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@ROTARYDISTRICT-bi3ez 3 ай бұрын
FLAHERTY’s loss was cinematography’s gain. A private joke between Ben and myself.. Ben will know what I mean. Great explanation Ben, thank you. Martin
@64dr64d Жыл бұрын
Superb discussion. Having seen some of the issues mentioned in this have now been sorted with firmware, it’s a better workhorse now. I still wonder though if I’m the only person in the world who hated the default handle. Not long enough to be long, and way too long to be short. Would be awesome if it could go c100 styles while maintaining rotation.
@nourghafarji Жыл бұрын
2:23 no game engines, such as Unreal then say unity! we all know Unreal is number one!
@minarimon3106 2 жыл бұрын
Is it better than fx3 in low light conditions??
@yusei151 Жыл бұрын
not really but in the same lighting conditions it is better resolution. They have their trade offs for sure but the fx3 will be more than enough for most people.
@swkaushik 2 жыл бұрын
Thank You Sir
@swkaushik 2 жыл бұрын
Thank You
@swkaushik 2 жыл бұрын
With Respect Sir
@JonPais 2 жыл бұрын
A complete guide to the HDR10 workflow aimed primarily at those wishing to create and share HDR videos on KZbin may be found by Googling Monster Guide HDR.
@erelando 2 жыл бұрын
We can now grade in HDR with the M1 Pro/Max MacBook Pro mini LED display with Adobe Premiere or Davinci Resolve, I'm speechless the first time I saw HDR video on my MacBook Pro 16" screen and it boosted the highlights up to 1600 nits while still keeping contrast and all the detail in the shadow. Simply amazing!
@australiancinematographers7742 2 жыл бұрын
We had a MacBook Pro 16" on set on our test shoot and when we compared it to the fifty grand AUD Sony BVM-HX310 we were amazed at how good the MacBook was. It is an impressive HDR display
@shueibdahir 9 ай бұрын
I still wouldn't grade on that display. While the shadow detail is impressive it doesn't reach nearly the same level of blacks as OLED and especially QD-OLED so there's a huge range of low end you're simply unable to perceive. I'd do bulk of the grading on an OLED TV and fine tune it on my MacBook incase I'm on the move.
@carusowa241 2 жыл бұрын
Where can i find the HDR Version mentioned at 1:00?
@MatthewVandeputte 2 жыл бұрын
From a reply on the Newsshooter website: "while we have a HDR version of this video we still have not managed to successfully upload it to KZbin"
@australiancinematographers7742 2 жыл бұрын
We are keen to upload the HDR version but KZbin's HDR implementation is just broken. We are just humble camerapeople and the labyrinth HDR upload/processing and buggy software has so far defeated us.
@Escargot 2 жыл бұрын
@@australiancinematographers7742 Are you uploading from a computer with an HDR-enabled display (or upload from an iPad with HDR screen)? Otherwise you'll not see the HDR version.
@greenlightvideoproduktione6899 2 жыл бұрын
Can you upload it to an other Plattform than KZbin? - the whole point for us with HDR is still this compqdabiluty issue. I wonder how the video will look like in hdr, because on my phone i had oftentimes droped blacks.
@ryo.analogue 2 жыл бұрын
@@australiancinematographers7742 KZbin tends to process in SDR and have the HDR version ready much later. Have you revisited the uploaded video to see any changes? My apologies if you already have.
@alexander_mejia 2 жыл бұрын
I've been experimenting with HDR filming in my spare time, and want to upload my videos in HDR. The image looks much more life like, and more exciting to look at and will be the way you'll stand out against the many others out there.
@focuspulling 2 жыл бұрын
Fascinating, well-done production on a subject about which there is so little understanding. Learned a lot; thanks very much.
@MatthewVandeputte 2 жыл бұрын
Great timing, I've been working on a new chapter of my course which is all about turning timelapse sequences (RAW photos) into HDR video. I've had to do an enormous amount of research and testing to finalise it. There's a shockingly small amount of info out there, and nobody seems to be really certain which methods are best for this particular workflow.
@australiancinematographers7742 2 жыл бұрын
The paucity of information out there is strange but it may be possibly because HDR is presently siloed into the large Streaming dramas/documentaries projects? Once KZbin gets its act together HDR should be more accessible
@santhosh863 2 жыл бұрын
Hi this is Kumar Sai I am from India (Hyderabad). I am an actor, I have done 40 movies as an actor (Telugu film industry is a region of India) First of all I appreciate your channel content about cinematography 🙂✌️ Sincerely: I am going to make my directorial debut here (in India) with a tropical rain forest survival feature film. I am looking for technical experts in this project, especially cinematographer, please help me to contact someone who can deal with their cinematographic excellence in rainforest and virtual production shots on set.
