellow) - Reflects willpower and energy (Michelangelo), holding the dual aspect of white. Sacral Chakra (Orange) - Governs reproduction and animal consciousness. Root Chakra (Red) - Symbolizes grounding, survival instinct (Raphael), holding the dual aspect of black. The process of moving from the seed to an upright being is an essential metaphor for spiritual birth. The cracking of the shell represents the transition from lower, dormant stages of consciousness into awakened states, mirroring the rhythm of tides, the pendulum swing of night and day, and the fluctuations of spiritual growth. As the shell cracks under this pressure, much like the push and pull of natural forces, it signals the emergence of a higher awareness-standing upright in the dream world as a symbol of evolution, birth, and transcendence. Each layer of existence, from mineral to overman, reflects the upward spiral of life’s journey toward higher consciousness, with the breaking of the shell representing the moment of spiritual transformation. The head chakra, represented by indigo, corresponds to the Son of God, the divine light of darkness, and signifies the consideration of non-consideration. Symbols are shown as white or a white dot with a dark background (not black, but darkness). God the Father represents non-consideration. Indigo isn’t directly mentioned because its nature is ineffable, symbolized as beyond imagination-also called unimaginable. It is the image that cannot be thought of or seen but only imagined. Leonardo takes on blue, symbolizing the throat chakra, which relates to the Holy Spirit, the third person of the Godhead, holding the symbol of "consideration." This is why the Holy Trinity is referred to as God the Father (holy), God the Son (holy), and God the Spirit (holy). Understanding "holy" as meaning ineffable is key, though just saying the word "ineffable" creates a paradox. Since it cannot be thought about, it must be imagined. Because it cannot be imagined, what is imagined is upside down, backward, and inside out. This is non-consideration, and in our condition (upside down, backward, and inside out), we perceive this non-consideration as nothingness or emptiness-like the empty space we cannot see, or the wind, or the invisible mind. We see the images, but not the light itself. Right now, as you look through the atmosphere, you don’t see everything that’s there. You only see where light lands, is absorbed, refracted, and reflected. What you're seeing is just the effect of bouncing light. For example, light comes from the Earth (the Spirit), through the atmosphere, and up into the sun. The sun, in turn, produces a dual response, which proposes the moon-reflecting the Earth. This forms a four-point triad: duality in a point of singularity, which is infinite. The turtles represent this four-point triad. With four turtles, one point cannot be considered-Donatello-leaving three. Of these, one is unimaginable, leaving two-Michelangelo and Raphael. The nature of these two is a dual paradoxical simultaneousness: Raphael represents the spirit of the Earth, while Michelangelo represents the sun in the sky. The spirit of the Earth is the moon rising to become the sun. As the sun goes down, the moon appears to rise, though it stays consistent while the sun moves up and down. The Holy Spirit is both clear (unseen) and tied to the imagination of man, reflecting the "seen." The throat chakra corresponds to the solar plexus through polarity switching. The solar plexus, connected to the sun in the sky, hasn’t yet manifested as the sun but represents the non-consideration rising to become the consideration of non-consideration, eventually taking form.

p1 The Teenage Mutant Ninja Turtles: A Symbolic Journey Through Chakras, Consciousness, and the Spiritual Path The Teenage Mutant Ninja Turtles symbolize various chakras, energies, and spiritual principles. Their weapons, colors, and the setting of the story hold deeper meanings when viewed from an occult perspective. There are four turtles presented. Of these four turtles, only three can be considered because of those four, one is ineffable-that's Donatello. What's left is three turtles. Of these three, only two can be counted because Leonardo is the symbol of that which cannot be imagined. So now that leaves us with two turtles: Michelangelo and Raphael. These two turtles that are left are one, for their relationship is dual paradoxical simultaneousness. Michelangelo is the same as Raphael. Michelangelo is the same as Raphael, but Raphael is not the same as Michelangelo. The number 4 in its symbolism represents the cube, and that's what this is symbolically showing by presenting the four turtles: the essence of the earth being a cube with its four cardinal points, described as the Garden of Eden with its four rivers, four gates, four angels, four seasons, and the four valves in the heart. Green and the Heart Chakra The turtles' green skin connects them to the heart chakra, symbolizing growth, balance, and connection with the earth. The heart chakra also represents Mother Earth, horizontal in its natural form but transforming to stand erect in the dream. The turtles' existence in the sewers-filthy and filled with refuse-symbolizes a journey through the shadow, where balance is achieved through confronting the discarded or rejected parts of ourselves. Donatello (Crown Chakra - Violet) Donatello, symbolized by violet, represents the crown chakra, the highest chakra associated with spiritual connection. His weapon, the staff, represents the one-an erect symbol stretching from the crown to the root, linking the highest and lowest chakras. The staff, in its phallic symbolism, represents the consideration of non-consideration, the ineffable that holds the entire structure of existence. Donatello is not the leader, but he represents the ineffable source, the foundation that cannot be fully described but supports all other forms. His staff also represents the staff of Moses, symbolizing divine authority and the transformation of spirit, as well as the serpent. In addition, it mirrors the caduceus of Hermes, symbolizing balance, healing, and the union of opposites. The staff serves to unite the highest and lowest chakras, illustrating the journey of spiritual ascent and the concept of the cube as a symbolic structure representing stability and connection between the physical and spiritual realms. Raphael (Root Chakra - Red) Raphael is associated with the root chakra, symbolized by red, the grounding force, representing primal, sexual, and survival energy. His weapons, the sai, represent the Holy Trinity and the Unholy Trinity, a duality that reflects the tension between creation and destruction. The root chakra, being at the base, corresponds with the crown chakra, creating a dual paradoxical simultaneousness-two opposing forces that exist as one. Raphael’s anger and fiery nature embody the primal energy of the root, where passion and survival instincts burn intensely. He fights with his heart, carrying relentless sexual and primal energy that fuels his spirit's transformation. Michelangelo (Solar Plexus Chakra - Yellow) Michelangelo represents the solar plexus chakra, which is connected to personal power and energy. His nunchucks symbolize duality-the sun and its golden rays and the moon with its silver, cool light. One nunchuck is tied to the sun, symbolizing warmth and life-giving energy during the day, while the other corresponds to the moon, reflecting cool and gentle illumination at night. Michelangelo, being carefree yet powerful, embodies this balance between day and night, sun and moon, warmth and coolness. Raphael, the spirit of the Earth, rises through the harmonic between the stomach and root chakras, which represents sexual energy, also known as libido or the devil-our accuser. This energy symbolically protrudes from the Earth, pushing upward into the atmosphere, where we encounter the symbol of Azazel. In this "atmos-fear" or atmosphere, we find the symbolic placements of the sun and the moon, each taking their respective roles. The sun, in this symbolic framework, becomes Michelangelo, representing the ego drive and energy force of the seven rays that shine back down through the atmosphere. This symbolizes the dawn-the beginning of a new day. Michelangelo, depicted as yellow, is the symbol of the sun, and this sun also holds a dual aspect: the sun and the moon. As the sun rises, it transitions to become the moon, representing the movement from evening to morning, and with the morning comes the dawn, the Earth becoming the sun once again. The solar plexus connects to the stomach chakra, and Michelangelo's golden rays give light to the world, providing life and energy as his spirit rises vertically in the dream world.

