I don't think so. It's very much in the style of Delgado and Herb Alpert, but to my ears it sounds more like a generic imitation, probably library music by one of the many German orchestra leaders of the time.

We are same age. I loved to dance to that piece. In the sixties.

Back in 1973, during Easter holidays, my parents and sister and myself, along with my uncle, aunt and their kids, drove from Kamloops, British Columbia, down to Phoenix, Arizona, to visit relatives. The trip took several days, and one night we stayed at a motel in Salt Lake City, not far from Temple Square. We managed to find out that the Mormon Tabernacle Choir was rehearsing that night, and that the rehearsals were open to the public. Having listened to Christmas Carols Around The World every Christmas, we were all interested in seeing the choir rehearse - especially my uncle, who was a church choir director. We got there and watched the proceedings for about an hour, and the sound coming from 300+ people and the organ in that large building was incredibly impressive (even for a rock & roller like me). Richard Condie was directing, and he had a commanding presence - which is obviously necessary when you have to lead a group that large. The choir even recorded a song that night: Stars & Stripes Forever by John Philip Sousa, which I found out much later was included on the album of the same name, released that year ('73). Just as they were about to do a take, a couple of people in the audience got up to leave (which was questionable timing, to say the least), and Condie sharply chastised them for picking that moment to make their exit, saying "Surely you can sit through one more number". The people leaving sheepishly sat back down, a sign that read "Recording" lit up, and the choir did the song in one take.