Amazing content. Thank you

I've heard similar lines in Joe Pass solos as well. Sounds great.

our observations are spot on......

YES Tina! that's how we like it. Beautiful lines

Good on you 🎉your a champion

Thank you❤!

Good sound, you had some nice rhythm motives , Ibanez makes beautiful instruments, I have an old George Benson GB20, a great instrument ( long taken out of production), greetings Vic

Hello, how are you? You have my undivided attention. For me to remember this session, I would like to be paid in full, so I would like the etude along with the manuscript from this session to remember you by. How do I obtain the material that I just requested ? 😊

Thanks, very useful ideas. Soloing to Chick Corea sounds better thru abstract (no-arpeggiated) runs like from 11:36

I have that exact guitar. Bought it with money from my first job when I was 17, 40 years ago. Same color, fretboard inlays and everything. Yours looks a lot newer though, all the plastic trim on mine has yellowed with age.

Great info! This is a good listen as well Coryell/Khan kzbin.info/www/bejne/aHatmWqQmNuto7csi=OwhOyOpxBAnqAMkx

Hallo Tina Jäckel, auf der einen Seite bin ich total beeindruck, was du an theoretischen Tipps gibst. (Da kann ich echt viel von mitnehmen). Auf der anderen Seite vermisse ich das musikalische Statement. Also, das die Phrasen irgend wo hinführen. ALso den Ton auf den du hinspielst. Und das auch über den Akkordwechsel hinweg. An dem Punkt habe ich die Kritik, dass vor lauter Skalen, das Gefühl für den einzelnen Ton verloren geht. (Wenn dir der Kommentar zu negativ ist - bitte löschen - ich wäre jedenfalls froh ich hätte den theorethischen Überblick , so wie du)

Magnifique super interessant.Merci Beaucoup Madame.Tahiti.

3:47 I need to remember this.

A couple of nice ideas! Playing the rhythm part as a samba gives it a nice joyful flavour and is easier to loop. BTW I'd put your guitar case away from radiator... ;) 😉

this is exactly what I was wanting from you think of what your favorite ideas are for playing over chords and show us how to use that playing a standard and how to think playing over the standard as a whole, very useful for learning how to play over the chords but also you are revealing what your favorite ideas are it would be so interesting to have a community where everyone shared what their favorite ideas are, ideas that don't sound like anyone or anything else, a catalyst of creativity and invention sometimes only requires just a little more imagination I have a creative mind but often criticize myself for not having enough imagination

Cool , I was studying it , I might rejoin your patreon again , I stopped when you said you will stop and i will restart soon , thx

Fantastic tone and guitar :)

lovely

With such inspiration , gonna climb over the hill ...!!!

I don't understand why Ibanez stopped putting that cool top cutaway on Matheny models?!

Brilliant and beautiful. 10 out of 10

beautiful

Wirkt auf mich zu verkopft, unterkühlt und seelenlos.

😊

Nice phrasing, Tina!

Your channel has the best vibe!

Brillian! Vom Feinsten. Absolutely convincing. I like the slight hesitation there and then. You are getting better and better. I still think however that you should try the Ibanez GB10. Keep the JSM100 and the AS 50. Sell the PM.

Love it 👍🏼

I guess I am old. I didnt know 1980 was considered "vintage"

Cool Improv😊

Great great great Tina

Awesome. I have a similar model. Great sound here!

❤️

If you made that jam up, on the spot 5 out of 5. I would like to say your swing is good 3 out of 5. I am going to look up those chords. Keep up the good work. ❤

Thank you! Beautiful improvisation....

Really nice lines on a very nice guitar (I have its twin!). Only problem with mine is its weigh (heavier than a mid-60s 335)t!

Fun :-)

Lick @ 0:41 was 🔥

Nice jazz lines improv. More plz. And yes very warm tone.

Ooh , yeah !

I have the same one! Lovely playing.

👍

I notice you're using roundwound strings, but you get very little string noise, just the occasional squeak. If I use roundwound on my 335 I get lots of string noise, particularly if I'm doing chord-melody with a walking bass. How are you avoiding string noise? Do you fully lift your fingers off the string before moving, or is it just that you've turned the treble down? I currently use flatwound strings, but seeing you play, I'm concerned that it may be masking a problem with my technique. I've been wanting a guitar to keep for jazz, and leave my 335 for blues. I think the 335's more suited to blues than jazz. I've been looking for a proper archtop with a solid, carved spruce top, and floating pickup with a good acoustic sound, so I don't have to plug in every time I want to play. After hearing yours, with just the sort of tone I'm after for recording, I may change my mind.

Thank you for this one and for always consciously going at a pace that acknowledges the challenges of us intermediate players working to advance to the next level.

#5 is like THE joe pass open chord to me.

Thanks so much for this!! More work for me but you're right, these triads are basics that should be part of my solo tool box.

When doing polyrhythmic runs you use a metronome? Did you study with Damien in Boston? I'm a former student...

Ps what model of Ibanez are you using