Ah man! Thank you so much! Appreciate it!

Godt fanget :) Tak! Han spiller faktisk en ond bas, vilde trommer, beskidt klaver og en lettere forkølet saxofon. Men ikke på ovenstående :)

Hvor er du sød! TAK Bertil!

Thank you Peter :) More to come!

obergsson If you think every solo is just patterns then you aren’t listening. What Melissa and Jure are playing is what Stan and others played, but taken a step further

Ironically at 3:15 there's a classic line that Getz would have played. It's on his version of Pennies from Heaven with Oscar Peterson Trio

haha and again at 6:30

@@wird5406 No...obergsson is right. This is a complete bastardization of I'll Be Seeing You. Most "jazz" musicians today don't even try to understand about a song like this and what it meant to people. Melissa Aldana is overrated

@@navymusician822 Just because they might stretch the harmony or play more modern concepts over a song doesn't mean they have no idea what it means. They're just exploring the sounds they're hearing to express whatever they want to express. Artists are entitled to be creative and find new ways to approach old songs. And I would say the opposite is true. Melissa and so many saxophone players of their generation spend hours studying the tradition and learning what these old songs mean. You can hear Coleman Hawkins, Sonny Rollins, Don Byas in her playing along with her modern influences. They aren't mutually exclusive.

Hey Noel! Thank you so much:)!

She told me she practices 8 hours a day, so that might be why.

@@i32504 it definitely is. My sound was way bigger when I was playing all the time too.

Very soulfully too! A huge impact with few notes.

!m!!!!!!!!!