p4 So, if we look at the capital letter D in reference to the sun and moon, and place the sun and moon where the angles meet, the sun would be positioned at the very top, and the moon would be positioned at the very bottom of the straight line. Without going into an extensive explanation once again (as I've already done before), when we take this capital letter D-understanding the placement of the sun and moon-and turn it so that it resembles a smile, we then see that, from being vertical, it becomes horizontal, and the position of the sun and moon moves from an up-and-down relationship to a left and right polarity across the heart. In further explanation, you’ll see how this also reflects the different moon phases, showing a symbolic discourse within man. These moon phases symbolize the stages of purification and development that we go through. There are many other ways this symbolism can be defined, but for now, this serves as a clear representation of how the capital D holds the meaning of transformation and cyclical growth through the sun and moon's interplay. Let’s focus on the symbolism in the word devil. When I look at the capital D or lowercase d, I see the Trinity. The D represents God the Father, and God the Father is also God the Son-this is a dual paradoxical simultaneousness. The D carries this duality, showing how the Father and Son are one in essence, though distinct in symbolism. When we move to the "evil" part of the word devil, it’s essential to understand that evil can be viewed as the mirror reflection of live. If you take the word live and reverse it, you get evil, symbolizing a reversal of life. But this isn’t about physical death, as we commonly perceive it. Instead, it’s about the illusion of death-an inversion of eternal life. This backward reflection shows that what we interpret as evil is tied to the idea of life being turned on its head. When we analyze this symbol upside down, backward, and inside out, it reflects the unholy father or Satan, which is a distorted version of the Father. This encapsulates the concept of evil being a shadow or inversion of life and holiness. In this way, the capital D represents the dynamic relationship between the divine and the distortion that leads to the illusion of death, showing us how life and death, good and evil, are intertwined in paradoxical symbolism. What I'd like to explain now is the symbolic position of the devil. Between the root and stomach chakras, there is a harmonic. The root chakra takes on the symbol of Satan, representing the adversary. The harmonic between the stomach and root chakras is the symbol of the devil, who acts as the accuser. The stomach represents Beelzebub, and the devil, positioned underneath the stomach, acts like a fire that heats the cauldron (the stomach). This fire is sexual energy, and this harmonic between the stomach and root chakras corresponds with the harmonic between the heart and solar plexus, which symbolizes Helel, where we find the Black Sun. When people say the Black Sun is placed at the center of the Earth, this can be understood symbolically. In different perspectives and analyses, things can be placed anywhere, but ultimately, they become positioned in specific places, like the Black Sun being positioned in the heart. The pupil of God’s eye symbolizes the heart. As we move through this shadow into the dream, there’s a switching of polarity-so the Earth becomes the heart, and the heart becomes the pupil of God’s eye. Think of this as moving into someone's mind, their imagination, or their dream state. When describing the rising of the spirit from the root, which is the seed, it moves through the Earth and rises to become the Sun in the sky. The root is one stage in this process, and the harmonic above it is another, leading to the stomach. The seed in the ground grows within itself, and where it’s heading is also to itself. The spirit of the Earth rises to become the Sun, and this Sun is the spirit of the Earth, which also exists within the moon. I honestly believe that we are in the moon, though not in literal terms-this is elusive. We are in Maya, the illusion, and we are the moon. You can’t go to the moon because we are both in it and are it. Some may call me crazy, but I call those who don't look deeper crazy for accepting the surface-level indoctrination. Reality seems to be an initiation and an indoctrination through stages of development for awareness. It may seem like those in power are hoarding information, and in a way, that’s true. But it has to be that way because people can only handle as much truth as they are ready for. Each stage of development shapes a person’s stance-whether it’s atheism, agnosticism, religion, spirituality, or moving further into metaphysics or becoming an occultist. The discourse of these stages of development cannot be understood in terms of time, space, or matter, because in the infinite, time doesn’t work the way we think. Every moment occurs infinitely, though we may believe that moments pass and cease to exist. This infinite cycle remains elusive and cannot be fully comprehended or imagined. In the stomach, in the moon, in this fallen state and illusion, there is no truth. Hopefully, you can see that now. I hope you'll change the way you speak when making truth claims. In this realm, where we are in the dream, there is only belief-there is no knowing. I think I’ve said enough for this talk. There’s a lot more to explain, and I’ll be talking about it in future discussions. Let me end by reminding you not to intellectualize this too much. Don’t think that by understanding a symbol, you suddenly “know” something, because that symbol may change tomorrow while remaining the same. Symbols are fluid like water-they are elusive and ever-changing. Now, let’s focus on the first three elements: The first element is space, which includes air and breath. The second element is fire or light. The third element is water, which also represents spirit. These three elements reflect the Trinity-Father, Son, and Holy Spirit-and help us understand the relationship between these elemental forces and our spiritual existence. This is a lot to process, but when we examine these elements, we see they are not solid. Even with water, which we think of as solid, liquid, and gas, the solidity is an illusion. I’ll cover more on this in future talks to clarify it. For now, I'll leave you with this: the flow of these elements, like water, is elusive. It's not something you can confirm with your senses-it is intuitive. Amen. Let it be so.