@santhosh863 2 жыл бұрын
Hi this is Kumar Sai I am from India (Hyderabad). I am an actor, I have done 40 movies as an actor (Telugu film industry is a region of India) First of all I appreciate your channel content about cinematography 🙂✌️ Sincerely: I am going to make my directorial debut here (in India) with a tropical rain forest survival feature film. I am looking for technical experts in this project, especially cinematographer, please help me to contact someone who can deal with their cinematographic excellence in rainforest and virtual production shots on set.
@drinkmilktea 2 жыл бұрын
Fantastic overview. The impressions of these experienced DPs were priceless, along with the technologists clearly and honestly explaining the pros and cons from their point of view. Well done.
@benallanacscsi3056 2 жыл бұрын
Test
@VFXforfilm 2 жыл бұрын
No ILM fluff promo video that cuts away quickly from the stagecraft in order to not give away it's flaws. This is a good transparent and honest perspective on LED virtual production.
@SachinBhatia92 3 жыл бұрын
Hi, please answer that which type/technology/specification/pixel density-size these LED screens are preferred so to avoid shimmer & interlacing problems.. what lumen range should monitors be & does it needs to be changed on different fps on camera etc etc. such practical things to be noted!
@barrycook6603 3 жыл бұрын
Great presentation!
@dustinschmidt2752 3 жыл бұрын
This is tragic that this video doesn't have more views. It's one of the best FX9 reviews/conversations anywhere, still to this day. Thanks to the ACS for producing and putting this out there.
@sureshkumar-wj4jc 3 жыл бұрын
I m from india..Hyderabad Planning to do tropical forest survival background pro movie please help me to contact you people I need your association
@AbhishekKumar-kt3gd 3 жыл бұрын
Hey Lee, I'm having trouble with frame rates while making the showreel, I set the project to 25fps, and the videos that were below it gets faster and the ones above it get slower. Please help, even the audio messes up! :(
@TheSpendog 3 жыл бұрын
Can't wait till I finally get access to this technology, Kinda sad how most production companies aren't trying to do setups like this tbh.. They just like to spend ridiculous amounts of money, and time since they think they have it...
@patrickwebb1987 3 жыл бұрын
Pretty interesting stuff. I agree with the point that it is going to breed a new version of filmmaker. Looking forward!
@christophermoonlightproduction 3 жыл бұрын
Good presentation and I appreciate that the pros and cons are being pointed out. There's a tendency to get over-excited at new technology as if it's going to make it so you can just pick up a camera and get your shot at the push of a few buttons, without considering that with it will come new challenges and skillsets. There's no substitute for the blood, sweat, and tears, as it were if you want to get your vision onto the screen. There's always a tradeoff.
@rakeshdharan1571 3 жыл бұрын
Wow, very nicely explained. Thanks.
@rakeshdharan1571 3 жыл бұрын
Thanks ACS for compiling these interviews of DPs who have tested Virtual production and addressed the benefits and challenges. Looking forward for more informative videos.
@igorkulakevych4968 3 жыл бұрын
Great overview!
@CinematographyDatabase 3 жыл бұрын
Furry Bubble
@nonprofitfilmmaker3755 3 жыл бұрын
sounds like someone who doesn't work in 3D describing a point source light tbh
@BPHoldfire 3 жыл бұрын
I recognize ROE panels! So good. I'm jealous
@SergeGolikov 3 жыл бұрын
Exciting and at the same time scary! Is the medium in danger of replacing the story?
@mohdanasqureshi757 3 жыл бұрын
dude that doesn't even make sense.
@allblack2977 3 жыл бұрын
No
@dfrederick9132 3 жыл бұрын
Hello Lee, This video is so informative on so many different levels and as a certified FCP trainer, I am hoping you can help me with my question about camera archives, please. I have searched, but have been unable to find answers. I recently edited a 6 minute project by copying 4 SD cards with all my footage into my external hard drive and editing. After editing, I discovered the value of camera archives! The client wants a longer project from the same footage and some changes on the 1st project. My question: If I make camera archives of the 4 SD cards from the 1st project and then delete the copied media associated with the 1st project will I be able to make changes to that first project with footage from the camera archive created after editing is complete? Any insight you have will be greatly appreciated. Thank you.
