I love this video!!! Best Tea bowl lecture ever!! I am grateful that you made this video and hope that you will make more. Best wishes!

Dutch Fookhore. Judith friends off the Van Holden's live in Holland. Does not speak English. 😮

WHAT A JOKE, i love when people who don't what the f#@& they are talking about think they can teach it🤣🤣🤣🤣🤣🤣

This is so cool. I have a shite ton of ingredients and barely a clue what to do with them. I get discouraged cause I don’t know how to measure in small batches which is what I need, but I feel iam learning.thanks for this

I hope this stays up indefinitely. The info is worth it's weight in gold.

Wonderful ! Thanks for sharing this.

Alessandro Planning any workshop? Thank you

Thank you for sharing.

Excellent work

عربي ممكن؟

Please correct! Sen no Rikyu was not a potter and tilemaker as you mention at 13.20 minutes! He was priest, important tea master and adviser to Toyotomi Hideyoshi. Chojiro was the tilemaker!

Hi. Thanks for this wonderful video. I have a question: what do you do about foodsafety?

Thank you!

i think politics and art is a lowlife mix

Does this apply to high-fire glazes as well?

Thank you. I have nearly 5 gallons of slop glaze, accumulated over 3 years, that I have been too scared to deal with. I think I have the confidence now to deal with it. Your black slop glaze was stunning.

Perfect. !Perfect. ! Perfect. !

Hownice !

Hownice. !

Great demo, thank you!

Well that was incredibly stupid, didn’t say a dam thing

My college pottery professor, John Nellermoe, studied with Marguerite and passed on her techniques to many students. I have always been in awe of her and her work.

been a potter for many years started research for the Classics Dept , terrasig was found Tel El Ubaid at 6000 bc Dean of Technology Yale. 2003 .

thank You

What a speech. Love from Altea ❤

Very interesting video

Appropriation is very charged word. Usually it has been used in situations where the stronger or superior has been taking something from some that has been considered inferior. We are building too many boundaries these days and in my opinion we don't need more. Im a ceramic artist and I feel the dept we in the west owe to the Japanese ceramics culture. But if we try to make tea bowls, I feel that is something similar than if guys from Birmingham in the 60s fell in love with blues and started to play it, maybe in few years time even made couple of nice tracks which added things into the blues legacy, maybe in few more years even played with the original legends of blues. They did their part to make the culture living by adding layers into it. Other thing I didn't get was that some western (and ugly) bowls were mocked and some were praised even they were very very far from their origins and to me seemed skillfully made but tasteless. Perhaps I took it too seriously, it's good things are discussed though

Will we ever get the iron video?

Great video

How in the world are you getting -0.1 moles of boron at cone 6

Wonderful to find this video about Cynthia. It brings back memories of our conversation c. 1997; when I called her to just introduce myself, and talk awhile. She's a lovely person. I am a potter. Marcie Blizzard.

A really informative and fun watch. As a hobby potter, terra sigillata has not (yet) been tried by me, but after this video, I am interested to try to make my own, color it and try it out. Thanks so much for sharing!

Many think that the Brits drink the most tea per capita, but in fact it is the East Frisians

Excellent explanation thanks

what about the relationship of the interior to the exterior surfaces_?

Thanks for your very informative presentation.

Love this man! He is a contemporary hero/role model for all of us. Such an extraordinary individual! Full of compassion, love and understanding. A one-in-a-million human. He inspires.

Chris Staley, you are such an inspiration. I will watch and listen, share and talk about what you so generously have shared. I will do my best to pass you wisdom on. Thank you.

Is this something a person can do as a conversion from an electric kiln?

Any suggestions if you spray your glazes, how best to make test tiles? Generally they say for your regular test tiles (not these line blend ones) to use whatever method you most use to apply to your ware, but for my sculptures I 80-90% spray & occasionally apply in a “painterly way”. I feel like either dipping or painting onto my test tiles definitely gives me a different look than what I get when I spray, but it is pretty challenging & very time consuming to apply glaze to test tiles with my spray gun. I can certainly use a tip that narrows the spray significantly to fit it on the tile, and even do some layers, but it is more concentrated then when I usually apply it using other tips to my sculptures. I have about 5 or 6 total cups for the spray gun, but I usually do lots of test tiles at a time, so I have to clean out the spray gun between each color and then wash out the cups every few glazes. It just isn’t ideal for test tiles, what do other people do? Most people who I know that spray their glazes dip their tiles. I don’t know anyone personally that sprays them. I also don’t have a ton of bisque broken pieces of things and I’m a little wary of making test pots instead of tiles as my clay is quite expensive & I reuse everything, plus I have a very busy schedule and making a bunch of extra pots just for testing would take up time I don’t have…(notably I use 6+ claybodies that all my glazes get tested on, so that is why I don’t have time to make up a bunch of extra test pots 😂 Suggestions solicited…

I have a homemade spray booth, glad to know I’m not the only one! I love yours, very clever. I just use a big plastic storage container with a metal banding wheel, all the excess glaze drops to the bottom and rolls to the back because the handle of the container tips it slightly back, making it easy to suck up the glaze (or slip or terra sig or underglazes!) and if not contaminated and clean, transfer it back to its original container, if mixed I sometimes put it in its own container to be used with the glazes that I already know layer well over each other for basically a new glaze I know will look nice, or just into the slop glaze bucket which I am glad to know I am already doing the right thing dealing with my extra glaze plus the glaze that settles out in my wash bucket, much better than to just put it in a bisque bowl and fire it and throw it in the garbage which I know a ton of people do! I wear a respirator and have a high powered air cleaner with the smallest micron filter available running and keep it running for 48 hours after, and when the weather is nice (not often in MN, too cold, too hot, too stormy, too many bugs getting in my glazes) I try to do it outside. I have thought about putting a bathroom exhaust fan in the back through a hole in the container, with dryer tubing taking it out a window. But then I wouldn’t be able to collect so much of the extra glaze, which would be a bummer. On the other hand, while I can protect myself I can’t protect my cats and family members, though with the air cleaner and doing it in the furnace room which is tiny and out of the way in the furthest corner of the house nowhere near any rooms anyone uses. But I’m conflicted. Obviously this is not big enough for spraying my 4-8ft sculptures, & I don’t have room in my house for a booth big enough. I sort of rig painting floor plastic in a tent in my studio around me & the sculpture and the air cleaner (wearing respirator), also with the plastic covering the floor. I think very little gets out of the tent and it is easy to rinse out the plastic into the glaze slop bucket so both can be reused, then again run the air cleaner for 48 hours in that area, but it is a much bigger room & the cats come in & out (need a door!).

A music track should never overthrow the voice track. Video editor should know better. At least give us closed caption.

I'm just learning about Betty Woodman from an article in New Yorker (Goings On About Town). This is a wonderful tribute from a student.

Did the Ancient Terra Sig. need to be burnished to achieve it's luster? How was this done over complex 3d decorations?

Some great information here. Thank you. But this seems to be two presentations overlain over each other and have no sync feature at all. I found it very difficult to follow the speaker and the screen display at the same time. This would be much better as two different videos or do like I ended up doing by watching with the sound off and then listening without watching. One would only have to watch about a third of the screen portion as there is a lot of repetition. Having synchronization would make this a class act.

Wow, great research. Really enjoyed this❤❤❤

Thank you so much for this talk!

A very clear and concise presentation. I find the form quite fascinating.

I just wanted to buy a chawan and...ended up here :D

My god. What is that monstrosity of a "tea bowl" that appears on the right of the screen at about 1:56 minutes in. I've never seen a tea bowl as horrendous as that.