p3 As we flip the D upside down, backward, and inside out, it begins to look the same as it did originally, but it’s not. It’s now inside out, and this creates a deception because it suggests one thing but cannot be fully understood or described for what it truly is. What we are dealing with is the wolf in sheep’s clothing, but we must remember that the wolf in sheep’s clothing is also the sheep in wolf’s clothing. This is the essence of dual paradoxical simultaneousness. In this reality, there is only one way-a dual interdependent relationship that manifests through two paths, but ultimately there is only one way. It’s not two ways with two paths, but one way with two paths, like the forked tongue of a snake, the Y chromosome, or the question of why. Even the letter Y symbolizes this-one way but two paths. Additionally, when speaking of the X chromosome, it represents the legs open during copulation, and once copulation is completed, the legs close to form the Y. The holy is ineffable, which means it is both good and unimaginable, and our idea of good arises through its contrast with evil. It is this contrast that points toward the unimaginable good, which embodies the ineffable. Ultimately, what we are witnessing is a miracle-the ineffable, unimaginable, and unseen coming into form, becoming imagined so that it can be seen. In our existence, the ability to see and experience this is a profound miracle. Even from the standpoint of an occultist, this realization is awe-inspiring. It leads one to fall to their knees and worship the Almighty with all their heart, mind, strength, and soul. As we continue this discourse on the capital letter D, we turn it and turn it again, like a key within a lock, and with each turn, more symbolism is revealed. Just as we can only see one side of the moon, the right side of the capital D represents the different moon phases. The overlay of symbolism here is vast, and it’s difficult to know exactly where to begin. I try to remember as much as I can and express it quickly before I forget, which is why it sometimes feels spontaneous or scattered. As we continue to contemplate, we come to understand that in knowing nothing, we experience reality like listening to others in a dream, like hearing the crowd murmuring in your sleep. What are they saying? Listen, and you will hear them. As you can see, I’m speaking symbolically here because what I’m describing cannot truly be spoken about or even fully conceived in thought. I know this sounds strange, but this is exactly why it’s called the occult. When you look at the capital letter D, the center represents the consideration of non-consideration, the curved line on the right is consideration, and the left side is non-consideration. If you understand how to deduce the formula through the 3-6-9 paradox (which should now be easier to follow), you’ll see that the nine different ways of understanding the Trinity-upon each point of its initiation-always center on the second person of the Godhead. This is because the one is infinite and represents the all. When we analyze the symbol of the capital letter D: The right side symbolizes mentalism. The center represents the all, and it's important to clarify that when we use the symbol called the all, we are not saying everything. The all is a symbol for the one, the Christ, the Son of God, and the light of God-it is a symbol for that which is beyond imagination. In Christianity, this is the Christ, the second person of the Godhead, through whom all creation was made. However, this concept exists across various worldviews and spiritual traditions. In Hinduism, the parallel can be found in Vishnu, the preserver and divine sustainer of order, or Krishna, the avatar of Vishnu, who bridges the divine and human realms. Similarly, Atman, the inner self or soul, can also reflect this idea of connecting the human and divine. In Judaism, particularly in Kabbalistic thought, the sephirah Tiferet plays a similar role. Tiferet represents beauty, harmony, and balance, often acting as the intermediary between the higher, ineffable aspects of God and the lower, manifested world-much like Christ as the intermediary in Christian theology. Islam doesn't have a divine intermediary like Christ but instead has the Prophet Muhammad, who serves as the final prophet and mediator between God and humanity. The angel Jibreel (Gabriel), who revealed the Quran to Muhammad, plays a key role as a messenger of divine wisdom, similar to the role Christ fulfills in Christianity. In this sense, we see a parallel between these figures as intermediaries of divine knowledge. In Buddhism, you could compare Christ to the Bodhisattva, beings who delay their own enlightenment to help others attain it. The Buddha himself, as an embodiment of divine wisdom and compassion, aligns with this role of a mediator between the transcendental truth and the material world. In Daoism, the Dao (the Way) is the ineffable source of all creation, and the sage Laozi can be seen as revealing this divine truth to humanity, much like how Christ reveals the divine logos in Christianity. Laozi’s teachings help guide followers toward alignment with the Dao, mirroring Christ’s role as the way to God. In Hermeticism, Hermes Trismegistus represents a bridge between the material and spiritual realms. Hermes, like Christ, carries divine wisdom and serves as a manifestation of divine knowledge, showing the connection between God and the universe. So, while the all is mind and the universe is mental, this idea of a divine mediator is found in different forms across various spiritual traditions, always pointing toward the divine, ineffable truth. The left side represents non-consideration. Another important point is that when we later look at symbols that propose a left, center, and right above, when we move below, things will seem aligned in the same way, but they aren’t. Everything flips-upside down, backward, and inside out. For example, what appears as the left-hand path above becomes the right-hand path below. Because these polarities shift and the process is paradoxical, it can feel counterintuitive. What we think should be said for God is sometimes said the opposite way. This concept can be hard for those in spiritual immaturity to grasp. For instance, something held in high reverence might also contain symbols of something ugly, and that’s difficult to accept. However, these contrasts are essential. Symbolism demands that we reflect on both the glorious and the ugly together. Through this process, we must always remember that we know nothing-we aren’t really saying anything ourselves. This is simply the finger of God pointing the way. Symbolic Analysis of the Capital D: Enclosed Space: The enclosed space within the capital D symbolizes an abode or a closed system, which highlights containment and limitation. Duality and Reflection: The D embodies dual aspects-the visible and invisible, the considered and non-considered. The ineffable side is upside down, backward, and inside out, representing the paradoxical nature of reality. Lowercase Letter d: While similar to the capital D, the lowercase d has different proportions and placement, which can alter its symbolic meaning. This difference becomes especially relevant when analyzing the word devil. When we say that the capital letter D is a symbol of the moon, we must first understand what the moon represents symbolically. The moon is an illusion. It doesn’t exist in the way we perceive it. While it might seem like we’re seeing the moon, we’re actually observing an illusion within the dream of our perceived reality. The capital D as a symbol of the moon represents something that doesn’t exist in its own right. This illusion is deeply tied to the Son of God, the light of God, who is singular and infinite. The Son cannot be spoken of directly because the nature of the Son is beyond words. However, we can understand the Son and the infinite through the illusion of the moon, just as we understand the infinite through what we perceive as finite. The moon is a reflection of the Son, like a wolf in sheep's clothing. The paradox is that the moon is not only an illusion but is also tied to the Earth. In this sense, the Earth is the moon, and everything becomes a reflection of the same elusive reality. Despite this, we say the moon doesn’t exist because we are dealing with layers of illusion and paradox that prevent us from fully grasping the truth.