@LeeHerbet 3 жыл бұрын
Hi, there's a bit of unpack there. A camera archive is kind of like creating a zip of your card. The idea behind this is that if something where to happen to you footage once you've copied it into your library or onto you your hard drive (ie, something gets corrupted) you have an exact copy of what it looked like on your card. This allows you to format and re-use the card, whilst having a "backup" of it. Having said that, if you still have the existing project in the library, you could right-click on the project and create a duplicate of it and then makes changes to that duplicate. That way, you don't have to start from scratch. If you delete the footage from the project/library, you would then need to re-import it to work with it again. I think that's what you where asking? :) BTW, sorry for the late response. This isn't my channel and so I don't get notifications of when there are comments. :)
@danielszimuly 3 жыл бұрын
I just had to reset my column again..super annoying even on 10.5.2..Great video mate!
@TeddyLeppard 3 жыл бұрын
There’s also no reason foreground elements cannot be generated on-the-fly and composited into shots. This would give limited sets even more depth and verisimilitude.
@Igrium 3 жыл бұрын
If you have a big enough asset library
@StaplesMedia 4 жыл бұрын
Great review! I've been very pleased with my FX9 coming from a FS5 which has mostly shot raw externally. It's very very versatile and continues to impress me in challenging situations.
@TheZackward 4 жыл бұрын
What was your most difficult process? So many different techs to work together. How did you fix those problems?
@tomgleeson5722 4 жыл бұрын
Zack can you be more specific? Certainly there are a lot of areas of expertise that need to come together to make it seamless. The Virtual Production Technical Director is a key player but communication between all departments in pre production has never been more important. Due to the system complexity any setup would require time for calibration and shakedown. Especially in these early days.
@portzir 4 жыл бұрын
Frameworks is a very nice term in this topic
@robertomighty 4 жыл бұрын
Clear, succinct, excellent presentation. Thank you!
@jean-yvesdurocher2607 4 жыл бұрын
OMG! Incredibly informatice. Thanks.
@LampeProductions_nl 4 жыл бұрын
Film doesn't have any pixels. With pixels, in this case, we indicate how many MOSFET there are on a censor. We indicate film sizes with millimeters or sometimes inches, so like Super35 (official name is Superscope 235) is 24,89x18,66 Cinescope (2,35:1) is 21,95x18,6 Techniscope (2,39:1) is 22x9.47 The name super35 came from the film that is used named "135" better know as 35mm I'm not sure but 4k is about 18 years old, but definitely not 100. en.wikipedia.org/wiki/Super_35 en.wikipedia.org/wiki/MOSFET en.wikipedia.org/wiki/Image_sensor en.wikipedia.org/wiki/135_film
@maxsaltin1001 4 жыл бұрын
Can I still call UHD 16x9 3.8k?
@kacofilms_weddings 4 жыл бұрын
Thank you!
@IndioA 4 жыл бұрын
THANX
@8KHDRVideoBySittipong 4 жыл бұрын
Very usefull.
@jpd4real 4 жыл бұрын
I may need to watch this 5 more times to digest it.
@DigitalContentStudios 4 жыл бұрын
Exciting to be a part of this transition into virtual filmmaking.
@zanekase8099 3 жыл бұрын
you prolly dont give a damn but does anyone know a way to get back into an Instagram account..? I was dumb forgot the password. I would appreciate any tricks you can offer me
@ashtonhugh3952 3 жыл бұрын
@Zane Kase instablaster ;)
@zanekase8099 3 жыл бұрын
@Ashton Hugh i really appreciate your reply. I got to the site on google and im waiting for the hacking stuff now. Seems to take a while so I will reply here later when my account password hopefully is recovered.
@zanekase8099 3 жыл бұрын
@Ashton Hugh It worked and I finally got access to my account again. Im so happy:D Thanks so much, you really help me out :D
@ashtonhugh3952 3 жыл бұрын
@Zane Kase No problem xD
@Nevescreative 4 жыл бұрын
That was great! Thank You!
@RoodeMenon 4 жыл бұрын
This is so fascinating! I got to stop postponing and just deep dive into Unreal.
@zerocoool1111 3 жыл бұрын
Have you done it yet?????
@nonprofitfilmmaker3755 3 жыл бұрын
omg me too just downloaded unreal 5 need to dive into this thing for real. I taught myself blender last year and now it's an integral part of my workflow, just hoping that picking up unreal will be even easier!
@projectmorfeo8451 Жыл бұрын
im doing something similar but in unity, there are some great tools...
@ExaltedMediaInc 4 жыл бұрын
This is a great video. Made me think of the old painted studio backgrounds.
@tomgleeson5722 4 жыл бұрын
There is a correlation to the old painted Studio backgrounds but imagine that they have come alive and are now three dimensional