Why Lipinski, you mad lad

Sonata No. 1 00:03 Allegro 04:02 Allegro ma poco 07:01 Allegro Sonata No. 2 10:12 Allegro 13:40 Sarabanda Largo 16:13 Allegro Sonata No. 3 19:28 Adagio-voice 26:31 Adagio 29:28 Allegro Sonata No.4 32:11 Allegro assai 35:19 Aria gratioso, Andante 39:18 Giga, Allegro moderator Sonata No.5 41:54 Allegro ma poco 46:30 Gavotta grazioso, Andante 49:30 Presto Sonata No.6 52:41 Andante 54:42 Allegro 58:30 Largo 1:00:50 Allegro ma non troppo

Errata Corrige Singer Sophia Burgos

Questo concerto è straordinario

47:02 The famous rondeau which wrongly perceived as the piece by Lully previously.

Hi Sissel, I'm very delighted to stumble upon this video, and happy that this score I spent a lot of effort typesetting with Musescore 2.x back in the day could be of use to you. I was pretty much blown away by the piece when I first heard Feeney's recording; it was so much more striking and expressive than anything I'd heard by Dragonetti and I still really think he wanted to do something really special with this one. The thundering opening, the foreboding rumbling at 3:50, the majesty at 10:24 and the sudden calamity at 12:36 with the very creatively orchestrated Andantino that follows. It is indeed not a concerto; the only designation in Dragonetti's hand is that it's a solo "a tutta orchestra" as opposed to several other, likely earlier pieces which are labeled concertos and follow the three movement structure. So I apologize for naming the work page "concerto". In my typeset, I use the slightly less wrong title "concert piece". I had many unrealistic hopes that my typeset would inspire people to play the piece, but at least this video exposed more people to the piece. A good piano accompaniment might help, because the one made by Dragonetti's friend Mariotti is really not satisfying.

Превосходнейшая симфония!

Isn't that A major?

Спасибо!

Considering wikipedia claims he is a minor composer and responsible for the Alberti bass... I'm pleasantly surprised. His keyboard music is full of charm and seems in the gallant style. Very fashionable for it's time and enjoyable to listen to or play

I wonder if by "style" he means in a vague sense in terms of structure? It sounds nothing like Bach. This is so obviously in a Post-Romantic idiom--especially in the slow movement. (???)

Здорово!

This is obviously an much older Recording! That string sound really dates it! I'd say 60s-70s... the trumpet sound is pretty good! OH Yes}}} There was that set by the Wallace Collection?? The work itself may date from GPT's Frankfurt time (1712-1721) he wrrote some momentous Pieces here! Including the mighty Brockes Passion (1716) and many impressive Oratorios!! Plenty of Cantatas too! Includes the French Cycle (1714/15) now appearing on CPO Label. This label a giant Flagship for GPT!! More coming too! ;-)) Viva Telemann!

This piece has more flesh on the bone than the E minor concerto. I ranked it in my notebook as excellent.

Gracias

Where can I find scores or ms of this composer? I am searching scores by him to study and I am in trouble finding any :""D

What's not to like: wit, jaunty elan de sprit, and incredibly challenging passagework. The saltando bowing adds to the smile on my face. Ever notice how Bazzini in the Dance of the goblins uses that ricochet bowing to add spice as Ernst does here. Of course, all those 19th virtuosos violinists were all inspiring (or frenemies in current terms) each other. thanks Sissel for making my day!

All delightful and masterful.

I could listen to the last minute of the menuet over and over … Haydn was such a wonderful composer…

Who was chuckling at the beginning?!

Не могу сказать, что это близко к тому, что хотел сказать Бах, но это всё равно оказалось очень интересной версией.

Chinese furry

( 2:16 I pulled out my phone right here to see if maybe I accidentally picked the accompaniment- then it started

A bit excessive compared to Saito's and even Stokowski's, but wonderful nonetheless. I'm really surprised that someone did this in the 19th century. Thank you very much for sharing!

3:01

1:53 pia 2:43 pia

Bellissima(!) Amadeus knew the works very well Ernst Eichner. "party at the two Fraulein Freysingers',..., each played a concerto and I played one of Ernest Eichner's" (!!!) L219b (THE LETTERS OF MOZART AND HIS FAMILY by EMILY ANDERSON).

I play this piece with my trombone

I have to learn this to enter the field of music education. Wish me luck

Lovely. Thanks, really does warm my heart to the core.

Wonderful upload, one of the best among all of Spohr's symphonies. Thanks a lot!

The fact that nobody knows J. D. Heinechen is just a crime...

👌👌

Great violin playing , and Ian Hobson whom I remember from Illinois Master's days, all jaunty as hell on the piano. I particularly love the finale. That melody on the G string, achieved while apreggiating all over the place, is just so beautiful. It sort of reminds me of the Mendelssohn vln cto cadenza when the orchestra joins the soloist. It's a great technique and I used to love playing this. Thanks Sissel.

😅 Scherzo beginnt wie Beethoven 5/3.

If I am not mistaken his name is roughly translated as "Old Days" hence why it is hard to research...

Excuse me, but it looks like I'm playing something in this video?

3:52

timestamps: 0:02 I. Allegro risoluto 3:13 II. Adagio 5:50 III. Moderato 8:44 IV. Andante 17:32 V. Gavotte 21:17 VI. Minuetto I 24:30 VII. Minuetto II

The performers are: Ensemble der Wiener Hofmusikkapelle, Thomas Christian, violinist/conductor The movements are: I. Allegro II. Andante III. Rondo: Moderato

6:17❤

real epic

Very pretty embroidery by Thalberg, As usual, however, Liszt finds more on every level in his transcription: kzbin.info/www/bejne/jITSXoV6fMl6i7c

Belleza de obra...monumental diría!!!!!!!!!!!!!!

What joy this is !!

Amici della musica salve ,ho avuto modo di ascoltare per caso queste fantasie per viola o viola da gamba o braccio a seconda dipende in che chiave suona ,commento ,la fantasia e' in sostanza una composizione libera ,queste proposte dall'allora compositore Telemann ,suona piu come studi che come fantasia ,può essere interessante per uno studente che vuole cimentarsi come allenamento soprattutto in scioltezza sia nell'arcata sia in scioltezza di entrambe le mani .Il resto farei a meno ,preferisco quelle proposte da Purcell ,molto meglio ,chi non le conosce ,si chiamano Fantasie per viole di Purcell .

Qué belleza de música.

It's an awesome piece that should not have been forgotten like it is nowadays !