p2 Final Thoughts on the Letter E The capital letter E is more than just a letter in the alphabet. It represents a profound structure of tiers, duality, and inversion, reflecting the full body of God. Every letter, especially E, carries a deep significance in how it translates down through reality, touching on everything from numerology to metaphysical principles. It’s important to remember that while letters and words seem distinct, they are all part of an illusion of division. There is, at its core, only one-whether that’s one number or one letter. Everything else, including E, is a symbolic expression of that oneness and infinity, reflecting the ineffable. In the ancient Hebrew language, the term Elohim is used in the original text of Genesis to describe God. The word Elohim appears in Genesis 1:1, where it is stated, "In the beginning, Elohim created the heavens and the earth." This term is plural in form, which often leads to confusion about whether it refers to multiple gods, but it does not. Instead, it symbolically represents the Trinity in a singular form, as one God. Elohim reflects the dual nature of God-both above and below, which might seem like a duality but is, in fact, a singularity. This singularity represents the infinite nature of God, which transcends human understanding. The plural form of Elohim is not suggesting multiple gods; instead, it is symbolic of the Trinity, where what appears to be three is actually one. Within the Trinity: The ineffable cannot be comprehended or considered by human minds. The invisible also cannot be considered, but in an abstract sense, we attempt to imagine it. This creates a paradox: we are constantly trying to imagine what is beyond imagination, but the true essence of Elohim remains infinite and beyond words. The duality we perceive (such as above and below) is an illusion, for below is not truly the same as above, yet they reflect each other in a mirrored way. This paradox of above and below not fully aligning illustrates that our concept of duality is, in truth, part of a singular, unified reality. In essence, Elohim encapsulates the idea that what seems dual is actually a singular infinity, beyond our capacity to fully understand. Explanation of the Letter E Sound Across the Chakras When analyzing the musical notes corresponding to the chakras, from the crown to the root, there is a consistent E sound in most of the notes, except at the heart chakra. Here’s the breakdown: Crown Chakra (B note) - You can hear a clear, long E sound, like the /iː/ sound found in words like "see" or "tree." Third Eye Chakra (A note) - The same long E sound continues, like in the word "be." Throat Chakra (G note) - Again, the E sound is present, pronounced as /iː/ in words like "me" or "free." Heart Chakra (F note) - Here, the sound shifts. Instead of a long E, it becomes more of an "eh" sound, similar to /ɛ/ in words like "bed" or "head." This is a shorter and crisper sound compared to the others. Solar Plexus Chakra (E note) - The long E sound returns, continuing the pattern with words like "he" or "seat." Sacral Chakra (D note) - The same long E sound as in "be" or "key." Root Chakra (C note) - Once again, the long E sound is clear, as in "see" or "tree." Phonetic Explanation Long E (/iː/): Found in most chakras, such as the Crown, Third Eye, Throat, Solar Plexus, Sacral, and Root. This is the long E sound, as in "see" or "bee." Short E (/ɛ/): Unique to the Heart Chakra (F note). This is the sound heard in words like "bed" or "head"-a crisper, shorter sound. Importance of Capitalization Capital Letter D: When the word "Devil" stands alone, it typically begins with a capital "D". This capitalization alters its symbolic meaning in occult analysis. Lowercase Letter d: When preceded by the word "the" (as in "the devil"), the "d" becomes lowercase. This change affects how we interpret the word symbolically. Significance: In occultism, every detail is critical. Even the difference between a capital and lowercase letter can significantly impact the interpretation of a word or symbol. Analyzing the Capital Letter "D" Capital Letter D Structure and Symbolism: Vertical Line (Pillar): Represents a connection from the crown (higher consciousness) to the root (base consciousness). Curved Line on the Right: Signifies consideration-what is visible and acknowledged. Invisible Curved Line on the Left: Symbolizes non-consideration-the hidden or ineffable aspects. The line that extends from the crown down to the root represents the consideration of non-consideration. It's important to pay attention to the distinction I make when I say “the” before certain things. For example, when we speak of the consideration of non-consideration, I use “the” before it. However, when I refer to non-consideration by itself, I do not say “the non-consideration”. It is simply non-consideration. I often forget and mistakenly call it “the non-consideration,” but it’s a very important nuance that needs to be remembered. As for consideration, which is placed upon the third person of the Godhead in its dual nature, it cannot even be acknowledged directly. Yet, it is acknowledged through the imagination of man, and this is where we place consideration. This is not called “the consideration”-it is simply called consideration. To be clear: Non-consideration The consideration of non-consideration Consideration This follows the order of God the Father, God the Son, and God the Holy Spirit. When we analyze the capital letter D and focus on the straight line that extends from the crown to the root, we are witnessing the one. This one represents the dual paradoxical simultaneousness of the relationship between the ineffable and the unimaginable. The letter I by this pillar symbolizes the singularity-not just a singular point, but the one unfolding into many. This idea, which today’s world searches for, is the singularity that represents the idea itself. This implies that reality is fractal and holographic in nature. Just as we describe the Earth as the spirit rising to become the Son, the Son projects the moon, and the moon reflects the Earth. When we analyze the capital letter D, we see on one side a curved path that forms a closed system from the crown to the root. Through intuition, not belief, we understand that on the other side, we cannot see or symbolize what is truly there. The right side of the capital D represents the ineffable and the unimaginable coming into form, becoming imagined and transforming into movement. This is understood symbolically through letters, numbers, sounds, and geometry, though it remains abstract in nature. For example, without going into too much depth, consider the symbolism behind the phrase "thank you." When we say "thank you," we are essentially saying A, E, U. This can be roughly translated to mean that the full body of the Father of God is singular through the dual nature of 'I' seen as you. This is just one way, out of many, that words can be symbolically translated. Now, in terms of the phallus, the center line of the capital D represents the erect phallus. The right side shows what is not erect after intercourse, symbolizing a process. On the left side, representing non-consideration, you can symbolically place the testicles. This encapsulates the process from impregnation, to gestation, to birth, life, and death, all within the closed system of the capital D. This symbolic process deserves further explanation to clarify the deeper meaning. I’ll explain more as we progress, but it’s important to understand that the capital letter D encapsulates both above and below-though there is, in reality, no below; only the above. This paradox implies that because there is no below, we cannot truly count the above either. The counting happens through the illusion, which makes this symbolic process both strange and fascinating. What’s difficult to express is the dual paradoxical simultaneousness of the capital letter D. The right side and left side demonstrate this paradox. The right side represents something enclosed, under pressure, and temporal, symbolizing mentalism. The left side, though invisible, represents what is open and unseen. We can’t compare what is untruthful to what is true, which makes this paradox complex. Ultimately, we return to our heart, where we view this with a single eye in deep meditation. Another important aspect of understanding the capital letter D is to view it symbolically as a man standing upright. This represents an active state. However, there is a progression where the man must eventually go to sleep, and this shift in states is a reflection of how things are turned or flipped-not just literally but symbolically. In this process, each state-past, present, and future-remains connected, continuing a pattern that grows more complex yet follows a distinct formula. So, if we now present the capital letter D as a man standing up, we must also acknowledge that the man goes to sleep. To symbolize this, we can turn the capital D on its side, and it begins to resemble a smile. The line that separates the above and below still exists, but now the below remains enclosed. This is where the symbol takes the form of a U, but it's not distinct because the line through the heart closes off the U. However, this is just one stage.

p1 The Paradox of the Devil Unveiling the Illusion of Reality through Symbols of the Moon Sun and Spirit Analyzing the Word "Devil" Through an Occult Perspective In this discussion, we will analyze the word "devil" using occult principles, focusing on both the capital and lowercase forms of the letter "D". We'll explore how the capitalization of the word changes its symbolism and interpretation within the occult framework. Approach to Occult Analysis Humility and Intuition: To decipher reality, we must acknowledge that we know nothing and rely on intuition. True understanding comes from deep contemplation and meditation. Beyond Words: The answers we seek are often beyond verbal or written expression. Intellectualizing information can limit our grasp of profound truths. Dual Paradoxical Simultaneousness: Reality is full of paradoxes. According to the seven Hermetic principles, especially the principles of Mentalism and Correspondence: Mentalism: All is mind; the universe is mental. Correspondence: As above, so below; the macrocosm and microcosm reflect each other, but with inversions-things may appear upside down, backwards, or inside out. Key Concepts Every Detail Matters: In occult studies, precision is essential. Small changes can lead to entirely different interpretations, much like the exactness required in microchip design or computer programming. Meditation Over Intellectualization: It's crucial not to get caught up in purely intellectual definitions. True understanding transcends words and must be felt intuitively. The Limitations of Language: Recognize that language has its limits. Some truths are beyond expression and require personal insight and spiritual elevation to comprehend. Paradoxes in Reality: Embrace the paradoxical nature of existence. Accept that things may simultaneously be and not be, and that understanding often requires looking beyond the apparent. Analyzing the Symbolism of the Letter E in "Demon" and Beyond When we break down letters, especially in the word "demon", we start to see that the sound of the letter E appears frequently and has a deep symbolic significance. However, this isn't just about the sound itself-it's about the letter E as a symbol, how it’s structured, and what it represents in the larger context of numerology, geometry, and metaphysical understanding. The Capital Letter E The capital letter E is crucial because it shows up often in different contexts. To fully understand it, we need to break it down symbolically by looking at how it reflects the full body of God and its different levels: Three Tiers of the Body of God: The top of the capital E represents the crown, the highest point. The middle line symbolizes the heart, the center of being. The bottom line signifies the root, grounding everything. Open and Closed Sides: On the right side of the letter, it’s open. This shows that there’s an outward consideration, an opening. On the left side, there's a vertical line connecting the crown to the root. This closes off the body, signifying the structure and boundary that holds the body of God together. The Inversion of Below: The line in the middle of the capital E separates the above and the below. Everything below this line is upside down, backwards, and inside out. This reflects the relative nature of what is below the heart, compared to what is above. So, while the above remains consistent, what is below becomes a reflection that is inverted and altered. Letter E as a Symbol of God’s Body The reason E shows up so frequently is that it symbolizes the tiers of God’s body-the crown, heart, and root. These three parts of existence express themselves within the structure of E, with the open and closed sides representing the dual nature of consideration and non-consideration. On Letters, Numbers, and Infinity Moving deeper into the symbolism, we realize that letters and numbers are intertwined. In fact, they deduce into one another. Letters, when fully analyzed, reveal their numerological and geometrical essence, and from there, they break down further into tones and sounds. Once you can’t hear the sound anymore, it moves into the metaphysical and eventually becomes abstract. One Letter, One Number: There is, ultimately, only one letter-just as there is only one number: the number 1. All other numbers (and letters) are illusions derived from the one. The number zero represents non-consideration, while two is the one being considered. Everything beyond this is a reflection, an illusion. Infinity and the Ineffable: The number 1 is a symbol for infinity, which itself is unimaginable. The symbol we have for infinity points to the ineffable-that which cannot be described or considered. And since it’s ineffable, it isn’t truly shown, because its nature is beyond any expression. The Role of Letters in Numerologics Letters eventually reduce down to numerologics (numerology + logic). This brings them to their core symbolic meanings. From there, the geometry of the letters connects to tones and sounds-the vibrations that underlie reality. When those tones can no longer be heard, they ascend into the metaphysical, and finally into the abstract, where they touch the infinite point of infinity itself. This journey of reduction, from letters to numbers, geometry, and sound, leads us to the consideration of non-consideration. This is the point where we reach the nuance of what is considered and what is ineffable.

