Eu amo este quarteto! ❤❤❤❤❤

0:27

Omg this is so good

that second movement, wow... it´s been a long time since I was so impressed and impacted by one of these

21:24 ошибка либо в нотах либо в том что сыграл виолончелист, ноты не совпадает с тем что играют исполнители.

Délicieux troisième mouvement...

27:45 to 28:02 best part ❤❤❤

0:04 ist es wahr 1:26 15:25 도둑들

In string quartet genre Dvorak is the true successor of Beethoven

I came from TwoSet violin 😅

Dvorak is undoubtedly the Greatest student and expositor of Beethoven in the quartet genre

C'est vraiment cool

This is the first time I’ve heard this amazing piece of music. Thanks for sharing it.

Ma chi arriva primo? Tecnica eccellente ma un primo tempo davvero troppo veloce e se ne perde il senso, almeno per me. Comunque complimenti

From presto to adagio to allegro ...ending in adagio... al most brought tears to my eyes...mendelssohn utilizes such layers with his pieces...excellent !

That scherzo (furiant?) 2nd movement is an incredible tour-de-force.

27:45

the adagio 😗🤌

7:02

Las líneas contrapuntísticas se entrecruzan con la quasi genilidad de un Bach. Javier Villamor Lugo.

2:20 bach is that you?

Wow, so complex, but so lyrical

9:15

Exquisite A minor key. What a very beautiful piece.

Thank you! Man, it is so wonderful, and the prospect of playing it is *so utterly terrifying*! (Its forebear-Schubert's G Major-practically killed me! 😢)

This is honestly my favorite string quartet from Dvorak!! So underrated yet so good

One of the best pieces of classical music that I know!

8:04

Tremendously helpful to me, as I prepare this to play with friends for a week on a study course! I am so grateful that you went to all this trouble! Many, many, thanks!

Spectacular quartet.

Nice❤❤

Sparkles with genius, passion and life.

5:49

Very many thanks for going to all you trouble to do this - it is a really wonderful aid to study of this beautiful piece, which I am going to play shortly with an amateur group. Greatly appreciated! Best wishes, Philip Thonemann

このカルテットは上手いね (・∀・)ノThank you!

Muito bom. Obrigado.

3rd mvt starts so well, why does it give up on it and goes into quick notes 😥

I, of course, apologize for such a statement. but. Usually this quartet (emerson quartet) plays very well. But here, throughout the recording, I can't help but feel that the people just didn't look at the notes. How so? in the 3rd movement, for example, the note "do" in the second bar is written without a dot. detail. igpaetsya with a dot, why? and there are a huge number of such moments throughout the entire performance. There is no change of states where they are written. Very strange recording, it turns out completely different music. Although the staff is very knowledgeable. Just weird.

00:00 : I. Adagio (basé sur le lied Ist es wahr op.9 n°1 de Mendelsson) 00:54 : Ist es war 01:25 : Thème 1 (basé sur le rythme de Ist es wahr et similaire au premier thème du premier mouvement du quatuor n°15 op. 132 de Beethoven). 02:05 : transition vers le 2e thème en mi mineur 02:21 : 2e thème en mi mineur 02:50 : 3e thème en mi mineur 03:16 : Développement 04:49 : Réexposition 05:20 : 2e thème en la mineur 06:01 : 3e thème en la mineur 07:34 : II. Adagio non lento (thème basé sur le rythme de Ist es wahr) 08:50 : Passage fugué (thème basé sur le 3e thème du premier mouvement) 15:25 : III. Intermezzo: Allegretto con moto (thème similaire à celui de la fugue du 2e mouvement) 16:59 : Allegro di molto 18:56 : Retour de l'Allegretto con moto 20:09 : IV. Presto 20:43 : 1er thème (similaire dans son accompagnement et son intensité lyrique au 1er thème du 4e mouvement de l'op. 132 de Beethoven) 23:03 : Retour de la fugue du deuxième mouvement 24:22 : Retour du récitatif 26:05 : Retour de la fugue du deuxième mouvement, sur l'accompagnement du récitatif 26:43 : Adagio non lento (thème de la fugue) 27:20 : Adagio du premier mouvement

23:25

Legend. Beginning a minor key work in the major key was pretty unheard of. 2nd movement use of minor 6th chord reminds me of beethoven's cavatina from op. 130

そんなことしなくていいんだよ。 いつもどおり、きれいな、親しみやすいメロディを書けばいいんだよ。と言ってあげたい。

this is kinda fire tbh, dvorak really popped off on this one NGL (tbh fr)

In my opinion Dvorak's greatest work!

6:28 and further... reminds me of Samuel Barber's Dover Beach

The finale sounds like the finale of Brahms Violin Concerto.

👏

I hear parts of the violin concerto. He also has a great affinity with Jew folks song. I love his ability to write always a second voice...it is always present..thank you. It is a piece to study with great detail...good day.....

Very good