The ringing on the toms is the bottom head not being properly tuned. You have dampening on the top heads. Put your hand on the bottom head. I bet the ring stops. Either the pad button was on on each channel or the master gain was down. The couch is NOT a drum throne. LOL. I wouldn't buy these mics based on this test. They sounded terrible but I think this is user error.

Little Joey Dogface

monitor with head phones or a monitor in a different room. isolation is key.

Hi! Thanks for doing a review for this awesome pedal! Badly looking for that one. Anyway, what's good with that pedal since the pedal sounded some Japanese words. Some of the songs from Hatsune Miku can be played with that pedal so easy. You can check this one kzbin.info/www/bejne/oJnPZpScgap-mtE

I just bought the mixer. Maybe you can help me with something.. I wanna connect my monitor to listen to ourselves on stage. But when I connect the volume is very low, even if I put it on the maximum level.. do you know why this happens?

That's cool

Behringer pedals r so underrated although I love boss pedals the most

It is beyond me this turned out the way it did considering the sheer amount of videos available on KZbin explaining how to do this properly (even with a single microphone). For example: kzbin.info/www/bejne/qYCpiKiMmJ2Cfc0&ab_channel=CreativeSoundLab

love it

Kinda funny that it even has a handle for something the size of grilled cheese sandwich

So which one you like more? Which sounds better?

waiting for the 2nd part where u'll play the bass

Just got mine today. Also new in aqua color. Before buying i was searching for video like this. Well thanks man for the comparison!

Hey, nice work! Your stuff randomly came up on my feed. A couple questions for you, as a fellow musician/creator: What bands are your influences? If you had to compare your music to anyone else's, what bands would you say your music sounds like?

You put a noise cleaner on your sound libraries, and it makes them basically unusable because of hte artifacts. It's better if you keep the noise in,d on't try to clean it.

Do you need a cable for each drum or can you run a few through one cable?

love it, like some mechanical space being is stalking me!

Boys, I think you turned up the channel volume faders not the preamp levels which would have increased your recording levels. The channel faders are for mxing the playing level after recording.

Excellent pedal and just got another one today

This is the style of that one dude ten years ago who had every pedal known to man and demo'd them on the carpet then one day probably because of forum harassment lol he deleted them all

I'd say; play along to yourself, and see if something comes out :)

Add some improv and that can be country or blues

There's something to it

I use Behringer stuff ..I've had no issues with it ever ..

Wow the hiss is horrible. Mic sounds awful. I want one.

sounds rad homie!!

You'll need a aeafoam Danelectro!

excellent

i am aware of the elephants foot . the fact that i never thought to fully take advantage of it in some way like you have done here ., well perhaps that shows you a bit of how much of a failure i truly am . 100 / 100

Now I want an Orange

Your Amp is simply acting as your head..Those Orange cabinets are so sweet..I would continue to run them both......

🦜

I love that 💜

Super it❤

I have only had this a day and I love it already. Just using it to sing and play guitar into my phone ! Sounds great !

It's quite pointless (if not disheartening) to use a brand new chrome cassette tape to record something on a crappy boombox, do yourself a favor and get a decent cassette deck tape recorder where you can finely adjust the record level and select the proper bias equalization that suits type II Chrome cassettes which aren't properly handled by boomboxes like this one where only type I tape bias equalisation is supported (120µS for type I, 70µS for types II, III and IV). You'll get a way more rewarding result. If you're on a budget and/or can't get a proper audio cassette recorder, look for early 2000's VHS Hi-Fi stereo cassette recorder and some non worn out used cassettes. Even a no-name entry level one that you can find for $30 has a 90dB dynamic range (a $2000 Nakamichi Dragon audio cassette recorder has a 60dB dynamic range with unobtainable type IV Metal tapes), just clean the heads on the recording drum with isopropyl alcohol, check out (and replace if necessary) the belts, grease the gears that might be recalcitrant, and voilà, you have something that can give analog professional studio reel-to-reel recorders (Studer, Ampex, Teac...) a run for their money. And also a tape player that can deliver up to eight hours of quality analog audio playback on half-speed mode with a E240 cassette.

I'm 48 and grew up recording my band's practices on a 4 track recorder. I did it for almost 25 years straight and that experience managed to perfect the art of recording to cassette. I learned a lot of things along the way that I still use recording digitally and often reproduce in my productions. Here's a few worth mentioning: 1. the mistakes are often the most memorable parts of the recording. The unintentional parts and happy accidents add the unique character that people connect with and our favourite music from the past is full of them. 2. balance the volume of the instruments as you record them... it makes it easier to mix and offers a more natural listening experience 3. Commit: make decisions and stick to them. Working with tape forces you to trust your instincts and removes the endless options available when working digitally. I use this mindset when recording into my DAW today.

fun, yea my first device was a tascam that used normal tapes. recorded the whole band with that thing

Nice! I dig it. Once upon a time all we had was cassette. We must have tried every iteration: Tascam, Fostex, Sansui, boom box built-in mics, through the PA, condenser mic straight into the boom box, stereo condenser mic into camcorder (that actually sounded REALLY good), etc... I actually still have a box full of brand new Maxells of that same type you have there, from the early 'nineties. I also have boxes of tapes that probably won't ever be heard properly again, as the long-dead machines they were recorded on did so at varying speeds. I agree - everyone should try this sort of thing. Fun stuff!

As a 66 year old veteran musician, this makes me smile :)

Is that one of the tapes I gave you?

Tenho ❤

Your stuff sounds dope to me!

Keep pushing, mate!

The Marshall sim is the Mesa Boogie sim with a smaller input capacitor. The rest of the circuit is identical. The Fender sim is the Mesa Boogie with a mid notch at the input, slightly more work. So the simulation is faith based. For $30 it's a great tone changing distorty thing. You are bound to find one or more useful sounds.

I believe this is the successor to Behringer's GDI21 pedal. I owned one of those for a while. It was ok on the less gainy settings, but just too noisy when the gain was increased, and I don't miss it. On the other hand I still have my ADI21 acoustic pre-amp/DI pedal, which works very well with low-output acoustic pickups, so I'm not about to write Behringer off.

That sounds like a total crap if you’re looking for that total crap sound

Thanks for the demo, you managed to make it sound horrible

It's a real preamp so you have to connect the output to the line in of your amp which bypasses the amp preamp

Shit demo. I have this pedal and it doesn’t as bad as you’re making it sound