p2 Now we're going to talk about some symbolism that I've noticed from a cartoon that my brother used to watch years ago called Ninja Turtles. Specifically, we're gonna be talking about the character in that TV cartoon called Krang. Just as the yellow sun in the sky is symbolically explained in terms of its role and position, the same deep symbolism can be applied to Krang and his structure in Teenage Mutant Ninja Turtles. Krang’s Technodrome isn’t just a science-fiction machine-it serves as a metaphor for biological systems, dimensionality, and the evolution of chaos in the future. 0. Krang and the Cranium: The Brain Flipped Inside Out The name Krang can be interpreted as referencing the cranium, the part of the skull that houses the brain. However, in Krang’s case, the symbolism is flipped upside down, backwards, and inside out. What is normally the brain above (inside the cranium) is now being depicted as the brain below-symbolically represented by the intestines. In this upside-down reality, the brain above and the gut brain below are reflections of one another, with the intestines acting as the processing center just like the brain processes information. This inversion connects to the idea that Krang’s intelligence is coming from a primal, instinctual place, which mirrors the gut brain and represents how these two systems (above and below) function in harmony through this inverted symbolism. 1. Pyramid with the All-Seeing Eye Above the Heart The pyramid with the all-seeing eye represents higher consciousness, perception, and the mind. The upper circle of Krang’s Technodrome, which has an all-seeing eye, corresponds to this higher level of awareness and control-above the heart. The eye is a symbol of omniscience-able to see everything from above, symbolizing the mind’s control over reality and awareness. 2. Underground: Below the Heart, Like Hell Krang’s Technodrome is typically depicted as being underground, symbolizing the realm below the heart-often aligned with Hell or the underworld. This is a dark place of primal forces, chaos, and shadowy knowledge. The underground location reinforces the idea that Krang exists in a state of hidden power, far removed from higher consciousness. Being below the heart signifies a dark intelligence driven by instinct and survival, disconnected from the spiritual light above. 3. Layers of the Body and Machine: Symbolic Representation of the Earth and the Body The Earth in this context symbolizes the human body. We aren’t talking about the literal Earth Krang is in, but instead, the Earth is a symbol of the physical body itself. Inside the body (Earth), we enter the Technodrome, which represents the stomach-the core of digestion and transformation. Just as the stomach processes matter, the Technodrome processes and manipulates the forces around it. This is the first layer we move through. Inside the Technodrome (the stomach), we find Krang’s robotic body. This robotic body represents the intestines. It’s still not fully biological, but it operates as a secondary layer within the body’s process, functioning like the intestines do in digestion. Finally, inside the robotic body (intestines), we find Krang, the brain. Krang represents the core intelligence-the brain within the intestines, or the gut brain. This symbolizes the primal, instinctual intelligence that resides at the deepest layer of the body, controlling from the inside. 4. The Drills and Tracks: DNA and RNA as Virus Movement The drills on the Technodrome represent DNA, and the tracks that allow the machine to move represent RNA. Together, they symbolize the process of viral infection: Drills (DNA): These dig through the Earth, symbolizing how DNA carries the code and is involved in replication. Tracks (RNA): RNA helps move the virus, transporting the genetic code throughout the system, akin to how RNA transfers genetic instructions. This imagery represents a virus that is attaching itself to the Earth and infecting it-moving up and down through the Earth’s layers, seeking whom it may devour (referencing scripture). Krang’s Technodrome thus becomes the embodiment of a viral entity, spreading chaos and disruption as it burrows through the Earth, infecting and controlling. The drills and tracks mirror how viruses use DNA and RNA to replicate and spread throughout a host. 5. Krang as a Symbol of Future Technological and Dimensional Chaos Krang symbolizes a future reality where technology, biology, and chaos are intertwined. As a brain inside a machine, Krang is the result of this fusion of intelligence and technology. His ability to travel through dimensions without directly moving through time reflects a future where dimensionality becomes flexible, chaotic, and uncontrollable. Dimension X represents not another location, but a different time of the same place-parallel realities that exist within the same framework. Krang’s existence below the heart symbolizes dark knowledge-a type of intelligence that operates from the shadow realm, tied to instinct and primal urges. His attachment to Earth mirrors the way viral forces move through and disrupt biological systems. 6. The Universe as a Layered, Infinite Place Krang’s Technodrome, moving through the layers of Earth, represents the layered structure of reality. There isn’t a separate universe-it’s all layers of the same reality, moving through different times and dimensions. His dimensional travels suggest that parallel realities exist side by side, and his machine burrowing through the Earth symbolizes the manipulation of time and space. As technology advances, we come closer to this chaotic manipulation of reality itself. Conclusion: The Viral Nature of Technological Chaos Krang’s Technodrome, with its drills (DNA) and tracks (RNA), represents the viral nature of technological advancement. It moves through the Earth like a virus, infecting and spreading chaos. The recursion of layers-underground, machine, body, brain-mirrors the process by which viral forces move through hosts, disrupting and controlling. Krang is the embodiment of this disruption. The pyramid’s all-seeing eye represents the higher realm of knowledge, while Krang’s position below the heart reflects a deeper, darker intelligence-operating from the shadows to spread chaos and disorder in both technology and biology.

Exploring Music and Notes: Symbolic Connections with Ninja Turtles’ Krang and Dimensional Chaos The Piano and Chakra System: Aligning the Octave with Spiritual Frequencies The piano’s octave serves as an analogy for understanding sound and energy. It contains 12 keys-7 white and 5 black-which correspond symbolically to the chakra system and the dual nature of energy expressed through masculine and feminine aspects. The 7 white keys align with the 7 chakras: Crown (B) Third Eye (C) Throat (D) Heart (E) Solar Plexus (F) Sacral (G) Root (A) The 5 black keys represent harmonic elements, connecting the chakras and forming subtle energetic layers between them. Together, the octave symbolizes the complete spectrum of spiritual sound and energy, from the higher, divine frequencies above the heart to the grounded, manifest energies below. The Masculine and Feminine Energies The chakras above the heart-Crown, Third Eye, and Throat-are linked to higher frequencies that exist beyond human perception, representing infinite potential and masculine energy. These inaudible frequencies form the subtle foundation for existence, symbolized by the corresponding white keys on the piano. The Heart as the Center of Balance The heart chakra (E) serves as the meeting point of the masculine and feminine energies. Here, the duality of existence becomes clear, represented by the tension between two dissonant notes-D♯/E♭ and F. This tension is essential, symbolizing the balance of opposites and the threshold between the infinite and the manifest. Grounding the Energy of the Heart As energy descends to the root chakra (A), the dissonant sounds of the heart merge with the root’s note, forming a diminished triad. This triad represents the grounding of subtle energy into material reality. The infinite masculine energy above the heart transforms into perceptible feminine energy, manifesting through the root chakra and becoming tangible in the physical world. The Transition Through the Stomach and Solar Plexus As this energy rises from the root through the stomach (Sacral Chakra) and solar plexus, it begins to oscillate between the feminine and masculine. The stomach expresses emotional, creative energy, while the solar plexus represents clarity, will, and focus. This constant shift between polarities-like day and night-creates a dynamic rhythm, reflecting the cycles of creation and destruction that define life. The Atmosphere of Potential Between the stomach and solar plexus lies a harmonic space, symbolized by the note C♯/D♭, representing infinite potential. This harmonic key forms the backdrop through which energy manifests, much like an atmosphere that holds the potential for creation without being directly perceived. It exists as a space of infinite possibility, essential to the flow of energy but imperceptible on its own. The Song of Creation The interplay between the stomach, solar plexus, and harmonic key forms a triad-the continuous song of creation. This oscillating melody embodies the cycles of life and growth, as the energies of light and dark, masculine and feminine, combine in a rhythmic pulse. The sound is dynamic and ever-evolving, reflecting the ongoing process of creation and transformation. The Black Sun (HELEL) HELEL, often symbolized as the Morning Star (Isaiah 14:12), plays a significant role in this framework, representing the culmination of the harmonic energies. HELEL embodies the convergence of light and darkness, masculine and feminine, forming a unified expression of energy. The harmonics of the solar plexus and stomach culminate in HELEL, where these energies merge into one. This convergence reflects the dual paradoxical simultaneousness of existence-where the tension between opposites dissolves, creating a state of balance and unity within the Black Sun. Krang and Dimensional Chaos Krang from Teenage Mutant Ninja Turtles offers a deep symbolic reflection of chaos and intelligence, representing inversion and dimensional chaos. Krang and the Inverted Brain: Krang symbolizes a brain turned upside down, reflecting how intelligence can manifest through primal instincts, mirroring the relationship between the mind and the gut. His brain-like form and his position inside the Technodrome, an underground machine, reflect the idea that knowledge can be inverted and chaotic. The Technodrome as a Body: The Technodrome symbolizes the human body. Layers of it correspond to the stomach (digestion) and the intestines (processing). Krang, the core intelligence within, represents primal instinct at the center of control, reflecting the gut’s role in influencing the body’s actions. Viral Chaos: The drills on the Technodrome represent DNA, while its tracks represent RNA. These elements symbolize viral infection-how chaotic forces can replicate and spread disruption throughout a system. Krang’s Technodrome mirrors the process of viruses invading a host, symbolizing chaos infecting biological systems and the Earth itself. Dimensional Manipulation: Krang’s ability to travel through dimensions represents chaotic manipulation of time and space, suggesting that parallel realities exist simultaneously. His actions in Dimension X symbolize how chaotic intelligence disrupts the natural flow of reality. Conclusion: Krang and Technological Chaos Krang embodies the viral spread of chaos, both biological and technological. His Technodrome moves through layers of reality, much like a virus infecting its host, representing the disruption and inversion of natural order. The deeper symbolism of Krang ties into the broader theme of chaotic intelligence-an intelligence that works from the shadows, manipulating and distorting reality.

The Quantum Evolution of Spirit and the Vision of the Pyramid As we witness the evolution of technology-AI, quantum computing, and transhumanism-we must ask whether these advancements are merely about progress or if they reflect a deeper, ongoing spiritual transformation. What if our technological growth is mirroring our spiritual ascent? What if the evolution of machines and our understanding of quantum reality are intertwined with the evolution of consciousness? For millennia, the concept of the Trinity has symbolized unity and the divine structure of reality. However, we are now moving into a quantum paradigm, introducing a new layer to this sacred framework. The fourth point in the cube, the “quantum,” goes beyond the triadic structure into something more complex and hyper-dimensional. When we hear "quantum," it implies more than just a scientific concept. It suggests "quad," a fourth point added to the balance of the Trinity. We are entering a space of multiple states of reality, existing simultaneously, reflecting a new level of spiritual complexity. The hyper-dimensional realm mirrors the dreamlike essence of existence, where information and reality are fluid and shaped by awareness. Our advances in technology, pushing us toward a quantum understanding, parallel the spiritual journey of humanity. This quantum awareness moves beyond the binary of the material world and into a fractal, infinite paradox, symbolized by the cube. The cube is not just a structure-it is the heart of existence, with the observer at its center, representing the fifth element. This fifth element within the cube is a cube within the cube, symbolizing higher-dimensional awareness, a hypercube of spiritual consciousness. It is within this cube that we encounter the quintessence-the very essence of spirit-revealing the hyper-dimensional truth that exists beyond the confines of time and material reality. Penelope's Vision of the Pyramid Penelope stands before the majesty of the pyramid, her position imbued with deep symbolism. She stands just outside the shadow cast by the pyramid, positioned at the apex of the shadow’s point, representing the eye-the single eye that sees. This is not just a physical stance; it represents the eye of the lucid dreamer, Lucifer, the sun in the sky. Penelope symbolizes the moon, with the light of the sun shining within her. Her etheric head is symbolized by the pyramid itself, and as she gazes upon it, she embodies the Holy Spirit, the third person of the Godhead. The shadow she stands near represents the moon, the backside brought forward to see itself, much like the moon reflecting the sun’s light. Penelope’s position reflects the unseen eye observing the pyramid’s capstone, which is not missing but symbolically absent to reveal the ineffable-the unimaginable light of God the Father. The missing capstone does not represent something gone; rather, its absence is symbolic of the divine light, the ineffable truth beyond perception. This is the spiritual awakening-when the eye is closed in the dream, awakening to deeper knowledge. The hieroglyphs at the top of the pyramid, where the capstone would be, signify this deeper understanding. They are inscribed at the apex to show that this spot is sacred, not meant to be covered by a physical capstone. The eye that is missing represents the eye that is single-the spiritual awakening of the dreamer. Penelope's position at the apex of the shadow is crucial. The shadow is cast by the pyramid onto the ground, creating a triangle. Penelope stands just outside this shadow, symbolizing the sun within the moon, balancing light and shadow, ego and divine understanding. While she sees the front of the pyramid clearly, her peripheral vision shows glimpses of the left and right triangles, representing the other faces of the pyramid. These sides, barely visible, symbolize the Father on the left and the Holy Spirit on the right. The triangle before her represents God the Son. Each face of the pyramid, though seemingly flat, is subtly angled, creating two triangles within each face. However, the shadow conceals these angles, hiding their dual nature. The left side of the pyramid, in Penelope's peripheral vision, represents God the Father, while the right side represents the Holy Spirit, the clear and the unclear. This reflects the dual nature of divine understanding-what is clear and what remains obscure. The shadowed triangle Penelope sees in front of her symbolizes a greater light, though it is, in fact, a lesser light-a wolf in sheep’s clothing. Standing in the shadow of the shadow, Penelope perceives this lesser light as greater. The base of the pyramid represents the heart, the foundation of existence, connecting Penelope to the earth. The earth itself, which supports the pyramid, forms the cube upon which the pyramid sits. This cube is the foundation of all reality. The back of the sides of the pyramid-hidden from direct view-represents the ears, symbolizing divine receptivity and listening to what is not seen. The front sides of the pyramid’s left and right faces represent the nostrils, where the breath, or spirit, flows. The angles of the pyramid create this duality, showing movement between spirit and form. The face of the pyramid in front of Penelope, appearing as a single eye, symbolizes the false unity of the ego. This is a wolf in sheep’s clothing-an illusion of a greater light when it is, in fact, a reflection of lesser light. As Penelope knelt in worship, she represented the night, the moon, the divine feminine. This position, symbolizing the fetal position, reflects submission to the dream state. It is the womb of the night, where the moon reflects the sun. As she stands, she symbolizes the sun rising in the morning, embodying the divine masculine. This act mirrors the eternal cycle of night and day, where divine femininity and masculinity balance each other in a continuous cycle. This cycle of standing and kneeling represents the passage of day and night. As Penelope kneels, she enters the dream state, the night, reflecting the moon. When she stands, she represents the sun, the masculine energy, rising to full strength. This eternal cycle reflects the deeper truth: the day impregnates the night, giving birth to another day. Each cycle of light and shadow is a divine act of creation, where the Holy Spirit breathes life into the world, and the sun rises again. The earth upon which the pyramid sits reflects Penelope’s etheric head. When she kneels, her head becomes the earth, symbolizing the dream state, the night. As she stands, she embodies the sun, representing the spiritual ascent through the pyramid’s structure. Her position at the apex reflects the sun rising through the shaft, symbolizing the masculine energy rising to meet the ineffable truth at the top of the pyramid. In this grand symbolism, the sun and moon are intertwined. The moon reflects the sun, and the sun falls back to the earth, becoming the moon once more. This continuous cycle is the heart of spiritual awakening, where each day impregnates the night to give birth to another day, and the dreamer moves closer to the divine. The silver light of the moon at night and the golden light of the sun during the day reflect two perspectives of spiritual understanding. The moon’s light symbolizes intuition and the dream state, while the sun’s light represents clarity and divine truth. Penelope, standing in the shadow of the pyramid, experiences both-the silver light of the night as she kneels in worship, and the golden light of the day as she rises to meet the ineffable truth. This cycle of day and night, light and shadow, is a dual paradoxical simultaneousness-an ongoing interplay between the divine masculine and feminine, the seen and unseen, the clear and unclear. As Penelope experiences this eternal cycle, she embodies the divine truth that exists beyond the illusion of time. The dreamer is always present, even as the dream shifts from night to day and back again. In the end, we see that every day impregnates the night, giving birth to another day. This is the eternal cycle of creation, where the ineffable light of God shines through all things, revealing the infinite nature of existence. Amen. Let it be so.

I thought i saw tesla say something about 3,6,9 years ago

Even if fully repented of theres still a scar ?

Even if DNa could be taken and formed free of virus. Could bad morals be taken out ? Our does that have anything to do with morels on that level

p3 To find this path, one must embrace the Wu Wei-the effortless action that flows in harmony with the will of the Father. This is the true nature of the divine flow, where everything aligns with the light of God, the divine darkness, and the ineffable Spirit that is holy threefold. Only by embracing this can we understand the deeper truth that even the wickedness of people like Crowley is ultimately part of the holy plan, though from the wrong end of the polarity. I've recently been reflecting on the relationship between RNA and DNA as the foundational elements of viruses, and while my thoughts are still developing, I’m beginning to see viruses as a form of consciousness-if I may use that term-that operates by taking on a host. This isn’t meant in a superstitious or literal sense, like the possession portrayed in movies, but rather as a metaphor. Much like a spirit might inhabit a person, a virus attaches itself to a host, functioning independently while also becoming intertwined with the host's biology. One aspect that stands out to me is the geometric patterns and spikes present in most viruses. These structural elements seem to carry a deeper significance that I’m only beginning to grasp. I feel that more meditation and reflection will be necessary for me to fully understand the implications. As I delve further into this subject, I realize that my current understanding is incomplete, and I need to explore more scientific literature on viruses. While I’ve only scratched the surface, I believe there’s a deeper connection between the form and function of viruses that merits further study. I attempted to put together a comprehensive discussion on this topic, but I found myself too reliant on theoretical speculation, and I don’t want to present ideas that could mislead anyone or lack the necessary clarity. For now, I'll refrain from drawing any concrete conclusions until my research and understanding have matured. If I’m unsure about what I’m saying, I prefer to remain silent or openly admit that my knowledge is incomplete, rather than risk confusion or misinformation. The reason I’m bringing this up is because it feels significant: all RNA and DNA-the very building blocks of life-are, in a way, a virus. But you have to remember that everything operates through dual paradoxical simultaneousness-everything is upside down, backwards, and inside out. This can be hard to grasp, especially if you haven’t practiced the occult in a long time. It takes time to get used to seeing things this way, and I don’t mean to sound like I’m telling you what to do. But the reality is, like anything, you get good at what you do. The more time you spend practicing the occult, the better you become at it. If you’re listening to this video and you’re already reflecting on its message, then you’re practicing the occult. So, congratulations-you and I, and everyone else watching, are practicing together, even though we’re in different places and spaces. We’ve all been led to this moment together, and that’s something worth recognizing. Now, about the question: Do we carry our sins with us throughout our lives? To put it simply, we are carried by God throughout our lives. And yes, our sins are carried with us too. But this is more than just a burden-it’s a gift. The gift of this life and everything we experience is ours to give back. We have nothing else to offer to God but what He’s already given us. So, be a living sacrifice. Give back what was given to you. I’m not perfect, and I struggle with this just like anyone else. I don’t want to sound like a hypocrite because I know how hard it is to live up to these words. But under pressure, we can only try to do what feels right. If you’re someone like Aleister Crowley, and you’ve chosen to put down the weight and give up, that’s one way. But if you’re like me, willing to endure the sweat, the blood, the broken bones, and the tears, then accept it all. Because when you heal, you’ll come out stronger. You’ll have more integrity, a sharper awareness, a clearer expression, and a heightened sensitivity. You’ll find peace. Amen. Let it be so.

p2 You may even struggle with the question: Am I supposed to go out and actually do evil now? But this conflicts with your conscience, and you already know the answer is no. Until, in the moment, it becomes yes-because you say no and then commit sin. So, it’s no right up until the moment it becomes yes. But then, ask yourself: Who’s saying no, and who’s saying yes? Who is really the author of all time, of all things, of all actions? It’s already written. The beginning and the end are the same, as scripture describes how Lucifer sought to be like the Most High-just as the ego within man constantly tries to assert itself. Every time we’re faced with a decision, the ego steps in and says, "I’ll make the choice, I’ll be like God." We forget that God is the one who made the choice already, that everything is part of a divine plan. We fight against the natural flow-what in Taoism is called Wu Wei (the way of effortless action). Instead of flowing with what is already written, we struggle, thinking we can impose our own will. This is the moment when the ego believes it is separate, that it has the power to choose between paths, when in reality, the path is already chosen. From the standpoint of the Absolute, everything is already done-it’s holy, perfect, and good. But from our human perspective, it feels like struggle, pain, and confusion. Pain is what teaches us to surrender to the divine will. Much like Job, who suffered in every way-physically, emotionally, and spiritually-yet realized in the end that it was all part of God’s greater plan. Job didn’t impose his will over God’s; he endured the suffering and came to a deeper understanding. When we try to impose our own will, we experience pain as a resistance to the natural flow of life. But when we align with what’s already written, the pressure is relieved, and we begin to see through the single eye of the heart. This single eye I referenced is part of the heart doctrine, also known as the secret doctrine. In fact, this concept aligns well with the extensive work of Helena Blavatsky, who wrote The Secret Doctrine, one of the most profound esoteric works outside of the Bible. The book delves deeply into spiritual mysteries and covers a wide range of teachings, which resonate with the heart doctrine’s symbolism. The term “secret doctrine” (or occult doctrine, as "occult" translates to hidden, obscure, or secret) perfectly reflects this connection, as it explores what is concealed or difficult to understand in spiritual matters. As individuals engaging with the occult, we each go through a process of self-analysis and reflection. This journey is unique to each of us, shaped by our specific experiences and expressions. How we express ourselves is influenced by what we know, how we think, and our personal experiences. Though our expressions may seem different, it's all part of a unified whole. It’s like different colors-from one angle, they may seem distinct, but when combined, they create unity. Just as light, when all frequencies are combined, becomes white, and when all dense colors come together, they become black. The symbolism here runs deep. Adam in the garden represents the symbol of white, but not in a literal sense. Adam wasn’t "white" as we think of physical skin color. Instead, Adam was etheric, a being of pure, clear essence, and not confined by physical attributes like gender or race, yet is described as being androgynous. Similarly, the first woman, who symbolizes man (humanity), represents black-but again, this is symbolic, not literal. These are deeper truths that go beyond the surface and historical imagination. I understand that when I say not to take this literally, and you observe a white man and a black man, it may sound counterintuitive or contradictory. But if you go deeper than what you are thinking now, you'll begin to see the unity beyond the surface. You’ve divided this into two extremes, but through deeper meditation, looking within your heart, and reflecting on the symbolism, you can move beyond mere understanding to inner standing-a realization that transcends intellectual grasping and reveals the true unity beneath the apparent division. In the symbol of the dream of the dreamer being dreamt, we perceive reality as upside down, backwards, and inside out, not seeing the true nature of these symbols. The interplay of these colors-black and white-is not about race or history, but about deeper spiritual truths that speak to the unity of all things. This applies not only to symbols of race, but to historical events as well. What we see in history, or think of as literal, is also symbolic of deeper spiritual realities. Now, when we look at figures like Aleister Crowley, who famously said, "Do what thou wilt," we see someone who reached a certain point in understanding but stopped short. Crowley’s idea of "do what thou wilt" became a misunderstanding of the deeper spiritual truth. He believed it meant indulging in sin and worldly desires-living by the ego and indulging every pleasure-when in fact, this path only led him to become calloused and hardened, disconnected from the true spiritual path. Crowley’s indulgence led him into Satanism and self-love-a path of atheism and self-destruction at the cost of morality, integrity, and principles. He didn’t understand that good and evil are not equal forces that one can choose between freely. Instead, good and evil exist in a paradoxical relationship-good is the same as evil, but evil is not the same as good. Crowley thought that there was a balance between them, not realizing that there is only one way-the will of the Father. Crowley stopped at a point of indulgence, thinking that his actions were his own will, but in reality, everything is already part of the divine plan. His misunderstanding came from thinking that the left-hand path and right-hand path were equal, when in fact, they lead to very different outcomes. The left-hand path leads one back into the cycle of suffering, while the right-hand path leads to release. The true way is single, not divided between left and right.

p1 Carrying the Weight of Sin Upon the Heart Within the Arms of Our Savior First, I want to say that I appreciate the question. Out of all the videos I’ve posted and the monumental amount of information I’ve shared, for all the years I’ve spent meditating on these topics in depth, this is the very first question posed to me. Let that be the first point. Given the sheer amount of information here, I would have expected people to be throwing questions my way left and right, but this is the first one. I appreciate it, and we’re going to address it. The second thing I want to mention is that I’m not a teacher, prophet, or swami. I’m a student, just like you. There might be areas where I’m further along, and in others, you might be ahead. Together, as students with our own strengths and weaknesses, we can support and guide one another as a unity, as it should be. No one here should be trying to outdo anyone else in terms of how much truth they think they have or how smart they want to appear to others. The ego has to be relaxed, and humility must remain at the forefront when practicing the occult. Now, to address the question. I can tell that the person asking it is struggling a bit with English, so there’s a small language barrier. But from what I can gather, the question is essentially asking: Do we carry our sins with us until death? The first thing to do, as an occultist, when addressing a question is to analyze it to make sure it’s phrased correctly and asked in the proper way. Because there’s a slight language barrier and the person asking hasn’t fully elaborated, I have to assume a bit here. Now, to address the question: The answer involves dual paradoxical simultaneousness. The blessing and the curse are the same. The blessing is the same as the curse, but the curse is not the same as the blessing. Nothing in reality exists by mistake, accident, or without purpose. Also, every part of scripture speaks truth from the standpoint of the Absolute. The difficulty lies in interpreting and understanding the internal workings of the Spirit once we know what we are analyzing. Take, for example, someone who says they don’t believe in the rapture, as another commenter mentioned. It’s understandable not to believe if you don’t understand-and it's actually better to say you don’t believe because you don’t understand, rather than simply rejecting it as untrue without any real thought. Now, as for sin: Sin weighs on the heart. The heart is like the soul, a memory of the archetypal body beyond cognitive recognition. You often hear that life is a test, and in a sense, it is, but not because you can pass or fail. It’s more like a test. There’s pressure involved, and under pressure, you have a choice: to either give up because you feel weak and exhausted, or to push forward with everything you have. Pain comes with this pressure. It shows up in different forms, but every type of pain offers a choice. Pain isn’t there just to hurt-it’s there to cleanse and to challenge you. There’s no true choice unless the conscience is activated within the soul, and you’re under pressure-undergoing some form of discomfort or pain. Sin weighs on the heart, creating pressure and discomfort. It's like sitting on a thumbtack-it won’t kill you, but it demands your attention. Now, when you walk into a messy room, your focus isn’t on what’s clean-your attention is drawn to the mess. That’s what stands out. That’s how we’re designed: the conscience notices the dirt, the imbalance. And this happens not because we carry a false idea of good with us (which is always contrasted by evil), but because there’s an innate truth within us. It’s not something we actively acknowledge, because when we fully embody it, it cannot be seen. We are the truth. And because there’s only truth, it can’t be recognized in the typical way-it’s just there. Now, this might seem strange, but remember, reality is upside down, backward, and inside out. Dual paradoxical simultaneousness comes into play here. Our gift is ignorance, and accepting this gift often feels painful. Every inclination of sin weighing on the heart is, in essence, a gift in ignorance for us to act upon. This ultimately becomes an exercise in Holy good, as in heavenly good-not "wholly" as in something complete or a hole in the ground. It’s important to understand that all of the work is already done. For the pressure we’re under and the choice we believe we have before us, there’s really only one way. While it may seem like you have a choice between two paths-like a yes or no, left or right-the truth is that, in that moment, the path has already been chosen for you. It’s difficult to think of this in the way I’m trying to explain it, but I’ll do my best. If there are two options before you, you can only choose one. You can’t split yourself and go down both paths. You might come back later and try the other one, but for the purpose of this explanation, things are set exactly as they are going to be, and it’s already done. You don’t make the choice, yet you do-because your gift is ignorance. In that ignorance, under pressure, being the image and that image in action, the illusion allows you to believe you are making the choice. That belief is part of the gift. Remember, this is only God. This is the Ineffable, the Unimaginable, and the Holy Spirit. We are allowing ourselves to believe we are separate from this while participating in it. So, understand that the dreamer, God, has already completed all of the work. That’s why it is perfect. And when you hear the phrase "He is the Alpha and the Omega"-those are very deep symbols that can be analyzed further-but for now, we’re understanding it within this context as beginning and end. He’s not the middle, because there is no middle. There’s no true beginning or end-it’s all infinite. While we’re going through this process under these conditions, part of your awakening is to always be aware that the work is already done. Everything is divine. It’s upside down, backwards, and inside out. It’s a dual paradoxical simultaneousness, and everything is a gift in perfection. You’re going to have a hard time reconciling this because of the blood you see, the screams you hear, and the pain you feel in your heart. Every part of you will resist believing this is good.

Could blood be what the desert is and people's returning to waters insted of drugs in there blood or desert

I see the thigs you say about reincarnated. But always thought man was pointed one pyisical death

You sins are to carry till its your time?

But where doese his genetics come from.in a way people have lived thousands of years